Prompt: The building's massing, or shape, consists of numerous setbacks on the 41st and 42nd Street sides, which were included to comply with the 1916 Zoning Resolution. The facade is made of blue-green terracotta ceramic tile panels, alternating with green-metal-framed windows, with a strongly horizontal orientation. The facade was intended to blend in with the sky regardless of the atmospheric condition. The entrance and original lobby were decorated with light blue and dark green panels. Most of the upper stories were similar in floor plan, except for their widths, which varied due to the setbacks on the facade. At the time of its completion, 330 West 42nd Street was controversial for the use of horizontal emphasis on its facade, which its contemporaries lacked. In subsequent decades, architectural critics recognized the building as an early example of the International Style.
Prompt: 55 Water Street is composed of two sections: a 53-story tower to the south and a 15-story wing to the north. The building's facade is made of masonry and glass. The south building is rectangular, while the north building contains sloped walls and runs parallel to the northwestern boundary of the site. The foundations are made of reinforced concrete-slab walls and the superstructure is made of steel. The upper stories each contain 55,000 sq ft of space, while the lower stories are almost double that size. There is an elevated public plaza on the eastern part of the site, known as Elevated Acre. Another public space to the southwest, Jeannette Park, was expanded when 55 Water Street was constructed.
Prompt: The cupola modeled on the Centennial Hall was made of reinforced concrete, and with an inner diameter of 69 m (226 ft) and height of 42 m (138 ft) it was the largest building of its kind at the time of construction. The symmetrical quatrefoil shape with a large circular central space seats 7,000 persons. The dome itself is 23 m (75 ft) high, made of steel and glass. The Jahrhunderthalle became a key reference for the development of reinforced concrete structures in the 20th century.
Prompt: Exterior details of the 200-foot-long (61 m) by 134-foot-wide (41 m) building were executed in red sandstone; the entrance doors, windows, and skylights were of glass. Floors, stairs, doors, window sills, partitions, desk tops and plumbing slabs were used with magnesite for sound absorption. For floors, cement was mixed with excelsior and poured, over a layer of felt to impart its resiliency. Magnesite was also used for sculptural decoration on the piers surrounding the light court and for panels and beams around the executive offices at the south end of the main floor. Wright designed much of the furniture, the chairs were made out of steel and hung from the tables to make cleaning the floors easy. The interior walls were made of semi-vitreous, hard, cream colored brick. A 76-foot-tall (23 m) light court was located in the center of the building which provided natural sunlight to all of the floors. Between its support piers ran fourteen sets of three inspiration words each, such as: GENEROSITY ALTRUISM SACRIFICE, INTEGRITY LOYALTY FIDELITY, IMAGINATION JUDGEMENT INITIATIVE, INTELLIGENCE ENTHUSIASM CONTROL, CO-OPERATION ECONOMY INDUSTRY.
Prompt: The International Style or internationalism is a major architectural style that was developed in the 1920s and 1930s and was closely related to modernism and modernist architecture.
Prompt: The Bauhaus style tends to feature simple geometric shapes like rectangles and spheres, without elaborate decorations. Buildings, furniture, and fonts often feature rounded corners and sometimes rounded walls. Other buildings are characterized by rectangular features, for example protruding balconies with flat, chunky railings facing the street, and long banks of windows. Furniture often uses chrome metal pipes that curve at corners.
Prompt: Vertical brick piers and wall planes ... made possible the splendid integration of space, structure, and massing which Wright achieved in the Larkin Company Office Building at Buffalo, of 1904. In space the building was conceived of as facing inward, with a glass-roofed central hall rising the entire height and with horizontal office floors woven around it. The pattern of piers and walls which makes these spaces is clearly unified in both plan and section. The vertical piers rise uninterruptedly inside, and the horizontal planes of the office floors are kept back from their edges, so that they seem, once more, to be woven through them. ... At the same time, the stiff verticals of the interior of the Larkin Building continued to recall the challenge of the exterior, so that the occupant could not feel himself to be simply inside a shell. The sequence was an emotional one and a progress: challenge, bafflement, compression, search, and finally, surprise, release, transformation, and recall. It was almost a Baroque progression, but its methods were stiffer and harder, befitting the industrial program which they praised. Significantly enough, the building also recalled the Romantic
Prompt: The Chrysler Building is an Art Deco skyscraper on the East Side of Manhattan in New York City, at the intersection of 42nd Street and Lexington Avenue in Midtown Manhattan. At 1,046 ft, it is the tallest brick building in the world with a steel framework, and it was the world's tallest building for 11 months after its completion in 1930. As of 2019, the Chrysler is the 11th-tallest building in the city, tied with The New York Times Building.
Prompt: Steampunk harlequin cat riding a Harley with handlebars, wearing sunglasses, facing forward, has only 4 digits on each hand showing, with brass, copper, iron and bronze
Prompt: Harley Quinn, patchwork by Meghan Duncanson and Jennifer Lommers and Didier Lourenço, speed paint with large brush strokes, paint splatter, paint drips very colourful, highly detailed, brilliant HD 8k quality
Prompt: I've got the ways and means to New Orleans. I'm going down by the river where it's warm and green. I'm gonna have a drink, and walk around, I've got a lot to think about.
Prompt: I spoke with God, he told me to take us all to heaven :: hyperrealism, digital painting, tonalism, ralph steadman, ismail inceoglu, Watercolor & pen, watercolor, diffuse, chinese watercolor, realism,
Prompt: Completely frozen pond in beautiful winter landscape, snow covered trees, winter mountain lodge in the distance with warm glow coming from windows
Prompt: portrait of a very dark and gloomy girl with black eyes on bluish eye white, blood traces on the face, very dark lips, pale skin, very black hair, impassible face, a bit crazy, a bit autistic, very clever, stunningly beautiful, lost gaze, add faint pink skin color and faint blue eye color, very black hair, black eyes, Wednesday Addams, highly detailed, digital painting, elegant, intricate, portrait, very attractive, beautiful ,dynamic lighting ,wallpaper, close up, high definition, cinematic postprocessing, pixel art
Prompt: A lively Middle Eastern boulevard with hieroglyphics carved all over town. Streets are lined with stores overflowing with colorful objects. Alley antique dealer.
Prompt: A cute little girl with blue eyes, and blonde hair, reading a book to her dragon, beautiful cartoon painting with flat colors and highly detailed face, outlining, children's storybook
Prompt: A cute little girl with blue eyes, and blonde hair, reading a book to her dragon, beautiful cartoon painting with flat colors and highly detailed face, without hands, outlining, children's storybook
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.