#theatre

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Ulysses sits atop the PAM-S and IUS combination
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Exterior details of the 200-foot-long (61 m) by 134-foot-wide (41 m) building were executed in red sandstone; the entrance doors, windows, and skylights were of glass. Floors, stairs, doors, window sills, partitions, desk tops and plumbing slabs were used with magnesite for sound absorption. For floors, cement was mixed with excelsior and poured, over a layer of felt to impart its resiliency. Magnesite was also used for sculptural decoration on the piers surrounding the light court and for panels and beams around the executive offices at the south end of the main floor. Wright designed much of the furniture, the chairs were made out of steel and hung from the tables to make cleaning the floors easy. The interior walls were made of semi-vitreous, hard, cream colored brick. A 76-foot-tall (23 m) light court was located in the center of the building which provided natural sunlight to all of the floors. Between its support piers ran fourteen sets of three inspiration words each, such as: GENEROSITY ALTRUISM SACRIFICE, INTEGRITY LOYALTY FIDELITY, IMAGINATION JUDGEMENT INITIATIVE, INTELLIGENCE ENTHUSIASM CONTROL, CO-OPERATION ECONOMY INDUSTRY.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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  • Aspect Ratio: landscape

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 832 X 704 (0.59 MP)

• Used settings:

  • Prompt: Ukrainian architecture. has initial roots in the Eastern Slavic state of Kyivan Rus. After the 12th century, the distinct architectural history continued in the principalities of Galicia-Volhynia and later in Grand Duchy of Lithuania, Ruthenia and Žemaitia. During the epoch of the Zaporozhian Cossacks, a style unique to Ukraine developed under the influences of the Polish–Lithuanian Commonwealth. The great church architecture, built after the adoption of Christianity in 988, were the first examples of monumental architecture in the East Slavic lands. The architectural style of the Kyivan state, which quickly established itself, was strongly influenced by the Byzantine. Early Eastern Orthodox churches were mainly made of wood, with the simplest form of church becoming known as a cell church. Major cathedrals often featured scores of small domes, which led some art historians to take this as an indication of the appearance of pre-Christian pagan Slavic temples. Several examples of these churches survive to this day. However, in the course of the 16th–18th centuries, many were externally rebuilt in the Ukrainian Baroque style. Examples include the grand St. Sophia of Kyiv.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Fusegates are a mechanism designed to provide the controlled release of water in the event of exceptionally large floods. The design consists of free standing blocks (the fusegates) set side by side on a flattened spillway sill. The Fusegate blocks act as a fixed weir most of the time, but in excessive flood conditions they are designed to topple forward, allowing the controlled discharge of water. Multiple fusegates are generally set up side by side, with each fusegate designed to release under progressively extreme flooding, thus minimizing the impact of the floodwater on the river downstream.[1] The System was invented and patented by François Lempérière[2] for Hydroplus (Paris, France), subsidiary of GTM Entrepose. It has been installed on more than 50 dams around the world with sizes ranging from 1 m to more than 9 m in height. Fusegate are typically used to increase the storage capacity of existing dams or to maximize the discharge potential of undersized spillways.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A chapter house or chapterhouse is a building or room that is part of a cathedral, monastery or collegiate church in which meetings are held. When attached to a cathedral, the cathedral chapter meets there. In monasteries, the whole community often met there daily for readings and to hear the abbot or senior monks talk. When attached to a collegiate church, the dean, prebendaries and canons of the college meet there. The rooms may also be used for other meetings of various sorts; in medieval times monarchs on tour in their territory would often take them over for their meetings and audiences. Synods, ecclesiastical courts and similar meetings often took place in chapter houses.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Taputapuātea on Ra’iātea Island is at the centre of the ‘Polynesian Triangle’, a vast portion of the Pacific Ocean, dotted with islands, and the last part of the globe to be settled by humans. The property includes two forested valleys, a portion of lagoon and coral reef and a strip of open ocean. At the heart of the property is the Taputapuātea marae complex, a political, ceremonial and funerary centre. It is characterized by several marae, with different functions. Widespread in Polynesia, the marae were places where the world of the living intersected the world of the ancestors and the gods. Taputapuātea is an exceptional testimony to 1,000 years of mā'ohi civilization. Taputapuātea is a cultural landscape and seascape on Raiatea Island. Raiatea is at the centre of the “Polynesian Triangle,” a vast section of the Pacific Ocean dotted with islands, the last part of the globe to be settled by humans. At the heart of the property is the Taputapuātea marae complex, a political, ceremonial, funerary and religious centre. The complex is positioned between the land and sea on the end of a peninsula that juts into the lagoon surrounding the island.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Pre-modern writers typically assumed that extraterrestrial "worlds" would be inhabited by living beings. William Vorilong, in the 15th century, acknowledged the possibility that Christ could have visited extraterrestrial worlds to redeem their inhabitants.[5] Nicholas of Cusa wrote in 1440 that the Earth was "a brilliant star" like other celestial objects visible in space, which would appear similar to the Sun from an exterior perspective due to a layer of "fiery brightness" in the outer layer of the atmosphere. He theorized that all extraterrestrial bodies could be inhabited by men, plants, and animals, including the Sun.[6] Descartes wrote that there was no means to prove that the stars were not inhabited by "intelligent creatures," but their existence was a matter of speculation.[7] The writings of these thinkers show that interest in extraterrestrial life existed throughout history, but it is only recently that humans have had any means of investigating it.[citation needed]
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The fresco cycles housed in eight complexes of buildings within the old city centre of Padua illustrate how, over the course of the 14th century, different artists, starting with Giotto, introduced important stylistic developments in the history of art. The eight building complexes are grouped into four component parts: Scrovegni and Eremitani (part 1); Palazzo della Ragione, Carraresi Palace, Baptistery and associated Piazzas (part 2); Complex of Buildings associated with the Basilica of St. Anthony (part 3); and San Michele (part 4). The artists who played a leading role in the creation of the fresco cycles were Giotto, Guariento di Arpo, Giusto de’ Menabuoi, Altichiero da Zevio, Jacopo Avanzi and Jacopo da Verona. Working for illustrious local families, the clergy, the city commune or the Carraresi family, they would – within buildings both public and private, religious and secular – produce fresco cycles that gave birth to a new image of the city.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The archaeological area of Agrigento, the Valley of the Temples, is on the southern coast of Sicily and covers the vast territory of the ancient polis, from the Rupe Atenea to the acropolis of the original ancient city, as well as to the sacred hill on which stand the main Doric temples and up to the extramural necropolis. Founded as a Greek colony in the 6th century BCE, Agrigento became one of the leading cities in the Mediterranean region. Its supremacy and pride are demonstrated by the remains of the magnificent Doric temples that dominate the ancient town, much of which still lies intact under today's fields and orchards. Selected excavated areas reveal the late Hellenistic and Roman town and the burial practices of its early Christian inhabitants. Agrigento has a special place among classical sites in the history of the ancient world because of the way in which its original site, typical of Greek colonial settlements, has been preserved, as well as the substantial remains of a group of buildings from an early period that were not overlain by later structures or converted to suit later tastes and cults.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The local communities have adapted themselves to this seemingly rough and inhospitable environment by living in compact settlements on the coast or in small hamlets on the hillsides (e.g. Volastra, Groppo, Drignana, San Bernardino or Campiglia), erected directly on the rock with winding streets. The general use of natural stone for roofing gives these settlements a characteristic appearance. They are generally grouped around religious buildings or medieval castles. The terraces are also dotted by innumerable tiny stone huts isolated or grouped together (e.g. at Fossola, Tramonti, Monestiroli or Schiara) used for temporary shelter during the harvest. The main five villages of Cinque Terre date back to the later Middle Ages. Starting from the north-west, the first is the fortified centre of Monterosso al Mare, that is a coastal town grown along two short valleys and facing one of the few beaches that exist in the area. Vernazza has developed along the Vernazzola water-stream on the slopes of the rocky spur protecting the village from the sea. Corniglia is the only village which has not been built on the coast itself but on a high promontory projecting to the sea.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: The building of the Odesa opera and ballet theater, salvador dali,
  • Face enhance: No
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  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: These Haitian monuments date from the beginning of the 19th century, when Haiti proclaimed its independence. The Palace of Sans Souci, the buildings at Ramiers and, in particular, the Citadel serve as universal symbols of liberty, being the first monuments to be constructed by black slaves who had gained their freedom. The ensemble was embellished with gardens, basins and fountains. Inaugurated in 1813, the Palace Sans-Souci was looted at the death of the king in 1820. Since then, abandoned, it was seriously damaged by the earthquake of 1842. Nevertheless, by its size, it remains an impressive and coherent ruin, owing its bizarre beauty to an exceptional harmony with the mountainous setting, as well as its recourse to diverse and yet reputedly irreconcilable architectural models. The Baroque staircase and the classical terraces, the stepped gardens reminiscent of Potsdam and Vienna, the canals and basins freely inspired by Versailles, impart an indefinable hallucinatory quality to the creation of the megalomaniac king.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape