Prompt: Czech Baroque architecture refers to the architectural period of the 17th and 18th century in Bohemia, Moravia and Czech Silesia, which comprised the Crown of Bohemia and today constitute the Czech Republic. The Baroque style also changed the character of the Czech countryside (churches and chapels in Czech countryside are mostly Baroque).[1] Czech Baroque architecture is considered to be a unique part of the European cultural heritage thanks to its extensiveness and extraordinariness. In the first third of the 18th century the Czech lands (especially Bohemia) were one of the leading artistic centers of the Baroque style. In Bohemia there was completed in a very original way the development of the Radical Baroque style created in Italy by Francesco Borromini and Guarino Guarini. The leading architects of the Czech High Baroque style (also called Radical Baroque of Bohemia) were Christoph Dientzenhofer, Kilian Ignaz Dientzenhofer and Jan Blažej Santini-Aichel.
Prompt: Andean Baroque (Spanish: Barroco andino or arquitectura mestiza) is an artistic movement that appeared in colonial Peru between 1680 and 1780.[1] It is located geographically between Arequipa and Lake Titicaca in what is now Peru, where rules over the highlands and spreads over the entire altiplano. From the Portuguese word barrueco meaning impure, mottled, flamboyant, daring, the most striking example of Andean Baroque art is in religious architecture, where criollo and indigenous craftsmen together gave it a unique character, as happened in the New Spanish Baroque.
Prompt: The indigenous groups that inhabit the region are the Kollas and Lupacas in present Peruvian territory and Omasuyos and Pacajes on Bolivian. All were subject to the Mita de Potosí and periodically migrated to the valleys and coastal lowlands. The Baroque of Arequipa and Potosí is a conjunction in this region with a strong Pre-Columbian flavor. The Puno Cathedral picks iconographic elements as mermaids, pumas, papayas and a monkey and even the charango. Lake Titicaca was named in honor of the puma, Titi, in Aymara, because of its shape. In the region of Lupacas rise the three groups of baroque churches: Juli, Pomata and Zepita. Juli has been the great Jesuit missionary center of the altiplano, had four churches: San Juan de Letrán, Santa Cruz de Jerusalén, Nuestra Señora de la Asunción and San Pedro Mártir. The Dominicans possessed the Pomata Sanctuary where they venerate Our Lady of the Rosary, the most famous of this region after the Basilica of Our Lady of Copacabana who was in charge of the Augustinians. The church of St. James of Pomata marks the culmination of the Mestizo style.
Prompt: This monument for Olomouc was the culmination of work of several artists and master craftsmen, but it did not bring much fortune to them. The first to die during the work was Wenzel Render, a monumental mason and privileged imperial architect. He came first with the idea to build the column, enforced his will upon the city council, designed it, built the first stage and helped to finance it.[4] His followers Franz Thoneck, Johann Wenzel Rokický and Augustin Scholtz also did not live long enough to see the column finished; it was completed by Johann Ignaz Rokický. The sculptural decoration was started by Phillip Sattler.[1]: 19–21 After his death Andreas Zahner continued[1]: 21 and made 18 sculptures and 9 reliefs in 7 years before he died as well. Goldsmith Simon Forstner, who made gilded copper sculptures of the Holy Trinity and of the Assumption of the Virgin,[1]: 35–39 was somewhat luckier and managed to finish his brilliant work. However he lost his health when working on the sculptures and using toxic mercury compounds during the gilding process.
Prompt: Edwardian architecture is a Neo-Baroque architectural style that was popular in the British Empire during the Edwardian era (1901–1910). Architecture up to the year 1914 may also be included in this style. Typical details of Edwardian Baroque architecture include extensive rustication, usually more extreme at ground level, often running into and exaggerating the voussoirs of arched openings (derived from French models); domed corner rooftop pavilions and a central taller tower-like element creating a lively rooftop silhouette; revived Italian Baroque elements such as exaggerated keystones, segmental arched pediments, columns with engaged blocks, attached block-like rustication to window surrounds; colonnades of (sometimes paired) columns in the Ionic order and domed towers modelled closely on Wren's for the Royal Naval College in Greenwich. Some Edwardian Baroque buildings include details from other sources, such as the Dutch gables of Norman Shaw's Piccadilly Hotel in London.
Prompt: Neomodern architecture continues Modern architecture as a dominant form of architecture in the 20th and 21st centuries, especially in corporate offices. It tends to be used for certain segments of buildings. Many residential houses tend to embrace postmodern, new classical and neo-eclectic styles, for instance, and major monuments today most often opt for starchitect inspired uniqueness. Neomodern architecture shares many of the basic characteristics of modernism. Both reject classical ornamentation, decorations, and deliberate ambitions to continue pre-modernist traditions. Neomodernist buildings, like modernist ones, are designed to be largely monolithic and functional. The emphasis on rationalism and calculation in creating the aesthetic experience is augmented by the focus on utility, economy, and natural selection.
Prompt: The holy wells were structures dedicated to the cult of waters. Though initially assigned to the 8th–6th centurie BC, due to their advanced building techniques, they most likely date to the earlier Bronze Age, when Sardinia had strong relationships with the Mycenaean kingdoms of Greece and Crete, around the 14–13th century BC. The architecture of the Nuragic holy wells follows the same pattern as that of the nuraghe, the main part consisting of a circular room with a tholos vault with a hole at the summit. A monumental staircase connected the entrance to this subterranean (hypogeum) room, whose main role is to collect the water of the sacred spring. The exterior walls feature stone benches where offerings and religious objects were placed by the faithful. Some sites also had sacrificial altars. Some scholars think that these could be dedicated to Sardus, one of the main Nuragic divinities.
Prompt: The typical nuraghe is situated in areas where previous prehistoric Sardinian cultures had been distributed, that is not far from alluvial plains (though few nuraghes appear in plains currently as they were destroyed by human activities such as agriculture, dams, road building etc.) and has the outer shape of a truncated conical tower, thus resembling a medieval tower, with a tholos-like vault inside. The structure's walls consist of three components: an outer layer (tilted inwards and made of many layers of stones whose size diminishes with increasing height: mostly, lower layers consist of rubble masonry, while upper layers tend to be of ashlar masonry); an inner layer, made of smaller stones (to form a corbelled dome of the bullet-shaped tholos type, and where ashlar masonry is used more frequently); and an intermediate layer of very small pieces and dirt, which makes the whole construction very sturdy: it stands only by virtue of the weight of its stones, which may each amount to several tons. Some nuraghes are about 20 meters in height, the tallest one known, Nuraghe Arrubiu, reached a height of 25–30 meters.
Prompt: The Alexandra, Birmingham, 1938
Barber Institute of Fine Arts, Birmingham, West Midlands, 1939
former Burton's, Erdington, Birmingham, West Midlands
Clifton Bingo (former Odeon Cinema Perry Barr), Birmingham, 1938
Elmdon Building, Birmingham International Airport, Birmingham
Empire Cinemas (former Oden Cinema), Sutton Coldfield, 1936
former Mothers Club, Erdington, Birmingham,
General Electric Company, Aston, Birmingham, 1920
Golden Eagle, Birmingham, 1930s (demolished)
Harborne Baths, Birmingham, 1923
Kent House (formerly Kent Street Baths), Birmingham, 1933
Medical School, University of Birmingham, 1938
Oak Cinema, Selly Oak, Birmingham, 1923 (demolished)
Odeon Cinema, Kingstanding, Birmingham, 1962
Prompt: According to Sacerdoti, another leading interpreter of Milanese art nouveau was Giovanni Battista Bossi, who has in the Casa Galimberti his most famous work.[9] The facade of this building presents a complex decoration with ceramic tiles painted with human forms and plant elements that show elaborate chromatic contrasts. Also noteworthy are the decorated balconies made of cement and the wrought iron a baldaquino balconies. [21] A few meters away is the Casa Guazzoni, also by Bossi, which despite retaining the typically floral style of the facade presents a decoration completely centered on sculpture with elaborate putti devices, female figures and plant forms also in cement and wrought iron with overlapping balconies.[22] Bossi lastly designed the Casa Alessio, more akin to the Viennese Secession style with its rigid geometries and the vertical strip in correspondence with the entrance.[23]
Prompt: The Milanese stage of the liberty style was inaugurated with the construction of the Palazzo Castiglioni, completed in 1903 according to the project of Giuseppe Sommaruga, who would become, according to Sacerdoti, the most prominent interpreter of Milanese art nouveau. The building, decorated with cement sculptures of floral theme and wrought iron compositions typical of the new style, distances itself from art nouveau by its monumental forms and the use of classical elements such as the putti, taken from the nearby noble palaces, where the neoclassical style dominates. The palace, considered by Lopez, Susani and Roiter one of the best examples of Italian art nouveau and built in one of the most elegant streets of Milan, remarked even more clearly the status of the new bourgeois class and introduced with force in the city the use of cement as a sculptural element. The "breaking signal" thrown to the old ruling class was even more intense due to the presence on both sides of the entrance of two statues representing two naked women in very daring poses, which caused a great scandal, to the point that the palace was colloquially renamed by the Milanese la ca' di ciapp
Prompt: On the fringe of the logic of creation of new residential areas dedicated to the bourgeois class, the Casa Ferrario was built from 1902 according to the project of Ernesto Pirovano in Via Spadari, one of the most central and oldest streets of Milan. The notoriety of this building, still substantially traditional in design and relatively sober in the other elements, is due to the wrought iron decorations of the overlapping balconies with spiral motifs and floral decoration with corbels shaped like griffin also made by Mazzucotelli, considered by Sacerdoti one of the greatest wrought iron artists in Italy.
Prompt: Scenes for sci-fi classics are juxtaposed with drawings of actual and proposed buildings that proved influential on the fictional representations. These include the utopian visions of Italian futurists Mario Chiattone and Antonio Sant’Elia, Bauhaus, Le Corbusier and mid-century modern Californian architecture such as that of John Lautner. Another important influence was Frank Lloyd Wright, who collaborated with set designers on The Day The Earth Stood Still and whose architecture influenced a host of sci-fi films including Blade Runner and Gattaca.
Prompt: Iceland, a Nordic island nation in the North Atlantic ocean, is home to some of the world's most unique and incredible natural landscapes. Iceland's volcanic region, known as the Land of Fire and Ice, blends seamlessly into vast glaciers and waterfalls; Iceland is also an ideal place to see the northern lights.The project is adjacent to Lake Myvatn, with a vast landscape across the swamp on one side and mountains on the other. The north is the best direction for viewing the Aurora borealis. Inspired by the unique geographical location and natural environment, the design concept of "ice and Fire" is adopted to create a two-way link between architecture and natural ecology and achieve harmonious coexistence between human and nature.
Prompt: The base and its future development intention are the two foundations of the planning and design. In order to closely link the two together, the original appearance of the base is adjusted while different functions are used to meet the needs of the project through the design method. Inspired by Iceland's volcanic landscape and unique topography, CAA designed the site's landscape fissures, which cause the overall surface of the site to rise and undulate. Thus, the logic of the formation of the terrain space is applied to the generation of the spatial form of the building, and the architectural appearance like a volcano is designed. The various functions are embedded in these waves and folds, and the new scenery and landscape is protected, hidden and exposed by using the local traditional turf house construction techniques.
Prompt: Permanent stables, community clubs and private homes, as well as 5 villas are set up, guided by a setback line 200 meters from the shoreline, with the rest of the post used for mobile guest rooms and camping. The mobile rooms scattered around the base are inspired by fragments of ice sheared by icebergs and sparkle like gems. The mobile flexibility provides easy views of the surrounding landscape, and the large glass roof also provides the best view of the Northern lights.It becomes the best station providing tourists with different sizes, flexible living and activity spaces.
Prompt: The Meta City Hall, designed by the CAA LAB led by architect Mr. Liu Haowei, was recently completed. The project is CAA LAB's first metaverse building completed in China and located in a creative utopia and a futuristic metaverse city – Meta City. It was created with the support of “Creator City”, a Metaverse product of Chinese tech giant Baidu. As the creator of Meta City Hall, CAA LAB also participated in the preliminary scheme and planning of Meta City. CAA LAB team used the usual digital and surreal design methods to express an oriental romanticism architectural language, and created this Meta City Hall called the "Tree of Life".
Prompt: CAA LAB actively responds to the needs of digital citizens for public services and social activities in the Meta City, and creates the administrative and civic center of the "City of Tomorrow" - Meta City Hall in a digital twin. The city hall building as a whole is a vigorously growing "tree of life" respecting human nature. With abundant leaves growing on the branches, it becomes a floating island that grows gradually from bottom to top. The decentralized space system also makes them independent and not interfere with each other.
Prompt: Entering the city hall, passing through the multifunctional central hall on the first floor, users can be quickly guided to the required services. The center of the building is a vertical transportation core. The suspended independent spaces are connected by air bridges on each floor. After the preliminary consultation is completed, users can reach their corresponding municipal service spaces.
Prompt: CAA LAB was incubated and developed by CAA Architects, aiming to create a new metaverse parallel world for human beings in the WEB 3.0 era and create a future "city of tomorrow". Earlier this year, five projects of CAA LAB landed on Decentraland, the world's largest metaverse platform, and all won awards in the global metaverse architecture competition sponsored by it.
Prompt: We merged into Forte through the imagination of hanging the logo in the space. The curved staircase echoes the curve on the left side of the logo, and the metal surface gradually shrinks to match the brick wall, bringing out the vision of upward rotation. The curved stainless-steel mirror on the top surface symbolizes the cup's rim in the middle of the logo. The two create a visual illusion that the ceiling is staggered and hovering upwards. The space is accompanied by the dynamic interaction of music and alcohol. We hope that guests can also feel a relaxed and happy atmosphere when creating high tension in the space.
Prompt: In terms of lighting design, we set up many indirect color-changing LED light strips on the bar counter, tabletop, wine cabinet, etc., hoping to use the light to create a sense of hierarchy and link extension in the space. On the light bar of the stairs, it is deliberately designed with "half", which enhances the design effect of the stairs going up and reduces the intensity of the light, avoiding the problem of glare.
Prompt: Wóolis was named by the workers, or rather artisans, who gave life to the built space. Its meaning in Mayan is ball, round, circle; they called the house this way referring to the central cylinder, the heart of the project.
Prompt: On the other side of the social area there is a patio with a large álamo tree from where the project allows the cylinder to be seen from afar, anticipating the surprise that it will be to be below it. Wóolis is a home that has three patios, the first being the most public and the one at the back the most private; among them are three living interior bodies: services, public spaces and private spaces.
Prompt: Wóolis is an exercise of self-construction, the client was the one who led the work process and coordinated all the actors who participated in it. It is a project that does not pretend to be unique due to its luxurious materials and coatings, on the contrary, it finds that luxury in the rigid sincerity of its elements, giving full prominence to light and its interaction with the project.
Prompt: Architecture with Scythian elements draws inspiration from the intricate and ornate designs found in Scythian golden jewels. These designs often feature depictions of Scythian lions, gargoyles, horses, and other animals, which are characterized by their dynamic and expressive forms. In architectural designs, these elements are often incorporated as decorative features on facades, roofs, and other parts of the building. For example, a building may feature intricate lion statues on its roofline, or Scythian-inspired gargoyles may adorn the corners of a facade. These elements can also be seen in the use of ornate carvings and reliefs on walls and other surfaces. Other Scythian-inspired architectural elements include the use of bright, bold colors and intricate patterns, which can be seen in the designs of interior spaces such as foyers, hallways, and stairwells. These elements create a sense of drama and excitement in the space, drawing the eye and adding visual interest. Overall, architecture with Scythian elements is characterized by its use of expressive and dynamic forms, intricate patterns, and bold colors. By incorporating these elements into modern building designs, architec
Prompt: Neo-futurism architecture with marine elements is a unique and striking style that incorporates the beauty and power of the sea and ocean into the design of buildings. This style often features organic shapes, dynamic forms, and fluid lines that are reminiscent of the waves and movement of water. One common element of this style is the use of reflective surfaces and transparent materials, which mimic the reflective and transparent quality of water. For example, a building might feature a glass facade that reflects the sky and the sea, creating a stunning visual effect. Other marine-inspired elements that can be seen in neo-futurist buildings include the use of curves and organic shapes that mimic the forms of sea creatures such as dolphins, whales, and jellyfish. Some buildings also incorporate wave-like patterns or textures into their design, creating a sense of movement and fluidity. In addition to these design elements, some neo-futurist buildings with marine elements are designed to be sustainable and eco-friendly, with features such as seawater cooling systems and rainwater harvesting. Overall, neo-futurism with marine elements creates a unique and visually stunning style
Prompt: Other marine-inspired elements that can be seen in neo-futurist buildings include the use of curves and organic shapes that mimic the forms of sea creatures such as dolphins, whales, and jellyfish. Some buildings also incorporate wave-like patterns or textures into their design, creating a sense of movement and fluidity.
Prompt: In addition to their unique shape, buildings designed in the blobitecture style often feature innovative materials and construction techniques. For example, some buildings may be constructed using lightweight materials such as fiberglass or steel, while others may use advanced engineering and construction methods to create complex, self-supporting structures.
Prompt: Blobitecture with colored elements is a unique and visually striking architectural style that incorporates brightly colored surfaces and finishes into the design of buildings with organic, blob-like shapes. The use of color in blobitecture is often intentionally bold and vibrant, creating a sense of playfulness and whimsy in the building's design. Some buildings may use brightly colored glass or other materials to create a multi-colored effect, while others may use color to highlight specific features or elements of the building's design. One example of a blobitecture building with colored elements is the Kunsthaus Graz Museum in Austria. This building features a curving, organic form that is covered in blue acrylic panels, creating a striking contrast with the surrounding urban environment. Another example is the Future Systems-designed Selfridges building in Birmingham, UK. This building features a unique, bulbous shape that is clad in 15,000 aluminum discs of different sizes and colors, creating a playful and dynamic effect. The use of color in blobitecture can also be seen in the design of interior spaces, with brightly colored finishes and materials used to create a bold a
Prompt: Future Systems gained international recognition for their innovative and unconventional designs, which pushed the boundaries of traditional architectural forms and materials. They were known for their use of advanced digital design tools and fabrication techniques, allowing them to create complex and unique shapes that were often inspired by nature.
Prompt: uture Systems was a London-based architectural and design practice that was founded in 1979 by Jan Kaplický and David Nixon. Amanda Levete joined as a partner in 1989 and later became the firm's sole director after Kaplický's death in 2009. Future Systems gained international recognition for their innovative and unconventional designs, which pushed the boundaries of traditional architectural forms and materials. They were known for their use of advanced digital design tools and fabrication techniques, allowing them to create complex and unique shapes that were often inspired by nature. Some of the most notable projects by Future Systems include the Media Centre at Lord's Cricket Ground in London, the Selfridges department store in Birmingham, and the controversial Prague National Library building proposal. The firm was also recognized for their contributions to industrial design, with products such as the Sony PlayStation, the Dyson Airblade hand dryer, and the interiors of the Virgin Atlantic Airbus A340 and A380. Throughout their history, Future Systems received numerous awards and accolades for their work, including the prestigious Stirling Prize for Architecture in 2003 for
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Neo Kotsiubiiv (Нео Коцюбіїв)
(neokotsiubiiv)
Member since 2023
Ukrainian dreamer show numerous variations of the Kotsiubiiv National Opera and Ballet Theatre. If you want to use some work in your works, you can do it. I would be glad to see the use or implementation of my robots somewhere. I wish you success in your work. P.S.: Українець - це шлях (Андрій Павленко). Борітеся — поборете (Тарас Шевченко)!
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