#odesa

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: 330 North Wabash (formerly IBM Plaza also known as IBM Building and now renamed AMA Plaza) is a skyscraper in downtown Chicago, Illinois, United States, at 330 N. Wabash Avenue, designed by the architect Ludwig Mies van der Rohe (who died in 1969 before construction began). A small bust of the architect by sculptor Marino Marini is displayed in the lobby. The 52-story building is situated on a plaza overlooking the Chicago River. At 695 feet (212 meters), 330 North Wabash is the second-tallest building by Mies van der Rohe, the tallest being the Toronto-Dominion Bank Tower at Toronto-Dominion Centre. It was his last American building.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Painted red, it was a cavernous, domed space and had no balconies, which contributed to its vastness. Its dome and the pillars were decorated with Muqarnas, a honeycombed pendentive ornament, which resembled stalactites. When illuminated, the ceiling's lightbulbs formed patterns of celestial constellations, and the vaulted ceiling took on another concept, the night sky. In the lobby and elsewhere, Poelzig used coloured lightbulbs to create striking visual backdrops. Separate entrances were provided for the expensive and the cheap seats. The theatre also included a restaurant for the wealthy audience members, a cafeteria for the poorer audience members, and a bar. The performers and technicians enjoyed their own bar, a barber shop, ample dressing room space, and the modern stage equipment.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Het Schip (The Ship) is a building complex in the Spaarndammerbuurt neighbourhood of Amsterdam, Netherlands. The complex in the architectural style of the Amsterdam School was designed by Michel de Klerk in 1919. It originally contained 102 homes (now 82) for the working class, a small meeting hall, a post office, and an elementary school. Since 2001, the former school and post office are used as a museum about the Amsterdam School.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Soon after research started at the site, it became evident that the proof sought would be harder to obtain than originally anticipated since the minimal shift of spectral lines was obscured by other solar influences. The reason was atmospheric turbulence on the solar surface. However, Einstein and Freundlich had from the beginning not only been interested in the specific problem of the red shift, but had also intended basic research in solar physics, and the laboratories were so designed that new equipment could be installed without difficulty. The turbulent behavior of the outer solar atmosphere soon became the primary subject of research at the Einstein Tower. The red shift could be proved only in the 1950s after it became possible to precisely analyze the complex disturbances of the solar atmosphere.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: In the Einstein Tower the construction containing the optics consists of two wooden platforms, each six m high, placed one above the other. The telescope has a lens objective of 60 cm diameter and focal length of 14 m. Rooms for observations and measurements are located at the base of the tower. In California the lab rooms are under each other; in Potsdam they are arranged horizontally. Another rotating mirror directs the sunlight to the spectrograph lab located in the basement behind an earthen wall on the southern side of the tower. It is about 14 m long and thermally insulated. Here is where the light is split up into its spectral components and analyzed. This design of a horizontal laboratory wing led to the elongated profile of the entire facility.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Mount Wilson Observatory in California, the first tower telescope worldwide, was the model for the facility designed by Freundlich. In tower telescopes a coelostat (a system with two deflecting mirrors, pronounced "seelostat") at the top of a vertical construction directs light down to an objective. The actual lens system is rigidly integrated into the construction. The mirrors at the top are movable and only these small lightweight instrument components are needed to track the sun. Because of the vertical arrangement, air turbulence near the ground has virtually no effect.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The choice of materials (concrete ceiling, metal, steel, glass, green Swedish marble in the main dining room, yellow Siena marble in the fireplace alcove of the hall-salon, parquets of oak, iroko, zebrawood, Cuban mahogany) and the furniture of the rooms echoed the hierarchy of space: everything was conceived and adapted for use in place. Simplicity and functionality of the furniture prevail in all parts. The luxury of this house does not lie in carved detailing or gilding, it unfolds in the richness of the materials used, such as unadorned marble, metal and wood.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Villa Cavrois is a masterpiece of modern architecture and a unique example in the North of France. The villa is 60 meters long, it has 3800 m2 including 1840 m2 habitables and 830 m2 of terraces and a garden of 17600 m2 (originally 5 ha). The Villa Cavrois is a testimony to the modernist vision of the 1920s as it was conceived by designers such as Le Corbusier, Pierre Chareau and the Bauhaus school. Luminosity, hygiene and comfort are the keywords that underlie such buildings. Villa Cavrois illustrates this concept with simplicity and elegance. The large modern mansion was organized to offer the best possible lifestyle to the nine members of the family and to facilitate the daily work of the household staff. Mallet-Stevens' work was not limited to the design of the building. He also designed the interior decoration and the gardens which surround the house.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Donjon or Keep of Vincennes was finished in 1369–70. It is fifty metres (160 ft) high, the highest of its kind in Europe. Its walls are 16.5 metres (54 ft) wide on each side, and at each corner is tower 6.6 metres (22 ft) in diameter, the same height as the building. An additional tower, the height of the rest, is attached to the north of the northwest tower, providing support the whole structure and also containing latrines for all five levels of the keep. The wall at the base of the keep are 3.26 meters, or ten feet, thick. It served as both a royal residence and a very visible symbol of royal power. The keep is one of the first known examples of rebar usage.[18] Each of the eight floors has a central room about ten meters on each side. with a height varying from seven to eight metres (23 to 26 ft). Each of the lower four floors have s central column which reinforces the vaulted ceiling. The columns were decorated with sculpture and painted in bright colors. One striking feature of the construction was the use of iron bars to strengthen the structure. More than two and half kilometres (1.6 mi) of iron bars, in various shapes, were built into the structure. Iron bars
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Shenzhen Stock Exchange (SZSE; Chinese: 深圳证券交易所) is a stock exchange based in the city of Shenzhen, in the People's Republic of China. It is one of three stock exchanges operating independently in Mainland China, the others being the Beijing Stock Exchange and the Shanghai Stock Exchange. It is situated in the Futian district of Shenzhen.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The design, led by Herzog & de Meuron partner Christine Binswanger,[2] has been characterized as resembling a house of cards.[1] It is an open-air structure with no exterior walls constructed around buttresses and cantilevers that features floor heights varying from 8 to 34 feet.[1] Some of the internal ramps are quite steep in order to accommodate the wider height intervals.[6] Elevators and a central, winding staircase take drivers to and from their cars.[6] A glassed-in high-fashion boutique, Alchemist, sits on an edge of the fifth floor.[7][8] The parking garage features retail space at the street level, with tenants such as Taschen books, Osklen clothing, Nespresso coffee and MAC cosmetics and is joined to the other structures that were part of the project.[1] Wennett built a penthouse apartment for himself as part of a 18,000-square-foot (1,700 m2) space on the structure's roof that also features a pool and gardens with hanging vines.[7][8] Jacques Herzog of the firm called the parking garage the most radical work they had ever done.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: The Pérez Art Museum Miami (PAMM)—officially known as the Jorge M. Pérez Art Museum of Miami-Dade County—is a contemporary art museum that relocated in 2013 to the Museum Park in Downtown Miami, Florida. Founded in 1984 as the Center for the Fine Arts, it became known as the Miami Art Museum from 1996 until it was renamed in 2013 upon the opening of its new building designed by Herzog & de Meuron at 1103 Biscayne Boulevard. PAMM, along with the $275 million Phillip and Patricia Frost Museum of Science and a city park which are being built in the area with completion in 2017, is part of the 20-acre Museum Park (formerly Bicentennial Park).
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: The project involves the construction of three skyscrapers, with dedicated areas for offices, stores, restaurants and services. The luxury residential area will cover about 164,000 m2 (1,770,000 sq ft), with around 1,300 apartments (housing about 4,500 people). In addition, more than 50% of the available area, 170,000 m2 (1,800,000 sq ft) are dedicated to green spaces. There will also be underground parking space for around 7,000 vehicles. Further to the existing public transportation network, the CityLife area will be served by a new extension of the metro line 5, with a dedicated station at the centre of Piazza Tre Torri.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Złota 44 is a residential skyscraper[1] (192 meters high, 52 stories[2]) in central Warsaw, Poland. It was designed by Polish-American architect Daniel Libeskind,[3] in association with Polish architects Architecture. It was developed by US real estate investment manager Amstar and Warsaw developer BBI Development, which bought the topped-out but unfinished building from its initial developer, ORCO.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The L Tower (also known as the Libeskind Tower) is a residential skyscraper in Toronto, Ontario, Canada designed by architect Daniel Libeskind. The project, which broke ground in mid-October 2009, saw many delays. One cause for delay was a stop-work order caused by safety concerns about the crane at the top of the building. The crane was also an eyesore for many residents. Despite the cranes (which were removed by May 2016 and September 2018 respectively), the building still won the eighth place Emporis Skyscraper Award in 2017.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Bord Gáis Energy Theatre (originally the Grand Canal Theatre) is a performing arts venue, located in the Docklands of Dublin, Ireland. It is Ireland's largest fixed-seat theatre.[1] It was designed by Daniel Libeskind for the DDDA, built by Joe O'Reilly (Chartered Land), and opened by Harry Crosbie on 18 March 2010.[2] It is owned by Bernie and John Gallagher (of Doyle Hotels), who bought the theatre in 2014 from NAMA, through their company, Crownway.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The DDDA's wider development of the Grand Canal Square (Grand Canal Dock regeneration project), included another office block (1 Grand Canal Square[23] at 125,000 sq ft, completed in 2007), a 5-star Hotel (the Manuel Aires Mateus designed, Marker Hotel, completed in 2012 but to a lower specification[24]) and a Martha Schwartz designed 10,000 sq ft central piazza (on a "red carpet" theme, integrating with the Liebskind theatre, completed in 2008).
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Replacing the Queen Elizabeth II Terrace Galleries was the controversial Michael Lee-Chin "Crystal," a multimillion-dollar expansion to the museum designed by Daniel Libeskind, including a new sliding door entrance on Bloor Street, first opened in 2007. The Deconstructivist crystalline form is clad in 25 percent glass and 75 percent aluminum, sitting on top of a steel frame. The Crystal's canted walls do not touch the sides of the existing heritage buildings but are used to close the envelope between the new form and existing walls. These walls act as a pathway for pedestrians to travel safely across "The Crystal."
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The interior of the building is a surprise and a pleasant one; the somewhat complicated ornament of the façade is forgotten and a plan on the grand manner unfolds itself. It is simple, direct and big in scale. One is convinced that the early Beaux-Arts training of the designer has not been in vain. The outstanding feature of the interior is the glass mosaic ceiling of the entrance rotunda. It is executed in colours and gold and strikes a fine note in the one part of the building which the architect could decorate without conflicting with the exhibits.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The eastern wing facing Queen's Park was designed by Alfred H. Chapman and James Oxley. Opened in 1933, it included the museum's elaborate art deco, Byzantine-inspired rotunda and a new main entrance. The linking wing and rear (west) façade of the Queen's Park wing were originally done in the same yellow brick as the 1914 building, with minor Italianate detailing. However, the Queen's Park façade of the expansion broke away from the heavy Italianate style of the original structure. It was built in a neo-Byzantine style with rusticated stone, triple windows contained within recessed arches and different-coloured stones arranged in a variety of patterns.[31] This development from the Roman-inspired Italianate to a Byzantine-influenced style reflected the historical development of Byzantine architecture from Roman architecture. Common among neo-Byzantine buildings in North America, the façade also contains elements of Gothic Revival in its relief carvings, gargoyles and statues. The ornate ceiling of the rotunda is covered predominantly in gold back painted glass mosaic tiles, with coloured mosaic geometric patterns and images of real and mythical animals.
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