#scifi

Sanctum of the First Dawn

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Far-future alien garden with glowing pools and sculpted foliage, centered around a mysterious glass dome structure with arching stairs, luminous interior, and organic curves. In the distance, elegant monolithic towers rise from misty valleys like relics of a vanished civilization. A single massive gas giant with orange hues looms behind, balanced in composition with the dome, adding scale and wonder. The scene evokes timeless serenity, as if untouched for millennia, blending ancient grandeur with futuristic mysticism. Soft ambient light reveals textures and color depth in the foreground. Surreal sci-fi setting, dreamlike and contemplative. --mod moebius style, --mod syd mead style, --mod myst aesthetic, --mod surreal sci-fi, --mod ultra detailed, --mod dreamlike lighting, --mod wide angle lens, --mod golden hour glow, --mod reflective water, --mod timeless beauty, --mod no people, --mod symmetric balance, --mod alien nature, --mod calm atmosphere, --mod futuristic ruins
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

Horizons of Tomorrow

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: Highly detailed image of a sleek, futuristic alien starcruiser (smooth surfaces, gold color, no visible engines) landing at a seaside resort on a newly colonized world. In the distance, new resort hotels are under construction; skyscrapers of towering white concrete with gentle curves and tiers of balconies. Each hotel has an Olympic-sized pool surrounded by outdoor restaurants, cabanas, and palm trees, creating a lavish scene futuristic luxury. Low waves lap against the shore, and in the distance small boats can be seen among the tiny islands. The late-afternoon sun casts a golden glow over the entire scene, giving it an atmosphere of easy idyllic vacationing on a distant world. In the style of Bo Zonneveld. --mod layered depth, --mod concept core
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

Futuristic Spaceship: A Cosmic Odyssey

• Model: Realismo

• Size: 2400 X 1800 (4.32 MP)

• Used settings:

  • Prompt: Hyper-realistic. An interdimensional spaceship. Close up. Science fiction illustration. Metallic surfaces reflecting light. Neon lights illuminating dark panels. Stars and galaxies visible through transparent cockpit. High contrast colors with dynamic lighting. 8k resolution, cinematic, atmospheric, moody, hyper-detailed, unreal engine 5, hd lighting, sharp focus, high dynamic range.
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape

Fragments of the Sky

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Foreground ruins anchor the frame: a collapsed pressure-dome ring half-buried in rust dust, broken struts leaning like ribs, cables fossilized in silt. A survey mast—long dead—angles from the debris as a marker, and a narrow service stair descends into a shadowed vault where faint lichen glow freckles the dark. This is a moon-base long abandoned, now a 'lost world' of silent infrastructure and patient weather. A thin blue ground-haze breathes across the basin, and above it the sky holds a single colossal planet, so near it warps the horizon—no other moons intrude. The air is clear enough to knife edges, yet dust hangs in protected pockets. Wind skims the plaza and lifts filaments of grit; dune tongues have crept through a shattered arc and pooled against bulkheads; alien scrub grips cracks in ferro-ceramic tiles; inside a ruptured conduit, bioluminescent growth threads like veins, casting stray jade light across gauge faces. Ceramic panels craze with hairline fractures; brushed metal casings wear a salt of micrometeor pitting; glass segments are sand-etched, their edges feathered to translucency; warning chevrons fade to ghosts beneath oxide; antenna spires show hinge scars and cable nests; collapsed trusswork carries the memory of load. Foreground: ribbed dome ring, fractured walkway, marker mast. Midground: a sunken causeway leading the eye toward a terraced operations pit, gantries now skeletal. Background: a distant basin city of low domes and thin towers, half-swallowed by dunes; behind it, that singular planet swells like a second landscape, anchoring the heavens. Late-day light scythes across surfaces, carving long blue shadows and igniting warm rims on alloy edges; ray-banded haze stacks the distance in gentle steps; subtle bounce-light returns from the dust to paint undersides; occluded interiors hold pools of cool lichen glow, pricking the dark with quiet signs of persistence. --mod deepfocusclarity, --mod ambienthaze, --mod raytracedlighting, --mod highlightscatter, --mod radiantgradient, --mod raygradientfog, --mod volumetricshafts, --mod epicperspective, --mod deep-perspective, --mod wideangle35mm, --mod dynamiccomposition, --mod structuregrain, --mod brushedmetal, --mod metalreflectance, --mod glassreflectivity, --mod micropattern, --mod sunsetflarehaze, --mod painterlyatmosphericdepth, --mod contrast-lock, --mod concept colony, --mod radiation towers, --mod rust-orange marsdust, --mod burnedarchitecture, --mod style-cinematic, --mod hyperreal, --mod epicvision
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

Citadel of Scavengers

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A remote, isolated trading post on the edge of known space, built from the wreckage of decommissioned starships, salvaged spacecraft parts, and the raw materials of the barren frontier planet. The settlement is a gritty patchwork of salvaged ship hulls, reinforced metal walls, and makeshift buildings constructed from local wood and stone. The post sits on rocky, wind-swept plains, with scrap heaps scattered throughout the surrounding area, some piles towering high with broken engines, dismantled spacecraft, and twisted metal beams. The air is thick with dust, and distant twin moons cast long shadows on the desolate landscape. Despite the harsh conditions, the trading post thrives, held together by the tenacity and ingenuity of its settlers. Traders from distant systems frequent the post, exchanging valuable alien relics and technologies for locally mined resources, salvaged materials, and rare goods. Small mining ships and scavenger freighters arrive daily, adding to the bustle of the marketplace, where alien tech and rusted ship parts coexist with locally crafted goods, creating a mix of futuristic and primitive survival. The settlers, a hardy mix of humans and aliens, are dressed in patched-together space suits and weathered gear, using both advanced alien tools and crude, handmade solutions to survive the frontier. The marketplace buzzes with the sounds of haggling and barter, while nearby mining rigs hum with power, providing the settlement’s lifeblood of resources. The trading post stands as a beacon of survival in the vast, unforgiving expanse of space. --mod fusion of human ingenuity and alien technology --mod patchwork buildings made from spaceship parts and natural materials --mod bustling, gritty bartering --mod rugged settlers in weathered gear --mod crude energy sources, flickering lights, and mechanical hums
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

Tomorrow, Delivered

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A sprawling holographic workshop in a near-future industrial complex, illuminated by ambient strip lighting and embedded ceiling arrays. Wide, heavy worktables dominate the floor, layered with photonic tools, solid-light interfaces, and translucent blueprints projected in midair. Semi-material holograms show circuit overlays, exploded-view schematics, and component clusters hovering just above the surface, as if “assembled in light.” Along the walls, smart racks store programmable tool heads and modular parts that pulse with embedded LEDs. Diagnostic arms and solid-state manipulators extend from ceiling rails, working in tandem with real-world components and holo-tools. Workbenches are cluttered with hybrid objects: part tangible tech, part luminous construct. Soft haze from thermal vents curls near the floor. Glass panel walls reveal adjacent labs with similar layouts. Stark contrast between clean architectural lines and chaotic invention. Fluorescent blues, clean whites, and vibrant neon reflect off brushed alloy and polymer. Lighting is bright and even—enough to work by—without a central source. Mood is focused, inventive, alive. The space is clearly used—organized clutter, stacked gear, hovering schematics—and infused with cutting-edge tactile holography. Full shot, eye-level, with deep perspective and wide composition. Clear z-axis layering: foreground tools and benches, midground interface arrays, background support walls and robotics. Resembles a fusion of Tony Stark’s garage and Tron: Legacy’s light-grid, anchored in functional realism. --mod layered detail, --mod volumetricshafts, --mod structuregrain, --mod highlightscatter, --mod crystalmechanica, --mod digital-illustration, --mod photorealism, --mod hyperdetail, --mod cinematiclighting, --mod holointerface, --mod industrialfuturism, --mod solidlightdesign, --mod labdepthcomposition, --mod interactiveUI, --mod workbenchchaos
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

“Calling Buck Rogers… Calling Buck Rogers… Emergency“

• Model: DaVinci2

• Size: 824 X 1240 (1.02 MP)

• Used settings:

  • Prompt: Flying saucers, exactly like the ones in the 1953 movie based on H.G. Wells, "War of the Worlds". They are firing their green laser beams and evaporating everything in their path. There is complexity and elegance in this scene with intricate, highly detailed, and colorful 4K 3D imagery. Perfectly recreated 1950 scene. A nebula is in the sky above, ultra-realistic digital render in 8k resolution. Fantastic, intricate...
  • Using base image: Yes (Effect strength - 74%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Charlie Wants Always To Play

• Model: DaVinci2

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: cinematic sci-fi spaceship bridge, human woman admiral in futuristic scientific uniform, standing beside insectoid alien with chitin armor and ornate red-green cape, shocked expression, huge panoramic viewport showing three colossal starships pierced in a row by a massive magnetic railgun slug, glowing plasma trail, bridge filled with holographic tactical consoles, star maps, glowing screens, ultra realistic, high detail, dramatic lighting
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape_wide

Giant Insect vs Human: A Sci-Fi Comparison

• Model: DaVinci2

• Size: 720 X 1280 (0.92 MP)

• Used settings:

  • Prompt: Photo-realistic, Highly realistic scifi scene showing a giant human-sized insect standing next to a human for scale, both in a neutral scientific environment, with visual cues comparing their strength — the human crushing a metal bar while the insect struggles with it. Detailed anatomy, dramatic lighting, realistic proportions, sharp focus, science illustration style.
  • Upscale & Enhance: 0
  • Aspect Ratio: portrait_tall

New Valhalla

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: A superhero team with post singularity super technology . Standing in challenge on a sci-fi cloud city bridge. Wyvern like creatures fly about in the background. dynamic movement, rich textures, deep shadows, highlights, correct anatomy, ethereal, intricate patterns, illusionary lighting effects, 8K 3D, fantasy, award-winning, hdr, cinematic lighting, volumetric lighting, visually impressive, magical, enchanting, breathtaking
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape_wide

Bones of the Machine Gods

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Wreckage of a alien spaceship spread across the land of a barren alien planet, debris field of metallic wreckage, metal struts and parts, broken glass, twisted pipes, smashed hull, wing sections torn off and broken :: by Jim Burns, Angus McKie, Peter Elson, and Chris Foss :: alien world, bright blue sky with white clouds, full sun :: hyperrealistic, hyper detailed, photorealistic :: masterpiece, incredible composition, amazing depth, imposing, meticulously composed, high definition, GS=5.0, NIS=40.0
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

Redshift Ghost

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Sleek gleaming futuristic motorcycle with aerodynamic design, slender silver body curving elegantly, with glowing red and gold accents tracing the frame. Retractable handlebars, hubless wheels adorned with glowing rims, and a minimalist dashboard enhance the streamlined appearance :: hyperrealistic, hyper detailed, photorealistic :: masterpiece, incredible composition, amazing depth, imposing, meticulously composed, high definition, GS=5.0, NIS=40.0
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

Cathedral of Forgotten Orbits

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A grand space-cathedral interior inside a derelict orbital station over a gas giant: colossal ribbed arches, shattered stained-glass panels of cosmic deities with shards drifting in microgravity, warm amber planetlight lancing through hull breaches against deep blue star-shadow. Frost creeps along the shadow side; dust and ice crystals glitter as they drift. At a distant raised dais, a ruined throne-like command seat is fused to corroded consoles. A lone figure in ornate exo-knight EVA armor walks toward the dais; polished plates and engravings catch both warm and cold light. Wide-angle, eye-level, sacred atmosphere, motion slow and weightless. --mod ambienthaze, --mod volumelighting, --mod raygradientfog, --mod atmosphericdepth, --mod highlightscatter, --mod glasseffect, --mod glassreflectivity, --mod colortransparency, --mod chromaticedge, --mod mirrorrefraction, --mod fineedges, --mod layereddetail, --mod structuregrain, --mod texturelogic, --mod softshadebanding, --mod deep-perspective, --mod epicperspective, --mod viewer-perspective-lock, --mod highdepthrange, --mod cinematicdesaturation, --mod reflective-softtone, --mod lightvolume, --mod subtlecontrast, --mod ultra-focus
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

City on Fire

• Model: FluX

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: A battle-worn service robot cradles the limp body of its red‑haired commander and pushes forward through a shattered alien boulevard, its gait careful and unyielding; the woman's futuristic field-uniform hangs scorched and torn, a sleeve insignia catching the smoky wind as her head lolls against the robot's chest. Ruined xeno-architecture arches like broken ribs around them, alleys vent ash and ion sparks, and collapsed spires throw jagged silhouettes across a boulevard littered with glass and war-script glyphs. Fighter craft rake the sky in screaming passes that shear banners of smoke; street‑level fires gutter and flare, backlighting the pair as embers spiral past and debris skitters underfoot. Heat‑blistered alloys, brushed metal plates, and soot‑stained ceramic armor read with tactile wear; the woman's fabric shows soot, singe, and field‑issue micro‑patterning; the robot's forearm bears impact scoring and oil-dark grime. Foreground rubble frames the march, midground avenues yaw open toward a cratered plaza, and in the far distance a collapsing tower sheds incandescent dust like a dying starfall, stacking depth planes and sightlines toward the central figures. Late, smoke‑thick light cuts in bands through particulate haze; backlit fire casts a hellscale orange against armored edges as cold sky light rims the silhouettes; volumetric shafts ladder between broken arches while reflected glow pools in wet glass and metal. --mod deep-perspective, --mod epicperspective, --mod wideangle35mm, --mod dynamiccomposition, --mod heroanglelens, --mod heroic-framing, --mod ambienthaze, --mod volumelighting, --mod volumetricshafts, --mod raygradientfog, --mod radiantgradient, --mod highlightscatter, --mod bounceglow, --mod rimlight, --mod sunsetflarehaze, --mod brushedmetal, --mod metalreflectance, --mod structuregrain, --mod dieselworkgrime, --mod micropattern, --mod highdramaenergyflow, --mod burnedarchitecture, --mod hellscalecontrast, --mod paintedlight, --mod contrast-lock, --mod deepfocusclarity, --mod style-cinematic, --mod ultra-detail, --mod epicvision, --mod windchargedfabric, --mod windmotionclothlogic, --mod powercenteringlogic, --mod reflect-flood, --mod centralherolockup
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

The Mirror of Self

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A lone figure stands before the Witness Array—a vast concave wall of silent glass monoliths, each one reflecting different eras of a forgotten civilization. The Observer’s silhouette is motionless, dwarfed beneath the vaulted framework of the ancient station core. Their cloak drifts in zero-gravity equilibrium, arms at their sides, gaze fixed forward. Lights blink softly behind the glass—memory events encoded in impossible colors, flickering like distant storms on alien worlds. Some monoliths show motion; others remain still, locked in frozen tableaux of extinct peoples and dying suns. Wires like veins spread across the curved ceiling, pulsing faintly with residual current, converging on a central node above the Observer’s head. The chamber floor is polished obsidian, perfectly reflecting the monoliths and the silent figure—above and below, the same question lingers: Who built this? And why were they watching? There is no movement. No interface. No welcome. Just the slow rhythm of lights in silence. This is not a terminal. This is judgment on pause. --mod witness-station, --mod reflection-mythology, --mod sentient-architecture, --mod monolith-grid, --mod contrast-lock, --mod zero-g-stillness, --mod obsidian-floor, --mod perspective-collapse, --mod reverent-tone, --mod sci-fi-cathedral
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

City at the Edge of Time

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Masterpiece oil painting, landscape of a dead alien city, gleaming metals and cracked ceramics, domes, cratered environment, dusty, under a dreadful yellow sky :: full shot, eye level, soft focus :: hyperrealistic, hyper detailed, photorealistic :: masterpiece, incredible composition, amazing depth, imposing, meticulously composed
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

Anywhen

• Model: Realismo

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: the 21st century Mirror walker, stands before an infinity mirror, wearing a very intricate technological time-travelling backpack, seeing the 25th century coming into view in the mirrors before him | mysterious scifi painting by Donato Giancola, Lee Jeffries Zdzisław Beksiński Dan Seagrave,
  • Using base image: Yes (Effect strength - 90%)
  • Base image resolution: 2MP
  • Upscale & Enhance: 0

Mechanical Man Incorporated

• Model: DaVinci2

• Size: 840 X 1224 (1.03 MP)

• Used settings:

  • Prompt: War poster: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of: Tokyo Blues: business magnate, military high command, the detective & his sassy secretary in the centre of a hacking case involving an artificial intelligence android robot, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage horror feel. Distressed paper texture, torn edges, faded ink, and eerie lighting evoke a sense of aged, forgotten terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 70s and 80s japanese war movie posters, Ash Thorp's neon-lit grit, and the haunting, surreal landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), (Japanese soldiers, zero fighter planes, kamikaze attack on US naval vessels, mushroom cloud from nuclear explosion). Blue pyramid of Green road into the framework building. paved path with black blocks of evil with eyes. People from the deep. H r. Giger machines. Angel eyes. Roads on skin tracks. Award winning photography, oil on canvas ,dynamic lighting, imperial colors ,quilling Marc Chagall Boris Vallejo Beksiński Stained Glass Horror themed By Dan Witz, Stephen Gammell, Rosina Wachtmeister ,Alfred Henry Maurer, Inspired by Hope Gangloff
  • Using base image: Yes (Effect strength - 78%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Mystical Blue Lipstick

• Model: DaVinci2

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: A close-up portrait of a woman with dark blue skin and intensely glowing white eyes. Faint white lines trace patterns on her cheeks and neck. Her dark hair is styled in loose curls. She wears a sleek black outfit with a stylized collar and poses with a hand featuring long, sharp, silver-tipped nails near her face. The background features a soft blur of vibrant blue and red light, creating a neon, sci-fi feel.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape_wide

"The Last Convoy Through Tomorrow's Jungle"

• Model: AIVision

• Size: 2168 X 1216 (2.64 MP)

• Used settings:

  • Prompt: Professional sci-fi photography, alien arrival, theme. Epic, full-framed photo of shattered builds entwined with dense flora. Alien high-tech moto patrols in cyber-refined sci-fi moto scan the scene, silent tension radiates. Moment frozen as echoes faded, silence heavier than sound. Lit in shadows, framed by space — photographed with the finest tools. Grand art gallery-tier iconic masterpiece. ARRI Alexa 35 Prem, EI 200, H911, 3114, ND 1.2, Breakthrough X4 CPL, ARRI Prime 18mm T1.8, tripod bound. Prime apex kwark-detailed photonic-textured precision. Spectral render, full photonic map, Bidirect.Path Trace. Each step: divine-luxury, zenith clarity, apex geometry, 32k assets, finest lines. CC: only prime, 32k custom: Kitbash3D. L1. 32k CC: World Machine 4 (waste, fissures, dirt struct), GrowFX 2.1 (flora refine), Blender 4.4.3 (weathered, breakdown), Sorcar 3.2, MESHmachine 0.18, DECALmachine 2.14 (surface grime, edge/wear), ZBrush 2025.2 (bump, waste), Fusion 2.0.2 + Inventor 2026 (cyber), Plasticity 25.1 (moto plating), Moi3D 5.0b (armor), 3D-Coat 2025 (scifi surf), Arnold 7.4 (alSurface refine). L2. 32k CC: Redshift 2025.5 (mesh refine), Substance 3D 2025 (norm+disp maps, weathered masks), Mari 7.1 (surf refine), RizomUV 3.9 (alien UVs), Knald 1.2 (micro-surf + norm refine), ArmorPaint 1.0a (rust, surface wear), Detail refine. L3. 32k CC: Guerilla 2.4 (scene layout, spatial/vertex), SceneCity 2.2 (urban scatter: flora/debris/moss), Zbrush Micromesh (micro-surf), Detail refine. L4. 32k CC: RTX shaders, HDRI (caust/sky): Indigo 4.4 (specular, AO, volum, shadows), Krakatoa 2.12 (particles, debris), edge + detail enhance. L5. 32k: Manuka, Thea Render 4, nano-precise enhance, apex micro-texture refine. L6. After Effects 25.3 Ex+WB+DR+HC, (9129 + Sci-Fi + 3151 LUTs), Affinity 2.6.3 apex clarity/quality final grading. 32k, 600DPI.
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide