#factory

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Fredric Brown reprises the popular image of Martians as little green men, who are around 75 cm tall and have small torsos, long frayed limbs, and spherical bald heads. They have six fingers on each hand and wear boots and trousers. They consider the human race inferior and are both interested and amused by human behaviour. Unlike most other fictional Martian invaders, the Martians that Brown writes of do not intend to invade Earth by violence but instead spend their wakeful hours calling everyone 'Mack' or 'Toots' (or some regional variation thereof), reveal embarrassing secrets, heckling theatre productions, lampoon political speeches, and even provide cynical colour commentary to honeymooners' frustrated attempts at consummating their marriage. The nonstop acerbic criticism stops most human activity and renders many people insane, including Luke, whose stress-induced inability to see the little green maligners divides opinion on whether he should be considered mad or blessed.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The exploration of Jupiter has consisted solely of a number of automated NASA spacecraft visiting the planet since 1973. A large majority of the missions have been "flybys", in which detailed observations are taken without the probe landing or entering orbit; such as in Pioneer and Voyager programs. The Galileo and Juno spacecraft are the only spacecraft to have entered the planet's orbit. As Jupiter is believed to have only a relatively small rocky core and no real solid surface, a landing mission is precluded. Reaching Jupiter from Earth requires a delta-v of 9.2 km/s,[43] which is comparable to the 9.7 km/s delta-v needed to reach low Earth orbit.[44] Fortunately, gravity assists through planetary flybys can be used to reduce the energy required at launch to reach Jupiter, albeit at the cost of a significantly longer flight duration. Jupiter has 80 known moons, many of which have relatively little known information about them.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: As a science fiction literary subgenre and art movement, solarpunk works address how the future might look if humanity succeeded in solving major contemporary challenges with an emphasis on sustainability, human impact on the environment, and addressing climate change and pollution. Especially as a subgenre, it is aligned with cyberpunk derivatives, and may borrow elements from utopian and fantasy genres.[5] Solarpunk can risk being greenwashed through aesthetics that give the appearance of sustainability without addressing the root causes of actual environmental issues.[7]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Dune, also known as the Dune Chronicles, is an American science fiction media franchise that originated with the 1965 novel Dune by Frank Herbert and has continued to add new publications. Dune is frequently described as the best-selling science fiction novel in history.[1][2] It won the inaugural Nebula Award for Best Novel and the Hugo Award in 1966, and was later adapted into a 1984 film, a 2000 television miniseries, and a 2021 film. The latter will be followed by a 2023 direct sequel. Herbert wrote five sequels, the first two of which were concomitantly adapted as a 2003 miniseries. Dune has also inspired some traditional games and a series of video games. Since 2009, the names of planets from the Dune novels have been adopted for the real-world nomenclature of plains and other features on Saturn's moon Titan.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Extraterrestrial life has been hypothesized to exist on planets other than Earth. Such lifeforms would range from simple microorganisms to complex alien intelligences akin to humans. However, it is unclear if life and intelligent life are ubiquitous in the cosmos or rare. The hypothesis of ubiquitous extraterrestrial life relies on the vast size and consistent physical laws of the observable universe. According to this argument, made by scientists such as Carl Sagan and Stephen Hawking it would be improbable for life not to exist somewhere other than Earth.[12][13] This argument is embodied in the Copernican principle, which states that Earth does not occupy a unique position in the Universe, and the mediocrity principle, which states that there is nothing special about life on Earth.[14]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Extraterrestrial life, colloquially referred to as alien life, is life that may occur outside of Earth and which did not originate on Earth. No extraterrestrial life has yet been conclusively detected, although efforts are underway. Such life might range from simple forms like prokaryotes to intelligent beings, possibly bringing forth civilizations that might be far more advanced than humankind.[1][2][3] The Drake equation speculates about the existence of sapient life elsewhere in the universe. The science of extraterrestrial life is known as astrobiology.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Tokusatsu (特撮, lit. 'special effects') is a Japanese term for live action film or television series that makes heavy use of practical special effects. Developed by Godzilla and Ultraman creator Eiji Tsuburaya, Tokusatsu entertainment mainly refers to science fiction, war, fantasy, or horror media featuring such technology but is sometimes dubbed a genre itself. Its contemporary use originated in the Japanese mass media around 1958 to explain special effects in an easy-to-understand manner and was popularized during the "first monster boom" (1966-1968). Prior to the monster boom, it was known in Japan as Tokushu gijutsu (特殊技術, lit. 'special technology') and Tokugi (特技, lit. 'special skill').
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Cosmic pluralism, the assumption that there are many inhabited worlds beyond the human sphere predates modernity and the development of the heliocentric model and is common in mythologies worldwide. The 2nd century writer of satires, Lucian, in his True History claims to have visited the moon when his ship was sent up by a fountain, which was peopled and at war with the people of the Sun over colonisation of the Morning Star.[3] Other worlds are depicted in such early works as the 10th-century Japanese narrative, The Tale of the Bamboo Cutter, and the medieval Arabic The Adventures of Bulukiya (from the One Thousand and One Nights).[4] Dante in his Divine Comedy sets the third part, Paradise amongst the planets where he meets the saints.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Philip K. Dick. 1981. "I will define science fiction, first, by saying what SF is not. It cannot be defined as “a story (or novel or play) set in the future,” since there exists such a thing as space adventure, which is set in the future but is not SF: it is just that: adventures, fights and wars in the future in space involving super-advanced technology. Why, then, is it not science fiction? It would seem to be, and Doris Lessing (e.g.) supposes that it is. However, space adventure lacks the distinct new idea that is the essential ingredient. Also, there can be science fiction set in the present: the alternate world story or novel. So if we separate SF from the future and also from ultra-advanced technology, what then do we have that can be called SF? We have a fictitious world; that is the first step: it is a society that does not in fact exist, but is predicated on our known society; that is, our known society acts as a jumping-off point for it; the society advances out of our own in some way, perhaps orthogonally, as with the alternate world story or novel. It is our world dislocated by some kind of mental effort on the part of the author, our world transformed into that wh
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: There have been many attempts at defining science fiction.[1] This is a list of definitions that have been offered by authors, editors, critics and fans over the years since science fiction became a genre. Definitions of related terms such as "science fantasy", "speculative fiction", and "fabulation" are included where they are intended as definitions of aspects of science fiction or because they illuminate related definitions—see e.g. Robert Scholes's definitions of "fabulation" and "structural fabulation" below. Some definitions of sub-types of science fiction are included, too; for example see David Ketterer's definition of "philosophically-oriented science fiction". In addition, some definitions are included that define, for example, a science fiction story, rather than science fiction itself, since these also illuminate an underlying definition of science fiction.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The powerful space weapon called the Bethé blaster operates by causing a fast nuclear fusion explosion in all low-atomic-weight elements in its target, thus completely vaporizing its target. It efficiently and quickly destroys any Okie city which it is fired at. It was named after Hans Bethe. The mesotron rifle is a hand-held energy weapon. The spindizzy is an anti-gravity and faster-than-light flight device. The drive also produces a "force field" barrier around the city that keeps in its atmosphere and heat. One unusual aspect of the drive is that the larger the mass inside the spindizzy field, the higher velocity it can achieve. In several stories in which planets were equipped with spindizzy drives, the speed of travel is so high only computers can react quickly enough to avoid collisions with stars.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Dune saga is set thousands of years in humanity's future. Faster-than-light travel has been developed, and humans have colonized a vast number of worlds, but a great reaction against computers has resulted in a ban on any kind of "thinking machine", with the creation or possession of such punishable by immediate death. Despite this prohibition, humanity continues to develop and advance other branches of technology, including ESP and instruments of war. At the time of the first book's setting, humanity has formed a feudal interstellar empire known as the Imperium, run by several Great Houses that oversee various planets. Of key interest is the planet Arrakis, known as "Dune". A desert planet with nearly no precipitation, it is the only planet where a special life-extending drug, melange or "the spice", can be found. In addition to life extension, melange enhances the mental capacity of humans: it enables humans known as Mentats to perform complex calculations without the aid of computers; allows for the mutated Spacing Guild pilots to navigate folded space and travel the distances between planets; and triggers some of the powers of the Bene Gesserit, a religious group that secre
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Sector 7

• Model: Cyberspace (v2)*

• Size: 908 X 1155 (1.05 MP)

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  • Prompt: Computer terminal post-apocalypse from fallout.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The term solarpunk was coined in 2008 in a blog post titled "From Steampunk to Solarpunk",[8] in which the anonymous author, taking the design of the MS Beluga Skysails (the world's first ship partially powered by a computer-controlled kite rig) as inspiration, conceptualizes a new speculative fiction subgenre with steampunk's focal point on specific technologies but guided by practicality and modern economics.[9] Steampunk is a subgenre of science fiction that incorporates retrofuturistic technology and aesthetics inspired by 19th-century industrial steam-powered machinery.[10][11][12] Along a similar vein, in 2009, literary publicist Matt Staggs posted a "GreenPunk Manifesto" on his blog describing his vision of a technophilic genre focused on knowable, do it yourself technologies and with emphasis on positive ecological and social change.[13][14] After visual artist Olivia Louise posted concept art on Tumblr of a solarpunk aesthetic in 2014,[15] researcher Adam Flynn contributed to the science fiction forum Project Hieroglyph with further definition of the emerging genre.[16][17] Based on Flynn's notes and contributions on the website solarpunks.net, A Solarpunk Manifesto was pu
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: A space Western typically emphasizes space exploration as "the final frontier". These Western themes can be explicit, such as cowboys in outer space, or they can be a more subtle influence in space opera.[1]: 3–4  Gene Roddenberry described Star Trek: The Original Series as a space Western (or, more poetically, as "Wagon Train to the stars").[2] Firefly and its cinematic follow-up Serenity literalized the Western aspects of the genre popularized by Star Trek: it used frontier towns, horses, and the styling of classic John Ford Westerns.[3][4] Worlds that have been terraformed may be depicted as presenting similar challenges as that of a frontier settlement in a classic Western.[5] Six-shooters and horses may be replaced by ray guns and rockets.[6] The term is often synonymous with "science fiction western". The idea is that the vast distances of space have formed barriers, forcing people to become independent or even restricted. Popular themes within the genre are new frontiers in the galaxy and trying to "control" the vast expanse of space. The stories focus on the hardship and adventure of the unexplored space frontier.[7]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Steampunk is a subgenre of science fiction that incorporates retrofuturistic technology and aesthetics inspired by 19th-century industrial steam-powered machinery.[1][2][3] Steampunk works are often set in an alternative history of the Victorian era or the American "Wild West", where steam power remains in mainstream use, or in a fantasy world that similarly employs steam power. Steampunk most recognizably features anachronistic technologies or retrofuturistic inventions as people in the 19th century might have envisioned them — distinguishing it from Neo-Victorianism[4] — and is likewise rooted in the era's perspective on fashion, culture, architectural style, and art.[5] Such technologies may include fictional machines like those found in the works of H. G. Wells and Jules Verne.[6] Other examples of steampunk contain alternative-history-style presentations of such technology as steam cannons, lighter-than-air airships, analog computers, or such digital mechanical computers as Charles Babbage's Analytical Engine.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Biopunk (a portmanteau of "biotechnology" or "biology" and "punk") is a subgenre of science fiction that focuses on biotechnology. It is derived from cyberpunk, but focuses on the implications of biotechnology rather than mechanical cyberware and information technology. Biopunk is concerned with synthetic biology. It is derived of cyberpunk involving bio-hackers, biotech megacorporations, and oppressive government agencies that manipulate human DNA. Most often keeping with the dark atmosphere of cyberpunk, biopunk generally examines the dark side of genetic engineering and represents the low side of biotechnology.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Afrofuturism is a cultural aesthetic, philosophy of science, and history that explores the intersection of the African diaspora culture with science and technology. It addresses themes and concerns of the African diaspora through technoculture and speculative fiction, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afro-diasporic experiences.[1] While Afrofuturism is most commonly associated with science fiction, it can also encompass other speculative genres such as fantasy, alternate history, and magic realism.[2] The term was coined by Mark Dery, an American Cultural critic in 1993[3] and explored in the late 1990s through conversations led by Alondra Nelson.[4]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Hemendra Kumar Ray’s "Meghduter Morte Agomon" (The Ascension of God’s Messengers on Earth), a work inspired by Wells’ "The War of The Worlds", describes the first contact between two sentient species. Ray's Martians, instead of invading a metropolis like Calcutta or London, descends at a rural Bengal village called Bilaspur. Though the superstitious villagers were calling the new arrivals creatures of supernatural chaos, the protagonist, Binoy-babu, a person of scientific temper, had said, “This is neither the work of ghost nor human. This is the work of an unknown force like you will not find on this Earth. That power which scientists all over the world have been seeking has made its very first appearance here, in this Bengal! Oh, Kamal, you cannot imagine how happy I am!” (Rachanabali 1, 113–114). As the father of Bengali adventure fiction, Ray puts the reader through Binoy's narrative. Divided into two parts, while the first one is a futuristic, indianized take on Fermi paradox, the second one is a prehistoric adventure inspired by Wells’ "The Time Machine". In his later novels, Roy also indianized Doyle's "The Lost World" as "Maynamatir Mayakanon" (The Surreal Gar
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Brian Aldiss described science fiction as "cultural wallpaper." Evidence for this widespread influence can be found in trends for writers to employ science fiction as a tool for advocacy and generating cultural insights, as well as for educators when teaching across a range of academic disciplines not limited to the natural sciences. Scholar and science fiction critic George Edgar Slusser said that science fiction "is the one real international literary form we have today, and as such has branched out to visual media, interactive media and on to whatever new media the world will invent in the 21st century. Crossover issues between the sciences and the humanities are crucial for the century to come."
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