#fantasy

Magic lamp

• Model: Artistic

• Size: 928 X 608 (0.56 MP)

• Used settings:

  • Prompt: a small fire which bloomed orange and warm and beautiful in the night, in the style of Arthur Rackham. Soft colors.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Hollow Earth

• Model: Artistic

• Size: 2538 X 1974 (5.01 MP)

• Used settings:

  • Prompt: Hollow Earth
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape

Everything is better with dragons

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Everything with dragons is better
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Dragons in Ancient Rome

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: Dragons in the ancient Rome. Just a regular Thursday with dragons on the street. draconic, detailed dragons, detailed dragon head
  • Using base image: Yes (Effect strength - 30%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Tiny helper

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Endearing tiny dragon hanging on the table
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Doing the taxes

• Model: Fantasy

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: Annoyed anthropomorphic dragon in glasses doing the taxes. detailed dragon head, intricate glasses
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Travels with Dragon - "Lisbon"

• Model: Cyberspace (v2)*

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: Dragon in front of the Praça do Comércio. Dragon in Lisbon. detailed dragon wings, detailed dragon head, dragon, draconic, travel photography, wide shot
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Timetraveller

• Model: Artistic

• Size: 608 X 960 (0.58 MP)

• Used settings:

  • Prompt: Time travel novel, antique clock, starry night sky, forty year old man in black leather jacket,
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

iris flower

• Model: Fusion*

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Insanely detailed hyperrealistic fantasy whimsical painting of lush beautiful IRIS FLOWERS with dew drops in a fantasy garden; appearance: Soft, velvety petals, delicate stems and vivid, deep purple and blue tones; environment: Enchanted garden filled with diverse and colorful flowers and plants, surrounded by a mystical forest and a crystal-clear stream; Genres: Fantasy, Whimsy; Styles: Hyperrealism, Surrealism; Techniques: Photo-realistic oil painting, highly detailed brush work; Lights: Magical and soft light filtering through the forest canopy, highlighting the dew drops and vivid colors of the flowers; Colors: Deep purples, blues, greens and yellows; Descriptive terms: Ethereal, Enchanted, Dreamlike, Majestic, Intricate; by Artists: Michael Kutsche, Ryan Church, Simon Dominic, Alex Ross, Kevin P. Kelly; 8K 3D, CGSociety, trending on Artstation, 8K resolution, unreal engine 5
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The temple of Hathor and Nefertari, also known as the Small Temple, was built about 100 m (330 ft) northeast of the temple of Ramesses II and was dedicated to the goddess Hathor and Ramesses II's chief consort, Nefertari. This was in fact the second time in ancient Egyptian history that a temple was dedicated to a queen. The first time, Akhenaten dedicated a temple to his great royal wife, Nefertiti.[10] The rock-cut facade is decorated with two groups of colossi that are separated by the large gateway. The statues, slightly more than 10 m (33 ft) high, are of the king and his queen. On either side of the portal are two statues of the king, wearing the white crown of Upper Egypt (south colossus) and the double crown (north colossus); these are flanked by statues of the queen. Remarkably, this is one of very few instances in Egyptian art where the statues of the king and his consort have equal size.[10] Traditionally, the statues of the queens stood next to those of the pharaoh, but were never taller than his knees. Ramesses went to Abu Simbel with his wife in the 24th year of his reign.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Peruvudaiyar temple's plan and development utilizes the axial and symmetrical geometry rules.[30] It is classified as Perunkoil (also called Madakkoil), a big temple built on a higher platform of a natural or man-made mounds.[31] The temple complex is a rectangle that is almost two stacked squares, covering 240.79 metres (790.0 ft) east to west, and 121.92 metres (400.0 ft) north to south. In this space are five main sections: the sanctum with the towering superstructure (sri vimana), the Nandi hall in front (Nandi-mandapam) and in between these the main community hall (mukhamandapam), the great gathering hall (mahamandapam) and the pavilion that connects the great hall with the sanctum (Antrala). The temple complex integrates a large pillared and covered veranda (prakara) in its spacious courtyard, with a perimeter of about 450 metres (1,480 ft) for circumambulation. Outside this pillared veranda there are two walls of enclosure, the outer one being defensive and added in 1777 by the French colonial forces with gun-holes with the temple serving as an arsenal. They made the outer wall high, isolating the temple complex area.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Peruvudaiyar temple's plan and development utilizes the axial and symmetrical geometry rules.[30] It is classified as Perunkoil (also called Madakkoil), a big temple built on a higher platform of a natural or man-made mounds.[31] The temple complex is a rectangle that is almost two stacked squares, covering 240.79 metres (790.0 ft) east to west, and 121.92 metres (400.0 ft) north to south. In this space are five main sections: the sanctum with the towering superstructure (sri vimana), the Nandi hall in front (Nandi-mandapam) and in between these the main community hall (mukhamandapam), the great gathering hall (mahamandapam) and the pavilion that connects the great hall with the sanctum (Antrala). The temple complex integrates a large pillared and covered veranda (prakara) in its spacious courtyard, with a perimeter of about 450 metres (1,480 ft) for circumambulation. Outside this pillared veranda there are two walls of enclosure, the outer one being defensive and added in 1777 by the French colonial forces with gun-holes with the temple serving as an arsenal. They made the outer wall high, isolating the temple complex area.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Watcher on High

• Model: Cyberspace (v2)*

• Size: 1248 X 928 (1.16 MP)

• Used settings:

  • Prompt: A giant transdimensional being who stands on guard between our universe and others. In the style of Alex Grey. Repeating geometric patterns.
  • Using base image: Yes (Effect strength - 70%)
  • Base image resolution: 1MP
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Architecture of Tibet. Traditional Kham architecture is seen in most dwellings in Garzê Tibetan Autonomous Prefecture. Although the region has been previously heavily logged, wood is still harvested locally from remaining stands of forest and used for housing. Throughout the region, horizontal timber beams support the roof and are in turn supported by wooden columns. In some areas such as Dêgê County, Baiyü County, and Dawu County, Sichuan, wood is also used to make log-cabin style exterior walls. Home interiors are sometimes paneled with wood and cabinetry is ornately decorated. Ganzi is known for its beautiful wooden houses built in a range of styles and lavishly decorated with wooden ornamentation. Although various materials are used in the well-built houses, it is the skillful carpentry that is most striking. Farm houses in Kham are often very spacious although the first (ground) floor is usually used to house farm implements and animals, not for human habitation. Floors, ceilings, and room dividers are made of wood. Carpentry skills are passed down from master to apprentice.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Dental trait analysis of Badarian fossils conducted in a thesis study found that they were closely related to other Afroasiatic-speaking populations inhabiting Northeast Africa and the Maghreb. Among the ancient populations, the Badarians were nearest to other ancient Egyptians (Naqada, Hierakonpolis, Abydos and Kharga in Upper Egypt; Hawara in Lower Egypt), and C-Group and Pharaonic era skeletons excavated in Lower Nubia, followed by the A-Group culture bearers of Lower Nubia, the Kerma and Kush populations in Upper Nubia, the Meroitic, X-Group and Christian period inhabitants of Lower Nubia, and the Kellis population in the Dakhla Oasis.[17]: 219–20  Among the recent groups, the Badari markers were morphologically closest to the Shawia and Kabyle Berber populations of Algeria as well as Bedouin groups in Morocco, Libya and Tunisia, followed by other Afroasiatic-speaking populations in the Horn of Africa.[17]: 222–4  The Late Roman era Badarian skeletons from Kellis were also phenotypically distinct from those belonging to other populations in Sub-Saharan Africa.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The clay tablet was thus being used by scribes to record events happening during their time. Tools that these scribes used were styluses with sharp triangular tips, making it easy to leave markings on the clay; the clay tablets themselves came in a variety of colors such as bone white, chocolate, and charcoal. Pictographs then began to appear on clay tablets around 4000 BCE, and after the later development of Sumerian cuneiform writing, a more sophisticated partial syllabic script evolved that by around 2500 BCE was capable of recording the vernacular, the everyday speech of the common people. Sumerians used what is known as pictograms. Pictograms are symbols that express a pictorial concept, a logogram, as the meaning of the word. Early writing also began in Ancient Egypt using hieroglyphs. Early hieroglyphs and some of the modern Chinese characters are other examples of pictographs. The Sumerians later shifted their writing to Cuneiform, defined as "Wedge writing" in Latin, which added phonetic symbols, syllabograms. Text on clay tablets took the forms of myths, fables, essays, hymns, proverbs, epic poetry, business records, laws, plants, and animals.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Houses in the snow under storm clouds

• Model: Artistic

• Size: 864 X 640 (0.55 MP)

• Used settings:

  • Prompt: Houses in the snow under storm clouds
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Ishtar Gate. After the glaze firing, the bricks were assembled, leaving narrow horizontal seams from one to six millimeters. The seams were then sealed with a naturally occurring black viscous substance called bitumen, like modern asphalt. The Ishtar Gate is only one small part of the design of ancient Babylon that also included the palace, temples, an inner fortress, walls, gardens, other gates, and the Processional Way. The lavish city was decorated with over 15 million baked bricks, according to estimates. The main gate led to the Southern Citadel, the gate itself seeming to be a part of Imgur-Bel and Nimitti-Bel, two of the most prominent defensive walls of Babylon. There were three primary entrances to the Ishtar Gate: the central entrance which contained the double gate structure (two sets of double doors, for a fourfold door structure), and doors flanking the main entrance to the left and right, both containing the signature double door structure. The walls were finished in glazed bricks mostly in blue, with animals and deities in low relief at intervals, these were also made up of bricks that are molded and colored differently.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Moonlight on the castle with clouds

• Model: Artistic

• Size: 928 X 608 (0.56 MP)

• Used settings:

  • Prompt: Moonlight on the castle with clouds
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Ishtar Gate. The bricks of the Ishtar gate were made from finely textured clay pressed into wooden forms. Each of the animal reliefs was also made from bricks formed by pressing clay into reusable molds. Seams between the bricks were carefully planned not to occur on the eyes of the animals or any other aesthetically unacceptable places. The bricks were sun-dried and then fired once before glazing. The clay was brownish red in this bisque-fired state. The background glazes are mainly a vivid blue, which imitates the color of the highly prized lapis lazuli. Gold and brown glazes are used for animal images. The borders and rosettes are glazed in black, white, and gold. It is believed that the glaze recipe used plant ash, sandstone conglomerates, and pebbles for silicates. This combination was repeatedly melted, cooled, and then pulverized. This mixture of silica and fluxes is called a frit. Color-producing minerals, such as cobalt, were added in the final glaze formulations. This was then painted onto the bisque-fired bricks and fired to a higher temperature in a glaze firing.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0