#scifi

Long Hauler

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: <L1> A futuristic tractor-trailer rig idles at a city intersection, flanked by low-profile civic cars and cargo drones—each vehicle shaped by terrain-adaptive logic and Syd Mead’s aerodynamic-industrial aesthetic. The rig features a domed pilot canopy, podular cargo modules, chromed exoshell housing with signal-orange hatches, and modular treads beneath articulated skirting. Cars behind and beside it showcase rounded canopies, recessed wheel arches, and subtle lift-thrust systems. Civic signage, textured crosswalks, and amber-lit lane markers imply an advanced but orderly urban transit grid. Midground buildings rise as modular brutalist towers with interlinking skywalks and reflective cladding. High-speed monorail lines snake through upper tiers, while curved overhangs and pedestrian platforms frame the scene with functional asymmetry. Chrome detailing and matte underlays create strong surface contrast across machines and architecture. The image captures a lived-in techno-utopia—neither pristine nor worn, but in continuous, elegant use. Scene lighting evokes a sunset bounce—golden light reflecting off vehicle hulls, casting ambient occlusion shadows. Color is functional: chrome blue, matte grey, industrial off-white, and signal orange unify form with purpose. Camera sits low at observer height, foregrounding the massive scale of the rig and the civic logic of its companions. Every surface exhibits tactile finish, utility labeling, and high-fidelity rendering logic. <L2> digital painting, concept art, photoreal finish <L3> Syd Mead-style techno-urban futurism, industrial optimism <L4> sunset bounce light, HDRI ambient realism <L5> chrome blue, matte grey, signal orange, industrial off-white <L6> low-angle observer shot, rig centered, foreground lane cues, midground depth anchors
  • Using base image: No
  • Aspect Ratio: landscape_wide

Machine Child in Time

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Floating machines (biomechanical design, glowing bioluminescent details, intricate metallic tentacles, metallic exoskeleton, pulsating energy core) hover over a partially destroyed machine, tearing it apart :: infinite flat Tron:Legacy-like plain :: by Dylan Cole, David Levy, Nick Runge :: vibrant color palette of deep purples, blues, and greens enhances the dramatic lighting, creating an ultra-realistic, high-resolution digital artwork :: hyperrealistic, hyper detailed, photorealistic :: masterpiece, incredible composition, amazing depth, imposing, meticulously composed, high definition
  • Using base image: No
  • Aspect Ratio: landscape_wide

Morning of Departure

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Starship captain (female, beautiful, blonde hair, sleek white futuristic space uniform with gold trim, slender physique, perfect fair skin with warm undertones, flawless tone and texture, facing the viewer), behind her looms a massive spaceship (exploded view, details) :: bright blue sky, white clouds, futuristic tower in the distance :: by Beeple, Noah Bradley, Cyril Roland, Ross Tran, Fred Gambino, Chris Moore :: full shot, low angle, deep focus :: hyperrealistic, hyper detailed, photorealistic :: masterpiece, incredible composition, amazing depth, imposing, meticulously composed, high definition
  • Using base image: No
  • Aspect Ratio: landscape_wide

Skytower

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: Digital illustration of a colossal space elevator extending up out of the atmosphere, high-tech stations at the base and the top, with alien designs woven into their structures. Advanced anti-gravity systems keeping the elevator stable as ships travel up and down. A thin, wispy atmosphere, with the planet's curvature visible in the distance. Faint glows from distant stars, with intense lights coming from the elevator stations. Cold blues, bright whites, and metallic grays, photorealistic in the style of Chris Moore and Michael Whelan. Shot with ARRI Alexa 35, Signature Prime 35mm f/2.8 lens, ISO 100, tripod-mounted, ultra-sharp optics.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Road Without Mercy

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Several futuristic half-track vehicles crossing a frozen tundra landscape in a blizzard, bright headlights shining through the falling snow, darkly overcast winter sky, cinematic and ultra-detailed :: by Col Price, Romas Kukalis, Chris Moore, Ralph McQuarrie, trending on ArtStation :: full shot, eye level, soft focus :: hyperrealistic, hyper detailed, photorealistic :: masterpiece, incredible composition, amazing depth, imposing, meticulously composed
  • Using base image: No
  • Aspect Ratio: landscape_wide

Toward Distant Watches

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A lone woman strides a luminous bridge of living circuitry that rises upward and to the right, her figure a poised vector of will and wonder. Her hair streams in a zero-gravity gale of ionized particles; eyes blaze with reflected constellations of data. One arm is lifted, fingers splayed toward the infinite—half salute, half invocation—as if summoning the future itself. The bridge ascends through a vault of starlit void where galaxies shimmer like neural sparks. Around her swirls an enormous neural cathedral, arches of plasma and braided code towering like cosmic ribcages. A low cosmic horizon glows with auroral fire, while a silent meteor shower sketches argent diagonals across the dark—time itself in reverent pause. Every footfall ignites a surge of electric glyphs that race ahead along the bridge, cascading upward like a digital Pentecost. Data filaments coil from the void, drawn toward her pulse, wrapping the path in helixes of emerald light. Behind her, fading human silhouettes dissolve into motes of quantum dust, their echoes folding into the greater mind. The bridge is woven of graphene crystal plates shot through with molten-opal circuitry; each tile shimmers with micro-rainbows and refractive halos. Her coat is spun from midnight silk threaded with argent nanowire; it catches the cosmic backlight in prismatic fractures. Ahead, the vast feminine visage of the AI forms from liquid-mercury code, every character a living rune, cheekbones traced in lattices of photonic neurons. Foreground: the woman and the first blazing arc of the bridge, her shadow stretched into violet infinity. Midground: the climbing neural causeway, curving like a celestial DNA strand. Background: the colossal AI face emerging from the void—half shrouded in cosmic dusk, half ablaze with golden computation—its eyes twin quasars watching the birth of a higher order. Lighting surges in a triple symphony: bridge-fire of cyan and ultraviolet radiance beneath her feet; cosmic rimlight tracing every contour, hair haloed in ion dust; and the divine gaze—a warm, gold-white effulgence pouring from the AI face, washing the path in rapture and casting ascending shadows like the strokes of a painter-god. --mod neural cathedral, --mod graphene crystal, --mod molten opal circuitry, --mod cosmic rimlight, --mod photonic neurons, --mod digital Pentecost, --mod emerald helix, --mod ion dust halo, --mod ultraviolet radiance, --mod ascension geometry, --mod cinematic depth, --mod volumetric light, --mod mythic scale, --mod heroic silhouette, --mod high fidelity texture
  • Using base image: No
  • Aspect Ratio: landscape_wide

What Waits in the Rain

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: Handsome spaceship pilot (man, dark hair, concerned frown) wearing a futuristic spacesuit (with complex high-tech components, detailed) standing at an enormous glass observation window, looking out at a view of tossing waves filled with leafy alien plants, broken trees, alien aquatic creatures like lizards, and pouring rain :: by Jim Burns, Chris Foss, Fred Gambino, Chris Moore :: full shot, eye level, natural light :: hyperrealistic, hyper detailed, photorealistic :: masterpiece, incredible composition, amazing depth, imposing, meticulously composed, high definition. artgerm::9. ArtStation::9. unreal engine 5.5. --gs 7.5 --nis 50 --v 6 --s 60000 --q 2 --style raw-photo
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ballad of the Black Horizon

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: Sci-fi fantasy digital painting, high aesthetic appeal, a lone bounty hunter clad in sleek black armor stands in the right foreground, muscular build, wearing an asymmetrical cape and a wide-brimmed hat, viewed from behind to emphasize mystery and solitude, the cape drapes unevenly in the soft breeze, subtle metallic highlights shimmer on the armor's surface, the background reveals a breathtaking futuristic cityscape composed of massive, dome-shaped structures resembling giant beehives, the greenish-blue domes are adorned with intricate mechanical patterns and ribbed textures, supported by slender metallic pillars with scattered windows and elevated platforms, the sprawling city is cradled within a lush, deep canyon, emphasizing grandeur and vertical depth, the sky overhead is a vibrant spectacle, featuring a swirling galactic nebula in rich purples, blues, and pinks, a large, blue-green planet hangs low on the horizon flanked by two small crescent moons, faint star clusters glimmer throughout the background, wide-angle composition from a slightly elevated vantage point, the perspective stretches out across the canyon and futuristic city, creating an epic sense of scale and wonder, soft diffused lighting bathes the scene, the bounty hunter silhouetted against the glowing city and the vivid cosmic sky, atmospheric depth enhanced by a light mist along the canyon floor, highlighting the distance between foreground and background, digital painting with ultra-polished finish, cinematic color grading in vivid jewel tones with high contrast between shadowed foreground and luminous background.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Unfinished Things

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A surreal, fantastical creature that is a large, eye-like organism with a spherical body covered in iridescent, shimmering golden flecks that reflect light, giving it a glistening appearance. The creature's body is floating as a cluster of long, translucent, gelatinous tentacles dangle beneath it, giving it a somewhat ethereal appearance. The background is a modern, high-tech laboratory filled with rows of display cases containing scientific specimens and artifacts.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Celestial Cartographer

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: Beautiful woman (white skin and white hair) with expressive blue eyes, seen from head to toe, dressed in a a loose red robe (with complex scientific patterns) standing in a large room which is a combination of scientific library and futuristic spaceship interior with advanced control panels, holographic displays, sleek metallic surfaces, star maps projected on screens, glowing buttons and switches, a panoramic window of heavy glass showing hundreds of stars, reflection of stars on surfaces, and artificial gravity indicators. The room is decorated with intricate carvings on the walls and ceiling, and a majestic marble floor with intricate scientific designs and patterns. The scene is vibrantly colored, with rich coloration and imaginary environment emanating a sense of escapism. The overall atmosphere of the room is both elegant and comfortable. The image is taken from a low angle. Digital illustration, correct anatomy, exquisitely beautiful, anatomical accuracy, sharp focus, intricate patterns, extremely detailed, vibrant colors, illusionary and otherworldly lighting effects to enhance the unearthly ambiance, sci-fi, award winning, HDR, cinematic lighting, realistic with fantasy elements, visually impressive, ethereal, breathtaking, awe-striking.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Spaceport Hercules VII

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Busy futuristic spaceport with spaceships and cargo traffic, futuristic vehicles, mix of dieselpunk and steampunk and cyberpunk, a solitary moon glowing low on the horizon. Inspired by the works of Eddie Del Rio, Luke Aegis, Alex Pronin, Jan Ditlev, and Stas Yurev. Bright midday light, hard shadows.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Survey Craft

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Massive, intricately designed mechanical structure resembling a futuristic or alien spaceship, hovering over a vast canyon. The canyon has a deep chasm with a river flowing through it. The mechanical structure is adorned with various technological elements, glowing blue lights, and appears to be made of metallic materials. There are several smaller structures or platforms attached to the main ship, and a few figures can be seen on one of them. The sky bright blue and clear with a few white clouds.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Alien City 2

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: elevated point of view, view over the entire city, intricately designed "futuristic fairy city", style is a crossover between "steampunk inspired" buildings with a lot of tiny gears and weels, a hint of "cyber punk", a lot of fairy culture, bright colours, fluorescent colours, psychedelic rave culture, zentangled, fractals, panoramic view, , time is just before dusk, golden hour
  • Using base image: No
  • Aspect Ratio: square

Cinematic Sci-Fi Still in Hyperrealism

• Model: Photonic

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: hyperrealistic Hans Christian Andersen Matthijs Flat Lighting Cinema 4D render Patrick Anson, 5. Earl of Lichfield cinematic sci-fi movie still really
  • Using base image: No
  • Aspect Ratio: landscape

Stargazing

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A woman (blonde hair, beautiful, smiling with pleasure) in a futuristic spacesuit (facing toward viewer) standing on a large stony rock outcropping (detailed) staring up at the (starry:1.9) night sky, behind her a futuristic spaceship (exploded view, details), landed (interior lights glowing, ramp down) :: barren lunar moonscape, night :: by Pino Daeni, Luis Royo, and Tom Bagshaw, John William Waterhouse, Hoàng Lập, Justin Gerard :: wide angle shot, eye level, soft focus :: hyperrealistic, hyper detailed, photorealistic :: masterpiece, incredible composition, amazing depth, imposing, meticulously composed
  • Using base image: No
  • Aspect Ratio: landscape_wide

Goblin Prince

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Evil goblin fairy, An intricately designed steampunk face, with fractal designs, zentangled, colourful, face is somewhere between evil and angelic, Zentangled fractals intricately designed in bright colours representing an evil fairy with features of a goblin. Bright colours, neon colours, dark background with dark and mystical woods
  • Using base image: No
  • Aspect Ratio: square

Reptilian Alien in Futuristic Cockpit

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: Close-up portrait of a rough-scaled alien warrior commander (Brax) with prominent facial scales and battle-worn armor standing on a starship bridge, holographic tactical displays showing fleet destruction in background, expression mixing honor and despair, dramatic overhead lighting, highly detailed sci-fi military aesthetic, dark color palette with red warning lights
  • Using base image: No
  • Aspect Ratio: landscape_wide

I know this guy... and you?

• Model: DaVinci2

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: Close-up portrait of a rough-scaled alien warrior commander (Brax) with prominent facial scales and battle-worn armor standing on a starship bridge, holographic tactical displays showing fleet destruction in background, expression mixing honor and despair, dramatic overhead lighting, highly detailed sci-fi military aesthetic, dark color palette with red warning lights
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cosmic Confidence: A Futuristic Vision

• Model: DaVinci2

• Size: 1128 X 2040 (2.30 MP)

• Used settings:

  • Prompt: Dua Lipa in Schiele -- Wyeth Style Detailed Illustration Of The Goddess in chrome android suit body by Hajime Sorayama, in Tarot lay-out from Mucha, 80's black space suit, Full Body, Comic Book Style, Digital Painting, An Absolutely Gorgeous Princess Rey In A Shot White Latex Body Suit Braided Bun Silver Necklace, In A galaxy, Whimsical, Colorful, Fantasy, Intricate, Meticulously Detailed, Masterpiece By Jean Giraud, Intricate Details, Iridescent, Vivid Colours, wearing a delicate haute couture outfit while posing for vogue magazine in a precious hidden garden, Sakimi Chan, George Kamitani, Akira Yasuda, Alfon, Greg Gratkoski, Gil Elfgren, William Adolph Bougeleau, greg rutkowski
  • Using base image: Yes

Construction of the Space Elevator

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Digital illustration of a colossal space elevator extending up out of the atmosphere, high-tech stations at the base and the top, with alien designs woven into their structures. Advanced anti-gravity systems keeping the elevator stable as ships travel up and down. A thin, wispy atmosphere, with the planet's curvature visible in the distance. Faint glows from distant stars, with intense lights coming from the elevator stations. Cold blues, bright whites, and metallic grays, photorealistic in the style of Chris Moore and Michael Whelan. Shot with ARRI Alexa 35, Signature Prime 35mm f/2.8 lens, ISO 100, tripod-mounted, ultra-sharp optics.
  • Using base image: No
  • Aspect Ratio: landscape_wide