#scifi

Ur Metropolitan Area

• Model: Nano Banana 2 (Pro)

• Size: 1365 X 768 (1.05 MP)

• Used settings:

  • Prompt: An alt sci-fi city view of an indus valley civilization aesthetic city. Scientific patterns and designs on the buildings and roads.
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Butlerian Jihad

• Model: Nano Banana 2 (Pro)

• Size: 1365 X 768 (1.05 MP)

• Used settings:

  • Prompt: Dune: The Butlerian Jihad. The series chronicles the fictional Butlerian Jihad, a crusade by the last free humans in the universe against the thinking machines, a violent and dominating force led by the sentient computer Omnius. Add elements of the Blade Runner movie.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Brood

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: Post singularity. Far future. Colorful. Evolution. Super science. High tech. Alien architecture. Vibrant colors. Alive. Energetic. Glowing. Acrylic. By Jean-Baptiste Monge, giger, Pino Daeni, Karol Bak, Michael Whelan, Moebius, Tom Bagshaw
  • Using base image: Yes

The car remains the same

• Model: DaVinci2

• Size: 1456 X 816 (1.19 MP)

• Used settings:

  • Prompt: Post singularity. Far future. Colorful. Evolution. Super science. High tech. Alien architecture. Vibrant colors. Alive. Energetic. Glowing. Acrylic. By Jean-Baptiste Monge, giger, Pino Daeni, Karol Bak, Michael Whelan, Moebius, Tom Bagshaw
  • Using base image: Yes

Cover

• Model: DaVinci2

• Size: 960 X 1240 (1.19 MP)

• Used settings:

  • Prompt: Post singularity. Far future. Colorful. Evolution. Super science. High tech. Alien architecture. Vibrant colors. Alive. Energetic. Glowing. Acrylic. By Jean-Baptiste Monge, giger, Pino Daeni, Karol Bak, Michael Whelan, Moebius, Tom Bagshaw
  • Using base image: Yes

Dreams Do Come TRUE!

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Create an image that shows what the world will look like in 30 years, if all of the world leaders Were to release all of the classified and suppressed technologies that they have kept hidden from the masses and stop all lies and deception. I need an honest representation of what the world will look like under these circumstances. Use all data available to you on what these secret technologies are capable of. Include conspiracy theories for which there is evidence that they are in fact true. Also look at cutting edge, quantum science, and consider that as well.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cosmic Pin-Up: A Retro-Futuristic Vision

• Model: Z-Image Turbo

• Size: 960 X 1280 (1.23 MP)

• Used settings:

  • Prompt: Change the top title text to huge ultra bold sterile medical occult hieroglyphs. Change the top subtitle text to bold spaced weird occult runic pictographs. Add ports and switches to the machine.
  • Using base image: Yes

**The Story: Fragment 42 – The Last Gardener**

• Model: SeeDream

• Size: 3792 X 2133 (8.09 MP)

• Used settings:

  • Prompt: A cinematic, high-detail digital painting of a futuristic, derelict space station interior. In the center, a glowing, bioluminescent tree with neon-blue veins and lush green foliage sits in a rusted metallic planter. A sleek, white-and-blue humanoid android stands before the tree, its head bowed in a gesture of reverence or contemplation. In the background, a massive observation window reveals a breathtaking view of a nebula, planets, and a floating celestial entity—a translucent, ethereal being with a glowing crown of light. The room is decaying, with rusted pipes, cracked glass, and overgrown weeds, contrasting with the vibrant life of the tree and the cosmic beauty outside. Soft, dusty light beams filter through the ceiling.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Last Lane Into Avaruun

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Highly detailed high-resolution digital illustration of otherworldly desert landscape dominated by towering monolithic structure that is part ancient ruin and part advanced technological citadel. Primary read is monumental hybrid architecture rising from dunes, not generic sci-fi city or lone rock spire. Scene balances age, mystery, and futuristic power. Monolith is visual sovereign; desert and distant spaceport reveal its scale. Monolith rises majestically from dunes as immense vertical mass, its silhouette severe and singular. Form merges ruin and technology: weathered stone faces, eroded planes, carved recesses, broken terraces, and ancient scars interwoven with sleek metallic panels, angular projections, embedded conduits, and luminous energy arrays. Surface must not split into separate old and new zones; ruined masonry and advanced fabrication blend into one coherent artifact-citadel. Intricate carvings adorn outer skin, implying forgotten engineering. Technological components remain explicit. Glowing energy arrays pulse from seams, apertures, or vertical bands, reading as active systems rather than decorative lights. Metallic panels are sleek and purposeful, while angular projections thrust outward as docking spars, buttresses, sensor fins, or elevated platforms. Peculiar energy signatures dance through air around monolith as subtle arcs, sparks, or refractive distortions. Advanced systems should feel anciently embedded. Foreground grounds scale and material state. Sand drifts up against base of structure, collecting in steps, buttress roots, recesses, and broken thresholds so monolith feels half claimed by desert. Dunes are wind-shaped and undulating, their ridges catching alien light and casting long shadows. Strange flora sprouts from crevices in monolith and nearby sand pockets, sparse but distinct, otherworldly rather than lush: waxy, spined, translucent, or geometrically branching. Distance opens wider civilization. Beyond dunes, sprawling spaceport stretches toward horizon under vivid alien sky, secondary to monolith yet extensive enough to suggest frontier economy. Metallic walkways thread across sand, linking landing pads, service platforms, and low support structures. Gleaming ships are docked at landing pads, varied in size but small enough to preserve monolith’s supremacy. Dunes gradually give way to port infrastructure. Lighting and atmosphere complete world. Otherworldly light bathes scene, casting long shadows across dunes, monolith, walkways, and ships. Alien sky is vivid and expansive, carrying unusual color gradients without overpowering architecture. Spatial hierarchy is absolute: foreground begins with drifted sand, flora, and lower base; midground is dominated by towering ruin-citadel; background extends into spaceport, docked ships, and horizon sky. Camera is wide and low or eye-level, far enough back to preserve full monolith height while keeping carvings, panels, energy arrays, and port legible. Mood is awe-struck, mysterious, futuristic. Detailed stylized-real concept illustration with strong basin control toward ancient-tech monolith rising from alien desert above distant spaceport, under otherworldly light and long shadows. --mod ancient futuristic citadel --mod desert monolith grandeur --mod glowing energy arrays --mod dune-spaceport transition --mod intricate carved surface --mod vivid alien light
  • Using base image: No
  • Aspect Ratio: landscape_wide

Evening Route to Caelisar

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Breathtaking futuristic Art Deco-style airship hovers gracefully above colossal cliffs at sunset. Primary read is elegant luxury airship, not warship or freighter. Ship must dominate scene through elongated streamlined silhouette, sleek metallic hull, and gold detailing, poised over immense landscape. Tone is mysterious, adventurous, sophisticated. Painterly finish, high detail, atmospheric depth are essential. Airship is central subject. Hull is elongated, streamlined, unmistakably Art Deco: tapering fuselage, layered metallic plating, elegant geometry, and decorative structure integrated into body. Surface carries refined gold detailing and intricate filigree tracing seams and bands. Large observation windows are clearly visible, reading as luxurious spaces rather than tiny portholes. Gently glowing propulsion systems feel advanced and refined, integrated cleanly into ship’s design. Luxury architecture must remain explicit. Ship features grand arched windows, intricate golden railings, and mechanical gears seamlessly integrated into design, making it read as flying palace-machine. Deck structures, balcony lines, window frames, ornamental housings, and trim display exquisite craftsmanship. Mechanical elements stay visible but sophisticated: gearwork, vents, supports, and propulsion housings belong to same design language as filigree and railings. Ship exudes luxury and sophistication rather than cargo utility. Environment provides monumental counterweight. Airship flies over colossal cliffs and overlooks landscape of towering rock pinnacles rising dramatically into sky. Pinnacles dominate background as immense monolithic forms, varied in height and spacing, creating awe and wonder. Cliffs beneath or beside ship read as sheer and vast, giving immediate scale. Landscape feels deep and layered through atmospheric recession. No city or ground traffic distracts from relation between refined vessel and primal geology. Lighting is sunset and must do major work. Airship is rim lit by golden sunset light, catching metallic edges, gold details, railings, and window frames in warm highlights while preserving rich shadow within hull contours. Towering pinnacles are likewise struck by golden light. Clouds are rim lit with orange and red hues, adding drama without overwhelming subject. Atmospheric haze softens distant cliffs while keeping foreground forms crisp. Spatial hierarchy is absolute. Foreground may begin with nearest cliff edge, passing cloud rim, or lower hull detail; midground is dominated by airship silhouette and nearby pinnacles; background extends into receding monolithic rock sea and sunset cloud field. Camera is wide and slightly low or level, far enough back to preserve whole ship and surrounding scale while keeping windows, filigree, and propulsion detail legible. Mood is wondrous, luxurious, mysterious, adventurous. Detailed painterly concept art with strong basin control toward futuristic Art Deco airship of sleek metallic hull and gold ornament hovering over colossal sunset cliffs, with grand windows, golden railings, integrated gears, glowing propulsion, towering rock pinnacles, rim-lit orange-red clouds, DB4RZ style painting energy, anime-inflected stylization. --mod Art Deco luxury airship --mod sleek gold filigree --mod glowing propulsion --mod sunset rim light --mod rock pinnacles --mod painterly anime art
  • Using base image: No
  • Aspect Ratio: landscape_wide

Robotic Duo: Metallic Embrace

• Model: FluX (Base)

• Size: 1920 X 1920 (3.69 MP)

• Used settings:

  • Prompt: Dark side of you; Alien beauty together, biomechanical, cyborg, punk, chrome, shinny, & newsurrealist. byK.Sloan Catrin Welz-Stein, and Stephen Gammell.,style
  • Using base image: No
  • Aspect Ratio: square

The First Ceremony of His Name

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Hyperrealistic digital illustration, photographable instant inside ancient jungle temple. Central subject: forty foot tall gorilla, black hair, mouth open, fangs exposed, both arms raised high, body towering center-left above human figures and ruined architecture. Gorilla reads as colossal living beast rather than statue or costume: broad chest, massive shoulders, powerful limbs, glaring eyes, open jaw, heavy black fur catching light. Scale is explicit; head exceeds height of stone columns. Temple environment is structural anchor. Setting is ancient jungle temple built from stone columns, now crumbling, broken, damaged, and covered in moss. Columns are fractured, toppled, and partially standing, capitals cracked, shafts chipped, bases engulfed by roots, vines, lichen, and foliage. Temple floor is uneven with fallen blocks, shattered carving fragments, mud, and leaf litter. Architecture reads as ceremonial ruin being reabsorbed by jungle. Human opposition is essential scale witness and tension driver. Men wielding spears and swords confront gorilla from ground level, dressed in bits of leather armor and rags rather than polished military kit. Clothing is primitive and worn: leather straps, patched wrappings, rough skirts, bare arms, battered shields if present, no modern gear. Some men thrust spears upward, others brace with swords drawn, others recoil or circle, but all attention converges on beast. They are numerous enough to form threat pattern, small enough to emphasize scale. Action logic is frozen at peak intimidation. Gorilla stands among stone columns with arms raised, roaring, mouth open wide so fangs and dark throat stay visible. Men have not yet struck decisive blow; they occupy charged positions around broken steps, fallen drums, and court edges. One spear line may angle toward chest, another swordsman may advance from flank, but contact remains imminent. Scene is single mythic instant: colossal animal dominance versus desperate human encirclement. Spatial hierarchy is absolute. Foreground begins with broken stones, mossy debris, and nearest armed men establishing entry and human scale. Midground is dominated by raised gorilla, open jaws, upflung arms, and clustered fighters around feet and ruined plinths. Background extends into deeper temple ruin and dense jungle canopy, where more broken columns, shadowed walls, and hanging vegetation reinforce location. Camera is low and back, angled upward enough to make gorilla and columns feel monumental while preserving legibility of men below. Light logic is dramatic and natural. Sun shafts cut through jungle canopy and broken roof gaps, striking black fur, wet stone, spear points, and moss with hot highlights while recesses fall into green-shadowed depth. Palette stays rich and earthy: black fur, weathered stone gray, deep moss green, mud brown, dull leather, muted bronze, touches of red or ochre in rags. Mood is savage, mythic, imposing, primal. Detailed photoreal illustration with strong basin control toward giant black-furred gorilla in ruined moss-covered jungle temple confronting spear-and-sword men. Visual spirit draws from Boris Vallejo, Frank Frazetta, Ken Kelly, and Rafael DeSoto while remaining original. --mod asymmetric composition --mod concept core --mod colossal gorilla lock --mod jungle temple ruin --mod spear-and-sword men --mod moss-crumble architecture --mod mythic pulp realism
  • Using base image: No
  • Aspect Ratio: landscape_wide

Futuristic Organic Sci-Fi Home

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Inspired by organic architecture and sci-fi imagination, the futuristic circular house features soft curved lines, floating platforms and transparent domes. The structure features rotating glass walls, solar panel leaves and gravity-defying terraces. It is located on a surreal landscape with glowing plants, floating rocks or hazy water surfaces. The materials are high-tech: liquid metal textures, self-cleaning glass and smart adaptive surfaces. The interior is visible through panoramic windows with hovering furniture, holographic screens and bioluminescent lighting. Whether at sunset with a pink-orange sky or under the stars with a nebula-lit sky, the ambience is surrounded by tranquillity and novelty. whether in the mist in the forest. Ultra-detailed 8K rendered in wide-angle cinematic perspective evokes a sense of awe, mystery and advanced civilizational aesthetics.
  • Using base image: No
  • Aspect Ratio: landscape

Crashed Alien Ship Anime Blender Scene

• Model: DaVinci2

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: lavishly detailed crashed alien spaceship scenery, drawn in anime Blender style
  • Using base image: No
  • Aspect Ratio: landscape_wide

Entering the Load Path

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Digital illustration, photographable instant inside spacecraft loading deck during violent magnetic cross-pull. Magnetic crane coil is primary driver, dragging astronaut’s ferrous suit sideways across deck, not upward or free-floating. Coil reads as industrial lifting magnet on crane system. Astronaut’s torso is yanked laterally off floor centerline, scene organized around magnetic capture and structural failure. Astronaut is central witness. Suit is ferrous, hard-shelled, metallic enough for magnetic attraction, reading as space suit rather than soft EVA fabric. Boots have lifted from deck centerline, confirming lost footing and sideways acceleration; lower body trails behind pull vector while chest and hips are dragged across frame. One arm is trapped through handrail, not merely holding it, so limb entanglement becomes hinge resisting motion. Pose must read as one coherent stressed body shaped by competing forces. Handrail failure is explicit event. Rail has bowed outward under coil pull and astronaut momentum, forming visible arc away from original alignment. Two mounting plates have torn free, leaving exposed bolts and curled deck skin around anchor points. Curling metal must read as peeled sheet material, sharp-edged and plastically deformed. Remaining attachment still resists, creating tension line between anchored structure, trapped arm, and pulled suit. Crane system and setting reinforce loading-deck ontology. Magnetic coil belongs to loading machinery—gantry arm, crane track, service cables, warning striping, industrial housings, work lights—inside cargo bay. Deck surface is metallic, worn, mechanically legible, with centerline markings visible beneath where boots lifted away. Nearby tie-downs, cargo restraints, bulkhead ribs, and utility conduits can frame space. Setting reads as operational spacecraft loading deck, not bridge, lab, or exterior hull. Force geometry governs composition. Coil pulls from one side; astronaut body stretches diagonally toward it; trapped arm and bent rail generate counterforce; torn mounting plates and peeled deck skin localize failure origin. Loose suit hoses, straps, or attachments may trail along pull direction. No explosion, firefight, or zero-g drift: drama comes from industrial hazard, lateral acceleration, and visible metal deformation translating invisible magnetism into consequence. Spatial hierarchy is absolute. Foreground may begin with torn mounting plate, exposed bolts, or deck-skin curl. Midground is dominated by astronaut body, trapped arm, bowed handrail, and deck markings proving sideways displacement from floor centerline. Background contains magnetic crane coil, machinery, and cargo-bay architecture. Camera is wide and eye-level to low, close enough to read bolts, bow, suit stress, and lifted boots in one shot. Lighting is bright industrial deck light with strong overhead bay illumination and broad ambient fill, preserving clear detail across astronaut, deck, and cargo-bay architecture. Mood is urgent, mechanical, precise. Detailed stylized-real illustration; strong basin control toward astronaut in ferrous suit pulled sideways by magnetic crane coil across spacecraft loading deck, arm trapped through bowed rail, mounting plates torn free, deck skin curled around exposed bolts. --mod asymmetric composition --mod bright cargo-bay lighting --mod force clarity --mod magnetic crane --mod trapped arm rail --mod torn mount plates --mod spacecraft deck
  • Using base image: No
  • Aspect Ratio: landscape_wide

Monuments Against Certainty

• Model: ChatGPT 2 (Pro)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Digital illustration, photographable instant within lush alien landscape under moonlight. Primary subject is four-legged alien creature standing before enormous monolith, body clear enough to read anatomy, fur, adornment, and attitude at once. Creature must read as noble extraterrestrial animal rather than dog, cat, horse, or monster: quadrupedal stance, balanced proportions, unfamiliar yet coherent silhouette, poised alertness, calm ceremonial presence. Creature identity stays explicit. Body is covered in red fur, rich and vivid under cool lunar light, with variation across mane, shoulders, flanks, and tail. Eyes are golden, luminous enough to catch attention without turning into horror trope. Face feels intelligent and otherworldly, yet still animal. Harness is jeweled, clearly visible against fur: fitted straps, metallic fittings, ornamental plaques, inset gems, and crafted adornment suggesting status, ritual value, or guardianship. Harness reads as ceremonial gear, not saddle or military tack. Secondary structural subject is enormous monolith behind or near creature. Monolith is colossal upright stone mass, ancient and imposing, scale explicit against figure and surrounding plants. Surface may show weathering, carved markings, worn edges, shallow relief, or subtle alien inscriptions, but it remains monolithic rather than becoming temple wall or building facade. It rises from landscape like primeval monument, anchoring scene vertically and giving creature mythic context. Environment is lush alien landscape full of weird plants. Vegetation is abundant, varied, and unmistakably extraterrestrial: oversized fronds, spiral stalks, bulbous growths, translucent leaves, ribbed succulent forms, strange flowers, and unusual branching silhouettes. Plant life frames creature and monolith without hiding them. Ground may include low mist, reflective damp soil, scattered stones, and interwoven roots. Landscape feels alive, fertile, exotic. Sky and light are central. Blue-green sky stretches above landscape with one large moon near horizon, clearly singular and dominant. Moonlight bathes scene in cool silver-blue illumination, catching edges of red fur, jewels, stone planes, and wet leaves. Large moon near horizon acts as major scale cue and luminous backdrop. Contrast between cool lunar atmosphere and warm red fur and gold eyes creates visual focus, while blue-green sky deepens otherworldliness. Spatial hierarchy is absolute. Foreground begins with selected weird plants, ground texture, and mist framing creature’s paws. Midground is dominated by red-furred four-legged creature and jeweled harness, posed before monolith. Background carries immense stone, layered alien flora, distant terrain, and blue-green sky with one large moon near horizon. Camera is wide and eye-level to slightly low, far enough back to capture creature, monolith, landscape, and moon in one coherent shot. Mood is majestic, mystical, awe-filled. Detailed high-resolution stylized-real illustration with strong basin control toward red-furred quadruped alien guardian in jeweled harness before giant monolith in lush moonlit alien world. Visual spirit draws from Frank Frazetta while remaining original. --mod concept core --mod quadruped alien-creature lock --mod jeweled ceremonial harness --mod colossal monolith scale --mod lush weird alien flora --mod blue-green moonlit grandeur
  • Using base image: No
  • Aspect Ratio: landscape_wide

Jihad vs Data Centers

• Model: Nano Banana 2 (Pro)

• Size: 1365 X 768 (1.05 MP)

• Used settings:

  • Prompt: Dune: The Butlerian Jihad. The robots have logos of AI companies like OpenAI, Google, Meta and Anthropic .The series chronicles the fictional Butlerian Jihad, a crusade by the last free humans in the universe against the thinking machines, a violent and dominating force led by the sentient computer Omnius.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Emerald Sky, Cobalt Leaves

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: painting by Ayami Kojima, on a distant world, landscape of a distant world, emerald_sky, three moons, trees with cobalt_leaves Sci-Fi style, 8k, high definition, crisp quality, ((focus on the center)), (masterpiece)
  • Using base image: No
  • Aspect Ratio: square

The Other Side of Becoming

• Model: FluX 2 (Pro)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Digital illustration, photographable instant inside xenobiology containment chamber. Primary event is eerie symmetry between human xenobiologist and newly hatched alien organism inside transparent field cage. Scene reads as scientific observation, not combat or panic: clean, procedural, purpose-built for containment study. Tension comes from impossible correspondence between two bodies and cage response, not overt violence. Human subject is xenobiologist standing motionless inside enclosure. She reads as field scientist rather than astronaut or technician: practical research suit, boots, minimal monitoring gear, disciplined posture. She is not recoiling, attacking, or reaching out. Body stance is controlled, arms and shoulders held in clear readable configuration. Motionlessness is essential because alien organism mirrors her posture exactly. Alien subject is newly hatched organism, clearly juvenile rather than mature predator. Ontology stays explicit: alien life-form, unfamiliar anatomy, but coherent enough to mirror human posture across species. It may differ in limb count or proportions, yet pose must correspond recognizably through matched angles, lifted segments, torso orientation, and head position. Organism feels wet-new, delicate, and strange, not monstrous. Field cage is central structural system. Enclosure walls are transparent, flexible, and physically present, reading as advanced membrane rather than rigid glass box. Cage surrounds both subjects closely enough for deformation to be obvious, yet neither body is physically touching any wall. Flexible enclosure walls deform around identical pressure points aligned to corresponding regions of human and organism, creating paired dimples, bows, or inward tensions in matching locations. Pressure distortions are visible consequences without visible contact. Causal geometry governs scene. Xenobiologist and organism face or offset one another inside same cage, separated by clear space. Each body holds mirrored pose; enclosure membrane responds at paired locations around them as if posture itself is generating shared pressure field. Identical deformations must read as linked and simultaneous, not random ripples. Chamber details—sensor arrays, floor markings, observation instruments, subtle hatch residue near organism—support containment context while remaining subordinate. Spatial hierarchy is absolute. Foreground may include one visible pressure indentation or transparent wall edge introducing phenomenon. Midground is dominated by xenobiologist, mirrored hatchling, and clear space between them. Background contains broader containment room and quiet monitoring architecture. Camera is wide and eye-level, far enough back to read cage volume, both figures, and identical pressure points in one shot. Lighting is cool laboratory illumination with controlled reflections so transparency remains clear. Mood is clinical, uncanny, intellectually electric. Detailed high-resolution stylized-real illustration with strong basin control toward motionless xenobiologist and newly hatched alien organism mirroring each other inside transparent flexible field cage while noncontact wall deformations appear at identical pressure points. --mod asymmetric composition --mod concept core --mod mirrored-posture lock --mod transparent flexible cage --mod matched pressure deformation --mod hatchling alien ontology --mod clinical uncanny
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cyborg Gaze

• Model: DaVinci2

• Size: 1568 X 2368 (3.71 MP)

• Used settings:

  • Prompt: What the indivual fears is rejection by society. What society fears is the individual who rejects society. In the style of HR Giger. Full bleed images, no borders.. No words in the image.
  • Using base image: Yes