#theatre

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Mechanical gilding includes all the operations in which gold leaf is prepared, and the processes to mechanically attach the gold onto surfaces. The techniques include burnishing, water gilding and oil-gilding used by wood carvers and gilders; and the gilding operations of the house decorator, sign painter, bookbinder, the paper stainer and several others.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Angelos and Toth chase Sindri to a ritual site, as the Warp Storm approaches, but fail to apprehend him before he performs a ritual with the Maledictum to sacrifice himself in order to summon a Daemon Prince. As Toth bequeaths his Daemon Hammer, "God-Splitter", to Angelos, the Blood Ravens, assisted by the Eldar survivors, fight and overcome the remaining Alpha Legion in a violent battle, overcoming the Daemon Prince despite its power. In the aftermath, Toth orders Angelos to destroy the Maledictum, while Macha pleads him to stay his hammer. Angelos, however, quickly destroys it. As all parties start to evacuate, Angelos is called back and faces the daemon that he has unkowingly freed from its prison, the Maledictum. The daemon reveals that all of Tartarus was actually a sacrificial altar to the Chaos God Khorne (the Blood God) and that every death in the confrontation, including the Ork invasion which was arranged by Sindri, were offerings to empower the stone to allow the Daemon's release. It is implied that had the Blood Ravens realised this and destroyed the Maledictum earlier, the daemon would likely have been destroyed as well.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: La fr:Charmille de fr:Pitet à fr:Fallais : The hornbeams of the 180-meter-long Pitet bower from the nineteenth century are included in the fr:Braives classified property list, province of Liège, Belgium (1942)
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Lodestone, a natural magnet, attracting iron nails. Ancient humans discovered the property of magnetism from lodestone.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Many elements are often alloyed with steel. The main purpose for alloying most elements with steel is to increase its hardenability and to decrease softening under temperature. Tool steels, for example, may have elements like chromium or vanadium added to increase both toughness and strength, which is necessary for things like wrenches and screwdrivers. On the other hand, drill bits and rotary files need to retain their hardness at high temperatures. Adding cobalt or molybdenum can cause the steel to retain its hardness, even at red-hot temperatures, forming high-speed steels. Often, small amounts of many different elements are added to the steel to give the desired properties, rather than just adding one or two. Most alloying elements (solutes) have the benefit of not only increasing hardness, but also lowering both the martensite start temperature and the temperature at which austenite transforms into ferrite and cementite. During quenching, this allows a slower cooling rate, which allows items with thicker cross-sections to be hardened to greater depths than is possible in plain carbon-steel, producing more uniformity in strength.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: Ishtar Gate. The bricks of the Ishtar gate were made from finely textured clay pressed into wooden forms. Each of the animal reliefs was also made from bricks formed by pressing clay into reusable molds. Seams between the bricks were carefully planned not to occur on the eyes of the animals or any other aesthetically unacceptable places. The bricks were sun-dried and then fired once before glazing. The clay was brownish red in this bisque-fired state. The background glazes are mainly a vivid blue, which imitates the color of the highly prized lapis lazuli. Gold and brown glazes are used for animal images. The borders and rosettes are glazed in black, white, and gold. It is believed that the glaze recipe used plant ash, sandstone conglomerates, and pebbles for silicates. This combination was repeatedly melted, cooled, and then pulverized. This mixture of silica and fluxes is called a frit. Color-producing minerals, such as cobalt, were added in the final glaze formulations. This was then painted onto the bisque-fired bricks and fired to a higher temperature in a glaze firing.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: In terms of external appearances dwarven structures in mountains would often create beautiful flourishes and accents to buildings to add flavour and beauty to the existing stone to accentuate the designs and mirror the beautiful caverns. On the surface however such beauty could not be afforded to the lower and middle classes, with more basic and slimmed designs bein uncommon in surface settlements. however on important buildings, structures or wealth homes such classically designs still existed and were seen as a symbol of wealth and status. Often Stone pillars would a brought and support houses, with more beautifully designed symbols of wealth being important status symbols like the lawns of America, tulips of Holland and gardens of Japan. Some of the earlier dwarven designs for surface structures mirrored greek designs such as the parthenon with importance placed on stone pillars, roof and floors, with creative interpretations from town to town. This design became synonymous with early dwarven surface designs and became an important symbol for surface dwellings as a symbol of wealth and history in the settlement. upcoming settlements might seek to acquire.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Marine ecosystems are the largest of Earth's aquatic ecosystems and exist in waters that have a high salt content. These systems contrast with freshwater ecosystems, which have a lower salt content. Marine waters cover more than 70% of the surface of the Earth and account for more than 97% of Earth's water supply[1][2] and 90% of habitable space on Earth.[3] Seawater has an average salinity of 35 parts per thousand of water. Actual salinity varies among different marine ecosystems.[4] Marine ecosystems can be divided into many zones depending upon water depth and shoreline features. The oceanic zone is the vast open part of the ocean where animals such as whales, sharks, and tuna live. The benthic zone consists of substrates below water where many invertebrates live. The intertidal zone is the area between high and low tides. Other near-shore (neritic) zones can include mudflats, seagrass meadows, mangroves, rocky intertidal systems, salt marshes, coral reefs, lagoons. In the deep water, hydrothermal vents may occur where chemosynthetic sulfur bacteria form the base of the food web.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Coastal engineering is a branch of civil engineering concerned with the specific demands posed by constructing at or near the coast, as well as the development of the coast itself. The hydrodynamic impact of especially waves, tides, storm surges and tsunamis and (often) the harsh environment of salt seawater are typical challenges for the coastal engineer – as are the morphodynamic changes of the coastal topography, caused both by the autonomous development of the system and man-made changes. The areas of interest in coastal engineering include the coasts of the oceans, seas, marginal seas, estuaries and big lakes.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Lighthouse of Cordouan rises up on a shallow rocky plateau in the Atlantic Ocean at the mouth of the Gironde estuary in the Nouvelle-Aquitaine region, in a highly exposed and hostile environment. Built in white limestone dressed blocks at the turn of the 16th and 17th centuries, it was designed by engineer Louis de Foix and remodelled by engineer Joseph Teulère in the late 18th century. A masterpiece of maritime signalling, Cordouan’s monumental tower is decorated with pilasters, columns modillions and gargoyles. It embodies the great stages of the architectural and technological history of lighthouses and was built with the ambition of continuing the tradition of famous beacons of antiquity, illustrating the art of building lighthouses in a period of renewed navigation, when beacons played an important role as territorial markers and as instruments of safety. Finally, the increase of its height, in the late 18th century, and the changes to its light chamber, attest to the progress of science and technology of the period. Its architectural forms drew inspiration from ancient models, Renaissance Mannerism and the specific architectural language of France’s engineering sch
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape