#fantasy

Daisy turned to fairy land

• Model: Artistic

• Size: 832 X 704 (0.59 MP)

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  • Prompt: fairy land
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Biopunk (a portmanteau of "biotechnology" or "biology" and "punk") is a subgenre of science fiction that focuses on biotechnology. It is derived from cyberpunk, but focuses on the implications of biotechnology rather than mechanical cyberware and information technology. Biopunk is concerned with synthetic biology. It is derived of cyberpunk involving bio-hackers, biotech megacorporations, and oppressive government agencies that manipulate human DNA. Most often keeping with the dark atmosphere of cyberpunk, biopunk generally examines the dark side of genetic engineering and represents the low side of biotechnology.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Afrofuturism is a cultural aesthetic, philosophy of science, and history that explores the intersection of the African diaspora culture with science and technology. It addresses themes and concerns of the African diaspora through technoculture and speculative fiction, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afro-diasporic experiences.[1] While Afrofuturism is most commonly associated with science fiction, it can also encompass other speculative genres such as fantasy, alternate history, and magic realism.[2] The term was coined by Mark Dery, an American Cultural critic in 1993[3] and explored in the late 1990s through conversations led by Alondra Nelson.[4]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Bernard takes a holiday with Lenina outside the World State to a Savage Reservation in New Mexico, in which the two observe natural-born people, disease, the ageing process, other languages, and religious lifestyles for the first time. The culture of the village folk resembles the contemporary Native American groups of the region, descendants of the Anasazi, including the Puebloan peoples of Hopi and Zuni.[25] Bernard and Lenina witness a violent public ritual and then encounter Linda, a woman originally from the World State who is living on the reservation with her son John, now a young man. She, too, visited the reservation on a holiday many years ago, but became separated from her group and was left behind. She had meanwhile become pregnant by a fellow holidaymaker (who is revealed to be Bernard's boss, the Director of Hatcheries and Conditioning). She did not try to return to the World State, because of her shame at her pregnancy. Despite spending his whole life in the reservation, John has never been accepted by the villagers, and his and Linda's lives have been hard and unpleasant. Linda has taught John to read, although from the only book in her possession—a scientific man
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Hemendra Kumar Ray’s "Meghduter Morte Agomon" (The Ascension of God’s Messengers on Earth), a work inspired by Wells’ "The War of The Worlds", describes the first contact between two sentient species. Ray's Martians, instead of invading a metropolis like Calcutta or London, descends at a rural Bengal village called Bilaspur. Though the superstitious villagers were calling the new arrivals creatures of supernatural chaos, the protagonist, Binoy-babu, a person of scientific temper, had said, “This is neither the work of ghost nor human. This is the work of an unknown force like you will not find on this Earth. That power which scientists all over the world have been seeking has made its very first appearance here, in this Bengal! Oh, Kamal, you cannot imagine how happy I am!” (Rachanabali 1, 113–114). As the father of Bengali adventure fiction, Ray puts the reader through Binoy's narrative. Divided into two parts, while the first one is a futuristic, indianized take on Fermi paradox, the second one is a prehistoric adventure inspired by Wells’ "The Time Machine". In his later novels, Roy also indianized Doyle's "The Lost World" as "Maynamatir Mayakanon" (The Surreal Gar
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Brian Aldiss described science fiction as "cultural wallpaper." Evidence for this widespread influence can be found in trends for writers to employ science fiction as a tool for advocacy and generating cultural insights, as well as for educators when teaching across a range of academic disciplines not limited to the natural sciences. Scholar and science fiction critic George Edgar Slusser said that science fiction "is the one real international literary form we have today, and as such has branched out to visual media, interactive media and on to whatever new media the world will invent in the 21st century. Crossover issues between the sciences and the humanities are crucial for the century to come."
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Fantasy Gardenia

• Model: Artistic

• Size: 704 X 896 (0.63 MP)

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  • Prompt: Create a realistic photo-like image, gardenia, style by Ivan Bilibin, by Harry Clarke, intricate detailed, colored
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  • Aspect Ratio: portrait

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: One of the writers who used science fiction to explore the sociology of near-future topics was H. G. Wells, with his classic The Time Machine (1895) revealing the human race diverging into separate branches of Elois and Morlocks as a consequence of class inequality: a happy pastoral society of Elois preyed upon by the Morlocks but yet needing them to keep their world functioning—a thinly veiled criticism of capitalist society, where the exploiter class, or the bourgeoisie, is symbolized by the useless, frivolous Elois, and the exploited working class, or the proletariat, is represented by the subterranean-dwelling, malnourished Morlocks. Wells' The Sleeper Awakes (1899, 1910) predicted the spirit of the 20th century: technically advanced, undemocratic and bloody. Next to prognoses of the future of society if current social problems persisted, as well as depictions of alien societies that are exaggerated versions of ours (exemplified by The War of the Worlds of 1897), Wells also heavily criticized the then-popular concept of vivisection, experimental "psychiatry" and research that was done for the purpose of restructuring the human mind and memory (clearly emphasized in The Island
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lovecraft was here xD

• Model: PhotoReal

• Size: 1278 X 1643 (2.10 MP)

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  • Prompt: very attractive, powerful witch, dark make up, long black dress, hunting demons, casting spells, femme fatale, horror, lovecraftian, chaos and madness
  • Upscale & Enhance: 2
  • Aspect Ratio: portrait

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Planetary romance is a subgenre of science fiction in which the bulk of the action consists of adventures on one or more exotic alien planets, characterized by distinctive physical and cultural backgrounds. Some planetary romances take place against the background of a future culture where travel between worlds by spaceship is commonplace; others, particularly the earliest examples of the genre, do not, and invoke flying carpets, astral projection, or other methods of getting between planets. In either case, it is the planetside adventures which are the focus of the story, not the mode of travel.[1]
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Misty Lagoon

• Model: Fantasy

• Size: 1161 X 903 (1.05 MP)

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  • Prompt: mythical dreamy wonderland with a magical glow and vibrant colors
  • Using base image: Yes (Effect strength - 60%)
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Witches Coven

• Model: Artistic

• Size: 1024 X 1024 (1.05 MP)

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  • Prompt: dark fabula, surrealistic unknown realms of far distant and strange lands, fractured abomination lingers, limbo, cronenbergian landscape, hideous beings lurking in the dark, reversed random inside-out shapeless bodies glitching and melting into themselves, stylized whitening, unsensable dream voyage, manacing images, hard shadows
  • Upscale & Enhance: 1
  • Aspect Ratio: square

Finrod Felagund

• Model: PhotoReal

• Size: 1095 X 1917 (2.10 MP)

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  • Prompt: Elven prince from Middle Earth, in the Lord of the rings universe, male, he has long blonde hair, strong, tall, wears a golden chain mail and a blue chestplate, pointy elven ears.
  • Using base image: Yes (Effect strength - 70%)
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Elven Priestess

• Model: Artistic

• Size: 1715 X 1225 (2.10 MP)

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  • Prompt: Elven Priestess standing between two glowing orbs in a magical grove at night
  • Using base image: Yes (Effect strength - 60%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Mundane science fiction (MSF) is a niche literary movement within science fiction that developed in the early 2000s, with principles codified by the "Mundane Manifesto"[1] in 2004, signed by author Geoff Ryman and "The Clarion West 2004 Class". The movement proposes "mundane science fiction" as its own subgenre of science fiction, typically characterized by its setting on Earth or within the Solar System; a lack of interstellar travel, intergalactic travel or human contact with extraterrestrials; and a believable use of technology and science as it exists at the time the story is written or a plausible extension of existing technology. There is debate over the boundaries of MSF and over which works can be considered canonical. Rudy Rucker has noted MSF's similarities to hard science fiction and Ritch Calvin has pointed out MSF's similarities to cyberpunk. Some commentators have identified science fiction films and television series which embody the MSF ethos of near-future realism.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The name "dieselpunk" is a derivative of the science fiction subgenre cyberpunk,[5] and represents the time period from World War I until the 1950s, when diesel-based locomotion was the main technological focus of Western culture.[6] The "-‍punk" suffix attached to the name is representative of the counterculture nature of the genre with regard to its opposition to contemporary aesthetics.[3] The term also refers to the tongue-in-cheek[7] name given to a similar cyberpunk derivative, "steampunk", which focuses on science fiction based on industrial steam power and which is often set within the Victorian era.[8]
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This is LIVE yow!!!

• Model: Artistic

• Size: 1024 X 1024 (1.05 MP)

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  • Prompt: cat playing a dj, dj, dj table,humanoid cat, cat, space, sit down on chair, heavenly, sinister, Hyper realistic,by Greg Rutkowski, ethereal fantasy, hyperdetailed mist, Thomas Kinkade, 8k resolution, Deep Color, Natural Lighting, Professional photography , bokeh, canon lens shot on dslr 64 megapixels, sharp focus, Epic cinematic, brilliant stunning, intricate meticulously detailed ,dramatic atmospheric, maximalist digital matte painting, head and shoulders portrait, 8k resolution concept art portrait by Greg Rutkowski, Artgerm, WLOP, Alphonse Mucha dynamic lighting, hyperdetailed, intricately detailed Splash art trending on Artstation triadic, colors Unreal Engine 5 volumetric lighting, detailed matte painting, deep color, fantastical, intricate detail, splash screen, complementary colors, fantasy concept art, 8k resolution trending on Artstation Unreal Engine 5
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
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The Unamed Ghoul

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

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  • Prompt: oni playing a guitar, guitar, oni wariors, oni mask, space, sit down on chair, heavenly, sinister, Hyper realistic,by Greg Rutkowski, ethereal fantasy, hyperdetailed mist, Thomas Kinkade, 8k resolution, Deep Color, Natural Lighting, Professional photography , bokeh, canon lens shot on dslr 64 megapixels, sharp focus, Epic cinematic, brilliant stunning, intricate meticulously detailed ,dramatic atmospheric, maximalist digital matte painting, head and shoulders portrait, 8k resolution concept art portrait by Greg Rutkowski, Artgerm, WLOP, Alphonse Mucha dynamic lighting, hyperdetailed, intricately detailed Splash art trending on Artstation triadic, colors Unreal Engine 5 volumetric lighting, detailed matte painting, deep color, fantastical, intricate detail, splash screen, complementary colors, fantasy concept art, 8k resolution trending on Artstation Unreal Engine 5
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  • Aspect Ratio: square

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Science fiction comedy (sci-fi comedy) or comic science fiction is a subgenre of science fiction or science fantasy that exploits the science fiction genre's conventions for comedic effect.[1] Comic science fiction often mocks or satirizes standard science fiction conventions – such as alien invasion of Earth, interstellar travel, or futuristic technology. It can also satirize and criticize present-day society. An early example was the Pete Manx series by Henry Kuttner and Arthur K. Barnes (sometimes writing together and sometimes separately, under the house pen-name of Kelvin Kent). Published in Thrilling Wonder Stories in the late 1930s and early 1940s, the series featured a time-traveling carnival barker who uses his con-man abilities to get out of trouble. Two later series cemented Kuttner's reputation as one of the most popular early writers of comic science fiction: the Gallegher series (about a drunken inventor and his narcissistic robot) and the Hogben series (about a family of mutant hillbillies). The former appeared in Astounding Science Fiction in 1943 and 1948 and was collected in hardcover as Robots Have No Tails (Gnome, 1952), and the latter appeared in Thrilling
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Climate fiction (sometimes shortened as cli-fi) is literature that deals with climate change.[1] Generally speculative in nature but scientifically-grounded, works may take place in the world as we know it or in the near future. The genre frequently includes science fiction and dystopian or utopian themes, imagining the potential futures based on how humanity responds to the impacts of climate change. Rationales for the genre typically assume knowledge of anthropogenic effects—human-altered climate as opposed to weather and disaster more generally—although broader definitions exist. Technologies such as climate engineering or climate adaptation practices often feature prominently in works exploring their impacts on society.
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