#germany

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Palaces and Parks of Potsdam and Berlin (Sanssouci) represent a self-contained ensemble of architecture and landscape gardening in the 18th and 19th centuries. This ensemble, having an outstanding artistic rank, has its origin in the work of the most significant architects and landscape gardeners of their time in Northern Germany - G.W. von Knobelsdorff (1699-1753), C. von Gontard (1731-1791), C.G. Langhans (1732-1808), K.F. Schinkel (1781-1841), P.J. Lenné (1789-1866) and their co-operators. Together with highly imaginative sculptors, painters, craftsmen, building workers, and gardeners, they created Sanssouci, the New Garden, the Park of Babelsberg, and other grounds in the surrounding area of Potsdam as an overall work of art of high quality, European rank, and international standing.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The ‘Roman Limes’ represents the border line of the Roman Empire at its greatest extent in the 2nd century AD. It stretched over 5,000 km from the Atlantic coast of northern Britain, through Europe to the Black Sea, and from there to the Red Sea and across North Africa to the Atlantic coast. The remains of the Limes today consist of vestiges of built walls, ditches, forts, fortresses, watchtowers and civilian settlements. Certain elements of the line have been excavated, some reconstructed and a few destroyed. The two sections of the Limes in Germany cover a length of 550 km from the north-west of the country to the Danube in the south-east. The 118-km-long Hadrian’s Wall (UK) was built on the orders of the Emperor Hadrian c. AD 122 at the northernmost limits of the Roman province of Britannia. It is a striking example of the organization of a military zone and illustrates the defensive techniques and geopolitical strategies of ancient Rome. The Antonine Wall, a 60-km long fortification in Scotland was started by Emperor Antonius Pius in 142 AD as a defense against the “barbarians” of the north. It constitutes the northwestern-most portion of the Roman Limes.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The ‘Roman Limes’ represents the border line of the Roman Empire at its greatest extent in the 2nd century AD. It stretched over 5,000 km from the Atlantic coast of northern Britain, through Europe to the Black Sea, and from there to the Red Sea and across North Africa to the Atlantic coast. The remains of the Limes today consist of vestiges of built walls, ditches, forts, fortresses, watchtowers and civilian settlements. Certain elements of the line have been excavated, some reconstructed and a few destroyed. The two sections of the Limes in Germany cover a length of 550 km from the north-west of the country to the Danube in the south-east. The 118-km-long Hadrian’s Wall (UK) was built on the orders of the Emperor Hadrian c. AD 122 at the northernmost limits of the Roman province of Britannia. It is a striking example of the organization of a military zone and illustrates the defensive techniques and geopolitical strategies of ancient Rome. The Antonine Wall, a 60-km long fortification in Scotland was started by Emperor Antonius Pius in 142 AD as a defense against the “barbarians” of the north. It constitutes the northwestern-most portion of the Roman Limes.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Trier, which stands on the Moselle River, was a Roman colony from the 1st century AD and then a great trading centre beginning in the next century. It became one of the capitals of the Tetrarchy at the end of the 3rd century, when it was known as the ‘second Rome’. The number and quality of the surviving monuments are an outstanding testimony to Roman civilization. Trier, which is located on the Moselle river in the West of Germany, was a Roman colony from the 1st century A.D. and then a great trading centre in the beginning of the next century. It became one of the capitals of the Tetrarchy at the end of the 3rd century, when it was known as the 'second Rome'. The number and quality of the surviving monuments are an outstanding testimony to Roman civilization.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: St Michael's Church was built between 1010 and 1020 on a symmetrical plan with two apses that was characteristic of Ottonian Romanesque art in Old Saxony. Its interior, in particular the wooden ceiling and painted stucco-work, its famous bronze doors and the Bernward bronze column, are – together with the treasures of St Mary's Cathedral – of exceptional interest as examples of the Romanesque churches of the Holy Roman Empire. The ancient Benedictine abbey church of St Michael in Hildesheim, located in the north of Germany, is one of the key monuments of medieval art, built between 1010 and 1022 by Bernward, Bishop of Hildesheim. St Michael’s is one of the rare major constructions in Europe around the turn of the millennium which still conveys a unified impression of artistry, without having undergone any substantial mutilations or critical transformations in basic and detailed structures.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Set in an idyllic garden landscape, Augustusburg Castle (the sumptuous residence of the prince-archbishops of Cologne) and the Falkenlust hunting lodge (a small rural folly) are among the earliest examples of Rococo architecture in 18th-century Germany. Set in an idyllic garden landscape, begun by architect Johann Conrad Schlaun, and finished by François de Cuvilliés, Augustusburg Castle, the sumptuous residence of the prince-archbishops of Cologne, and the Falkenlust hunting lodge, a small rural folly, are among the earliest and best examples of 18-century Rococo architecture in Germany, and directly linked to the great European architecture and art of unprecedented richness of the time. In 1725, Clemens August of Bavaria (1700-1761), Prince-Elector and archbishop of Cologne, planned and constructed this large residence at Brühl on the foundations of a medieval castle. It consists of three wings built of brick with rough-cast rendering and has two adjoining orangeries, one on the south side which includes an oratory, while the other to the north houses various service buildings.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Projection mapping offers a way to convey compelling messages anywhere, from restaurant tables to entire buildings. Projection mapping is a technological innovation that lets you overlap video onto any surface, such as a building or table. Projection mapping fits images onto a 3D model of a surface, giving the impression that they’re painted on. Projection mapping software helps bring marketing visions to life in unusual and memorable ways. This article is for business owners and marketers who want to explore innovative presentation styles and more effective advertising campaigns. In an effort to connect with your heart, mind and wallet, big brands work hard to pack every minute of your day with ads and multimedia. One marketing tactic in their toolbox aims to create emotional and long-lasting impressions around events. Stunning graphics, 3D or 4D experiences or interactive installations help create some of the most memorable ones.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The distribution of light in a searchlight beam is computed by determining the image formation at a point on the mirror or lens, then from this elemental image the image from a zone is derived. These zonal images are in turn summed graphically to find the beam from the complete searchlight. Some of the more important characteristics of a projected beam, such as angular width and the region in which the inverse square rule may be used to compute illumination, are outlined, and some attention is paid to the short range region that must often be used in testing. Lenses are discussed, largely to bring out their limitations, and some of the characteristics of the ellipsoid and hyperboloid are outlined. Test data on a mirror made of a combination of these two basic curves are presented to show how the filament images can be suppressed.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: projecting on them the light streams of the building in the form of wheat
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Architectural projection means any projection which is not intended for occupancy and which extends beyond the face of an exterior wall of a building, including arcades, roof overhangs, mansards, unenclosed exterior balconies, marquees, canopies, pilasters, fascias and the like, but not including signs.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Miraculously preserved in the beautiful setting of an Alpine valley, the Church of Wies (1745–54), the work of architect Dominikus Zimmermann, is a masterpiece of Bavarian Rococo – exuberant, colourful and joyful. The sanctuary of Wies, near Steingaden in Bavaria, is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared. The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary. Consequently, work began in 1745 under the direction of the celebrated architect, Dominikus Zimmermann, who was to construct, in this pastoral setting in the foothills of the Alps.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: This magnificent Baroque palace – one of the largest and most beautiful in Germany and surrounded by wonderful gardens – was created under the patronage of the prince-bishops Lothar Franz and Friedrich Carl von Schönborn. It was built and decorated in the 18th century by an international team of architects, painters (including Tiepolo), sculptors and stucco-workers, led by Balthasar Neumann. Located in Southern Germany, the sumptuous Würzburg Residence was built and decorated in the 18th century by an international corps of architects, painters, sculptors, and stucco workers under the patronage of two successive Prince-Bishops, Johann Philipp Franz and Friedrich Karl von Schönborn.The Residence was essentially constructed between 1720 and 1744, decorated on the interior from 1740 to 1770 and landscaped with magnificent gardens from 1765 to 1780. It testifies to the ostentation of the two Prince-Bishops, and as such illustrates the historical situation of one of the most brilliant courts of Europe during the 18th century. The most renowned architects of the period - the Viennese, Lukas von Hildebrandt, and the Parisians Robert de Cotte and Germain Boffrand - drew up the plans
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