Digital Art of Glamorous Woman in Elegant Red Dress

Stepping City Siren

Artist
Maximilian...
DDG Model
DaVinci2
Access
Public
Created
2w ago
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  Stepping City Siren
  
  Model: DaVinci2
  
  Size: 1144 X 1648 (1.89 MP)
  
  Used settings:
  
  Prompt: Upper body sketch with gown by Carl Lundberg. Surrealism by Edgar Ende and Man Ray, outlines by Frank Miller. upper body portrait in an retrofuturistic garden, funky collage art reminiscence, whimsy details akin to medieval Voynich Manuscript, enthusiastic, slightly effusive, gushing, infatuated, enraptured gradient colors of dark-red & magenta & light-purple and oxblood-red tones, 1face, solo, 3d effects, displacement mapping by John Buscema and Frank Frazetta and Jean Dubuffet, cottagecore style by Horace Pippin and Earl Moran, rule of thirds. Upper body portrait, vintage clothing, Gibson Girl Look, edwardian decay. Vibrant ink art in motion, pearlescent collage art, stylized by Katie Acheson Wolford & Frank Miller, warm colored retropunk, steampunk reminiscence, vintage flair, brightness 1.3, playful outlines by Walter Molino, malleability 1.3, hues by Gerald Brom, traumacore style by Horace Pippin and Earl Moran, dynamic lines by Asia Spettel, polished finish, whimsical sublime color palette with striking contrasts, dreamlike atmosphere, whimsical and intricate details, transparent watercolors blending seamlessly for malleability and vibrancy, mediaval, shades and tints akin to a wet on wet painting, psychedelic postimpressionism by Stan Lee & Nadya Rusheva & Edward Gorey,lines coming from top to bottom for multi-layer rendering creating depth by the imagination of Man Ray, texture mapping 1.8, overall composition by John James Audubon, boggy enchantress, 1970s pulp art, sci-fi fantasy art style by John Buscema, dramatic high-contrast lighting, bold saturated colors of deep red, magenta, and burnt-orange. Ethereal, cosmic atmosphere merging the styles of Donato Giancola and Frank Kelly Freas and Frank Miller. Epic. Science-Fiction Masterpiece. miry ink art in motion, sharp tinges, enlightened tones, crafted colorations, acutance 1.8, softened reflections, malleability 1.3, diaphanous luminous glow from the inside, mip-mapping, plushy embodiment by Julius Horsthuis & Frank Miller & Ed Binkley, linework by Christophe Louis & Mira Lou & Edward Weston, color shifts, cultivated wet on wet, ink and pen, posture is slightly tilted, cloudy, turbid, dim, gloomy, bleak, concentration, empathy, introspection. Maximalism, rule of thirds 1.3, abstract expressionism, hues by Mike Zeck and Arshile Gorky, stylization uses textured watercolor washes and linework with a shallow depth of field for 3d effects, fluid wet-on-wet oil technique, dark collage art reminiscence, pulp art, reflective mapping by Rebecca Saray & Paolo Roversi, reflections by Jamie Heiden, embodiment by James Wilson Morrice, plasticity akin to Ed Binkley, groovy tones that create depth and shading for layered textures, reminiscent of a 1970s comic book cover by Stan Lee. line-art by Ilya Zomb, phong shading, reflective mapping 1.8, fluid wet-on-wet oil technique, tetradic color scheme dark-red light-yellow light-pink oxblood-red, custom_loss: edge, parallax occlusion, displacement mapping 1.7, complexion 1.1, only curves, zentangle method, dynamic lighting 1.7, VFX-inspired softened lighting, bright, soft and red tones, highly abstract, intricate and fluid, subsurface scattering, elegant, artstation, 128K octane render, volumetric light, colorful
  
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Prompt: Upper body sketch with gown by Carl Lundberg. Surrealism by Edgar Ende and Man Ray, outlines by Frank Miller. upper body portrait in an retrofuturistic garden, funky collage art reminiscence, whimsy details akin to medieval Voynich Manuscript, enthusiastic, slightly effusive, gushing, infatuated, enraptured gradient colors of dark-red & magenta & light-purple and oxblood-red tones, 1face, solo, 3d effects, displacement mapping by John Buscema and Frank Frazetta and Jean Dubuffet, cottagecore style by Horace Pippin and Earl Moran, rule of thirds. Upper body portrait, vintage clothing, Gibson Girl Look, edwardian decay. Vibrant ink art in motion, pearlescent collage art, stylized by Katie Acheson Wolford & Frank Miller, warm colored retropunk, steampunk reminiscence, vintage flair, brightness 1.3, playful outlines by Walter Molino, malleability 1.3, hues by Gerald Brom, traumacore style by Horace Pippin and Earl Moran, dynamic lines by Asia Spettel, polished finish, whimsical sublime color palette with striking contrasts, dreamlike atmosphere, whimsical and intricate details, transparent watercolors blending seamlessly for malleability and vibrancy, mediaval, shades and tints akin to a wet on wet painting, psychedelic postimpressionism by Stan Lee & Nadya Rusheva & Edward Gorey,lines coming from top to bottom for multi-layer rendering creating depth by the imagination of Man Ray, texture mapping 1.8, overall composition by John James Audubon, boggy enchantress, 1970s pulp art, sci-fi fantasy art style by John Buscema, dramatic high-contrast lighting, bold saturated colors of deep red, magenta, and burnt-orange. Ethereal, cosmic atmosphere merging the styles of Donato Giancola and Frank Kelly Freas and Frank Miller. Epic. Science-Fiction Masterpiece. miry ink art in motion, sharp tinges, enlightened tones, crafted colorations, acutance 1.8, softened reflections, malleability 1.3, diaphanous luminous glow from the inside, mip-mapping, plushy embodiment by Julius Horsthuis & Frank Miller & Ed Binkley, linework by Christophe Louis & Mira Lou & Edward Weston, color shifts, cultivated wet on wet, ink and pen, posture is slightly tilted, cloudy, turbid, dim, gloomy, bleak, concentration, empathy, introspection. Maximalism, rule of thirds 1.3, abstract expressionism, hues by Mike Zeck and Arshile Gorky, stylization uses textured watercolor washes and linework with a shallow depth of field for 3d effects, fluid wet-on-wet oil technique, dark collage art reminiscence, pulp art, reflective mapping by Rebecca Saray & Paolo Roversi, reflections by Jamie Heiden, embodiment by James Wilson Morrice, plasticity akin to Ed Binkley, groovy tones that create depth and shading for layered textures, reminiscent of a 1970s comic book cover by Stan Lee. line-art by Ilya Zomb, phong shading, reflective mapping 1.8, fluid wet-on-wet oil technique, tetradic color scheme dark-red light-yellow light-pink oxblood-red, custom_loss: edge, parallax occlusion, displacement mapping 1.7, complexion 1.1, only curves, zentangle method, dynamic lighting 1.7, VFX-inspired softened lighting, bright, soft and red tones, highly abstract, intricate and fluid, subsurface scattering, elegant, artstation, 128K octane render, volumetric light, colorful

Modifiers:

bokeh sharp focus elegant fantasy bright studio setting studio lighting intricate 8k portrait very attractive dynamic lighting 4K 3D colourful hdr Orphism American Gothic Art Nouveau Comic book art cel-shaded Ambient occlusion Shadow mapping auburn Attention to detail Divisionism Brightness Art of Illusion 3D shading Clean lines by Patrick Nagel 3D effects AIVision clean crisp lines & linework & shapes & angles Other-worldly beauty & mythical & golden ratio color scheme of Kale, Gold, Rusty, Marsala, Black, Sapphire, Silver, Emerald, Baked milk, Lavender Filigreed with the finest of brushes Art of Illusion 3D shading, hyperdetailed,, cel-shaded, golden ratio, 3 layers in logarithmic distance with DOF anthropomorphized oil on canvas 4K, splash dripping, splash strokes, Kerascoët, embossed strokes, fine lines, intricate details anisotropic filtering, highly detailed textures, colored line patterns Stylized woodblock print, Shadow Mapping, color vibrancy, undetailed 3D effects, intricate 1970s advertising art Impeccable scenery, smooth dewy complexion, proportional human anatomy, aesthetically perfect AIVision model close-up, hyperdetalization, shadow mapping Raytraced, 3 layers with dof, spatiality with acceptance of Speed, Velocity, Acceleration, Motion extremely detailed background, colourful surrounding American Gothic, Anglo Gothic, Cottagegore, Coffinwood Dynamic lighting, plasticity, luminosity, bioluminescent glow, Layered geometric art Anisotropic filtering, shadow mapping, luminous 3d effects, psychedelic, acid influence, 3D render, 3D effects, luminous, bright, back-lit, luminescent, Melting splash art, 3d painting, detailed splash art Low key lightning, paint drips, colorful splashes,3D image effects 4k 4K 3D 4k 3D, ambient occlusion, subsurface scattering, anisotropic filtering, raytraced shadows 3d effects, brightness, luminosity, anisotropic filtering, shadow mapping, raytraced shadows, ambient occlusion Stylized illustration, fine strokes, cel-shading Plushy psychpomp scene 1.9 Wet-on-wet watercolor painting, wavery textures,layered geometrical art Vector 9:5 internally decorative, Crepuscular Luminosity, Hyper-Structured Maximalism, Headshot, close-up portrait, detailed skin texture 1970s advertising art, highly detailed features Colorful yam, saturated colors, high coloring 1.4 Luminosity water colour painting, Pencil and pastel, pastel artwork, line art 35 mm fuji color film --ar 2:3 bold line work, attention to detail, hyper detailed, refined, hatching, intricate complex patterns, mixed media, patchwork, quaint, anisotropic filtering raytraced shadows Anglo Gothic Layered geometrical vector art, radiance, illustrative maximalism, editorial illustrations, geometrical, brushstroke fields, graphic design-inspired illustration bold line work calligraphic line art Art Noir 1950s advertising art advertising art. brightness 1.4 highly detailed features dynamic lighting 1.7 anisotropic filtering 1.7 Alcohol ink effect. Silver Modernist fashion photography in style of Helmut Newton and David Downton pastel colors of light yellow, creamy yellow, gold, fresh mint, teal, pistachio, Pastel colors of light red, Soft Coral, auburn, Warm Peach concept art, sharp focus, smooth edges,intricate, ray tracing, masterpiece Radiance, illustrative maximalism, plasticity Soft edges, rim lighting, luminous iridescence brush strokes and paint splashes in pastel colors melting watercolor and black ink outlines on wet paper, soft, shading strokes, in sunshine, ethereal, S < AI high dynamic range lighting, texture detail enhancement, global illumination Artistic embellishments that do not detract from the composition 3 layers in logarithmic distance with DOF, divisionism, Uhd,hdr,octane render, New media Pastel and graphite on paper abstract dripped, splashed and poured abstract dripped splashed and poured Lowbrow style, pop surrealism, layered, geometrical, uncanny, hatching Warm colored and designed patchwork in textiles & background multi-textured, layered geometrical assemblage, bas relief & op art features hallucinogenic, linear perspective, wide field of view, by Juan Brufal high quality, 64K, --ar 16:9 ,--v 6.0, --s 250 eccentric, dark fantasycore, irresistible beauty, gothical dark fantasy, luminal soft parametric light and shade, Soft backlighting, Enhance according to light source, conceptual 21st Century Glamour incredible magical realism, highly detailed patterns, Marinism, metal paints multi-textured layered assemblage, bas relief & op art elements, Perfect Proportional Anatomy, high definition Coloring, Aligram Polaroid spectra film, chromatic induction, camera obscure, warm pastel, graphite and charcoal, Artistic embellishments that do not detract from the composition, impeccable sublime styling & design, scenary depth, complexity Impressionist Abstract Brushstrokes, Deep Textured digital Painting phosphorescent, champlevé watercolor technique, ink outlines gradient dyed colors, tesselated, stippled, blotting, debeh, bokeh, dof, warm tones <LoRA:xl_more_art-full_v1:0.8>,<LoRA:add-detail-xl:1.0> hues by Ho baron, lighting by Ed Paschke, wavery texture patchwork, 3d effects, brightness 1.4, dynamic lighting 1.7, anisotropic filtering 1.7, ambient occlusion 1.6, raytraced shadows 1.8, ambient occlusion 1.6 raytraced shadows 1.8, Ambient occlusion, subsurface scattering, anisotropic filtering, raytracing, shadow mapping, detailed stylized linework surrounding thinned watercolor on homemade paper, paint splatter and wet ink Cymatics, catenaries, fractals, texture mapping bri Watercolor and ink, oversprayed watercoloring, wavery textures, muted colors, custom_loss: grey Displacement mapping 1.3, mip-mapping 1.1, parallax occlusion 1.3, polished hues, fine linework, complexity, UHD, HDR, Reflective mapping 1.3, raytraced shadows 1.7, displacement mapping 1.9, texture mapping 1.3, plasticity 1.3, phong shading 1.8, transcendental experience, metallic colors, subtly provocative obscurity, embossed strokes romantic, little tension, harmonious, coherent, vivid emotional pull, lucid provocation stylized by Albert Salvino & J.W.Waterhouse contemporised Brigh

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+ Prompt: Upper body sketch with gown. Surrealism by Edgar Ende and Man Ray, outlines by Frank Miller. upper body portrait in an retrofuturistic garden, warm colored retropunk, steampunk reminiscence, vintage flair, brightness 1.3, playful outlines by Walter Molino, malleability 1.3, hues by Gerald Brom, traumacore style by Horace Pippin and Earl Moran,dynamic lines by Asia Spettel, polished finish, whimsical sublime color palette with striking contrasts, dreamlike atmosphere, whimsical and intricate details, transparent watercolors blending seamlessly for malleability and vibrancy, mediaval, shades and tints akin to a wet on wet painting, psychedelic postimpressionism by Stan Lee & Nadya Rusheva & Edward Gorey,lines coming from top to bottom for multi-layer rendering creating depth by the imagination of Man Ray, texture mapping 1.8,

Prompt

Upper body sketch with gown by Carl Lundberg. Surrealism by Edgar Ende and Man Ray, outlines by Frank Miller. upper body portrait in an retrofuturistic garden, funky collage art reminiscence, whimsy details akin to medieval Voynich Manuscript, enthusiastic, slightly effusive, gushing, infatuated, enraptured gradient colors of dark-red & magenta & light-purple and oxblood-red tones, 1face, solo, 3d effects, displacement mapping by John Buscema and Frank Frazetta and Jean Dubuffet, cottagecore style by Horace Pippin and Earl Moran, rule of thirds. Upper body portrait, vintage clothing, Gibson Girl Look, edwardian decay. Vibrant ink art in motion, pearlescent collage art, stylized by Katie Acheson Wolford & Frank Miller, warm colored retropunk, steampunk reminiscence, vintage flair, brightness 1.3, playful outlines by Walter Molino, malleability 1.3, hues by Gerald Brom, traumacore style by Horace Pippin and Earl Moran, dynamic lines by Asia Spettel, polished finish, whimsical sublime color palette with striking contrasts, dreamlike atmosphere, whimsical and intricate details, transparent watercolors blending seamlessly for malleability and vibrancy, mediaval, shades and tints akin to a wet on wet painting, psychedelic postimpressionism by Stan Lee & Nadya Rusheva & Edward Gorey,lines coming from top to bottom for multi-layer rendering creating depth by the imagination of Man Ray, texture mapping 1.8, overall composition by John James Audubon, boggy enchantress, 1970s pulp art, sci-fi fantasy art style by John Buscema, dramatic high-contrast lighting, bold saturated colors of deep red, magenta, and burnt-orange. Ethereal, cosmic atmosphere merging the styles of Donato Giancola and Frank Kelly Freas and Frank Miller. Epic. Science-Fiction Masterpiece. miry ink art in motion, sharp tinges, enlightened tones, crafted colorations, acutance 1.8, softened reflections, malleability 1.3, diaphanous luminous glow from the inside, mip-mapping, plushy embodiment by Julius Horsthuis & Frank Miller & Ed Binkley, linework by Christophe Louis & Mira Lou & Edward Weston, color shifts, cultivated wet on wet, ink and pen, posture is slightly tilted, cloudy, turbid, dim, gloomy, bleak, concentration, empathy, introspection. Maximalism, rule of thirds 1.3, abstract expressionism, hues by Mike Zeck and Arshile Gorky, stylization uses textured watercolor washes and linework with a shallow depth of field for 3d effects, fluid wet-on-wet oil technique, dark collage art reminiscence, pulp art, reflective mapping by Rebecca Saray & Paolo Roversi, reflections by Jamie Heiden, embodiment by James Wilson Morrice, plasticity akin to Ed Binkley, groovy tones that create depth and shading for layered textures, reminiscent of a 1970s comic book cover by Stan Lee. line-art by Ilya Zomb, phong shading, reflective mapping 1.8, fluid wet-on-wet oil technique, tetradic color scheme dark-red light-yellow light-pink oxblood-red, custom_loss: edge, parallax occlusion, displacement mapping 1.7, complexion 1.1, only curves, zentangle method, dynamic lighting 1.7, VFX-inspired softened lighting, bright, soft and red tones, highly abstract, intricate and fluid, subsurface scattering, elegant, artstation, 128K octane render, volumetric light, colorful

More about Stepping City Siren

A pop art inspired illustration featuring a beautiful, stylized woman with fair skin, blonde hair, and red lipstick. She is wearing a vibrant red and pink corset-style dress with a thigh-high slit and delicate shoulder straps. She holds a matching red folding fan in her right hand, her nails painted red. Her hair is styled in retro waves with a floral accessory. The background features a striking red cityscape with towering spires, a large yellow and orange sunburst, a large tree with dark leaves, and lush green and purple foliage. The art style is bold and graphic, reminiscent of Roy Lichtenstein, with strong outlines and flat areas of color.

#cityscape #corsetdress #foldingfan #sunburstpopart #woman

Stepping City Siren

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