Prompt: Sanguine art sunrise. 16:9 full width sunrise sketch drawn on yellowed paper with the red chalk known as sanguine. The sketch, with its typical thousands of tiny hatching and cross-hatching details, was found among old folios in a museum attic. Experts confirm that the chalk sunrise study can be attributed to Renaissance artist Albrecht Dürer. The sketch represents a preliminary study for a large, more complex painting. The masterful draftsmanship and high degree of precision and detail are typical of a Dürer study. The extremely tiny, perfect details of the trees are striking. The trees grow in a complex, soft, hilly landscape dotted with meadows and a few small houses. The landscape is viewed from a bird’s eye perspective. The sunrise on the horizon is suggested by the absence of color, and by the rendering of the clouds, with their brighter, orangey tone on the bottom and their deeper, reddish-brown color above. The sky segues from white to a rich reddish brown. The landscape is much lighter-colored toward the horizon, where the sun is about to rise, and becomes darker reddish-brown at the edges and in the foreground. The trees and houses are viewed against the lighter horizon and are consequently rendered in darker red-brown colors with precise draftsmanship. Dürer additionally strongly emphasized some naturalistic details of the trees and houses with brown ink to enhance the depth and structural detail of the sketch. The style reflects an almost obsessive focus on naturalistic detail. The Dürer sketch is a rare and serendipitous find.
Prompt: Rococo art sunset. 16:9 full width sunrise in an idyllic pastoral park landscape in summer. The luminous oil painting features tall, fluffy, old trees in olive green and ochre-tinged gold, rendered in loose, quick, impasto brushwork. The trees stand in a lush, well-tended park landscape in summer. The trees frame the central motif, a brilliant sunset sky. The trees are positioned in the composition to create dynamic diagonal lines that lead viewers’ eyes toward the fiery orange sunset, surrounded by a pink, magenta, and peach-colored sky stretching over the horizon. The brilliant sunset colors, executed with tiny, fluid strokes of thick, textured paint, contrast with the earthy muted olive and olive drab greens, mustard and yellow ochres and browns of the landscape. The focus on the sunset sky lends depth and texture to the canvas. The canvas extends beyond the edges of the image, allowing a close-up view of all tiny details of the brushwork. Toward the edges of the canvas, the colors grow darker, deepening to lavender gray-blue in the upper portion of the sky, dark mustard olive and khaki green for the trees and park meadows, and dark olive green, green ochre, and mustard yellow-brown at the bottom of the canvas. The painting perfectly captures the romantic, Rococo-style landscapes of 18th century painter Jean-Honoré Fragonard. The entire canvas reflects a play with light and shade, creating a magical, theatrical atmosphere, almost like a stage setting transported to the tamed nature of a park landscape. Museum-quality masterpiece.
Prompt: Boule inlay sunrise. 16:9 full width contemporary adaptation of Boulle work (boulle marquetry) to depict a sunrise on a large, screen-filling panel. The boulle marquetry is a highly luxurious inlay work with an extremely ornate and intricate application of acetate tortoiseshell, brass, pewter, ivory, bronze, shells, polished coral, mother of pearl, and precious, strongly colored gemstone slivers on an ebony wood backing panel. The resulting image shows inlay work with rich, opulent, and highly decorative elements carefully arranged and placed with sublime craftsmanship. The contrast between the shiny silver pewter for the fine lines of sunrays, the golden brass for the rising sun, the brown speckled flakes and streaks of colors in fluid patterns of the acetate tortoiseshell along with the gemstone slivers, ivory, and shells for the landscape of rolling hills, and the delicately holographic, shimmering mother of pearl, gemstone slivers and abalone shells for the sky reflect the greatest artisan skill. The panel is polished to a high sheen and varnished with a thick, matte layer of transparent varnish to bring out the full colors of the diverse inlay materials. The level of detail is breathtaking, the inlay work is seamless, and the inlaid sunrise landscape is supremely beautiful. The valuable contemporary inlay art panel in the tradition of André-Charles Boulle, the renowned cabinetmaker to King Louis XIV of France, does its historical founder justice while using more sustainable, contemporary materials,
Prompt: Ribbons, buttons, notions: Textile art sunrise. 16:9 full width sunrise in the forest in spring rendered as a fabric art collage made of ribbons, buttons, notions, and a wide range of colorful lace and satin trims. The collage extends beyond the edges of the image. The fabric artist has carefully laid out buttons, snaps, fasteners, satin trim, elastic, countless types of lace and ribbons, and buttons in a huge range of shapes and colors on the very large panel. The motif is a sunrise viewed at the end of a broad forest path. The gravel path is laid out in a mosaic of buttons and snaps, the trees to either side of the path in lace, trim, and satin bands, the sun peeking out over the horizon is made of half a bright yellow pincushion with pins sticking out like sunrays. The sky on the horizon is laid out in alternating lines of zippers halves with teeth made of shiny polished brass, matte brushed brass, and darker, aged antique brass. Above the zipper lines, which are interrupted by tree trunks made of tan, brown, and white satin and lace trims laid out to resemble tree bark, the sky is made of myriads of tiny, shiny glass beads, snaps, and buttons in a color range from pink and orange near the horizon through aquamarine to light blue and finally dark blue at the top of the image. The tree leaves are made of shiny sequins in hundreds of green, yellow and anthracite color shades and diverse sizes and shapes. The level of detail in the textile art panel is overwhelming. From a distance, the thousands of individual notion elements of the image seem to melt together to produce a lively, lifelike image of a forest sunrise in spring that almost seems to move in a rustling wind. The illusion of movement is created by the countless reflections of light from the sequins, satin, and brass as the viewer moves closer to or farther away from the image, and by the sculptural effect of the layers of elements glued to the background. The illusion of movement is reminiscent of Old Masters’ portrait art whose painted eyes seem to follow viewers around the room. Giant, exquisite textile art panel with a floral, ornate, system of notions in sweeping lines, arcs, spirals and orbs creating a perfect illusion of art coming alive.
Prompt: Wood art sunrise. 16:9 full width wood inlay art sunrise. Close-up of a large panel of wood art extending beyond the edges of the image. The artist used veneer from a broad range of wood types and colors, such as mahogany, maple, ironwood, pine, cedar, cherry, ebony, rosewood, padauk, laurel, beech, oak, zebrano, hickory, wenge, and walnut, both cut with and against the grain, and burl veneers. Some of the wood veneers were made from slightly degraded, wormy wood or strongly knotted wood. She cut and arranged these veneers to represent a sunrise over an alpine landscape, with the lively wood grain suggesting rugged peaks and a sky filled with flat-based, fluffy cumulus clouds. The veneers have very ornate figuring and knots, and come in a large range of colors, from white to cream, blonde, yellow, tan, all shades of brown, red, dark pink, maroon and black. The wide range of colors and figuring gave the artist the freedom to position and inlay the veneers to accurately reproduce a mountainous tableau. The more distant mountains are laid out in wood with tighter, smoother patterns and lighter colors, like maple and ash, and the closer mountains are made of darker, highly figured woods with more pronounced patterning, like zebrano or walnut burl. The veneers are skillfully combined to reflect an alpine landscape at sunrise. The sun itself is cut from beech veneer (Karelian burl). All veneers are glued to a backer sheet, polished to a gleam, and sealed with a matte finish to preserve the integrity of the wood, to bring out the depth of the individual veneer patterns, and to let the exquisitely detailed landscape come alive in viewers’ eyes. Astounding wood art, exquisite workmanship, priceless contemporary wood art with a universal motif.
Prompt: Sunrise tapestry. 16:9 full width valuable contemporary tapestry showing a pastoral scene at sunrise. The colors are muted – olive, ochre, tan, ivory, dusty pink, warm yellow, burnt orange, and blue-gray – and the motif is a panoramic view of a hilly landscape with the sun rising. The hills are dotted with trees and meadows. Close to the viewer stands a small group of sheep, grazing peacefully in the light of the sunrise. The tapestry is an artisanal, densely hand-woven work, shown very close up and extending beyond the edges of the image. The weft is tightly packed and includes threads of silk and gold for added luster and color. The trailblazing weaver showcases exceptional skill and whimsy by using strongly tufted, hand-spun wool to recreate the coat of the sheep and the fluffy appearance of the trees dotting the landscape. The wool is dyed with natural plant dyes. The sliver of rising sun is quilted with gold thread over the tapestry, and the orange and yellow sky surrounding it is additionally embroidered with lustrous silk, drawing the viewer’s attention to the sun before taking in the many extraordinary details of the tapestry. Outstanding, museum-quality contemporary tapestry, incredible level of detail and beauty. Tapestry influenced by contemporary textile artists Ruth Norbury, Jake Hensler, Marcia Eygabroat, Victoria Potrovitza.
Prompt: Stone art sunrise. 16:9 full width gemstone art sunrise. Close-up of a large panel of stone art extending beyond the edges of the image. The stonemason artist polished diverse large and small plates of minerals and semiprecious gemstones, such as banded agates and onyx, tiger’s eye, chalcedony, quartz, amethyst, smoky quartz, peridot, citrine, and dalmatian jasper, in thin, translucent, flat plates and mounted them on a very large transparent background. The stones have highly intricate, innate patterning and astonishingly bright mineral colors across a rainbow range of colors. The artist carefully positioned the gemstones to show the desired motif: A sunrise over a hilly landscape. The hills have hedges that stand out in particularly strongly patterned translucent stone cuts of multibranched, crystal dendrites and other gemstones. The sun is made of shiny, reflective pyrite, with sunrays of transparent, golden amber, the sky of translucent mother of pearl with quartz and marble cluds. The distant hills are laid out in azurite, blue opal, and sodalite, the treelines are made of tiger’s eye and tree agate, the closer treelines of dendritic agate, and the closer hills of green stones like malachite and olivine. The stones are thoughtfully combined to let hills, treelines, and a gentle rolling landscape at sunrise appear. The jumble of stones as well as the judicious placement of the cut thin stones, along with the uniform, intense backlighting to bring out the full colors of the stones, allow the exquisitely detailed landscape to come alive in viewers’ eyes. Amazing, highly valuable contemporary stone art with a universal motif.
Prompt: Seed art sunset. 16:9 full width craft sunrise over a hilly landscape, rendered in many different types of seeds carefully glued in dense, rhythmical arrangements. The craft artist chose the seeds to create an illusion of depth, with large seeds, like irregularly striped sunflower seeds and dark-green oil pumpkin seeds, closely stacked side by standing on their sides like dominos in the foreground alongside unusually shaped, spiky and scaly seeds like sweetgum seed pods or maple seeds. Wispy seeds like the seeds of clematis montana, with their long, silky, silver-white, feathery tails, silky, and plume-like milkweed seeds represent the foliage of trees to the left and right of the image. The bark of the trees is made of scaly, brown seed pods like those of arabis or tulip poplar, or the prickly, dark-brown pawpaw seeds (carica papaya), and calendula seeds. Seeds as tiny as dust, like the brown seeds of aruncus dioicus, fill any spaces between the rough seed pods. The trees frame gentle hills and meadows rendered in unusual and strongly color-contrasting bands of seeds, like poppy seeds, millet, wheat grains, or marigold seeds, alongside delicately patterned seeds, like castor oil seeds. The seeds chosen for the receding hills are smaller, upholding the illusion of depth. The rising sun is patterned in papery, silvery lunaria seed pods, and sunrays are suggested with bright-yellow mustard seeds that are patterned across a sky made of tiny, light-colored seeds like the creamy, fluffy seeds of anemone multifida representing wispy clouds, the papery seeds of the silver birch, and the grooved seeds of astrantia major alongside dozens of other light-colored seeds arranged in dense patches emphasizing the illusion of depth. The sunrise image combines the most unusually shaped and colored seeds that the artist has collected over years, culminating in this arts-and-crafts seed mosaic masterpiece. Highly unusual, large, museum-quality contemporary tableau with stunning detail and a Pointillist vibe.
Prompt: Sunrise on a rainy day. 16:9 full width smudged sunrise on a rainy November day. A lone figure in a raincoat and rain hat is walking through lightly frosted fields covered in decorative, dried, spiky, and plumed weeds with different seed pods sticking up out of the field into a misty gray fog. The fog is orange at the horizon line, lighter gray above the horizon line, and disperses and darkens gradually toward the top of the image. The lone figure on the fields is dark gray and small. The left and right sides of the image are flanked by a shadowy, extremely detailed treeline of crowded, dense, dark gray and brownish trees. The viewer’s eyes are automatically drawn to the smudged, orange horizon with its promise of a sunrise and color in the gloomy predawn landscape. Finely detailed oil painting with smooth expanses where the fields and mist are portrayed, interspersed with the exquisitely detailed, decorative weed seedheads and pods, and contrasting extensive, finely detailed brushwork rendering the treelines. Contemporary symbolist oil painting in quiet hues.
Prompt: Sunrise over Cappadocia. 16:9 full width super-hyperrealistic painting of a sunrise in Cappadocia. Dozens of bright, colorful, patterned hot-air balloons are floating in the dusty pink and orange dawn sky over Cappadocia's. The panoramic bird’s eye view shows a breathtaking, wide-open volcanic landscape eroded to leave soft tuff “fairy chimneys” topped with harder, cone-shaped basalt caps. Dozens of fairy chimneys rise from lush greenery. Much of the valley is still in the shade, so the colors of the valley formations are low-contrast. The calm, cloudless sky, however, is painted in brilliant colors, hot yellow where the sun is beginning to creep over rounded hills, surrounded by pinks and oranges, merging into yellow-turquoise and finally light blue at the top of the painting. The many differently colored hot-air balloons with their fabric patchwork stand out brightly against the sky. The balloons are additionally lit from within by the fire of their propane burners. their own air-heating fires. Spectacular sunrise painting of a stunning landscape in smooth, shiny oil paint with almost invisible, painstakingly detailed brushstrokes designed to make the landscape look even more realistic than a photograph.
Prompt: Sunrise viewed through an old window. 16:9 full width cozy acrylic paint image of a cat curled up on a wooden windowsill with a view outside to an autumn sunrise. A yellow-orange sliver of sun is just peeking over the horizon. The tabby cat is curled up on the left side of the wide, old, cream-colored windowsill. The paint is chipping, showing the dark, worn wood underneath. The sun sliver lights up a misty green-ochre meadow and the flaming scarlet, warm yellow and burnt orange trees to the right of the meadow. The slightly dirty window takes up the entire image width and height, affording a perfect view of the cold morning outside. The cold outside contrasts with the cozy, warm windowsill tableau inside. Calm, peaceful ambiance, typical of the idyll and serenity of Romanticism. Saturated, low-contrast, rich but muted colors, the gentle impasto technique, and the charming motif evoke feelings of warmth and stress-free Escapism. Museum-quality painting.
Prompt: Sunrise viewed from an apartment balcony. 16:9 full width view of a hot summer sunrise from a tiny apartment balcony, rendered in a New Yorker illustration style, with loose lines and a playful use of color. A cute ceramic coffee cup and a plate with two plump croissants are on the little red folding table in the foreground. The balcony overlooks a tired, green courtyard area loosely enclosed by several high-rise apartment buildings, all with identical small balconies. The sun is rising over the horizon as seen through one of the gaps between the high-rises. The rising pink-orange sun illuminates the coffee cup and croissants from the back, giving them a shiny, orange-pink outline. The high-rises to the left and right of the sunrise are still immersed in shadow, and the windows and balconies are illustrated in shades of gray, except for a few apartments where the dim, yellow lights have already been switched on. The columns of sky above the rising sun is a riot of pink, yellow and orange. The edge of the balcony behind the little red folding table with its coffee cup and plate of croissants is lined with red-flowered geraniums. The line of geraniums creates the illusion of the sun rising over a meadow filled with blooming geraniums – if only the many other high-rise apartments were not looming in the background. The illustration conveys a false sense of coziness and solitude. Loosely based on the styles of Wesley Allsbrook, Alëna Skarina, and Chris Kim of the New Yorker.
Prompt: 33 Sunrise in space. 16:9 full width high-resolution photograph taken in space of the sun appearing behind the earth a blinding, stark, sharp-edged white orb sun rising abruptly over a curved, completely black, airless horizon, highlighting the thin blue line of Earth's atmosphere. The brilliant light illuminates cloud formations in the troposphere, creating bright, golden-orange, fiery paths like a blanket across the curved surface of the Earth. Above the troposphere, the stratosphere glows blue. Above the blue layer, space is a deep, dark black. Breathtaking photograph enlarging the interplay of lights and darkness at the horizon line to fill the entire image. Spectacular perspective unlike our daily impressions of sunrises and sunsets within the Earth’s atmosphere.
Prompt: Sunrise viewed through prison bars. 16:9 full width illustration of a smoggy dawn viewed out of a barred prison window from inside a decrepit prison. The black bars dissect the hot, hazy yellow-orange sunrise into a series of rectangles. The sun is beginning to peer over the lower edge of the window. The walls surrounding the window are made of gritty, gray concrete covered in graffiti. The entire image has a modern graphic novel esthetic, with bold, expressive shapes, clean lines, and the exaggerated dramatic intensity of a comic book panel. The underlying emotion is a glimmer of hope, as exemplified by the wan sunrise, in the face of imprisonment, tedious boredom, powerlessness, frustration, and loneliness. Strong, pop art-style colors contrast with the artist’s obsession for heightened detail, above all of the decrepit prison wall graffiti.
Prompt: Illumination sunset. 16:9 full width sunset decorating the first letter “O” of a valuable, museumworthy medieval illumination on a high-quality parchment page. The focus is strongly oriented on the meticulously, ornately inked letter “O” with its sunset, executed in vibrantly colored egg tempera pigments and gold leaf. The gold-leaf sun is setting inside the letter, at the bottom, with only the top half still visible. Thin gold-leaf sunrays weave through highly decorative and ornate pseudofloral and pseudofauna elements inside and outside of the letter ”O.”At the right edge of the parchment, highly decorative, intricate floral marginalia frame the initial “O.” The floral and fauna elements are colored with intricate, jewel like colors: Lead white, cadmium yellow, ultramarine, lapis lazuli, Venetian red, viridian, terre verte, burnt sienna, red ochre, applied in several layers to create depth and radiance. Below the initial “O,” under a ruled line, the Latin text “Dominus regit me, et nihil mihi deerit” is written in black ink in clear and legible Carolingian miniscule.
Prompt: Sunrise viewed through hoarfrost crystals. 16:9 full width extremely sharp macroshot photograph of a deep winter sunrise viewed through butterfly-wing-shaped, large hoarfrost crystals on top of the snowy ground. The photograph fills the entire width and height of the image. The hoarfrost crystals have formed around tiny imperfections and have grown to a size of nearly 5 centimeters. The surface of the blade-sharp, largely triangular hoarfrost crystals is lined and ridged, the edges zig-zagged, so that the crystals resemble many frozen butterfly wings gathered around many central points, as if swarms of butterflies had settled on the ground. The orange-yellow early morning sunrise viewed through the crystals is refracted and reflected by the many ridges and crinkles of the crystals, so that the sunset horizon line appears in highly ornate patterns. The crystals are nearly transparent, with a blue and white sheen where they are thicker and more opaque. The snow cover is light blue, with long, deep lavender-blue shadows where the rising sun has not reached the gentle dips. The sky is light blue near the horizon line, and turns darker blue toward the upper and outer edges of the photograph. Extreme close-up macroshot, breathtaking precision and sharpness. Precious miniature of a natural phenomenon. with the photograph bringing out details that the naked eye cannot perceive. Prize-winning photograph of National Geographic quality.
Prompt: Linocut sunrise of a fern-frosted window. 16:9 full width linocut print of a fern-frosted glass window. The print is executed as a highly intricate, clean, and sharp lined linocut on hard linoleum using professional-grade, sharp, narrow v-gouges, allowing for very thin, fine lines with great clarity and detail. The motif is a stylized sunrise viewed through fern frost crystals. At the edge of the print, the frost patterns are medium-sized, and fractal and branching in nature, so that they resemble ferns. The size of the ice patterns varies, from large at the edges of the window to tiny in the spaces between the large patterns and in the middle of the window. The ice flowers are a breathtakingly beautiful natural phenomenon that arises with mathematical precision on this image of a single-pane window that extends beyond the edges of the print. A beginning winter sunrise can be discerned through the pattern, with an orange-yellow horizon broken into light shards by the fern frost patterns. The upper and lower edges of the image tend to be colored in graduated shades of blue, from light blue near the horizon to very dark blue at the top and bottom, so that the fern frost patterns stand out perfectly. Archetypal winter image conveying extreme cold along with the stunning beauty of nature. The masterful precision, accuracy, and detail reflect the linocut artist’s clear vision of the motif and her skill in translating it into the linocut medium.
Prompt: Foggy winter dusk over a town lane. 16:9 full width old master-type vintage oil painting of a snowy red-brick lane in a fictional little town with Edwardian terraced townhouses. At the end of the gently winding lane, the sun is rising, a pale yellow disk masked by a yellow early-morning mist. The red brick townhouses lining the lane on both sides have quaint, white, wooden bay windows with knick-knacks and plants on the windowsills, and white-painted, wooden doors. Dim lights shine through the windows as the residents start to go about their daily business. Snow piles up on the sides of the swept sidewalks, on the bushes close to the house walls, and on the roofs. Idyllic scene of a small town waking up in winter. The dimly lit townhouses are symbolic of coziness, comfort and a feeling of security in the cold winter world. The rising sun clad in mist is symbolic of hope, revival, and the hope of spring and warmer days. Lovingly and painstakingly painted in a style that borrows elements from the painters Thomas Kinkade, A.R. Quinton, Jean-François Millet, Kathrin Welz-Stein, Norman Rockwell, and Zdzisław Beksiński. Romantic, almost pastoral, idealized town scene in the shimmering, misty, dusky light of very early morning.
Prompt: 28 Tranquil sunset over a calm lake. 16:9 full width surreal linocut mountain landscape at sunset. The linocut technique is executed with extremely fine, often parallel cuts, almost like guilloche lines, giving the image a highly detailed, fine-grained quality. The sun is a pink-orange sliver on the horizon. A rocky shoreline dominates the foreground, and twisted pine tree silhouettes frame the calm lake. The lake has gentle cross waves and skerries. The colors are grayish lavender for the barely sunlit rocks, eosine pink for the reflected sunlight in the lake, dark slate purple in the foreground, ocher and khaki for the scrubby foreground vegetation, metallic silver for the lake surface, interspersed with orange and pink for the gentle ripples in the water. The tall, very dark green, backlit pine trees have strongly silhouetted details. Line art esthetic combined with an old master linocut technique. Outlines; distinct, flat colors; graphic style. Calm, peaceful, and melancholy atmosphere.
Prompt: Sunset view surrounded by billowing curtains. 16:9 full width highly detailed watercolor painting of a translucent, gauzy, pale yellow on pale pink curtain billowing out of a window with a gentle spring breeze. The curtain is made of hand-crafted fabric with a shimmering, complex, iridescent, historical damask pattern that appears distorted by the billowing breeze and redoubled where the fabric is layering over itself like a veil in the wind. The curtain is surrounded at the sides and top of the image by a dark, weathered oak window frame, whereas the curtain continuous to and below the bottom edge of the image. The curtain frames a spring sunset with a very low, yellow sun on the horizon sending its last light over a lush, green, flower-dotted meadow. The sky is pink and yellow, paling to light blue at the top of the image, and a light mist is rising over the cool meadow. White and yellow flowers like daffodils and dandelions appear in loos arrangements in the grassy meadow. The overall atmosphere is hopeful, relaxed, and content.
Prompt: Bas relief sunset. 16:9 full width smooth bas-relief carving of a sunset over a Tuscan landscape with rolling hills, cypress trees, and vineyards in statuario marble. The carving takes advantage of the gold veining in the precious marble as sunrays. The surface of the bas relief is polished to a high shine to bring out the beauty of the stone. Only the tall cypress trees and the clouds in the sky are left with a visible chipping structure. This contrast between smooth and rough heightens the visual impact of the bas relief, as does the stonemason’s skill in adapting the landscape to the grey and gold veining of the otherwise white marble. The perspective is a magnificent bird’s eye view, allowing the archetypal Tuscan landscape on which the sun is setting to unfold in full splendor. The bas relief extends beyond the upper, lower and side edges of the image.
Prompt: Urban sunset reflections. 16:9 full width two-layer exposed photograph showing silhouettes of people walking on a busy city street, layered over an image of tall buildings and brightly lit shop windows. Several large, prominent silhouettes of semi-transparent people moving toward the right dominate the foreground. The urban background behind them shimmers through the silhouettes. In the background, buildings with many windows reflect the orange-magenta sunset. The street behind the figures is busy with smaller, indistinct figures and streaking light trails from moving vehicles. The scene has a warm, evening glow with reflections of orange and yellow light from storefronts and street lamps, juxtaposed with the cooler tones of the skyline. The entire image conveys a sense of urban life and movement as evening falls. The setting sun, a glowing orange ball, is visible on the horizon between the high-rise buildings. The surrounding sky is a pale pink-yellow.
Prompt: Dreamtime sunset. 16:9 full width dreamtime Aboriginal-patterned sunset in acrylic paint. The highly detailed abstract sunset over a low desert horizon is rendered with differently sized and very densely spaced dots and dashes in joyful, abstract, repetitive Aboriginal patterns throughout the entire image. The different sizes of the densely spaced dots and dashes – ranging from extremely tiny to very tiny – create an illusion of depth. The impression is bright and lively, the colors are strong and contrasting, such as bright yellow for the setting sun, zinc oxide white, scarlet, rust and ocher for the hot, rocky and largely barren Australian desert over which the last half sun is setting, and flaming orange and pink for the sky. At the edges of the large image, the sky color turns to dark blue, patterned with intricate, white and yellow dots representing stars. A closer look at the desert reveals hidden patterns alluding to tiny dreamtime spirit animals, such as a small rainbow serpent and several lizards along with Goanna, a king of the lizards. Bright, dreamy, abstract, microscopically detailed, joyful, deeply spiritual. The style combines elements from renowned Aboriginal artists, above all Gabriella Possum Nungurrayi, Clifford Possum Tjapaltjarri, Tjawina Porter Nampitjinpa, and Barbara Weir.
Prompt: Naïve art sunset. 16:9 full width close-up of a folk art or naïve art oil sunset painting in a style combining aspects from the art of Henri Rousseau, André Bauchant, and Grandma Moses. The painting is shown so close up that it extends beyond the edges and the top and bottom of the image. The motif is a sunset over a lush Amazon-like jungle landscape. The artist has carefully and lovingly detailed the vegetation and the jungle animals, with the horizon line at the very top of the image to give more room to the jungle. The pretty sunset over the green jungle holds the promise of a new day. The jungle vegetation is highly varied in its size and leaf shapes, with all plants crowding together in a wild jumble. The plants are painted in a large range of green and brown shades, The jungle animals, such as leopards, pythons, and monkeys, peacefully coexist in this imaginary jungle. The orange sunset in a fiery sky high above the vegetation crowns the jungle ensemble like an ornate jewel. Intricate, fine brushwork, smooth painting surface, calm and peaceful impression
Prompt: Cloisonné sunset. 16:9 full width close-up of a breathtakingly masterful sunset cloisonné panel made of a metal sheet with gold wires laid edgewise enclosing intricately formed, ornate, strongly patterned, cloisonné, strongly colored enamel shapes. The panel is shown so close that it extends beyond the edges of the visible image and that its exquisite details are clearly visible. The sliver of sun over the horizon is made of gold enamel, and the twisting, curlicue onlay wires are made of precious gold. Dozens of wires ornately snake throughout the panel to the very edges and beyond, staring from the sun. The pattern lovely follows the outward shine of sunrays. The individual enamel compartments are filled with enamel paint in partly swirled and streaked colors ranging from scarlet near the golden sun to magenta through orange through yellow to light turquoise and finally darkening blue at the top of the panel, with the blue enamel paint enclosing sparkling silver bits to suggest stars. The low horizon is separated by a thicker gold wire, and suggests the silhouette of a meadow, with some taller grasses at the left and right edges of the panel framing the sunset. The enamel compartments of the meadow are filled with swirling, dark green, blue and purple colors and tiny, decorative, leaf-like dots suggesting a rich floral meadow. The overall appearance of the cloisonné panel is highly ornamental, with precise wire delineations and glossy, smooth, jewel-toned enamel compartments. The style is highly ornamental, suggesting a mix between Baroque and Art Nouveau as well as Chinese vases, brought together to create a contemporary mélange. The ancient technique is skillfully employed to bring to life the vision of a contemporary style.
Prompt: Sunset over the desert. 16:9 full width sunset depicted in heavy gouache, with the artist having squeezed the paint directly from the tube onto the canvas and having spread it with her fingers. The last sliver of a burning sun still peeks over the horizon, spreading intense, blazing-hot yellow, orange, magenta and pink streaks through the cloudless, dry sky. At the edges and top of the full-width image, the sky is turning dark blue. The landscape is the color of rusted iron and chocolate, with large and small irregularly polygonal, oddly shaped rocks strewn over sun the arid, barren landscape. Dry creosote bushes and ocotillo are eking out an existence among the rocks. Combining nuanced, strong colors with the thick application of gouache paint, the artist perfectly captures the rugged, unforgiving landscape. The museum-quality painting has a wistful, calm quality as the desert slips into a sunless dreamstate. Atmospheric painting style with Postimpressionistic and expressive Cubist elements, influenced by the styles of artists of the American West, such as George Douglas Brewerton, Maynard Dixon, James Swinnerton, Logan Maxwell Hagege, and Mark Maggiori.
Prompt: Sunset over a tropical island. 16:9 full width blue hour sunset depicted in dreamy, intense watercolor combined with ink. The sun has just dropped below the horizon and is no longer visible. The twilight is dimming. The sky is a strip of orange-pink directly over the horizon, casting the remaining light onto the still, dimming, dark teal and turquoise ocean. Above the orange-pink strip of sky, the colors fade to a light blue, and to increasingly darker blue and violet, with the darkest violet-blue at the top of the fully wide image. The tropical island amidst the seascape appears as a dark relief, with several palm trees standing out as a sharp, midnight blue silhouette against the sky, and the landmass of the small island forming a slight swell of dark in the midst of the ocean and in the middle of the image. Dreamlike, calm, wistful mood, almost reminiscent of the symbolism of Odilon Redon and Pierre Puvis de Chavannes, but with more intense coloring. The symbolism applies to “all things must pass” and a nostalgia for the way things were.
Prompt: Diorama sunset. 16:9 full frontal, straight-on close up of a large-scale, highly intricate diorama representing a magnificent sunset. The background is made of several layered sheets of differently colored, delicate, exquisitely marbled paper in sunset colors ranging from bright orange-yellow near the setting sun through magenta and lavender-turquoise all the way to a dark blue at the very top of the diorama. The clouds are hung three-dimensionally in front of the painted background, floating as perfect, wispy, cotton balls dyed in sunset shades, pink on top and gold on the bottom. The blazing, orange-yellow sun made of strongly structured, thick paper, is about to disappear behind the horizon line. The horizon and the landscape in front of the horizon are created by layering several sheets of thick handmade paper into which dried plants, petals, and threads are integrated to make a pattern consistent with vegetation on gentle, rolling hills. Trees with trunks made of countless parallel paper rolls in brown shades flank the sunset on the left and right sides of the diorama, recreated in three-dimensional paper art. The trees have myriads of dense, quilled and crushed paper leaves, and intricate twigs, branches and bark-patterned trunks. Just like the clouds, the trees are finely detailed. The composition is simple, whereas the rendering with all different types of paper is extremely painstaking and detailed. The impression on the viewer is of a miniature, breathtaking, three-dimensional sunset scene showcased in a diorama.
Prompt: Sunset over a field of shamrocks. 16:9 full width sunrise in an idyllic meadow landscape landscape in early summer. Tall trees in shades of green, with leafy vegetation and a flower understory, frame the edges of the meadow, creating a stage setting for the meadow. The whimsical, extremely detailed colored pencil illustration shows a low-angled, bottom-up perspective of the meadow, which consists exclusively of four-leaf clover. Some of the green clover leaves stick up out of the meadow and are perfectly silhouetted against the horizon line. Behind the clover leaves, the sunset paints the cloudless sky with brilliant shades of gold, yellow, apricot, peach, pink, and magenta. The sky higher up fades to lavender and blue-gray. The sun has set. The clover leaves are delicately veined with purely parallel veins radiating diagonally from the central vein. Each of the four leaves also has a paler white chevron radiating in an inverted diagonal from the mid-vein. The illustration extends beyond the edges of the image, allowing a close-up view of all painstakingly executed, tiny details of the colored pencil strokes. The illustration in celebration of St. Patrick's Day perfectly captures the superstition that four-leaf clovers bring good luck. The botanical illustration plays with light and shade, creating a magical, delightful tableau combining a sunset with a magical meadow. Pretty, light-hearted, adorable, strong-colored, and ultradetailed colored pencil illustration.
Prompt: Wax scratch sunset. 16:9 full frontal, straight-on, full width close up of a wax scratch sunset on a large sheet of cardstock extending past the edges of the visible image. In a first step, a classical sunset over a forest path, flanked by deciduous trees with leaves in bright autumn colors, was colored in thick wax crayon on the heavy, tear-proof cardstock paper, fully covering the entire paper. In a next step, the image was fully covered edge-to-edge and top-to-bottom in a heavy layer of black wax crayon. In the third step, wax carving tools with different fine, blunt tip shapes were used to scratch away parts of the black top layer to reveal the sunset. Near the sun, almost the entire black layer was scratched away in a way that emulates very fine brushstrokes and leaves some of the black surface intact. The stark and bright yellow-orange setting sun is fully exposed. Moving away from the sun, the scratches become less dense and reveal orange, magenta, lavender, turquoise, and darkening areas of the sky, dancing colors among the autumn leaves, and brown tree bark. Toward the outer and upper and lower edges of the image, much of the black cover remains, so that the middle of the image creates a stark and bright contrast with the dark edges and the revelations of the leaves, path, and tree bark. The technique allows the sunset to spring forth almost like an uncovered intimate secret. Skillful adaptation of a kindergarten art technique to showcase a typical motif with added emotional depth in the expressive, layered style of Romare Bearden and Anselm Kiefer.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
