#sunburstpopart

Stepping City Siren

• Model: DaVinci2

• Size: 1144 X 1648 (1.89 MP)

• Used settings:

  • Prompt: Upper body sketch with gown by Carl Lundberg. Surrealism by Edgar Ende and Man Ray, outlines by Frank Miller. upper body portrait in an retrofuturistic garden, funky collage art reminiscence, whimsy details akin to medieval Voynich Manuscript, enthusiastic, slightly effusive, gushing, infatuated, enraptured gradient colors of dark-red & magenta & light-purple and oxblood-red tones, 1face, solo, 3d effects, displacement mapping by John Buscema and Frank Frazetta and Jean Dubuffet, cottagecore style by Horace Pippin and Earl Moran, rule of thirds. Upper body portrait, vintage clothing, Gibson Girl Look, edwardian decay. Vibrant ink art in motion, pearlescent collage art, stylized by Katie Acheson Wolford & Frank Miller, warm colored retropunk, steampunk reminiscence, vintage flair, brightness 1.3, playful outlines by Walter Molino, malleability 1.3, hues by Gerald Brom, traumacore style by Horace Pippin and Earl Moran, dynamic lines by Asia Spettel, polished finish, whimsical sublime color palette with striking contrasts, dreamlike atmosphere, whimsical and intricate details, transparent watercolors blending seamlessly for malleability and vibrancy, mediaval, shades and tints akin to a wet on wet painting, psychedelic postimpressionism by Stan Lee & Nadya Rusheva & Edward Gorey,lines coming from top to bottom for multi-layer rendering creating depth by the imagination of Man Ray, texture mapping 1.8, overall composition by John James Audubon, boggy enchantress, 1970s pulp art, sci-fi fantasy art style by John Buscema, dramatic high-contrast lighting, bold saturated colors of deep red, magenta, and burnt-orange. Ethereal, cosmic atmosphere merging the styles of Donato Giancola and Frank Kelly Freas and Frank Miller. Epic. Science-Fiction Masterpiece. miry ink art in motion, sharp tinges, enlightened tones, crafted colorations, acutance 1.8, softened reflections, malleability 1.3, diaphanous luminous glow from the inside, mip-mapping, plushy embodiment by Julius Horsthuis & Frank Miller & Ed Binkley, linework by Christophe Louis & Mira Lou & Edward Weston, color shifts, cultivated wet on wet, ink and pen, posture is slightly tilted, cloudy, turbid, dim, gloomy, bleak, concentration, empathy, introspection. Maximalism, rule of thirds 1.3, abstract expressionism, hues by Mike Zeck and Arshile Gorky, stylization uses textured watercolor washes and linework with a shallow depth of field for 3d effects, fluid wet-on-wet oil technique, dark collage art reminiscence, pulp art, reflective mapping by Rebecca Saray & Paolo Roversi, reflections by Jamie Heiden, embodiment by James Wilson Morrice, plasticity akin to Ed Binkley, groovy tones that create depth and shading for layered textures, reminiscent of a 1970s comic book cover by Stan Lee. line-art by Ilya Zomb, phong shading, reflective mapping 1.8, fluid wet-on-wet oil technique, tetradic color scheme dark-red light-yellow light-pink oxblood-red, custom_loss: edge, parallax occlusion, displacement mapping 1.7, complexion 1.1, only curves, zentangle method, dynamic lighting 1.7, VFX-inspired softened lighting, bright, soft and red tones, highly abstract, intricate and fluid, subsurface scattering, elegant, artstation, 128K octane render, volumetric light, colorful
  • Using base image: Yes