#scifi

By the time the wreckage was found, it had almost completely decayed

• Model: Nano Banana 2 (Pro)

• Size: 1200 X 896 (1.08 MP)

• Used settings:

  • Prompt: A person in a green spacesuit observes a dilapidated spacecraft in a foggy forest, conveying an eerie post-apocalyptic scene.
  • Using base image: No
  • Aspect Ratio: landscape

BTS: A Lost Crossover

• Model: Nano Banana 2 (Pro)

• Size: 1365 X 768 (1.05 MP)

• Used settings:

  • Prompt: Generate a behind the scenes photo from an fictional lost crossover episode of "Land of the Lost" and "Lost in Space". The image should be a cinematic wide-angle shot, photorealistic, capturing the whimsical retro-futuristic low-budget television studio set decorated as a sci-fi medical bay. Focus on: two young woman (the characters Penny Robinson and Holly Marshall) in a classic series costumes sitting in a prison cell inside a foam cavern. Both actresses are laughing at the two ridiculous looking rubber-suit Sleestak standing on either side of them holding vintage toys decorated as retro-futuristic weapons. The vibe is a comedic candid moment from the set of a vintage television series.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Alien Abductee: Serena Williams!

• Model: Z-Image Turbo

• Size: 3808 X 2176 (8.29 MP)

• Used settings:

  • Prompt: Photorealistic, intricately detailed, sensual depth-of-field, cinematic, Technicolor, intricately detailed, candid, UHD 16K film still: Serena Williams in a hyper-realistic sci-fantasy horror tableau, her athletic body sheathed in an intricately detailed spiderweb mesh bodysuit that clings like a second skin, every thread glistening under the eerie violet light of an alien medical laboratory. Suspended mid-abduction on a polished obsidian and chrome examination table, her wrists and ankles are restrained by high-tech shackles, toes curling delicately against the cold metal as a trio of androgynous extraterrestials loom over her with retro-futuristic surgical implements/medical probes. The background reveals a vast starship interior—organic arches fused with biomechanical piping, pulsing with iridescent light nodes—while through a panoramic viewport, a gothic cathedral looms above an artdeco metropolis, drifting past a saucer-shaped UFO. Her expression a moue of equal parts defiance and vulnerability, lips parted in a silent scream as a tray with vials/bottles of neon green and iridescent blue fluid refracts the light, the scene dripping with the same lush, hyper-detailed dynamic tension that defines Boris Vallejo and Julie Bell’s finest work.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Astronaut Adventurer in a Futuristic World

• Model: Flux Klein

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Full‑body retro‑futuristic pin‑up heroine in a 1950s sci‑fi spacesuit: blonde curled hair inside a clear glass bubble helmet, form‑fitting cream zippered corset with visible seams and metal rivets, high‑cut shorts, wide leather belt with ornate buckle, thigh strap holster, tall brown leather boots, holding a polished ray pistol aloft. Low‑angle cinematic composition on rocky outcrop overlooking a neon metropolis of spired skyscrapers at sunset, warm golden light mixing with cool starry night, multiple moons and hovering saucer craft in the sky. Highly detailed textures: scratched metal, worn leather, skin pores, fabric stitching, reflective glass domes enclosing city buildings. Dramatic rim and key lighting, volumetric fog and subtle lens flare, rich color grading with teal shadows and warm highlights, epic heroic mood, photographic realism, ultra high resolution, crisp depth of field, dynamic pose and confident expression.
  • Using base image: Yes

Surreal Woman in Vibrant Dreamscape

• Model: DaVinci2

• Size: 1216 X 1560 (1.90 MP)

• Used settings:

  • Prompt: ... no signature
  • Using base image: Yes

Weathered Space-Warship in Icy Landscape

• Model: QWEN

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: A stunning, hand-painted, photo-like digital artwork in a sci-fi scene, A massive, weathered sci-fi space-warship dominates the scene, its intricate hull covered in patches of rust and exposed metal, giving it a rugged, battle-worn appearance. The ship's design is complex, with numerous protruding modules, antennas, and structural reinforcements that add to its imposing presence. A central command tower rises high above the main body, bristling with sensors and communication arrays. The ship hovers just above a frozen, icy landscape, its underside dripping with icicles formed from the cold. The sky above is a deep, starry blue, with a faint snowfall adding to the ethereal atmosphere. The overall aesthetic is reminiscent of the detailed, mechanical artistry found in Moebius' works, blending futuristic technology with a gritty, lived-in feel. (masterpiece, best quality, amazing quality, very aesthetic, high resolution, ultra-detailed, absurdres, newest, colorful, rim light, backlit, highest detailed, very awa)
  • Using base image: No
  • Aspect Ratio: landscape_wide
  • Style/LoRA: Pure QWEN

Cosmic Clash of Alien Warriors

• Model: Z-Image Turbo

• Size: 784 X 1248 (0.98 MP)

• Used settings:

  • Prompt: Oil painting in a bright fantasy palette: a vibrant painting depicting a grotesque, muscular alien creature with grayish skin and a ferocious expression, wearing a torn yellow shirt and holding an alien weapon, fighting a futuristic astronaut hero in an armored spacesuit. The hero, clad in green and purple armor with a visor, leaps and delivers a powerful kick to the creature's stomach, wielding a weapon. The background features a surreal purple landscape with scattered dots that suggest a cosmic or otherworldly setting. The overall tone of the film is dynamic and eventful, showcasing the dramatic confrontation between two distinct characters.
  • Using base image: Yes

Retrofuturistic Pulp Fiction Book Covers

• Model: Z-Image Turbo

• Size: 1120 X 880 (0.99 MP)

• Used settings:

  • Prompt: An oil painting in a vibrant fantasy palette: create a vintage book cover design with two different front panels. On the left, a close-up of a face with expressive eyes holds a decorative cup, and the steam rising from the cup transforms the face of an older woman into that of a younger one. Use vibrant colors such as red, black, and yellow, and add stylized text in Russian that reads "РОМАНЫ и рассказы" On the right, depict a spectacular scene showing barbarian warriors riding a dinosaur and dragging a bound astronaut on a rope, with vibrant colors. The background should be dramatic, fiery, with a rounded red space fighter jet flying towards the barbarians and shooting at them. At the top, write the name in Russian: "НЕУКРОТИМАЯ ПЛАНЕТА", "КОННЫЕ ВАРВАРЫ", and "СПЕЦИАЛИСТ ПО ЭТИКЕ", as well as the logo of the company СУПЕРОБЛОЖКА ИЗДАТЕЛЬСТВА "АЛЕКС". The overall style should evoke a sense of retro aesthetics, combining elements of science fiction and fantasy.
  • Using base image: Yes

in Cosmic Flight

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Design a futuristic spaceship with sleek, angular lines and a rugged surface. The ship should have bright blue accents illuminating from various sections, showcasing advanced technology. Include a top-down view and a side profile to highlight its dynamic shape and intricate details. The color palette should consist of metallic grays, deep blues, and hints of rust, suggesting a battle-worn appearance. The background should be minimalistic to emphasize the ship's design features, with a subtle grid or blueprint pattern.
  • Using base image: No
  • Aspect Ratio: landscape

Key West to Havana In An Hour

• Model: FluX 2 (Pro)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Man in a silver bodysuit and a silver closed motorcycle helmet as the primary subject, riding fast on a futuristic motorcycle through a large endless glass tunnel, single photographable instant, no crowd, no second rider, no static parked pose; image reads immediately as high-speed forward travel inside an underwater transit structure. Rider identity explicit and load-bearing: silver bodysuit sleek, fitted, and reflective, silver closed motorcycle helmet fully enclosing the head, posture committed forward in active speed-riding stance, no open face, no casual clothing, no bulky armor, no astronaut drift; rider remains clearly human and central, body aligned with the machine and the road vector. Motorcycle remains the key counter-mass and motion system: futuristic motorcycle in light blue metallic with gold trim, design sleek, advanced, and fast, no bicycle, no car substitution, no bulky hoverbike drift; machine angled and driven along the road with clear forward velocity, light blue metallic surfaces and gold trim readable and distinct, no color drift away from the stated palette. Road and tunnel geometry explicit: four-lane road running through a large endless glass tunnel, road width and lane structure readable, tunnel transparent and continuous, glass walls and overhead curvature clear, elongated electric lamps illuminating the tunnel in repeated intervals, no open highway, no short aquarium passage, no opaque concrete tunnel, the architecture reading as a vast engineered underwater corridor. Outside the transparent glass walls, a picturesque realistic underwater landscape typical of the southern seas remains clearly visible, water blue and sunlit, marine scenery rich and natural, no abstract alien ocean drift, no dark abyss only; reefs, fish-rich waters, and southern-sea clarity act as the environmental counterfield behind the tunnel, turning the ride into a surreal but realistic undersea passage. Asymmetrical cinematic composition with strong silhouette logic and clear foreground-to-background hierarchy, silver-suited rider and light-blue gold-trim motorcycle racing through the illuminated glass tunnel while the realistic southern-seas underwater landscape unfolds beyond the transparent walls; fantasy realism, high detail, speed clarity, and one coherent image of futuristic motion inside an endless undersea transit world. --mod fantasy realism masterpiece --mod silver bodysuit and silver closed motorcycle helmet --mod futuristic motorcycle light blue metallic with gold trim --mod high-speed ride --mod four-lane road inside endless glass tunnel --mod elongated electric tunnel lamps --mod realistic southern-seas underwater landscape beyond transparent walls --mod asymmetrical cinematic composition
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Eternal Watcher - The Grand Cosmic Theater of Life

• Model: Grok

• Size: 5672 X 3192 (18.11 MP)

• Used settings:

  • Prompt: A wide, cinematic fantasy and sci-fi epic masterpiece. Ultra-detailed, 8k resolution, dramatic chiaroscuro lighting, and a dark yet vibrant cosmic color palette. Artstation showcase quality. Epic Fantasy Masterpiece. Style of Greg Rutkowski. Composition: A multi-tiered narrative split-screen composition, framing a vast universe where grand celestial events and grounded mortal struggles occur simultaneously under a singular, overarching entity. Element 1: The Eye in the Sky & The Watcher Central Figure: Standing omnipotently at the absolute center-top of the frame is a mysterious, towering cosmic entity—The Watcher. He is draped in a flowing, heavily textured golden robe adorned with subtle, ancient celestial runes. The Face: His face is deeply shadowed and completely hidden beneath a dark, expansive hood, conveying a sense of cold, impassive, and eternal observation. The Platform: He stands directly within or immediately above a massive, stylized cosmic portal shaped like a giant, ornate eye. The iris of this eye blends seamlessly into a spinning, hypnotic vortex of nebulae and starlight, looking out over the entire canvas. Element 2: The Cosmic Symphony Background Canvas: The upper and middle sections are filled with a majestic deep-space cosmos, crowded with swirling star clusters, glowing cosmic dust, exploding supernovae, and distant galaxies. Visual Melodies: Elegant, glowing golden and blue frequency waves—representing the audible symphony of the universe—ripple across the stars like glowing musical staff lines, connecting the celestial bodies directly to the Watcher's plane of existence. Element 3: The Earthly Theater & The Factions Sprawled across the lower half of the image are distinct, vignette-style scenes depicting the dramatic turmoil of the mortal plane: The Hero Born of Fire (Bottom-Left): A powerful warrior woman rises directly from an exploding volcanic fissure. She wears glowing, magma-infused armor that drips with liquid fire, defiantly lifting a burning, molten broadsword as smoke billows around her. The Scheming Outcasts (Far-Left Depth): Deep in a dark, jagged cavern, a group of shadowy, cloaked figures and outcasts huddle together around a faint, cold light source, whispering over weapons and plotting a razor-sharp vengeance. The Dark Forces & Chaos (Bottom-Right): Smoldering meteors and fiery celestial debris rain down onto a devastated, blackened landscape. In the corners, shadowy monstrous entities and corrupt sorcerers scheme amidst purple and crimson energy, manipulating the strings of chaos behind the scenes. Lighting & Mood Atmosphere: An overwhelming sense of mythic scale, epic destiny, and existential insignificance. Contrast: High-contrast lighting where the brilliant, blinding orange fires of the rising hero and the shimmering gold of the Watcher's robes cut through the cold, deep voids of black and violet space.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Star Trek 1950

• Model: Z-Image Turbo

• Size: 1600 X 912 (1.46 MP)

• Used settings:

  • Prompt: A photorealistic retro-futuristic sci-fi scene of an disheveled female engineering officer resembling Rihanna sitting on the floor of the bridge of a starship in front of an open console looking at retro-futuristic spaghetti boards and colorful wires, she is leaning back examining a motherboard with her beautiful barefeet under her. In the foreground her insulated work boots tossed sitting on the floor next to her open toolkit, futuristic tools, black and blue ship unitard unzipped, she casually wears a form-fitting textured toolbox over a retro-futuristic miniskirt and unitard with a high collar bearing metallic lieutenant insignia, round globe chest badge, a slim wristwatch, and a neat vintage 1950s style updo, her makeup refined with winged eyeliner and a serene, confident expression. The cockpit features rounded mid-century-futurism design, glossy brushed-metal surfaces, analog knobs and glowing touchscreen displays with blue and orange UI elements, soft volumetric light and subtle rim lighting from instrument panels, starfield and several sleek starships visible through a large viewport. Cinematic composition, shallow depth of field focusing on the subject’s face and hands, high detail, rich color grading, soft film grain, 50mm portrait perspective, dramatic but warm atmosphere emphasizing texture, reflections, and polished retro sci-fi aesthetics.
  • Using base image: No
  • Aspect Ratio: landscape_wide

1950s Coca-Cola Adventure

• Model: Nano Banana 2 (Pro)

• Size: 2592 X 1456 (3.77 MP)

• Used settings:

  • Prompt: Generate a whimsical photorealistic cinematic sci-fi abduction scene from circa the 1950s as an billboard ad for Coke Cola: a distressed barefoot young woman resembling Emilia Clarke in poodle skirt restrained on a high-tech examination table in a circular metallic chamber, surrounded by four slender green-skinned female aliens with large black eyes and expressive faces (one alien female holding up high heel shoes looking at them with a curious expression, the second examining the poodle on Emilia's skirt, the third holding a medical scanner, as the fourth slides a 1950s coke cola bottle out of Emilia's trembling hand with a smirk. The young woman is bound by metal restraining cuffs on her wrists and ankles, intricate medical equipment and holographic screen displays surround the table, humidifier mist and atmospheric haze wafting through the room, dramatic rim and warm backlighting contrasted with cold neon green glows, hyper-realistic skin textures and subtle beads of sweat, tense emotional expressions and careful, curious movements from the aliens, dynamic overhead wide‑angle composition, ultra-realistic intricately detailed chrome and worn metal surfaces, high contrast cinematic color grading, shallow depth of field with sharp focus on faces and hands, rich surface detail, photorealistic lighting, 8k resolution, moody, suspenseful atmosphere.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Star Trek 1950

• Model: Z-Image Turbo

• Size: 1600 X 912 (1.46 MP)

• Used settings:

  • Prompt: A photorealistic retro-futuristic sci-fi scene of an elegant female officer resembling Audrey Hepburn reclining in the bridge of a spaceship, seated in a padded command chair with her bare feet comfortably propped on a curved control console; she wears a form-fitting textured cobalt blue retro-futuristic miniskirt uniform with a high collar bearing metallic commanders insignia, round chest badge, a slim wristwatch, and a neat vintage updo with a small decorative clip, her makeup refined with winged eyeliner and a serene, confident expression. The cockpit features rounded mid-century-futurism design, glossy brushed-metal surfaces, analog knobs and glowing touchscreen displays with blue and orange UI elements, soft volumetric light and subtle rim lighting from instrument panels, starfield and several sleek starships visible through a large viewport. Cinematic composition, shallow depth of field focusing on the subject’s face and hands, high detail, rich color grading, soft film grain, 50mm portrait perspective, dramatic but warm atmosphere emphasizing texture, reflections, and polished retro sci-fi aesthetics.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Star Trek 1950

• Model: Z-Image Turbo

• Size: 960 X 1280 (1.23 MP)

• Used settings:

  • Prompt: A photorealistic retro-futuristic sci-fi scene of an elegant barefoot female engineering officer resembling Marilyn Monroe leaning against an open console on the bridge of a spaceship, she is intently examining a retro-futuristic motherboard. In the foreground her high heels lay tossed aside next to her open toolkit, futuristic tools, she casually wears a form-fitting textured cobalt blue and forest green retro-futuristic miniskirt and unitard with collar bearing metallic lieutenant commander insignia, round chest badge, a slim wristwatch, and a neat vintage 1950s style updo, her makeup refined with winged eyeliner and a serene, confident expression. The cockpit features rounded mid-century-futurism design, glossy brushed-metal surfaces, analog knobs and glowing touchscreen displays with blue and orange UI elements, soft volumetric light and subtle rim lighting from instrument panels, starfield and several sleek starships visible through a large viewport. Cinematic composition, shallow depth of field focusing on the subject’s face and hands, high detail, rich color grading, soft film grain, 50mm portrait perspective, dramatic but warm atmosphere emphasizing texture, reflections, and polished retro sci-fi aesthetics.
  • Using base image: No
  • Aspect Ratio: portrait

The Family of the Cyborg Saint

• Model: AI Upscaler

• Size: 1344 X 1056 (1.42 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes

Foggy Industrial Wasteland of Machinery

• Model: DaVinci2

• Size: 1192 X 1592 (1.90 MP)

• Used settings:

  • Prompt: forests, crumbling castles, and arcane rituals is woven in the inimitable style of Philippe Druillet, with bold, graphic lines, sharp angles, and an air of industrial, mechanical menace. Heavy shadows cast long, jagged silhouettes against a backdrop of diseased yellow fog, punctuated by the metallic sheen of ancient machinery and the flicker...
  • Using base image: Yes

City of Illusions: A Vibrant Fantasy Tale

• Model: Z-Image Turbo

• Size: 800 X 1232 (0.99 MP)

• Used settings:

  • Prompt: An oil painting in a bright and fantastical palette: a spectacular and vibrant book cover depicting a dimly lit palace scene. In the foreground, two dark figures are sneaking around, holding blasters, towards a glowing mystical statue or idol, at the foot of which is a royal bed, with a queen lying on the pillows, emanating an otherworldly light. The atmosphere is filled with tension and mystery, enhanced by deep shadows and bright highlights. The title "City of Illusions" (Gorod Illusions) is highlighted in bold font at the top of the stylized typography, while the author's name is displayed in smaller font below. The color palette features rich red, orange, and dark tones that evoke a sense of adventure and the supernatural.
  • Using base image: Yes

Epic Sci-Fi Space-Warship in Icy Landscape

• Model: Z-Image Turbo

• Size: 1600 X 912 (1.46 MP)

• Used settings:

  • Prompt: A stunning, hand-painted, photo-like digital artwork in a sci-fi scene, A massive, weathered sci-fi space-warship dominates the scene, its intricate hull covered in patches of rust and exposed metal, giving it a rugged, battle-worn appearance. The ship's design is complex, with numerous protruding modules, antennas, and structural reinforcements that add to its imposing presence. A central command tower rises high above the main body, bristling with sensors and communication arrays. The ship hovers just above a frozen, icy landscape, its underside dripping with icicles formed from the cold. The sky above is a deep, starry blue, with a faint snowfall adding to the ethereal atmosphere. The overall aesthetic is reminiscent of the detailed, mechanical artistry found in Moebius' works, blending futuristic technology with a gritty, lived-in feel. (masterpiece, best quality, amazing quality, very aesthetic, high resolution, ultra-detailed, absurdres, newest, colorful, rim light, backlit, highest detailed, very awa)
  • Using base image: No
  • Aspect Ratio: landscape_wide

Glamorous Cyborg in Futuristic Elegance

• Model: DaVinci2

• Size: 1088 X 1088 (1.18 MP)

• Used settings:

  • Prompt: Alien red ant fly meet woman, bio mechanical, cyborg, punk, chrome, shinny, & new surrealist.on black backdrop by ,Catrin Welz-Stein,Vasarely,Dali,style
  • Using base image: Yes