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Digital glitch art portrait of a pale ethereal girl with glowing red eyes and vibrant red lips, against a saturated boligraph composition where toys, figures, and fragments collide into a unified clutter. The image embraces accumulation—each object a relic—yet binds them through rigorous cross-hatching. Chaos becomes structure, turning bric-à-brac into a coded visual system. Artistic Statement: “Bric-à-Brac” explores accumulation as language. Drawing from cubist fragmentation and obsessive boligraph technique, it transforms trivial objects into a dense architecture of meaning. The work rejects hierarchy, letting repetition, pressure, and line density create coherence from apparent disorder. Influences: Picasso structures fragmentation and multiplicity. Paul Klee brings symbolic intimacy. Fernand Léger reinforces mechanical solidity. JeanDubuffet informs raw density and anti-refinement. Miró injects subtle poetic dissonance within the clutter. Poster cover: pen, ink, watercolour by Takato yamamoto, Takashi Murakami, Yue Minjun 岳敏君.
A portrait of a young woman with very fair skin, blonde hair, and blue eyes, wearing a white ruffled blouse with a high neckline, in a futuristic setting amongst various white and blue robots and mechanical parts with some red accents, including a large robot arm, a control panel with a glowing blue screen, wires, and various round and spherical robotic components with red eyes, some splattered with red.