Unicorngraphics

Wortwitz Zitronenfalter - Zitronen falter

• Model: Nano Banana 2 (Pro)

• Size: 2219 X 1664 (3.69 MP)

• Used settings:

  • Prompt: **Title: The Lemon Folder – Der Zitronenfalter** A whimsical, hilariously absurd fantasy illustration in a richly detailed, realistic-painterly storybook style, 4:3 landscape composition. Inside a charming old-fashioned workshop sits an adorable bright yellow butterfly with beautifully detailed lemon-yellow wings, tiny spectacles balanced on its face, and a miniature craftsman's apron. The butterfly is a professional lemon folder, taking its ridiculous occupation extremely seriously. With its tiny delicate hands, it is desperately trying to fold a real, fresh, juicy yellow lemon in half, just as someone would fold a sheet of paper. The lemon is visibly bending and squashing under the pressure, with tiny droplets of fresh lemon juice falling onto the wooden table. The wooden workbench is covered with hilariously unsuccessful attempts: twisted lemons, flattened lemons, accordion-folded lemons, and one lemon folded into something vaguely resembling a paper airplane. A neat pile of untouched fresh lemons waits beside the butterfly. The butterfly has an intensely concentrated, slightly frustrated expression, completely unaware of how absurd its profession is. Warm golden sunlight streams through a small workshop window, illuminating floating dust particles, rustic wooden shelves, miniature tools, and scattered lemon peels. Magical realism, sophisticated visual comedy, expressive character design, incredibly detailed textures, cinematic lighting, warm cheerful atmosphere, beautiful painterly craftsmanship. Small white unicorn emblem with the words "AI by Unicorngraphics" in the lower-right corner. No other text.
  • Using base image: No
  • Aspect Ratio: landscape

Der Fährmann und der Fahrgast, der noch nicht angekommen war

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1680 (3.76 MP)

• Used settings:

  • Prompt: The Ferryman and the Passenger Who Had Not Arrived Yet – Part 3: The First Crossing That Began Thirty Years Too Late REFERENCE IMAGES — use them in this order: 1. 006-CR-01 – Brommel: preserve Brommel’s exact established badger appearance, facial markings, adult proportions, dark green ferryman coat, clothing and long wooden ferry pole. 2. 006-CR-06 – The Brass Lantern: preserve the exact established antique brass lantern design. 3. 006-CR-04 – Hedgehog Passenger: preserve his exact established appearance, clothing and wicker mushroom basket. 4. 006-CR-03 – Rabbit Passenger: preserve his exact established appearance, blue coat, brown waistcoat and travel bag. Create a cinematic 4:3 fantasy illustration in a realistic painterly storybook style, richly detailed, mysterious and atmospheric, with soft volumetric light. Show Brommel’s old wooden ferry travelling through dense magical mist toward a landscape from almost thirty years earlier. Brommel stands firmly at the rear using his long wooden ferry pole, alert and astonished. The glowing brass lantern stands prominently on the ferry and casts warm golden light across the characters and weathered wooden planks. Tavin sits near the middle of the ferry: a small young otter traveller wearing a simple dark travelling cloak and an oversized old-fashioned hat. His face is now visible beneath the hat, thoughtful and uncertain. He must clearly be an otter, not a badger. The established rabbit passenger and hedgehog passenger are aboard, watching the impossible landscape. The hedgehog keeps his wicker mushroom basket close. Also include the established older red squirrel passenger in a burgundy coat holding his dark umbrella; keep him secondary in the composition. The magical transition is the central visual idea: the ferry is no longer travelling across an ordinary lake. Beneath and around it, the mist opens to reveal the tops of tall trees far below, as though the ferry were gliding across invisible water above an ancient valley. Ahead, the landscape is younger and untouched: green woodland, an open clearing and pale morning mist. In the clearing ahead stands Hark, an older anthropomorphic badger ferryman from thirty years earlier. He wears a dark green traditional ferryman coat and holds a newly made wooden ferry pole. Make Hark visibly different from Brommel: older face, grayer fur, leaner build and different clothing details. Near Hark, the strange invisible route begins turning the grass beneath the approaching ferry into dark reflective water, suggesting that the lake itself has not yet arrived in this time. Brommel should be the main character, Tavin the secondary focus, with Hark clearly visible ahead. Emphasize the impossible journey through time rather than action or danger. No written words, captions, signs or speech bubbles. No extra characters. Add the established small white unicorn emblem with “AI by Unicorngraphics” discreetly in the bottom-right corner.
  • Using base image: Yes

The Miners Who Followed the Wrong Map

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1664 (3.73 MP)

• Used settings:

  • Prompt: The Miners Who Followed the Wrong Map – Part 4: The Name That Had Been Waiting Underground REFERENCE IMAGE: Use the provided Part 3 image as the primary visual reference. Preserve the exact established appearance, clothing, proportions and fantasy-dwarf design of Brannik, Fenrik, Dorrin, Korrik, Tumble and the mysterious First Miner. Preserve the established cavern, Station Zero architecture, rails, golden crystal light and realistic painterly storybook style. Create a 4:3 fantasy storybook illustration, richly detailed, realistic painterly style, atmospheric underground lighting and soft volumetric glow. Show the group at Station Zero immediately after Fenrik discovers the truth about the seventh route. Make FENRIK the clear visual focus. He stands near the centre holding his grandfather’s old notebook in one hand. In his other open palm is the tiny brass key that has magically unfolded into a miniature lantern: delicate brass ribs surrounding a tiny brilliant GOLDEN FLAME. Fenrik stares at it in shock and disbelief. Brannik stands beside him holding the mysterious unfolded map, studying it with alarm. Dorrin, Korrik and Tumble remain nearby, reacting with different expressions of suspicion, astonishment and concern. Preserve all five miners from the Part 3 reference and do not add another member to their group. The mysterious FIRST MINER stands slightly apart with his ancient pickaxe and golden lamp, watching Fenrik seriously. Beyond the glowing split in the cavern wall, show STATION ZERO. Six large golden lanterns remain burning above the ancient platform while the position of the seventh lantern is conspicuously EMPTY. A newly formed seventh railway track emerges from the station, passes through the opening and divides into TWO routes: one reaches toward Fenrik while the other curves away into deep supernatural darkness. On the distant Station Zero platform, show the ghostlike figure of FENRIK’S GRANDFATHER: an elderly dwarf holding a notebook, separated from the group by the glowing opening. He should appear mysterious and slightly translucent, clearly belonging to another layer of time or memory. The map in Brannik’s hands may glow with golden route lines and a small dark marker, but DO NOT create readable writing on it. Create a strong contrast between cold blue-black cavern shadows and warm golden light from Station Zero, the crystals and Fenrik’s tiny lantern. Golden particles float through the air. The scene should feel ancient, mysterious and increasingly impossible. IMPORTANT CHARACTER COUNT: Exactly five present-day dwarf miners: Brannik, Fenrik, Dorrin, Korrik and Tumble. Exactly one mysterious First Miner with pickaxe. Exactly one distant ghostlike grandfather on Station Zero. Do not duplicate any character. No extra foreground miners. No readable text anywhere in the scene. Add a small white unicorn emblem with the words “AI by Unicorngraphics” in the bottom-right corner.
  • Using base image: Yes

The Cottage of the Vanished Wizard

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1664 (3.73 MP)

• Used settings:

  • Prompt: The Cottage of the Vanished Wizard Chapter 52 – The Road That Arrived Before the Traveller Part 3 – The Road That Remembered the Destination REFERENCE IMAGE: 1. Chapter 52 Part 2 current image: preserve Mara, Eldran, Serenna, the dark wooden carriage, two black horses, Cottage and luminous golden road in their established appearance. Maintain strong visual continuity with Part 2. Create a 4:3 realistic painterly fantasy storybook illustration, highly detailed, cinematic and mysterious. Continue the scene directly beside the Cottage. The dark wooden carriage stands on the pale road surrounded by luminous golden mist, its side door open. Serenna remains inside wearing her established deep green travelling cloak. Mara has climbed partly into the carriage and faces the mysterious second passenger. Preserve her established appearance and green clothing. She holds the old rectangular brass plate firmly in one hand. Clearly engraved: THE WAITING PLACE Eldran stands at the open carriage doorway, preserving his exact established appearance. He reaches inside and has caught the mysterious passenger by one transparent wrist, reacting with shocked recognition. The second passenger is now partially visible on the seat opposite Serenna: an adult male human figure, translucent and partly formed from golden mist, wearing an old travelling coat. His body and hands are recognizable, but his face has no identifiable features and remains a smooth veil of glowing golden mist. Mysterious, not frightening or monstrous. Where the passenger’s free hand touches the carriage wall, a narrow section of dark wood dissolves into glowing golden particles. Beside the road, these particles reappear as several dark wooden boards assembling into the beginnings of a freestanding doorframe. Make the magical connection visually obvious: wood disappears from the carriage and becomes the unfinished First Door beside the road. The passenger reaches toward Mara’s brass plate while Mara deliberately keeps it away from him. THE WAITING PLACE glows faintly. Lumio floats near the carriage doorway displaying: ORIGINAL PURPOSE — DIVIDED KEEPER / THRESHOLD The Cottage stands behind them, warmly illuminated. Golden mist swirls around the carriage as if the road itself is awakening. Composition focus: Mara with the brass plate, Eldran holding the transparent passenger’s wrist, Serenna inside the carriage, the faceless golden-mist passenger and the carriage wood transforming into the unfinished First Door. Realistic adult proportions, natural poses, detailed wood and brass textures, magical particles, soft volumetric golden light, cinematic depth, realistic painterly fantasy storybook style. No additional characters, no driver, no horror, no monster features, no modern objects. Do not give the passenger a normal face. The new door must remain an incomplete wooden frame. No text except THE WAITING PLACE and the Lumio display. Bottom right: small white unicorn emblem with “AI by Unicorngraphics”.
  • Using base image: Yes

The Cottage of the Vanished Wizard

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1680 (3.76 MP)

• Used settings:

  • Prompt: The Cottage of the Vanished Wizard Chapter 52 – The Road That Arrived Before the Traveller Part 2 – The Passenger Who Was Still on the Road REFERENCE IMAGES — use them in this order: 1. Chapter 52 Part 1 current image: preserve the established golden road, dark wooden carriage with two black horses, Cottage atmosphere, Mara and Eldran. Preserve Mara and Eldran’s established appearances. 2. CR-20 – Serenna: preserve Serenna’s exact established face, hair, adult appearance and deep green travelling cloak. Create a 4:3 realistic painterly fantasy storybook illustration, highly detailed, atmospheric and mysterious. Show the dark wooden carriage now stopped directly outside the Cottage on the strange pale road surrounded by luminous golden mist. The driver’s seat remains completely empty. The two black horses stand quietly in front. The carriage door is open. Serenna sits inside the carriage wearing her established deep green travelling cloak, exactly matching CR-20. Opposite her is an apparently empty upholstered seat, but the cushion is visibly pressed downward by an invisible weight, creating the disturbing impression that someone unseen is sitting there. Mara stands immediately beside the open carriage door, holding the old rectangular brass plate engraved: THE WAITING PLACE She looks intensely at the apparently empty seat. Eldran stands beside Mara, visibly shaken as he recognizes the carriage from his lost memories. Preserve his established appearance from the Part 1 reference image. Lumio floats near the open carriage and scans the empty seat, displaying: SECOND PASSENGER — RESIDUAL RECORD DETECTED IDENTITY — ABSENT Inside the carriage, clearly show two facing passenger seats. Serenna occupies one seat. The opposite seat must contain NO visible person, only the unmistakable depression in the cushion as though an invisible passenger has just settled there. Add a very subtle distortion of golden light immediately above the empty seat, barely suggesting the beginning of an unseen human presence without showing a complete body or face. The Cottage entrance remains visible behind Mara and Eldran, glowing warmly against the strange golden mist. The impossible pale road continues away into the distance with no crossroads or surrounding landscape. The central mystery must be immediately readable: Serenna inside the carriage, Mara holding THE WAITING PLACE plate, Eldran recognizing his forgotten journey, and an invisible second passenger occupying the apparently empty seat. Realistic adult proportions, natural poses, detailed dark wood and brass carriage fittings, cinematic depth, soft volumetric golden mist, warm Cottage light, subtle magical illumination from Lumio. No driver. No additional passengers. No visible person on the empty seat. No horror or frightening monster appearance. No modern objects. No extra characters. No text except THE WAITING PLACE and the specified Lumio display. Bottom right: small elegant white unicorn emblem with the text “AI by Unicorngraphics”.
  • Using base image: Yes

The Cottage of the Vanished Wizard

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1664 (3.73 MP)

• Used settings:

  • Prompt: The Cottage of the Vanished Wizard Chapter 52 – The Road That Arrived Before the Traveller Part 1 – The Carriage That Had Already Knocked REFERENCE IMAGES — use them in this order: 1. CR-01a – Mara: preserve Mara’s exact established adult appearance, face, golden-blonde hair, blue eyes, freckles, green tunic, belt, dark trousers and brown boots. 2. CR-21 – Eldran: preserve Eldran exactly as shown in the reference image. Keep his exact face, blond hair, blond full beard, adult proportions, brown-grey layered tunic, wrapped waist sash, brown trousers and boots. Do not change his hairstyle, hair colour, beard, clothing or age. 3. If supplied, current Cottage reference image: preserve the established Cottage appearance. Create a 4:3 realistic painterly fantasy storybook illustration, highly detailed, atmospheric and mysterious, with soft volumetric lighting. Show the entrance of the Cottage immediately after Mara has opened the front door. Mara stands at the threshold holding a small old rectangular brass carriage plate in one hand. The plate has worn edges and two empty screw holes. Clearly engraved on it are the words: THE WAITING PLACE Mara studies the plate with suspicion and fascination. Eldran stands slightly behind Mara inside the Cottage. He must look exactly like CR-21 – Eldran. He has suddenly recognized the brass plate and looks shocked and unsettled, as if a lost memory has just returned. Outside the open door, the familiar forest has impossibly disappeared. Beginning directly beyond the Cottage steps is a narrow pale road stretching far into luminous golden mist beneath a strange muted sky. There are no crossroads and no visible landscape beyond the edges of the road. Far along this road, an elegant old dark wooden carriage approaches through the golden mist, pulled by two black horses. Keep the carriage clearly distant from the Cottage. Its driver’s seat is completely empty. A rectangular space is visibly missing from one of the carriage’s brass fittings, suggesting that the plate Mara holds originally belonged there. Nobody is standing outside the Cottage despite the fact that someone has just knocked three times. This impossible absence should add mystery to the scene. Lumio floats near Mara, glowing softly and displaying: ARRIVAL — CONFIRMED TRAVELLER — NOT PRESENT Inside the Cottage behind Mara and Eldran, show warm magical interior light, wooden walls and hints of shelves, creating a strong contrast with the strange golden road outside. Composition focus: Mara with the brass plate in the foreground, Eldran reacting behind her, the open Cottage doorway framing the impossible road, and the distant driverless carriage approaching through the golden mist. Preserve realistic adult proportions and natural poses. The carriage must remain distant and must not already be parked outside the Cottage. Realistic painterly fantasy storybook style, rich detailed textures, cinematic depth, soft golden mist, warm Cottage light, subtle magical illumination from Lumio, mysterious but inviting atmosphere. No modern objects. No horror. No driver. No person standing outside. No additional carriage. No extra characters. No text except THE WAITING PLACE on the brass plate and the specified Lumio display. Bottom right: small elegant white unicorn emblem with the text “AI by Unicorngraphics”.
  • Using base image: Yes

Halloween Image Part 1 The Pumpkin Beast

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1664 (3.73 MP)

• Used settings:

  • Prompt: Create a terrifying Halloween fantasy horror illustration in a highly detailed, realistic painterly storybook style. Landscape format 4:3. Scene: An abandoned Victorian greenhouse at midnight, surrounded by twisted dead trees, broken glass, creeping ivy and thick ground fog. In the centre stands an enormous monstrous orange pumpkin, transformed into a horrifying living creature. The pumpkin has deeply wrinkled, weathered orange skin, grotesquely exaggerated facial features, two enormous glowing amber eyes beneath heavy, furious brows, and a gigantic open mouth filled with multiple rows of long, crooked, razor-sharp ivory teeth. Its thick green stem twists upward like a demonic horn. Long, muscular vines emerge from its body, crawling across the floor like monstrous tentacles, gripping broken flowerpots and rusty gardening tools. Smaller ordinary pumpkins lie scattered around the creature, emphasizing its enormous size. Rotten leaves, damp soil and strange glowing fungi cover the ground. Atmosphere: Extremely dark, sinister, frightening and oppressive. Cold blue moonlight enters through the shattered greenhouse roof, while eerie orange light glows from within the monster's mouth and eyes. Dramatic shadows, dense volumetric fog, cinematic horror lighting, rich textures, unsettling realism, extraordinary detail. The pumpkin must remain unmistakably recognizable as a real pumpkin transformed into a terrifying monster. Not cute, not cartoonish, no human body, no human clothing. Composition: The entire monstrous pumpkin clearly visible, slightly low camera angle, strong cinematic depth, atmospheric background. No titles, no captions, no additional text. Small white unicorn emblem with the words "AI by Unicorngraphics" in the lower-right corner.
  • Using base image: Yes

The Temple Above the Sea of Clouds

• Model: AI Upscaler

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes

The Goblin Who Built the Wrong Time Machine Part 4 The Corridor of Gribble Nock

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1664 (3.73 MP)

• Used settings:

  • Prompt: Create a richly detailed 4:3 fantasy storybook illustration with realistic painterly textures, cinematic soft volumetric lighting and an enormous sense of scale. REFERENCE IMAGES: Use the established reference image of Gribble Nock to preserve his exact appearance, clothing, proportions and facial features. Use the accepted Part 3 image as additional reference for the OLDER GRIBBLE. Preserve his grey hair, aged face, worn clothing and clearly visible mechanical LEFT HAND made from brass, copper and articulated gears. Scene from “The Goblin Who Built the Wrong Time Machine – Part 4: The Corridor of Gribble Nock.” Show Gribble Nock and Older Gribble standing together on a narrow ancient stone platform inside an impossibly vast underground mechanical chamber. They should occupy only a relatively small part of the foreground so the immense scale of the environment dominates the image. Gribble holds the worn black notebook and looks upward with astonished curiosity and irritation. Older Gribble stands beside him, tense and watchful, his mechanical left hand clearly visible. Before and around them is the TRUE MACHINE: a colossal mysterious mechanism extending far beyond the visible chamber. Enormous brass and iron gears taller than buildings overlap at different depths. Gigantic wheels, pistons, shafts and heavy chains disappear upward and downward into darkness. The mechanism should feel ancient, impossible and vastly larger than anything Gribble could have constructed in his workshop. Between two gigantic wheels is an important circular BRASS CONTROL PLATE. It contains exactly SEVEN distinct mysterious symbols arranged around its edge. A single pointer rests clearly on the FOURTH symbol. Deep blue magical light shines from within the machinery, illuminating drifting dust and creating strong shafts of volumetric light through the darkness. Warm reflections from the brass machinery contrast with the cool blue illumination. High above Gribble and Older Gribble, between the enormous gears, a circular platform is slowly descending from darkness. On the platform stands ONE small mysterious goblin-shaped silhouette with pointed ears. Keep this figure distant and mostly obscured. Its identity must remain completely unclear. The composition should emphasize scale: Gribble and Older Gribble are small foreground figures while the true machine towers around them and disappears beyond the frame. Exactly THREE visible goblin figures total: 1. Gribble Nock. 2. Older Gribble with mechanical left hand. 3. One distant unidentified goblin-shaped silhouette on the descending platform. Do not duplicate Gribble. No hooded figure from the previous workshop. No extra people or creatures. No modern machinery, computers, screens or futuristic technology. No horror or threatening monsters. Atmosphere: mysterious dimensional fantasy, ancient clockwork engineering, wonder mixed with unease, enormous depth, intricate brass details, blue magical illumination, painterly cinematic storybook realism. No readable story text. Add the established small white unicorn emblem with the words “AI by Unicorngraphics” discreetly in the bottom-right corner.
  • Using base image: Yes

The Carriage That Only Came at Midnight

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1680 (3.76 MP)

• Used settings:

  • Prompt: The Carriage That Only Came at Midnight – Part 3: The Passenger Who Had Not Been Forgotten REFERENCE IMAGE: Use the supplied previous Carriage image as the visual reference for the established supernatural black carriage. Preserve its elegant dark wooden body, warm amber lanterns, large wheels, gothic detailing and mysterious magical atmosphere. Preserve the moonlit enchanted-forest visual style. Create a 4:3 fantasy adventure illustration for The Carriage That Only Came at Midnight – Part 3: The Passenger Who Had Not Been Forgotten. Realistic painterly fantasy storybook style, cinematic composition, highly detailed, mysterious and magical rather than horror, soft volumetric moonlight and fog. Show the climax on a moonlit forest road at midnight. In the foreground stand Mara Ellison and her sister Elena, both adult women. Mara is the central protagonist, a practical village baker in simple period clothing and coat, with a silver locket clearly visible around her neck. Elena stands close beside her, holding Mara’s hand. Their expressions show shock and uncertainty. Beside them stands Thomas Vale, a thin grey-haired man around sixty wearing a dark travelling coat and carrying a small old leather suitcase. Near the first black carriage stands Older Mara, unmistakably the same woman as Mara but naturally aged by approximately twenty years. Give her the same facial features and colouring, subtly greying hair and a more weathered travelling coat. She also wears an identical silver locket. In one hand she holds a black key broken into two pieces. The established black carriage waits behind Older Mara, illuminated by warm amber lanterns. Its passenger door is closing and several faint human silhouettes can be seen through the windows. Use four normal dark horses, not glowing deer. The carriage should feel supernatural but physically real. MAIN CLIFFHANGER: Farther down the same forest road, a second black carriage is approaching through silver fog. Its two warm lanterns are clearly visible between the trees. Make it unmistakably a second separate carriage, not a reflection or duplicate accidentally beside the first. A mysterious passenger silhouette can just barely be seen behind one window, but do not reveal the passenger’s identity. The contrast should be clear: first carriage close to the characters, second carriage approaching from deep in the forest. Moonlight through twisted ancient trees, drifting ground fog, subtle magical atmosphere. Mara and Older Mara must clearly look like the same person at two different ages, not unrelated women. Exactly one present-day Mara, one Older Mara, one Elena and one Thomas. Exactly two carriages. No additional main characters. No readable story text in the scene. Add a small white unicorn emblem with “AI by Unicorngraphics” discreetly in the lower right corner.
  • Using base image: Yes

The Morks of Mistmoor

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1664 (3.73 MP)

• Used settings:

  • Prompt: **The Morks of Mistmoor – Chapter 41: The Road That Nobody Had Made – Part 3: The Place That Refused to Be Found** Create a cinematic fantasy illustration in 4:3 landscape format, realistic painterly storybook style, exceptionally detailed, magical and atmospheric, with soft volumetric lighting. REFERENCE IMAGES — use in this exact order: 1. Chapter 41 Part 2 image — preserve Harrowmere, the First Traveller and Merina. 2. CR-M1 — Morksik, preserve exact appearance. 3. CR-M2 — Borstel, preserve exact appearance. 4. CR-M17 — Eldren, preserve exact appearance. SCENE: Show a breathtaking magical moment in the beautiful valley of Harrowmere at twilight. At the centre stands the First Traveller, an adult man with dark hair and a weathered dark travelling cloak, matching his appearance in the previous image. He holds his hands slightly forward, releasing a glowing sphere of silver and golden light. The sphere represents the hidden possibility of a destination that refused to be found. It is magical energy, NOT a person or creature. From the sphere, SEVEN delicate luminous pathways spread outward across the valley like ribbons of silver light. Each leads toward a different distant landscape: a peaceful village, mountains, a forest, a harbour, a bridge, rolling hills and a mysterious open gateway. The First Traveller looks relieved and emotional, as though a burden carried for centuries is finally being released. Merina, his elderly sister with silver-grey hair and simple village clothing, stands beside him, gently holding his arm. Her expression shows loving recognition. Morksik stands nearby, watching the magical transformation with wonder. Borstel stands beside Morksik, looking astonished at the seven glowing roads. Eldren stands slightly behind them, holding his old map, which now displays new luminous silver routes. In the background, preserve Harrowmere's charming timber-framed houses, stone bridge, river, bell tower and enormous ancient trees. The seven luminous paths should appear to emerge naturally from the central sphere, creating a beautiful, mysterious network of possible destinations. COMPOSITION: The First Traveller and the glowing sphere are the main focal point. Merina stands close beside him. Morksik, Borstel and Eldren are clearly visible, observing the extraordinary event. Exactly FIVE characters: First Traveller, Merina, Morksik, Borstel and Eldren. No additional people, duplicates or human figures in the magical light. Beautiful silver and golden magical illumination, deep blue twilight, warm village windows, detailed natural scenery and a feeling of freedom, hope and mystery. No captions, chapter titles, speech bubbles or readable writing. Add a small white unicorn emblem and the words "AI by Unicorngraphics" discreetly in the bottom-right corner.
  • Using base image: Yes

The Morks of Mistmoor

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1664 (3.73 MP)

• Used settings:

  • Prompt: **The Morks of Mistmoor – Chapter 41: The Road That Nobody Had Made – Part 2: The First Step Beyond the Map** Create a cinematic fantasy storybook illustration, 4:3 landscape format, realistic painterly style, richly detailed, warm atmospheric lighting, soft volumetric sunlight and subtle magical mystery. REFERENCE IMAGES — use in this exact order: 1. Chapter 41 Part 1 image — preserve Harrowmere and the First Traveller's appearance. 2. CR-M1 — Morksik, exact established appearance. 3. CR-M2 — Borstel, exact established appearance. 4. CR-M17 — Eldren, exact established appearance. SCENE: In the ancient village of Harrowmere, show an emotional reunion outside a charming old cottage beside a narrow river. The First Traveller, an adult man with dark hair and a weathered travelling cloak, stands before his elderly sister Merina. He looks astonished and deeply moved, struggling to recognise a home he has not seen for 412 years. Merina is a kind elderly woman with silver-grey hair tied back, a gentle, expressive face and simple traditional village clothing. She stands in the cottage doorway, reaching one hand toward her brother with an expression of surprised recognition. For Merina, he left only yesterday. Morksik stands nearby, watching the reunion thoughtfully. Borstel stands beside Morksik, holding his travelling equipment and looking puzzled by the impossible passage of time. Eldren stands slightly behind them, studying his old magical map with glowing silver markings. The cottage has weathered timber beams, a moss-covered roof, climbing flowers, a wooden door and warm golden light shining through its windows. In the background, show Harrowmere's beautiful stone bridge, a small river, charming timber-framed houses and the distant bell tower. Enormous ancient trees surround the village. A faint silver magical road winds toward the village, barely visible through the grass. COMPOSITION: The First Traveller and Merina are the emotional centre of the image. Their expressions and gestures should communicate the strange reunion between a brother who has been absent for centuries and a sister who believes he left yesterday. Morksik, Borstel and Eldren remain clearly visible as supporting characters. Exactly FIVE characters: First Traveller, Merina, Morksik, Borstel and Eldren. No duplicates or additional people. Beautiful warm afternoon sunlight, rich natural colours, detailed fantasy architecture, subtle silver magical reflections and an atmosphere of wonder, nostalgia and mystery. No captions, chapter titles, speech bubbles or readable text. Add the small white unicorn emblem and the words "AI by Unicorngraphics" discreetly in the bottom-right corner.
  • Using base image: Yes

The Morks of Mistmoor

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1680 (3.76 MP)

• Used settings:

  • Prompt: **The Morks of Mistmoor – Chapter 41: The Road That Nobody Had Made – Part 1: The Traveller Who Had No Destination** Create a cinematic fantasy storybook illustration in 4:3 landscape format, realistic painterly style, exceptionally detailed, with soft volumetric lighting and a magical, mysterious atmosphere. REFERENCE IMAGES — use in this exact order: 1. CR-M1 – Morksik 2. CR-M2 – Borstel 3. CR-M17 – Eldren 4. CR-M16 – Grimmeldorn Preserve the established appearance, clothing, proportions and distinctive features of all four reference characters. SCENE: Show a newly formed, gently glowing SILVER ROAD winding across a beautiful, mysterious landscape at twilight. The road appears to have been created by magic and stretches toward a distant valley filled with warm golden lights. At the far end of the valley lies the ancient village of Harrowmere, with charming timber-framed houses, a tall bell tower, a stone bridge crossing a narrow river and peaceful gardens. The village is surrounded by rolling green hills and a few enormous ancient trees. In the foreground, Morksik stands on the silver road, looking toward the distant village with curiosity and determination. Beside him stands Borstel, carrying his familiar travelling equipment, looking suspiciously at the magical road. Eldren stands slightly behind them, holding his old map, which displays delicate glowing silver lines. Grimmeldorn stands nearby, observing the valley with his usual serious expression. A NEW CHARACTER, the First Traveller, stands slightly ahead of the group. He is a mysterious adult traveller wearing a weathered dark cloak and carrying a simple travelling bag. His face is now visible, with an expression of astonishment and longing as he looks toward a place he almost remembers. The First Traveller must look clearly different from Eldren and all the established Morks characters. Near the travellers stands an ancient stone milestone beside the silver road, bearing a faintly glowing magical symbol. COMPOSITION: Wide cinematic landscape, with the travellers in the foreground and the beautiful valley of Harrowmere stretching into the distance. The silver road should form a clear visual path connecting the characters to the mysterious village. Exactly FIVE characters: Morksik, Borstel, Eldren, Grimmeldorn and the First Traveller. No additional people or duplicates. Rich atmospheric perspective, silver-blue twilight, warm golden village lights, detailed stone textures, beautiful fantasy scenery and a strong feeling of discovery. No chapter titles, captions, speech bubbles or readable writing anywhere in the scene. Add a small white unicorn emblem and the words "AI by Unicorngraphics" discreetly in the bottom-right corner.
  • Using base image: Yes

Lumo the Little Repair Robot – Story 9 The Flying Hedgehog

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1680 (3.76 MP)

• Used settings:

  • Prompt: Lumo the Little Repair Robot – Story 9: The Flying Hedgehog REFERENCE IMAGES — use them in this order: 1. Original Flying Hedgehog image: preserve Pipkin’s exact established appearance and his homemade flying apparatus, including the small mechanical wings, propeller, leather harness and charming handmade construction. 2. Lumo reference image: preserve Lumo’s exact established appearance, proportions, metal body, tool satchel and glowing light-bulb head. Create a new 4:3 landscape illustration in realistic painterly storybook style, highly detailed, warm, magical but believable, matching the established Lumo series. SCENE: Show the triumphant moment when Pipkin’s repaired flying machine finally works properly. The setting is a beautiful autumn hillside outside Bramblewick near sunset. The wooded valley below is filled with rich golden, copper, amber and deep green foliage. Warm late-afternoon sunlight streams through the trees with soft atmospheric haze. Pipkin is clearly AIRBORNE above the hillside, flying successfully several metres above the treetops. He must match Reference 1 exactly as the same friendly hedgehog. His repaired flying apparatus is strapped securely to him. The lightweight wings are fully extended and the small propeller is spinning. The machine should still look charmingly homemade and mechanical, not like modern aviation equipment. Pipkin looks delighted and slightly amazed that his invention is finally working. His flight should look stable and convincing, moving forward toward the wooded ridge. Lumo stands below on the grassy hillside, matching Reference 2 exactly. He holds his small toolbox and looks upward at Pipkin with pleased but slightly worried attention, as if he is already wondering whether Pipkin will remember how to land. Near Lumo, show a small pile of parts removed from Pipkin’s machine during the repair: the unnecessary brass bell, a small spare wheel, a few metal plates, bolts and especially the ridiculous tiny emergency anchor. Keep these visible but secondary. In the distance beyond the ridge, subtly reveal part of the hidden meadow Pipkin is trying to reach: a peaceful stream, several old apple trees and warm sunlight touching the grass. Do not make it dominant; it should feel like a destination waiting beyond the hill. The composition should clearly tell the story without text: the machine became better because Lumo simplified it, and now Pipkin can finally fly. No other characters. No spacecraft. No fantasy creatures in the sky. No modern aircraft. No story text, signs or captions. 4:3 landscape composition. Realistic painterly storybook illustration, rich natural detail, soft volumetric sunlight, warm autumn atmosphere, joyful adventurous mood. Bottom right: small white unicorn emblem with the text “AI by Unicorngraphics”, discreet but clearly visible.
  • Using base image: Yes

Gasthaus am Ende des Weges Teil 3 Der Gast aus Zimmer 0

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1680 (3.76 MP)

• Used settings:

  • Prompt: Das Gasthaus am Ende des Weges – Teil 3: Der Gast aus Zimmer 0 REFERENCE IMAGES — use them in this order: 1. 002-CR-01 Balduin — preserve his exact face, build, clothing, burgundy-brown apron, key ring and brass lantern. 2. 002-CR-02 Levin — preserve his exact face, lean build, grey travelling coat and clothing. 3. 002-CR-03 Mira — preserve her exact face, auburn hair and distinctive deep-red travelling coat. 4. 002-CR-04 Blue Suitcase — preserve its exact worn blue leather, shape, handle, brass corners and central brass clasp. Create a dramatic 4:3 landscape story illustration. SCENE: Balduin, Levin and Mira have passed through the mysterious dark-blue door of ROOM 0 and entered an abandoned, much older version of the inn. The viewpoint is inside the OLD INN, looking back toward the open dark-blue doorway through which they entered. BALDUIN stands in the foreground holding his established glowing brass lantern. He looks around with wary disbelief. Preserve his exact established appearance and innkeeper clothing. LEVIN stands slightly behind him in his established long grey travelling coat. He recognizes this place and looks deeply uneasy. MIRA stands beside them in her unmistakable deep-red coat, holding a simple additional inn lantern and studying the strange room. The OLDER BALDUIN stands farther inside the room, approximately twenty years older than established Balduin. He must clearly be the same person aged naturally: same facial structure, but greyer hair and beard, deeper lines and a more tired expression. He gestures toward the far wall. ENVIRONMENT: The old inn resembles Balduin’s present inn but is clearly much older and abandoned. Heavy dark timber beams, dusty wooden tables and chairs, cold fireplace, aged floorboards, cobwebs and boarded windows. On the walls hang FOUR old wooden direction signs representing the four roads: SOUTH WEST WOOD STONE ROAD FERN PATH On another wall is a FIFTH EMPTY wooden sign with no writing. A single old lantern burns on a distant table. The OPEN DARK-BLUE DOOR behind the group must look impossible: through its doorway, clearly show the warmer, newer present-day inn on the other side. It is a doorway connecting two different versions of the same inn, NOT an ordinary room entrance. Near the doorway are exactly TWO identical established BLUE SUITCASES, closed and resting beside each other on the old wooden floor. MOOD: Mysterious magical realism, not horror. Warm golden lantern light around the characters contrasts with the cold dusty blue-grey atmosphere of the abandoned inn. Soft volumetric light enters through cracks in the boarded windows. CRITICAL: Exactly FOUR visible people: present-day Balduin, older Balduin, Levin, Mira. Present Balduin and older Balduin must clearly be the SAME PERSON at two different ages. Exactly TWO blue suitcases. No black suitcase in this scene. No additional guests. No mysterious fifth traveller yet. No monsters. No modern objects. Make the impossible doorway and the two versions of the inn visually clear. Realistic-painterly fantasy storybook style matching the established reference images, detailed natural faces, realistic wood, leather, wool and fabric textures, cinematic atmospheric lighting. Add the established small white unicorn emblem with the words “AI by Unicorngraphics” discreetly in the bottom-right corner.
  • Using base image: Yes

Das Schuhhaus am Glockenweg Part 4 Der sechste Schritt

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1664 (3.73 MP)

• Used settings:

  • Prompt: Das Schuhhaus am Glockenweg – Part 4: Der sechste Schritt REFERENCE IMAGE: Use the supplied image from Part 3 as the primary character reference. Preserve Baldrian and the five established anthropomorphic mice consistently: their clothing, proportions, storybook appearance and overall visual style. Create a 4:3 realistic painterly fantasy storybook illustration, highly detailed, warm cinematic lighting mixed with mysterious cool mist. Show the forgotten OLD BELL ROAD beyond the magical door beneath the shoe house. The scene takes place on an ancient cobblestone road through a strange misty forest beneath a violet evening sky. Silvery trees disappear into soft fog. In the distance stands an old stone bell tower. The atmosphere should feel magical, forgotten and slightly mysterious, but never frightening. Baldrian, the elderly shoemaker in his large worn hat, coat and boots, stands near the front of the group holding his familiar lantern and brass key. Around him are exactly FIVE small anthropomorphic mice from the reference image: Oskar, Minna, Pino, Tilli and Milli. Preserve their established appearances and clothing. A tiny BLUE SLIPPER walks by itself along the cobblestone road ahead of them. Near the bell tower sits FENNO WEGWART, seen clearly for the first time. Fenno is an elderly human-like fantasy traveller with a narrow friendly weathered face and short white beard. He wears a distinctive deep red travelling coat and a broad old-fashioned hat. Beside him stands an extinguished lantern with BLUE GLASS. Fenno looks toward Baldrian with quiet recognition, as though he has been waiting for him for many years. Include one mysterious SINGLE RED BOOT beside the road, old and worn, repaired at the heel with blue thread. The open magical doorway back to the underground shoe room should still be visible far behind the group between two trees, with shelves of single shoes faintly visible through it. Emphasize the emotional moment of Baldrian finally recognizing Fenno. The mice should react with curiosity and amazement. No modern objects. No horror. No extra mice or major characters. Exactly five mice, Baldrian and Fenno. Realistic painterly storybook quality, expressive faces, rich fabric and stone textures, atmospheric fog, soft volumetric light, cinematic depth, whimsical fantasy realism. Place a small white unicorn emblem with the words “AI by Unicorngraphics” discreetly in the bottom-right corner.
  • Using base image: Yes

The Secret of the Seven Doors – Part 5: The Door That Reached Them First

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1664 (3.73 MP)

• Used settings:

  • Prompt: The Secret of the Seven Doors – Part 5: The Door That Reached Them First Create a cinematic fantasy storybook illustration in 4:3 landscape format, realistic painterly style, highly detailed, mysterious and dramatic, with soft volumetric light. THE SECRET OF THE SEVEN DOORS – PART 5: THE DOOR THAT REACHED THEM FIRST Use the established reference image of Clara Vane to preserve her exact appearance. Clara is the main character and must remain clearly recognizable. Show Clara standing in the foreground on a narrow glowing golden road suspended above a vast mist-filled abyss. She wears her established clothes and hat and holds a small black stone glowing with warm golden light in one hand. Her expression is determined but alarmed. Close behind Clara stands Edward Vane, her elderly grandfather, newly returned after twelve missing years. He wears a weathered dark travelling coat and looks tired, experienced and deeply concerned. He is reaching toward Clara as if trying to stop her from moving forward. Nearby stands the mysterious adult traveller Jonas, wearing his long dark coat. He holds the second black stone, distinguished by a thin glowing silver line across its surface. He watches the scene tensely. Dominating the background is an enormous Third Door floating open inside a swirling circular storm in the sky. Beyond this doorway lies an impossible forest beneath a strange violet-grey sky. Silver-leaved trees fade into mist. Deep inside that forest, clearly visible in the distance, stands the Fourth Door. Before it waits a tall mysterious shadowed traveller. Do not show detailed facial features. The figure holds three small black stones in one hand while touching the Fourth Door with the other. A glowing symbol of a bridge above black waves appears on the Fourth Door. Include remnants of Greyhaven around Clara: towering dark cliffs, drifting fog, several thin golden roads crossing the abyss, and the distant lighthouse with its warm lantern. Far above the mist, a ghostly old sailing ship is disappearing toward the open Third Door. The composition should clearly lead the viewer from Clara in the foreground → Edward and Jonas → the enormous Third Door → the distant Fourth Door and mysterious traveller. Atmosphere: ancient mystery, impossible geography, approaching danger, discovery rather than horror. Strong depth, dramatic clouds, golden magical illumination contrasting with cool mist and the violet forest. No modern objects. No extra main characters. No written story text, captions, titles or labels inside the image. Add the established small white unicorn emblem with “AI by Unicorngraphics” discreetly in the lower-right corner.
  • Using base image: Yes

The Two Snails Who Discovered That Time Was Relative

• Model: Nano Banana 2 (Pro)

• Size: 2219 X 1664 (3.69 MP)

• Used settings:

  • Prompt: Two Snails Discussing Einstein's Theory of Relativity — A Philosophical Conversation in the Forest. Aspect ratio 4:3. A highly detailed, realistic painterly fantasy storybook illustration with cinematic composition, soft volumetric sunlight, natural textures and a warm, whimsical atmosphere. On a large ancient moss-covered stone in a beautiful woodland meadow sit exactly TWO charming, anatomically believable vineyard snails, facing each other in a lively philosophical discussion. Both have expressive eyes on their natural eyestalks, realistic snail bodies and beautifully spiralled shells. The first snail, Professor Archibald Schleimstein, is older and slightly larger, with a magnificent dark amber-brown shell, subtle signs of age and a thoughtful, dignified expression. He appears to be contemplating a difficult scientific question. The second snail, Doctor Theodor Kriechmann, is smaller and more energetic, with a golden-brown spiral shell. He raises the front of his body slightly, as though enthusiastically explaining a revolutionary idea about time and space. Between them lies a tiny open notebook made from dried leaves, showing delicate hand-drawn scientific sketches: a curved spacetime grid, a planet, a clock and a winding spiral. Beside it rests a tiny acorn cup filled with morning dew. Around the stone stretches a magical woodland meadow with delicate wildflowers, ferns, mushrooms, tall grasses, ancient trees and sparkling dew. Warm sunlight filters through the branches, illuminating floating pollen and creating beautiful soft shadows. A butterfly passes in the distance. The scene should feel both humorous and intellectually charming, as if two distinguished scientists were debating the mysteries of the universe at an outdoor university, except that they are snails. Natural proportions, detailed moss, translucent snail skin, realistic shell textures, atmospheric depth, warm golden-green colours, exceptional storybook quality. Both snails clearly visible and visually distinct. No captions, no speech bubbles, no titles, no additional snails. Small white unicorn emblem and the exact watermark text 'AI by Unicorngraphics' in the lower-right corner.
  • Using base image: No
  • Aspect Ratio: landscape

The Midnight Dragon Railway Station – The Train That Arrived at Thirteen Stationmaster

• Model: AI Upscaler

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes

The Goblin Pirates of the Mushroom Sea – The Treasure of Sunset Island

• Model: AI Upscaler

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes