#street

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The King City High School Auditorium is executed in cast-in-place concrete. The design makes full use of concrete's potential for plastic form, with compound curves, rounded corners and cast-in sculptural forms. The structure is somewhat elliptical in plan, with rounded corners. A projecting rounded bay at the front comprises the main entrance, with three pairs of doors separated by tall fluted pilasters surmounted by cast busts of Comedy and Tragedy, dividing a triptych relief sculpture that is itself divided into three levels. The ends of the facade curve around to the side elevations, which have inset fluted panels whose pilasters are crowned with more cast sculpture derived from characters from A Midsummer Night's Dream. The rear elevation is comparatively plain and utilitarian. The lobby is detailed with bright blue wainscoting and ceilings. Curved stairs give access to the balcony on either side of the lobby, with six doors into the main house. Floors throughout are covered in cork, as well as in the aisles of the auditorium. The auditorium seats 596 in the orchestra section and 387 in the balcony.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The American Radiator Building was designed in a black and gold color scheme. These specific colors came from a "somewhat offhand" suggestion made during an early discussion with Hood and Fouilhoux's team. It is not known who exactly suggested the black and gold colors, but architectural writer Walter Littlefield Creese says it may have been Hood's friend, architect Joseph Urban. Hood used the black and gold palette because he believed that conventional office buildings, with their white-masonry facades and dark glass windows, were monotonous. He had compared such windows to "waffles" and wished to find a color to make the window openings more conspicuous. After the tower's completion, Hood anticipated that additional colorful skyscrapers would be developed in New York City. The primary color of black was used to signify coal, while gold-coated decorations were used to symbolize fire. The "gold" was actually bronze powder placed on cast stone, a technique which was devised after a number of experiments by Hood and Fouilhoux's team. Hood had visited Brussels just before the American Radiator Building was built, and he had realized how golden colors had made "gloomy and dingy".
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A city exists three miles high and countless miles long encompassing tens of millions of people displaced from Earth. Structors (the builder's guild) deconstruct the "TailEnd" of the city and rebuild the "Frontend" in a sort of glacial urban march from the mountains to the sea over 30,000 years. Multiple generations of folk living at the TailEnd are obliged to pack up and relocate to the Frontend. However, entropy and decay has set in. Machines cease to function and fall into disrepair and society slowly loses technological knowledge with each successive generation. moving those houses all of mankind All mankind lived in The City, a self-enclosed towering single building that had always moved generation by generation across the vast empty landscape.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: savanna, huge acacia trees, sun, massive storm clouds, Ivan Shishkin,Victo Ngai,Gregorio Catarino,Cyril Rolando,Michal Karcz,Anato Finnstark,Flavio Greco Paglia, hyperdetailed defined oil painting, vibrant colors, 8K resolution, polished divine photorealistic intricate complex HDR, amber glow, dreamy
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 832 X 704 (0.59 MP)

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  • Prompt: Inca architecture is the most significant pre-Columbian architecture in South America. The Incas inherited an architectural legacy from Tiwanaku, founded in the 2nd century B.C.E. in present-day Bolivia. Inca buildings were made out of fieldstones or semi-worked stone blocks and dirt set in mortar; adobe walls were also quite common, usually laid over stone foundations. The material used in the Inca buildings depended on the region, for instance, in the coast they used large rectangular adobe blocks while in the Andes they used local stones. The most common shape in Inca architecture was the rectangular building without any internal walls and roofed with wooden beams and thatch. There were several variations of this basic design, including gabled roofs, rooms with one or two of the long sides opened and rooms that shared a long wall. Rectangular buildings were used for quite different functions in almost all Inca buildings, from humble houses to palaces and temples. Even so, there are some examples of curved walls on Inca buildings, mostly in regions outside the central area of Peru.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 832 X 704 (0.59 MP)

• Used settings:

  • Prompt: The revolution in materials came first, with the use of cast iron, drywall, plate glass, and reinforced concrete, to build structures that were stronger, lighter, and taller. The cast plate glass process was invented in 1848, allowing the manufacture of very large windows. The Crystal Palace by Joseph Paxton at the Great Exhibition of 1851 was an early example of iron and plate glass construction, followed in 1864 by the first glass and metal curtain wall. These developments together led to the first steel-framed skyscraper, the ten-story Home Insurance Building in Chicago, built in 1884 by William Le Baron Jenney.[3] The iron frame construction of the Eiffel Tower, then the tallest structure in the world, captured the imagination of millions of visitors to the 1889 Paris Universal Exposition.
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 832 X 704 (0.59 MP)

• Used settings:

  • Prompt: Tamil architecture of Meenakshi Temple
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 832 X 704 (0.59 MP)

• Used settings:

  • Prompt: Al-Khazneh
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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Quiet night

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

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  • Prompt: a dark and empty street of a clockwork city at night, dark sky, dim blue lighting
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  • Aspect Ratio: landscape

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 832 X 704 (0.59 MP)

• Used settings:

  • Prompt: The Patriarchal Cathedral Basilica of Saint Mark is the cathedral church of the Catholic Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello. It is dedicated to and holds the relics of Saint Mark the Evangelist, the patron saint of the city. As built, the Contarini church was a severe brick structure. Adornment inside was limited to the columns of the arcades, the balusters and parapets of the galleries, and the lattice altar screens. The wall surfaces were decorated with moulded arches that alternated with engaged brickwork columns as well as niches and a few cornices. With the exception of the outside of the apse and the western façade that faced Saint Mark's Square, the stark brick exterior was enlivened only by receding concentric arches in contrasting brick around the windows. The western façade, comparable to middle-Byzantine churches erected in the tenth and eleventh centuries, was characterized by a series of arches set between protruding pillars.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 832 X 704 (0.59 MP)

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  • Prompt: Japanese traditional architecture. Posts and lintels support a large and gently curved roof, while the walls are paper-thin, often movable and never load-bearing. Arches and barrel roofs are completely absent. Gable and eave curves are gentler than in China and columnar entasis (convexity at the center) limited. The roof is the most visually impressive component, often constituting half the size of the whole edifice. The slightly curved eaves extend far beyond the walls, covering verandas, and their weight must therefore be supported by complex bracket systems called tokyō, in the case of temples and shrines. Simpler solutions are adopted in domestic structures. The oversize eaves give the interior a characteristic dimness, which contributes to the building's atmosphere. The interior of the building normally consists of a single room at the center called moya, from which depart any other less important spaces.
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February snowstorm

• Model: Artistic

• Size: 672 X 864 (0.58 MP)

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  • Prompt: city, evening, lights on the streets, February, light blizzard, very beautiful, fantasy
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 832 X 704 (0.59 MP)

• Used settings:

  • Prompt: Inca architecture is the most significant pre-Columbian architecture in South America. The Incas inherited an architectural legacy from Tiwanaku, founded in the 2nd century B.C.E. in present-day Bolivia. A core characteristic of the architectural style was to use the topography and existing materials of the land as part of the design.[1] The capital of the Inca empire, Cuzco, still contains many fine examples of Inca architecture, although many walls of Inca masonry have been incorporated into Spanish Colonial structures. The famous royal estate of Machu Picchu (Machu Pikchu) is a surviving example of Inca architecture. Other significant sites include Sacsayhuamán and Ollantaytambo. The Incas also developed an extensive road system spanning most of the western length of the continent and placed their distinctive architecture along the way, thereby visually asserting their imperial rule along the frontier.
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  • Base image resolution: Default
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 832 X 704 (0.59 MP)

• Used settings:

  • Prompt: Victorian Architecture. This style of architecture refers to buildings that were constructed during the reign of England’s Queen Victoria. Unlike other styles, Victorian architecture is not limited to a single particular design but is used as a broad term that saw the revival of Gothic, Romanesque, and Tudor elements. The Victorian style was applied to residential house designs during the industrial revolution. Many homes in the UK, US, and Australia utilised this style. One characteristic that most Victorian homes share is the “dollhouse” look having elaborate trims, vivid colours, and asymmetrical designs.
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  • Base image resolution: Default
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 832 X 704 (0.59 MP)

• Used settings:

  • Prompt: Weser Renaissance. Eicke's House. Brake Castle in Lemgo-Brake. The Hochzeitshaus in Hamelin. Ratcatcher's House in Hamelin. Town centre of Lemgo. Varenholz Castle in Kalletal. Bremen City Hall. Juleum Novum. Wolfsburg Castle. Bevern Castle. Neuhaus Castle. Hämelschenburg. Wewelsburg. Bückeburg Castle. Bückeburg Parish Church. Stadthagen Castle. Mausoleum in Stadthagen. Schwöbber Castle. Erbhof Thedinghausen.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 832 X 704 (0.59 MP)

• Used settings:

  • Prompt: Ancient Egyptians believed that the soul resided in the heart, and that each individual would therefore undergo a "Weighing of the Heart" in the afterlife; each human heart is weighed on a giant scale against an ostrich feather, which represents the concept of the goddess Maat. All souls that successfully balance the scales will be allowed to start a long and perilous journey to Aaru, where they will exist in peace and pleasure for eternity. Conversely, hearts that weigh heavy with evil will tip and fall into the crocodilian jaws of the goddess Ammit. Any souls that are subject to Ammit's "second death" are doomed to restlessness in the Duat. Aaru (or the Field of Reeds (sḫt-jꜣrw), is the name for heavenly paradise in Egyptian mythology. Ruled over by Osiris, an Egyptian god, the location has been described as the ka of the Nile Delta. It has been represented in hieroglyphs as three reeds:
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 832 X 704 (0.59 MP)

• Used settings:

  • Prompt: Ukrainian architecture. has initial roots in the Eastern Slavic state of Kyivan Rus. After the 12th century, the distinct architectural history continued in the principalities of Galicia-Volhynia and later in Grand Duchy of Lithuania, Ruthenia and Žemaitia. During the epoch of the Zaporozhian Cossacks, a style unique to Ukraine developed under the influences of the Polish–Lithuanian Commonwealth. The great church architecture, built after the adoption of Christianity in 988, were the first examples of monumental architecture in the East Slavic lands. The architectural style of the Kyivan state, which quickly established itself, was strongly influenced by the Byzantine. Early Eastern Orthodox churches were mainly made of wood, with the simplest form of church becoming known as a cell church. Major cathedrals often featured scores of small domes, which led some art historians to take this as an indication of the appearance of pre-Christian pagan Slavic temples. Several examples of these churches survive to this day. However, in the course of the 16th–18th centuries, many were externally rebuilt in the Ukrainian Baroque style. Examples include the grand St. Sophia of Kyiv.
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 832 X 704 (0.59 MP)

• Used settings:

  • Prompt: The Basílica i Temple Expiatori de la Sagrada Família,[a] shortened as the Sagrada Família, is an unfinished church in the Eixample district of Barcelona, Catalonia, Spain. It is the largest unfinished Catholic church in the world. Designed by the Catalan architect Antoni Gaudí. La Sagrada Familia utilizes three-dimensional forms comprised of ruled surfaces, including hyperboloids, parabolas, helicoids, and conoids. These complex shapes allow for a thinner, finer structure, and are intended to enhance the temple's acoustics and quality of light. The style of the Sagrada Família is variously likened to Spanish Late Gothic, Catalan Modernism or Art Nouveau.
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

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  • Prompt: The dwarves that did accept woodworking often adopted a viking design, with hints towards early medieval roots. For the dwarves that can not afford and do not have access to any stone, that will make buildings of wood in styles similar to early, American 1700's style buildings (Revolutionary America). Due to this many small villages and towns are not truly recognized as settlements until a stone structure is completed, often the town hall and maybe some of the rich of the settlement. In larger surface cities, the lower floors are made of stone, with the upper levels often being stone bricks to reduce weight issues. A side effect is that most dwarven surface structures are not that tall, but often have 2-3 stories of depths (floors beneath ground). These basements vary in use house to house, but often have more use than their human surface dweller counterparts. In dwarven society one would refer to floors above ground the same as surface dweller, but basements would be referred to a depths to symbolize floor levels beneath the surface. Street layout would often follow a frid pattern when available, but more unaligned segments might exist depending on the settlements age.
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  • Base image resolution: Default
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: In terms of external appearances dwarven structures in mountains would often create beautiful flourishes and accents to buildings to add flavour and beauty to the existing stone to accentuate the designs and mirror the beautiful caverns. On the surface however such beauty could not be afforded to the lower and middle classes, with more basic and slimmed designs bein uncommon in surface settlements. however on important buildings, structures or wealth homes such classically designs still existed and were seen as a symbol of wealth and status. Often Stone pillars would a brought and support houses, with more beautifully designed symbols of wealth being important status symbols like the lawns of America, tulips of Holland and gardens of Japan. Some of the earlier dwarven designs for surface structures mirrored greek designs such as the parthenon with importance placed on stone pillars, roof and floors, with creative interpretations from town to town. This design became synonymous with early dwarven surface designs and became an important symbol for surface dwellings as a symbol of wealth and history in the settlement. upcoming settlements might seek to acquire.
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