#scifi

Born Beyond Gravity

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Digital illustration, photographable instant inside orbital spacedock manufacturing spacecraft. Environment reads as vast orbital dock, not corridor or planet factory: open industrial construction volume, trussed superstructure, docking spars, gantries, work platforms, service arms, scaffold frames, and partial hull sections surrounding one principal spacecraft under assembly. Scene is well lit, black space visible beyond dock openings. Primary machine subject is spacecraft under construction and repair. Hull is large, incomplete, mechanically legible: exposed ribs, unfinished plating, open maintenance cavities, thruster housings, cable runs, structural lattices, access ports. One region is being assembled while another is being repaired, so build-state and service-state coexist within same vessel. Composition shows workers attached to hull, weld seams in progress, replacement panels being positioned. Human activity is essential. Workers wear white NASA-style spacesuits, industrial extravehicular suits rather than combat armor: smooth white pressure shells, dark visors, life-support packs, gloves, tether lines, magnetic boots or footholds. Several workers operate welders at different points along hull, bodies braced against structure. Sharp brilliant welding light punctures scene—white-hot sparks, blue-white arcs, reflected glare on visors and metal surfaces—providing strongest local light accents and proof of active fabrication. Support logistics stay visible through cargo robots bringing supplies. Robots are utilitarian carriers, not humanoid mascots: tracked, wheeled, or multi-armed service machines transporting tool crates, replacement plates, conduit bundles, canisters, and component pallets across deck rails or suspended transit paths. Some approach workers, others queue near lift platforms. Their movement creates causal chain: materials arrive, humans weld and fit sections, spacecraft advances. Spatial hierarchy is absolute. Foreground may include tool pallet, robot carrier, tether line, or near hull edge framing entry. Midground is dominated by main spacecraft body with clustered workers and welding events. Background extends into dock architecture—gantry forests, secondary modules, open bay apertures, distant stars. Camera is wide, slightly elevated, angled across construction zone so viewer reads ship scale, worker scale, robot traffic, and dock depth in one coherent instant. Silhouette logic stays strong: white suited workers against darker machinery, weld flares against structured shadow, ship hull against open void. Light logic balances broad industrial illumination with point-source welding brilliance. Overall dock lighting is clean and powerful, revealing structure, tools, and surfaces; welding adds concentrated star-like bursts and flying sparks, while distant space remains dark and cold. Palette emphasizes whites, silvers, graphite metals, safety yellows, robot accents intensified by electric weld light. Mood is industrious, futuristic, disciplined, alive. Detailed stylized-real illustration; strong basin control toward orbital spacedock manufacturing spacecraft, white NASA-style workers welding and repairing, bright welder light points, cargo robots delivering supplies. --mod concept core --mod orbital spacedock lock --mod ship-under-construction --mod white NASA-style suits --mod welding light bursts
  • Using base image: No
  • Aspect Ratio: landscape_wide

Only Commuting

• Model: FluX 2 (Pro)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Single photographable instant inside futuristic yet comfortable spaceship command cabin, bounty hunter as primary subject, relaxed in captain's chair with feet up on computer console. Male, dark hair, blue eyes, weathered skin, cowboy hat, worn leather duster, scuffed leather boots. Governing image fact is ownership through ease: he occupies the command seat like a room already won, posture loose, one leg crossed or both boots planted on console edge, body sunk back into chair rather than braced for action. Bounty hunter reads unmistakably as seasoned frontier tracker, not soldier, not uniformed officer, not space pirate caricature: weathered face, dark hair under hat, blue eyes, worn leather duster, practical layered clothing, scuffed boots, calm expression, no weapon-draw pose. Captain's chair is broad, functional, and slightly luxurious, centered as his anchor point. His posture must read as resting during transit or downtime, not asleep, not intoxicated, not in combat alert. Ship interior reads unmistakably as advanced spaceship bridge made livable: sleek metallic surfaces, softly contoured walls, integrated storage, comfortable seating, illuminated seams, advanced control panels, holographic displays, star maps projected on screens and in air. The console under his boots includes exploded-view detail made photographable: opened panel layers, separated interface plates, exposed circuit housings, articulated subassemblies, service-clearance gaps, all held in clean alignment as part of active maintenance or design exposure, not broken wreckage. The room's secondary subject is the yellow Labrador Retriever curled up on comfortable dog bed in corner. Dog reads unmistakably as yellow Lab, relaxed and secure, curled tightly or loosely asleep on cushioned bed tucked into one side of the cabin. Placement matters: dog bed sits in readable corner of bridge environment, not center stage, reinforcing that this high-tech ship is inhabited, personal, and routine enough for a dog to sleep through it. Environment and hierarchy converge on one governing logic: competent long-haul operator at ease inside a personalized starship. Foreground prioritizes hunter in chair and boots on console, with opened control-panel detail readable near his feet. Midground carries holographic displays, projected star maps, metallic bridge surfaces, and surrounding control geometry. Background or side corner holds the Labrador on its bed, plus additional cabin depth. Strong silhouette logic: hat, chair, booted feet on console, opened instrument layers, curled dog, luminous star maps. Asymmetrical composition, clear foreground-to-background separation, digital illustration in the visual register of Roger Dean, Boris Vallejo, and Stephan Martiniere: organic-futurist shape language, polished science-fantasy finish, rich detail without clutter. Image resolves as one locked instant of off-duty command comfort aboard a futuristic ship: bounty hunter relaxed in captain's chair, feet on console, advanced bridge systems glowing, star maps alive, yellow Labrador asleep in the corner. --mod frontier spacefaring mood --mod comfortable command cabin --mod opened console detail --mod holographic star maps --mod sleek metallic surfaces --mod yellow lab companion --mod Roger Dean Boris Vallejo Stephan Martiniere register --mod silhouette lock --mod cinematic realism
  • Using base image: No
  • Aspect Ratio: landscape_wide

Outbound for Everywhere

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Digital illustration, photographable instant on barren desolate moon dominated by massive science fiction-style stargate. Primary subject is colossal ring gate towering over landscape. Ring reads unmistakably as advanced portal structure rather than ruin or sculpture: engineered circumference, armored segments, radial emitters, conduits, structural pylons, and energy channels around inner rim. Event horizon fills gate center, shimmering and swirling like liquid light. Stargate is functional centerpiece. Colossal ring pulses with energy: light travels through segmented architecture, inner emitters flare in sequence, and event horizon churns like radiant fluid held in circular suspension. Energy glow spills onto nearby machinery and lunar ground, creating cold highlights and reflected gradients. Gate base is anchored into moon through support housings, service platforms, and foundations, making portal feel engineered and operational. Surrounding environment is immense industrial complex. Towering structures, gantries, scaffold towers, reactor blocks, cargo spines, docking cranes, transfer conduits, and intricate machinery spread outward around gate in controlled density. Complex reads as interstellar logistics and power site, not city skyline or fortress. Architecture remains subordinate to ring but large enough to reinforce scale. Machinery is bathed in cold starlight and gate emissions, with crisp metallic edges and shadowed recesses. Moon surface is lifeless and heavily cratered. Terrain stretches outward as barren regolith plain broken by crater rims, blasted ridges, dust basins, and long rock shadows. Nearby gas giant hangs huge in sky, eerie and luminous, casting spectral secondary light across surface and structures. Starlight remains distant and cold, while gas giant glow adds pale color despite airless setting. Landscape feels empty, hostile, and ancient. Traffic toward gate establishes function and scale. Sleek starships glide steadily toward portal at varied distances and sizes, ranging from nimble fighters to colossal freighters. Silhouettes remain clean and readable: fighters narrow and fast, medium craft purposeful, freighters massive and slow. Ships follow converging approach vectors toward event horizon, some crossing above complex, others nearer ground lanes, all oriented toward transit. Engines leave blue ion light trails, thin luminous ribbons tapering behind hulls. Spatial hierarchy is absolute. Foreground may include crater lip, service tower, or passing ship trail framing entry. Midground is dominated by stargate, nearest starships, and densest industrial machinery. Background falls into cratered moon distance, remote structures, gas giant, and starfield, preserving deep scale. Camera is wide and low, far enough back to capture full ring, industrial spread, lunar terrain, and approaching traffic in one coherent shot. Light logic balances cold starlight, eerie gas giant luminance, and gate glow. Mood is desolate, technological, immense, awe-striking. Detailed stylized-real illustration; strong basin control toward monumental active stargate on cratered moon with industrial complex and blue-trailed starships approaching liquid-light event horizon. --mod concept core --mod colossal stargate lock --mod liquid-light horizon --mod lunar industrial complex --mod gas-giant moonlight --mod starship traffic
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cybernetic Elegance Under the Moonlit Sky

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Dark red side of you;art nouveau night Alien beauty biomechanical, cyborg, punk, chrome, shinny, & neo-surrealist. by Catrin Welz-Stein, and Stephen Gammell..style
  • Using base image: No
  • Aspect Ratio: landscape

Eighty Seconds Until Moonquake

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Single photographable instant on an exoplanet survey site, survey team and anchored rover as primary subject cluster, as an earthquake begins. Governing event is emergency anchoring under seismic onset: team securing rover to basalt spikes while ground flexes in long waves and nearby sampling towers bend under the planet’s strong gravity. Scene must read as scientific fieldwork turning procedural, not exploration pose and not aftermath. Survey team reads unmistakably as exoplanet field scientists, not soldiers, not miners, not flag-planting astronauts: survey suits, sealed visors, utility harnesses, sampling packs, anchor tools, posture braced and task-focused. At least two or three team members are physically engaged with anchoring, one at rover hardpoint, one handling tether or winch line, one near a basalt spike or stabilizer point. Body language must show weight and urgency, not leaping or floating. Rover reads unmistakably as scientific survey rover, not tank, not dune buggy, not generic moon buggy: compact research vehicle with instrument mast, sample lockers, articulated suspension, rugged wheels or track modules, sensor housings, and visible anchor lines running from chassis to basalt spikes. Anchoring system is explicit: clamps, cables, ratchets, or tensioning reels locked onto jagged black basalt outcrops or driven anchor spikes. Rover suspension compresses under load while tether lines pull taut, proving restraint is already under stress. Seismic motion is explicit and coherent. Ground flexes in long waves rather than exploding into fantasy chasms: rolling displacement passes through the survey plain, lifting and dipping surface bands in readable sequence. Loose stones, dust, cable lines, and rover stance align to the same wave direction. Sampling towers are secondary force indicators: tall instrument masts or modular survey towers bending under strong planetary gravity while the quake begins, their lean angles showing structural strain without collapsing into random wreckage. Environment establishes alien geology and pressure. Terrain is basaltic, dark, mineral-rich, marked by spike fields, fractured plates, low ridges, dust sheets, and sparse survey hardware. Gravity should be visible through everything: tower bend, team posture, rover suspension compression, debris staying low to ground. Foreground prioritizes anchored rover, taut lines, team interaction, and nearest flexing wave. Midground carries sampling towers and additional wave propagation. Background recedes through harsh exoplanet plain, distant rock forms, and unusual sky, all subordinate to the anchoring event. Asymmetrical composition, clear spatial hierarchy, single locked instant of technical response under planetary stress. Strong silhouette logic: rover pulled against basalt spikes, team braced on tension lines, long ground waves, bending sampling towers. Image resolves as one coherent causal chain: earthquake begins, survey team anchors rover to basalt spikes, ground flexes in long waves, sampling towers bend against strong gravity. Hard science-fiction field realism, no battle, no crash, no generic Mars postcard, disciplined basin control. --mod exoplanet field realism --mod survey team anchoring --mod scientific rover detail --mod basalt spike tethering --mod long-wave seismic motion --mod strong gravity strain --mod bending sampling towers --mod silhouette lock --mod cinematic realism
  • Using base image: No
  • Aspect Ratio: landscape_wide

Zero-Thirty-Two: The Atlantic Lane

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Digital illustration of an extremely wide, flat, rectangular, intricately designed mechanical structure resembling a futuristic or alien spaceship, loaded from end to end with thousands of multicolored (intermodal containers, shipping containers), hovering high above the Florida coast, oriented (inland, onshore). The coastline below has palm trees, small houses, and tall hotels in the distance. The mechanical structure mostly orange with white markings, heavy armor details, realistic rendering with intricate details, 8K resolution for high quality, sharp focus, crisp quality, photorealistic. The sky is bright blue and clear with a few white clouds. Panoramic view capturing the grandeur of the scene, detailed and immersive. --mod digital painting --mod sharp focus --mod hyperrealistic --mod ultra detailed --mod crisp quality --mod science fiction --mod ultra realistic --mod panoramic view
  • Using base image: No
  • Aspect Ratio: landscape_wide

Paladin girl

• Model: Z-Image Turbo

• Size: 1280 X 960 (1.23 MP)

• Used settings:

  • Prompt: Retro D&D tech-paladin portrait, teenage tomboy girl, short messy blonde hair, freckles, blue eyes, battle-scarred, worn half-plate armor with glowing cyber-runes, energy greatsword, 1980s sci-fantasy RPG art style, oil painting with divine glow, gritty vintage aesthetic, inspired by Frank Frazetta and Moebius (Jean Giraud), character design. negative prompt: anime photorealistic, 3d render, smooth, glossy, anime, kawaii, feminine armor, clean lines, digital smooth
  • Using base image: No
  • Aspect Ratio: landscape

Cyber-Paladin: A Retro Fantasy Portrait

• Model: Z-Image Turbo

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Retro D&D tech-paladin portrait, teenage tomboy girl, short messy blonde hair, freckles, blue eyes, battle-scarred, worn half-plate armor with glowing cyber-runes, energy greatsword, 1980s sci-fantasy RPG art style, oil painting with divine glow, gritty vintage aesthetic, inspired by Frank Frazetta and Moebius (Jean Giraud), character design
  • Using base image: No
  • Aspect Ratio: square

Crewman #02

• Model: Nano Banana 2 (Pro)

• Size: 896 X 1200 (1.08 MP)

• Used settings:

  • Prompt: A scene from a 1900s science fiction movie, black and white, daguerreotype, sci-fi, circuit boards, tubes, cables, bakelite, copper, rubber, dirt, a beautiful blonde actress of 20 years old in a tight vintage space suite. Keep face an body shape of the image, adjust haircut and make up to a 1900s look
  • Using base image: Yes

THANK YOU FOR YOUR SUPPORT - 50 K LIKES

• Model: Flux Klein

• Size: 1536 X 1536 (2.36 MP)

• Used settings:

  • Prompt: Photorealistic, ultra-detailed full-body portrait of a lone time-traveler warrior standing heroically and looking at an apocalyptic, non-linear landscape where conventional space-time has collapsed — horizons fold like paper and city fragments float and orbit in slow motion, rivers run upward, fractal rips. The time traveler holds a black aluminium board to the viewer with the yellow inscription "50 K LIKES" in a relaxed ready pose, weight on one leg, three-quarter low-angle view to emphasize scale and authority. The sleek, form-fitting Chrono jumpsuit glows faintly from within — woven with luminescent blue vein-like filaments that pulse softly along major seams and muscle lines. Overlaid steampunk elements: aged brass and copper plating panels riveted along shoulders, chest and thighs; exposed miniature gear trains and winding cogs housed beneath glass portholes; coiled copper tubing looping from the spine to the forearms; small pressure gauges and analog clock faces embedded in the chest and hip plates; stamped serial numbers and engraved runes around gear housings. Leather harness straps with buckles and laced seams cross the torso, connecting to a worn leather utility belt holding vials of glowing chrono-fluid and a pocket compass. The elegant, full-coverage helmet is framed in burnished brass with visible rivets and a decorative filigree of etched clockwork motifs. Large, opaque golden-sapphire visor — a warm golden tint with a sapphire-like refractive sheen, crystal-clear, but showing faint internal HUD glyphs. Heavy, form-fitting leather gloves with reinforced brass knuckles and articulated finger plates; fingertips show subtle conductive pads and tiny gear articulations. Futuristic boots with segmented soles. Volumetric dust, sparks and drifting debris in the foreground, subtle motion blur in the background, sharp subject focus, cinematic rim lighting and dramatic god-rays through the tears in reality. Heroic low-angle, three-quarter stance, full-body centered but slightly off-set; shallow depth of field with crisp subject and painterly background; 35mm–50mm feel, high dynamic range, ultra-high detail, photoreal concept art. ArtStation/Octane showcase quality, 8K output, hyper-real textures, cinematic, believable materials and engineered clockwork detail. Epic Science-Fiction Masterpiece.
  • Using base image: No
  • Aspect Ratio: square

Weird Tales of the Future: Toxic Linda!

• Model: ChatGPT 2 (Pro)

• Size: 2592 X 1456 (3.77 MP)

• Used settings:

  • Prompt: SUBJECT (1.0): "cover of a 1950s science fiction comic featuring a witch Toxic Linda duck (the unofficial copyright-free version of Daisy) dressed in decadent flapper attire, driving an UFO, shown at small scale amidst a vast and surreal nocturnal dreamscape. She is surrounded by spectral brains, monstrous bat-winged insects, ancient vampiric nobles with elongated limbs and glowing eyes, and cosmic horrors resembling Lovecraftian star-born entities. Blood-red beams of arcane energy crisscross the scene." ENVIRONMENT(1.0): "Panoramic, cosmic backdrop with planets, nebulas, a dying violet sun casting dramatic highlights, crystalline meteor showers, and streaking spacecraft in the distance. Energetic composition with retro-futuristic chaos and vibrant color palette (reds, yellows, greys, blacks, and blues)." STYLE(1.0): "Highly detailed, combining the intricate linework and surreal tones of Moebius with Jack Kirby's bold, dynamic action and 1950s pulp comic aesthetics. Heavy ink lines, halftone textures, and exaggerated dramatic lighting." Adult theme, not for kids.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Flash! He saves every one of us, stands for every one of us!

• Model: ChatGPT 2 (Pro)

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: semi-Hyperrealistic a vintage-style science fiction scene with a vivid red-orange background suggesting a Martian landscape. Center the image around a man who stands heroically in a green jumpsuit with a V-neck collar and dark green trim, big black bulky boots, short blonde hair, and an intense expression. He wields a futuristic silver pistol in his right hand while his left hand grasps the tentacle of a green, one-eyed alien with mechanical parts and hoses. The alien creature has a spherical body with a central eye, two legs with mechanical joints, and various tubes attached to its form. To the left, depict a woman with medium blonde hair styled in waves, lying on the ground in distress. She is wearing a clinging silver latex space suit with a red belt, dark gray gloves, and red shoes. Her arms are flailing, with her right hand close to a small, rounded helmet with a thin antenna. Include another alien identical to the first, only smaller, being struck by the man's pistol. Enhance the scene with additional details such as a smoking futuristic city skyline against the horizon in the background, and the ground below the characters depicted as a rough, rocky Mars-like terrain. The overall ambiance should be one of a pulpy 1950s science fiction adventure.
  • Using base image: No
  • Aspect Ratio: landscape

There is no escape from the Time Tunnel...

• Model: ChatGPT 2 (Pro)

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: semi-Hyperrealistic retro-futuristic scene with a man and a woman escaping from a complex machine environment. In the foreground, a woman with blonde bobbed hair style and a gold, full-body clinging latex suit emphasising her curvaceous figure, she has a frightened expression, holding onto the arm of a man. The man, also showing a concerned expression, has neat short brown hair and is dressed in a plain, long-sleeve green shirt and coordinating green pants. Behind them, a massive circular piece of machinery looms with intricate details, including pipes, dials, and metallic frameworks, dominating the upper half of the composition. The machine has a large central circular element with a bright red-orange core and a thick metallic border, surrounded by various protrusions and mechanical components. The background has multicolored abstract shapes suggesting lights, textures, and motion, conveying a sense of urgency and sci-fi drama. The overall color palette includes shades of green, gold, red, gray, and hints of blue, creating a vintage science fiction atmosphere.
  • Using base image: No
  • Aspect Ratio: landscape

Astronaut #31

• Model: Nano Banana 2 (Pro)

• Size: 896 X 1200 (1.08 MP)

• Used settings:

  • Prompt: A scene from a 1800s science fiction movie, black and white, daguerreotype, sci-fi, circuit boards, tubes, cables, bakelite, copper, rubber, dirt, a beautiful hot actress looking like a sexy 20 years old Julie Andrews in a tight vintage space suite
  • Using base image: No
  • Aspect Ratio: portrait

Futuristic Cyborg in Neon Cityscape

• Model: Z-Image Turbo

• Size: 1280 X 960 (1.23 MP)

• Used settings:

  • Prompt: This is a stunning and colorful portrait landscape, created in the patchwork style of Luis Royo, Edward Gorey, Satoshi Kon, Catherine Abel and Takato Yamamoto and Aubrey Beardsley, (A surreal cyberpunk pop‑art close‑up of a humanoid face sculpted from circuit boards and intricate electronic components. Neon cyan and magenta traces glow across its metallic grey surface, highlighting angular features like living circuitry. The eyes are deep voids swirling with galaxies, radiating cosmic mystery. Embedded microchips, capacitors, and cylindrical elements shimmer like jewelry across the face, giving it a techno‑organic texture. Surrounding the head rises a futuristic night cityscape where skyscrapers resemble colossal circuit towers, their windows glowing in electric blues, hot pinks, and acid greens. These buildings are linked by radiant neon pathways that mirror circuit board traces, forming a pulsating network of light. In the foreground, hyper‑detailed cybernetic platforms and consoles bristle with buttons, dials, and glowing components, all rendered with dazzling pop‑art color blocks and comic‑style halftone textures. The atmosphere is hazy, pierced by radiant beams from the upper right, casting dramatic highlights across metallic surfaces. The perspective is slightly low, gazing upward at the imposing techno‑divine face and its radiant city, blending sci‑fi grandeur with surreal pop‑art vibrancy), Hand drawn illustration style.
  • Using base image: No
  • Aspect Ratio: landscape

Canids Clash Under a Yellow Moon

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Alien dark yellow red wolf and fox ,bio mechanical, cyborg, punk, chrome, shinny, & surrealist. by,Catrin Welz-Stein, Zdzisław Beksiński Tim Burton style
  • Using base image: No
  • Aspect Ratio: landscape

Beyond the Final Archive

• Model: DaVinci2

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Seen from ground level, a futuristic city stands in the middle of a vast desert. The scene takes place on another planet, as two moons are visible in the sky. The city is perched on a rocky spur, its architecture sleek and harmonious, made of glass and steel. A large building with a grand dome overlooks the city. Space and air traffic can be seen, along with a few mining vehicles. The city is surrounded by an immense expanse of sand. The sky remains fairly bright as the sun sets behind us, casting dramatic contrasts of light and shadow. The atmosphere is nocturnal, with an overall blend of bluish and orange hues.. Unreal Engine 5.5. --v 6 --style raw --s 1000 --enhance 1.9 --q 2 --mod sharp focus --mod 8k --mod hyper-realistic --mod ultra detailed --mod crisp quality --mod science fiction --mod ultra realistic
  • Using base image: No
  • Aspect Ratio: landscape_wide

Astronaut #30

• Model: Nano Banana 2 (Pro)

• Size: 896 X 1200 (1.08 MP)

• Used settings:

  • Prompt: A scene from a 1930 science fiction movie, black and white, daguerreotype, sci-fi, circuit boards, tubes, cables, bakelite, copper, rubber, dirt, a beautiful hot actress looking like 20 years old very sexy Julie Andrews in a tight vintage space suite
  • Using base image: No
  • Aspect Ratio: portrait

Astronaut #29

• Model: Nano Banana 2 (Pro)

• Size: 896 X 1200 (1.08 MP)

• Used settings:

  • Prompt: A scene from a 1930 science fiction movie, black and white, daguerreotype, sci-fi, circuit boards, tubes, cables, bakelite, copper, rubber, dirt, a beautiful actress looking like 20 years old Julie Andrews in a tight vintage space suite
  • Using base image: No
  • Aspect Ratio: portrait

Astronaut #28

• Model: Nano Banana 2 (Pro)

• Size: 896 X 1200 (1.08 MP)

• Used settings:

  • Prompt: A scene from a 1930 science fiction movie, black and white, daguerreotype, sci-fi, circuit boards, tubes, cables, bakelite, copper, rubber, dirt, a beautiful actress looking like 18 years old Jennifer Connelly in a tight vintage space suite
  • Using base image: No
  • Aspect Ratio: portrait