#scifi

Orbital Voyage Over Earth

• Model: DaVinci2

• Size: 2368 X 1568 (3.71 MP)

• Used settings:

  • Prompt: A photo-realistic intergalactic star ship has just exited a wormhole through space and time to materialize in our dimension in low Earth orbit above North America.
  • Using base image: Yes

Cosmic Voyage Above Earth

• Model: DaVinci2

• Size: 2368 X 1584 (3.75 MP)

• Used settings:

  • Prompt: A photo-realistic intergalactic star ship has just exited a wormhole through space and time to materialize in our dimension in low Earth orbit above North America.
  • Using base image: Yes

Back Before Supper

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Detailed digital illustration built as bleak wide environmental tableau. Primary read is lone traveler crossing vast snowy landscape toward massive derelict spaceship. Scene must feel cold, overcast, desolate, immense, not action scene or busy sci-fi battlefield. Composition centers on scale contrast between small human figure and huge abandoned craft, with single orange circular window acting as beacon inside frozen emptiness. Traveler is central human anchor yet remains small against environment. Figure walks toward spaceship, not posing, creating clear sense of approach through snow. Traveler is equipped with backpack and helmet, reading as prepared explorer or survivor rather than casual hiker. Clothing feels practical for deep cold: insulated outerwear, boots, gloves. Backpack must be visible and weighted. Helmet is essential, slightly futuristic without turning figure into bulky astronaut or soldier. Landscape must read as vast snowy expanse, broad and sparsely featured, with wind-shaped snowfields, low ridges, drift lines, and subtle texture variation preserving scale. Ground should not become alpine postcard or blizzard chaos; it is open, exposed, lonely. Snow carries muted tone beneath overcast sky. Tracks behind traveler may be faintly visible, helping show motion and emphasizing isolation. No vegetation, crowd, or settlement breaks desolation. Spaceship is destination and dominant mass. It is massive, derelict, aged, worn out, not sleek active starship. Hull shows weathering, panel scars, dents, structural fatigue, and snow accumulation along lower contours, making abandonment feel long-standing. Overall form is monumental and grounded, clearly larger than traveler by overwhelming margin. Craft feels once advanced but now silent, stranded, decaying. Silhouette remains simple enough to read instantly across snowfield while supporting rich surface detail. Circular window is crucial focal point. Spaceship has prominent circular window emitting glowing orange light, and this single warm aperture cuts through cold palette like eye or signal. Orange glow feels active and mysterious, not explosive or fiery, implying hidden life, residual power, or unknown interior presence. Surrounding hull remains cold and dead by contrast, deepening suspense. Light may spill subtly onto nearby metal or snow without breaking overall restraint. Spatial hierarchy is absolute. Foreground begins with snow texture, drift edges, and traveler moving through frame; midground opens into frozen plain leading to hulking wreck; background carries overcast sky and full mass of spaceship, with orange window glowing within. Camera is wide and slightly low or eye-level, far enough back to preserve isolation of figure and intimidating scale of ship in one shot. Lighting is soft overcast daylight, diffuse and cold, producing subdued shadows while allowing orange window to dominate chromatically. Mood is lonely, suspenseful, awe-struck. Detailed high-resolution stylized-real illustration with strong basin control toward lone backpacked helmeted traveler walking across vast snowfield toward enormous aged derelict spaceship under overcast sky, guided by single glowing orange circular window in desolate cold silence. --mod frozen scale --mod traveler approach --mod derelict ship mass --mod orange beacon --mod overcast cold --mod desolate isolation
  • Using base image: No
  • Aspect Ratio: landscape_wide

Jungle habitat wheel

• Model: Nano Banana 2 (Pro)

• Size: 1365 X 768 (1.05 MP)

• Used settings:

  • Prompt: Vibrant space station lounge, tall anthropomorphic gorilla in a sci-fi purple wetsuit, vast window overlooking a forest covered space habitat, green jungle art ceiling murals, majestic black marble floor, intricate scientific designs, glass window allowing natural light, low angle view, digital illustration, exquisite beauty, sharp focus, intricate patterns, vibrant colors, illusionary lighting effects, sci-fi ambiance, award-winning quality, HDR, cinematic lighting, realistic with fantasy elements, visually impressive, breathtaking.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Uplift

• Model: SeeDream

• Size: 3792 X 2133 (8.09 MP)

• Used settings:

  • Prompt: Create an image of a beautiful woman (blue skin and black hair, violet eyes) seen from head to toe, dressed in a a loose red robe (with complex scientific patterns) standing in a cargo bay. The woman is looking at a anthropomorphic feret in a spacesuit. There is an enormous window, offering a view of space filled with an asteroid field and planets. a majestic marble floor with intricate scientific designs and patterns. The window is made of glass, allowing natural light to enter the room. The whole scene is vibrantly colored. The rich coloration and imaginary environment emanate a sense of escapism. The overall atmosphere of the room is peaceful and serene. The image is taken from a low angle. Digital illustration, correct anatomy, exquisitely beautiful, anatomical accuracy, sharp focus, intricate patterns, extremely detailed, vibrant colors, sci-fi, award winning, hdr, cinematic lighting, realistic with fantasy elements
  • Using base image: No
  • Aspect Ratio: landscape_wide

Astronaut #34

• Model: Nano Banana 2 (Pro)

• Size: 896 X 1200 (1.08 MP)

• Used settings:

  • Prompt: A scene from a 1920s science fiction movie, black and white, daguerreotype, sci-fi, circuit boards, tubes, cables, bakelite, copper, rubber, dirt, a beautiful hot actress looking like 20 years old zendaya in a tight vintage space suite
  • Using base image: No
  • Aspect Ratio: portrait

Strange Futures

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: Post singularity. Far future. Colorful. Evolution. Super science. High tech. Alien architecture. Vibrant colors. Alive. Energetic. Glowing. Acrylic. By Jean-Baptiste Monge, giger, Pino Daeni, Karol Bak, Michael Whelan, Moebius, Tom Bagshaw
  • Using base image: Yes

Ur Metropolitan Area

• Model: Nano Banana 2 (Pro)

• Size: 1365 X 768 (1.05 MP)

• Used settings:

  • Prompt: An alt sci-fi city view of an indus valley civilization aesthetic city. Scientific patterns and designs on the buildings and roads.
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Butlerian Jihad

• Model: Nano Banana 2 (Pro)

• Size: 1365 X 768 (1.05 MP)

• Used settings:

  • Prompt: Dune: The Butlerian Jihad. The series chronicles the fictional Butlerian Jihad, a crusade by the last free humans in the universe against the thinking machines, a violent and dominating force led by the sentient computer Omnius. Add elements of the Blade Runner movie.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Brood

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: Post singularity. Far future. Colorful. Evolution. Super science. High tech. Alien architecture. Vibrant colors. Alive. Energetic. Glowing. Acrylic. By Jean-Baptiste Monge, giger, Pino Daeni, Karol Bak, Michael Whelan, Moebius, Tom Bagshaw
  • Using base image: Yes

The car remains the same

• Model: DaVinci2

• Size: 1456 X 816 (1.19 MP)

• Used settings:

  • Prompt: Post singularity. Far future. Colorful. Evolution. Super science. High tech. Alien architecture. Vibrant colors. Alive. Energetic. Glowing. Acrylic. By Jean-Baptiste Monge, giger, Pino Daeni, Karol Bak, Michael Whelan, Moebius, Tom Bagshaw
  • Using base image: Yes

Cover

• Model: DaVinci2

• Size: 960 X 1240 (1.19 MP)

• Used settings:

  • Prompt: Post singularity. Far future. Colorful. Evolution. Super science. High tech. Alien architecture. Vibrant colors. Alive. Energetic. Glowing. Acrylic. By Jean-Baptiste Monge, giger, Pino Daeni, Karol Bak, Michael Whelan, Moebius, Tom Bagshaw
  • Using base image: Yes

Dreams Do Come TRUE!

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Create an image that shows what the world will look like in 30 years, if all of the world leaders Were to release all of the classified and suppressed technologies that they have kept hidden from the masses and stop all lies and deception. I need an honest representation of what the world will look like under these circumstances. Use all data available to you on what these secret technologies are capable of. Include conspiracy theories for which there is evidence that they are in fact true. Also look at cutting edge, quantum science, and consider that as well.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cosmic Pin-Up: A Retro-Futuristic Vision

• Model: Z-Image Turbo

• Size: 960 X 1280 (1.23 MP)

• Used settings:

  • Prompt: Change the top title text to huge ultra bold sterile medical occult hieroglyphs. Change the top subtitle text to bold spaced weird occult runic pictographs. Add ports and switches to the machine.
  • Using base image: Yes

**The Story: Fragment 42 – The Last Gardener**

• Model: SeeDream

• Size: 3792 X 2133 (8.09 MP)

• Used settings:

  • Prompt: A cinematic, high-detail digital painting of a futuristic, derelict space station interior. In the center, a glowing, bioluminescent tree with neon-blue veins and lush green foliage sits in a rusted metallic planter. A sleek, white-and-blue humanoid android stands before the tree, its head bowed in a gesture of reverence or contemplation. In the background, a massive observation window reveals a breathtaking view of a nebula, planets, and a floating celestial entity—a translucent, ethereal being with a glowing crown of light. The room is decaying, with rusted pipes, cracked glass, and overgrown weeds, contrasting with the vibrant life of the tree and the cosmic beauty outside. Soft, dusty light beams filter through the ceiling.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Last Lane Into Avaruun

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Highly detailed high-resolution digital illustration of otherworldly desert landscape dominated by towering monolithic structure that is part ancient ruin and part advanced technological citadel. Primary read is monumental hybrid architecture rising from dunes, not generic sci-fi city or lone rock spire. Scene balances age, mystery, and futuristic power. Monolith is visual sovereign; desert and distant spaceport reveal its scale. Monolith rises majestically from dunes as immense vertical mass, its silhouette severe and singular. Form merges ruin and technology: weathered stone faces, eroded planes, carved recesses, broken terraces, and ancient scars interwoven with sleek metallic panels, angular projections, embedded conduits, and luminous energy arrays. Surface must not split into separate old and new zones; ruined masonry and advanced fabrication blend into one coherent artifact-citadel. Intricate carvings adorn outer skin, implying forgotten engineering. Technological components remain explicit. Glowing energy arrays pulse from seams, apertures, or vertical bands, reading as active systems rather than decorative lights. Metallic panels are sleek and purposeful, while angular projections thrust outward as docking spars, buttresses, sensor fins, or elevated platforms. Peculiar energy signatures dance through air around monolith as subtle arcs, sparks, or refractive distortions. Advanced systems should feel anciently embedded. Foreground grounds scale and material state. Sand drifts up against base of structure, collecting in steps, buttress roots, recesses, and broken thresholds so monolith feels half claimed by desert. Dunes are wind-shaped and undulating, their ridges catching alien light and casting long shadows. Strange flora sprouts from crevices in monolith and nearby sand pockets, sparse but distinct, otherworldly rather than lush: waxy, spined, translucent, or geometrically branching. Distance opens wider civilization. Beyond dunes, sprawling spaceport stretches toward horizon under vivid alien sky, secondary to monolith yet extensive enough to suggest frontier economy. Metallic walkways thread across sand, linking landing pads, service platforms, and low support structures. Gleaming ships are docked at landing pads, varied in size but small enough to preserve monolith’s supremacy. Dunes gradually give way to port infrastructure. Lighting and atmosphere complete world. Otherworldly light bathes scene, casting long shadows across dunes, monolith, walkways, and ships. Alien sky is vivid and expansive, carrying unusual color gradients without overpowering architecture. Spatial hierarchy is absolute: foreground begins with drifted sand, flora, and lower base; midground is dominated by towering ruin-citadel; background extends into spaceport, docked ships, and horizon sky. Camera is wide and low or eye-level, far enough back to preserve full monolith height while keeping carvings, panels, energy arrays, and port legible. Mood is awe-struck, mysterious, futuristic. Detailed stylized-real concept illustration with strong basin control toward ancient-tech monolith rising from alien desert above distant spaceport, under otherworldly light and long shadows. --mod ancient futuristic citadel --mod desert monolith grandeur --mod glowing energy arrays --mod dune-spaceport transition --mod intricate carved surface --mod vivid alien light
  • Using base image: No
  • Aspect Ratio: landscape_wide

Evening Route to Caelisar

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Breathtaking futuristic Art Deco-style airship hovers gracefully above colossal cliffs at sunset. Primary read is elegant luxury airship, not warship or freighter. Ship must dominate scene through elongated streamlined silhouette, sleek metallic hull, and gold detailing, poised over immense landscape. Tone is mysterious, adventurous, sophisticated. Painterly finish, high detail, atmospheric depth are essential. Airship is central subject. Hull is elongated, streamlined, unmistakably Art Deco: tapering fuselage, layered metallic plating, elegant geometry, and decorative structure integrated into body. Surface carries refined gold detailing and intricate filigree tracing seams and bands. Large observation windows are clearly visible, reading as luxurious spaces rather than tiny portholes. Gently glowing propulsion systems feel advanced and refined, integrated cleanly into ship’s design. Luxury architecture must remain explicit. Ship features grand arched windows, intricate golden railings, and mechanical gears seamlessly integrated into design, making it read as flying palace-machine. Deck structures, balcony lines, window frames, ornamental housings, and trim display exquisite craftsmanship. Mechanical elements stay visible but sophisticated: gearwork, vents, supports, and propulsion housings belong to same design language as filigree and railings. Ship exudes luxury and sophistication rather than cargo utility. Environment provides monumental counterweight. Airship flies over colossal cliffs and overlooks landscape of towering rock pinnacles rising dramatically into sky. Pinnacles dominate background as immense monolithic forms, varied in height and spacing, creating awe and wonder. Cliffs beneath or beside ship read as sheer and vast, giving immediate scale. Landscape feels deep and layered through atmospheric recession. No city or ground traffic distracts from relation between refined vessel and primal geology. Lighting is sunset and must do major work. Airship is rim lit by golden sunset light, catching metallic edges, gold details, railings, and window frames in warm highlights while preserving rich shadow within hull contours. Towering pinnacles are likewise struck by golden light. Clouds are rim lit with orange and red hues, adding drama without overwhelming subject. Atmospheric haze softens distant cliffs while keeping foreground forms crisp. Spatial hierarchy is absolute. Foreground may begin with nearest cliff edge, passing cloud rim, or lower hull detail; midground is dominated by airship silhouette and nearby pinnacles; background extends into receding monolithic rock sea and sunset cloud field. Camera is wide and slightly low or level, far enough back to preserve whole ship and surrounding scale while keeping windows, filigree, and propulsion detail legible. Mood is wondrous, luxurious, mysterious, adventurous. Detailed painterly concept art with strong basin control toward futuristic Art Deco airship of sleek metallic hull and gold ornament hovering over colossal sunset cliffs, with grand windows, golden railings, integrated gears, glowing propulsion, towering rock pinnacles, rim-lit orange-red clouds, DB4RZ style painting energy, anime-inflected stylization. --mod Art Deco luxury airship --mod sleek gold filigree --mod glowing propulsion --mod sunset rim light --mod rock pinnacles --mod painterly anime art
  • Using base image: No
  • Aspect Ratio: landscape_wide

Robotic Duo: Metallic Embrace

• Model: FluX (Base)

• Size: 1920 X 1920 (3.69 MP)

• Used settings:

  • Prompt: Dark side of you; Alien beauty together, biomechanical, cyborg, punk, chrome, shinny, & newsurrealist. byK.Sloan Catrin Welz-Stein, and Stephen Gammell.,style
  • Using base image: No
  • Aspect Ratio: square

The First Ceremony of His Name

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Hyperrealistic digital illustration, photographable instant inside ancient jungle temple. Central subject: forty foot tall gorilla, black hair, mouth open, fangs exposed, both arms raised high, body towering center-left above human figures and ruined architecture. Gorilla reads as colossal living beast rather than statue or costume: broad chest, massive shoulders, powerful limbs, glaring eyes, open jaw, heavy black fur catching light. Scale is explicit; head exceeds height of stone columns. Temple environment is structural anchor. Setting is ancient jungle temple built from stone columns, now crumbling, broken, damaged, and covered in moss. Columns are fractured, toppled, and partially standing, capitals cracked, shafts chipped, bases engulfed by roots, vines, lichen, and foliage. Temple floor is uneven with fallen blocks, shattered carving fragments, mud, and leaf litter. Architecture reads as ceremonial ruin being reabsorbed by jungle. Human opposition is essential scale witness and tension driver. Men wielding spears and swords confront gorilla from ground level, dressed in bits of leather armor and rags rather than polished military kit. Clothing is primitive and worn: leather straps, patched wrappings, rough skirts, bare arms, battered shields if present, no modern gear. Some men thrust spears upward, others brace with swords drawn, others recoil or circle, but all attention converges on beast. They are numerous enough to form threat pattern, small enough to emphasize scale. Action logic is frozen at peak intimidation. Gorilla stands among stone columns with arms raised, roaring, mouth open wide so fangs and dark throat stay visible. Men have not yet struck decisive blow; they occupy charged positions around broken steps, fallen drums, and court edges. One spear line may angle toward chest, another swordsman may advance from flank, but contact remains imminent. Scene is single mythic instant: colossal animal dominance versus desperate human encirclement. Spatial hierarchy is absolute. Foreground begins with broken stones, mossy debris, and nearest armed men establishing entry and human scale. Midground is dominated by raised gorilla, open jaws, upflung arms, and clustered fighters around feet and ruined plinths. Background extends into deeper temple ruin and dense jungle canopy, where more broken columns, shadowed walls, and hanging vegetation reinforce location. Camera is low and back, angled upward enough to make gorilla and columns feel monumental while preserving legibility of men below. Light logic is dramatic and natural. Sun shafts cut through jungle canopy and broken roof gaps, striking black fur, wet stone, spear points, and moss with hot highlights while recesses fall into green-shadowed depth. Palette stays rich and earthy: black fur, weathered stone gray, deep moss green, mud brown, dull leather, muted bronze, touches of red or ochre in rags. Mood is savage, mythic, imposing, primal. Detailed photoreal illustration with strong basin control toward giant black-furred gorilla in ruined moss-covered jungle temple confronting spear-and-sword men. Visual spirit draws from Boris Vallejo, Frank Frazetta, Ken Kelly, and Rafael DeSoto while remaining original. --mod asymmetric composition --mod concept core --mod colossal gorilla lock --mod jungle temple ruin --mod spear-and-sword men --mod moss-crumble architecture --mod mythic pulp realism
  • Using base image: No
  • Aspect Ratio: landscape_wide

Futuristic Organic Sci-Fi Home

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Inspired by organic architecture and sci-fi imagination, the futuristic circular house features soft curved lines, floating platforms and transparent domes. The structure features rotating glass walls, solar panel leaves and gravity-defying terraces. It is located on a surreal landscape with glowing plants, floating rocks or hazy water surfaces. The materials are high-tech: liquid metal textures, self-cleaning glass and smart adaptive surfaces. The interior is visible through panoramic windows with hovering furniture, holographic screens and bioluminescent lighting. Whether at sunset with a pink-orange sky or under the stars with a nebula-lit sky, the ambience is surrounded by tranquillity and novelty. whether in the mist in the forest. Ultra-detailed 8K rendered in wide-angle cinematic perspective evokes a sense of awe, mystery and advanced civilizational aesthetics.
  • Using base image: No
  • Aspect Ratio: landscape