Prompt: True Wisdom is the knowledge of the unknown, a cave, a tree, a cliff, gigantic rocks so mixed as to be indistinguishable in that meticulous, maximalist and highly detailed watercolor painting in the style of Akihiko Yoshida and Tetsuya Nomura and Ashley Wood and Alphonse Mucha and Ilya Repin
Prompt: Romantic dreamy Village with park, walking paths, by a river. professional airbrush. high overhead view, satellite photography. professional sunset lighting. professional ray traced lighting and reflections. professional perfect brightness and contrast balance
Prompt: Dieselpunk Art: crowded urban landscape, crashed jumbojet airliner wreck, burning housing, people in torn clothes, smashed car, in the background a smoking burning destroyed city, dark clouds, lighting, by dan seagrave, jean baptiste monge, alexander schlesier
Prompt: fantasy castle of glass in the space void, dark blue and green tones, surreal, melancholic, intricate, complementary colors, accurate, digital painting, fantasy, fantastic view, intricate background, cinematic lighting, crisp quality, cinematic postprocessing, HQ, 8k, ultra detailed, award winning, a masterpiece, Toosh Toosh, Anna Dittmann, Alphonse Mucha, Jordan Grimmer, Ismail Inceoglu, Huang Guangjian, Dan Witz, Salvador Dalí, Naoto Hattori, Tom Bagshaw, Johnson Tsang, Carrie Ann Baade, Android Jones, Daniel F Gerhartz, Gustave Dore, H.R. Giger, Junji Ito, Meghan Duncanson, Jennifer Lommers, Didier Lourenço, Blake Neubert, Jacek Yerka, Michelangelo, Gediminas Pranckevicius, Catherine Abel, George Callaghan, Jean Baptiste Monge, Jessica Rossier, Brian Froud, Gustave Baumann, Hugo Pratt, Nicki Boehme, Thomas Kinkade, Marianne Fons, Z.L. Feng, Josephine Wall, Artgerm, Artstation
Prompt: Aesthetically, the Wainwright Building exemplifies Sullivan's theories about the tall building, which included a tripartite (three-part) composition (base-shaft-attic) based on the structure of the classical column,[11] and his desire to emphasize the height of the building. He wrote: "[The skyscraper] must be tall, every inch of it tall. The force and power of altitude must be in it the glory and pride of exaltation must be in it. It must be every inch a proud and soaring thing, rising in sheer exultation that from bottom to top it is a unit without a single dissenting line." His 1896 article cited his Wainwright Building as an example.[12] Despite the classical column concept, the building's design was deliberately modern, featuring none of the neoclassical style that Sullivan held in contempt.
Prompt: Historian Carl W. Condit described the Wainwright as "a building with a strong, vigorously articulated base supporting a screen that constitutes a vivid image of powerful upward movement."[13] The base contained retail stores that required wide glazed openings; Sullivan's ornament made the supporting piers read as pillars. Above it the semi-public nature of offices up a single flight of stairs are expressed as broad windows in the curtain wall. A cornice separates the second floor from the grid of identical windows of the screen wall, where each window is "a cell in a honeycomb, nothing more".[14] The building's windows and horizontals were inset slightly behind columns and piers, as part of a "vertical aesthetic" to create what Sullivan called "a proud and soaring thing."[15] This perception has since been criticized as the skyscraper was designed to make money, not to serve as a symbol.
Prompt: The ornamentation for the building includes a wide frieze below the deep cornice, which expresses the formalized yet naturalistic celery-leaf foliage typical of Sullivan and published in his System of Architectural Ornament, decorated spandrels between the windows on the different floors and an elaborate door surround at the main entrance. "Apart from the slender brick piers, the only solids of the wall surface are the spandrel panels between the windows. ... . They have rich decorative patterns in low relief, varying in design and scale with each story."[17] The frieze is pierced by unobtrusive bull's-eye windows that light the top-story floor, originally containing water tanks and elevator machinery. The building includes embellishments of terra cotta,[18] a building material that was gaining popularity at the time of construction.
Prompt: The Mole Antonelliana (pronounced [ˈmɔːle antonelˈljaːna]) is a major landmark building in Turin, Italy, named after its architect, Alessandro Antonelli. A mole in Italian is a building of monumental proportions.
Prompt: The Boerentoren (English: "Farmer's Tower"; officially the KBC Tower, originally the Torengebouw van Antwerpen) is a historic tall building in Antwerp, Belgium.
Prompt: Common characteristics of the International Style include: a radical simplification of form, a rejection of ornament, and adoption of glass, steel and concrete as preferred materials. Further, the transparency of buildings, construction (called the honest expression of structure), and acceptance of industrialized mass-production techniques contributed to the international style's design philosophy. Finally, the machine aesthetic, and logical design decisions leading to support building function were used by the International architect to create buildings reaching beyond historicism. The ideals of the style are commonly summed up in three slogans: ornament is a crime, truth to materials, form follows function; and Le Corbusier's description: "A house is a machine to live in".
Prompt: The building that is commonly referred to as the Fagus building is the main building. It was constructed in 1911 according to Werner's plan but with the glass facades designed by Gropius and Meyer and then expanded in 1913. The Fagus building has a 40-centimeter high, dark brick base that projects from the facade by 4 centimeters. The entrance with the clock is part of the 1913 expansion. The interiors of the building, which contained mainly offices, were finished in the mid 20s. The other two big buildings on the site are the production hall and the warehouse. Both were constructed in 1911 and expanded in 1913. The production hall is a one-storey building. It was almost invisible from the railway (north) elevation and acquired a proper facade after the expansion. The warehouse is a four-storey building with few openings. Its design followed the original plan by Werner closely, and it is left out from many of the photographs. Apart from them, the site contains various small buildings designed by Gropius and Meyer. Gropius and Meyer were able to enforce only minor changes in the overall layout of the factory complex.
Prompt: The Staatliches Bauhaus, commonly known as the Bauhaus, was a German art school operational from 1919 to 1933 that combined crafts and the fine arts. The school became famous for its approach to design, which attempted to unify individual artistic vision with the principles of mass production and emphasis on function.
Prompt: 330 West 42nd Street, also the McGraw-Hill Building and formerly the GHI Building, is a skyscraper in the Hell's Kitchen neighborhood of Manhattan in New York City. Designed by Raymond Hood and J. André Fouilhoux in a mixture of the International Style, Art Deco, and Art Moderne styles, the building was constructed from 1930 to 1931 and originally served as the headquarters of McGraw-Hill Companies. The 485-foot-tall building contains 33 stories.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.