Prompt: As an acronym, "UFO" was coined by Captain Edward J. Ruppelt, who headed Project Blue Book, then the USAF's official investigation of UFOs. He wrote, "Obviously the term 'flying saucer' is misleading when applied to objects of every conceivable shape and performance. For this reason the military prefers the more general, if less colorful, name: unidentified flying objects. UFO (pronounced yoo-foe) for short." Other phrases that were used officially and that predate the UFO acronym include "flying flapjack", "flying disc", "unexplained flying discs", and "unidentifiable object".
Prompt: The building is located on the edge of the old town, close to other famed residential landmarks such as the Casa della Vittoria and the Villino Raby. It is spread over three floors above ground, plus the attic floor. A privileged location is characterized by angular momentum along the axis of the corso Francia and via Principi d'Acaja where will find the main entrance and driveway access to the inner garden. Although the structure is characterized by a rather traditional urban setting typical of a bourgeois villa, the building is an excellent and balanced example of combined use of materials. The decoration is very rich, abundant and references Art Nouveau with frequently phytomorphic shapes. The latter constitutes the elements between the two wings of the building and is embellished with a pronounced oriel window with polychrome glazing which exhibits a mixture of wrought iron. The motifs of twisting lines are also evident in an elegant glass aedicule overlooking the garden terrace, which seems to reference the Parisian sinuosity of Hector Guimard's architecture. The work of Fenoglio, however, seems refreshingly unaffected by the schools of French and Belgian Art Nouveau.
Prompt: Liberty style, like other versions of Art Nouveau, had the ambition of turning ordinary objects, such as chairs and windows, into works of art. Unlike the French and Belgian Art Nouveau, based primarily on nature, Liberty style was more strongly influenced by the Baroque style, with very lavish ornament and color, both on the interior and exterior.[2] The Italian poet and critic Gabriele d'Annunzio wrote in 1889, as the style was just beginning, "the genial sensual debauche of the Baroque sensibility is one of the determining variants of the Italian Art Nouveau."[3]
Prompt: In the Palau Güell, there is one set of interior columns along the main facade with hyperbolic capitals. The crown of the famous parabolic vault is a hyperboloid. The vault of one of the stables at the Church of Colònia Güell is a hyperboloid. There is a unique column in the Park Güell that is a hyperboloid. The famous Spanish engineer and architect Eduardo Torroja designed a thin-shell water tower in Fedala[5] and the roof of Hipódromo de la Zarzuela[6] in the form of hyperboloid of revolution. Le Corbusier and Félix Candela used hyperboloid structures (hypar).[citation needed]
Prompt: The Galata Tower (Turkish: Galata Kulesi), officially the Galata Tower Museum (Turkish: Galata Kulesi Müzesi), is an old Genoese tower in the Galata part of the Beyoğlu district of Istanbul, Turkey. Built as a watchtower at the highest point of the (lost) Walls of Galata,[1] the tower is now an exhibition space and museum, and a symbol of Beyoğlu and Istanbul.
Prompt: The Palacio was constructed 14 miles (23 km) from the Olympic Village and 6.5 from downtown Mexico City in the Magdalena Mixhuca Sports City near the conflux of two expressways (Miguel Alemán Viaduct and Río Churubusco Interior Loop). It was built by the company ICA between October 15, 1966 and September 13, 1968, and finished construction just in time for the Olympics. The Palacio is circular in design with a square-patterned dome spanning 380 feet (120 m) and enclosing an area of 6.7 acres (27,000 m2). The dome consists of hyperbolic paraboloids of tubular aluminum covered with waterproof copper-sheathed plywood and supported by huge steel arches. The Palacio originally seated 22,370, including 7,370 in removable seats. There was parking space for 3,864 vehicles. The structure was designed by architects Félix Candela, Enrique Castañeda Tamborel and Antonio Peyri. It has three floors, which house complete facilities for athletes, judges, officials, organizers, as well as services for radio, television and the press. A mezzanine provides access to the boxes and middle and upper stands.
Prompt: Denver International Airport (IATA: DEN, ICAO: KDEN, FAA LID: DEN), locally known as DIA, is an international airport in the Western United States, primarily serving metropolitan Denver, Colorado, as well as the greater Front Range Urban Corridor. At 33,531 acres (52.4 sq mi; 135.7 km2),[3][4] it is the largest airport in the Western Hemisphere by land area and the second largest on Earth, behind King Fahd International Airport.[5] Runway 16R/34L, with a length of 16,000 feet (3.03 mi; 4.88 km), is the longest public use runway in North America and the seventh longest on Earth. The airport is 25 miles (40 km) driving distance from Downtown Denver,[6] 19 miles (31 km) farther than the former Stapleton International Airport, the facility DEN replaced: the airport land was originally part of Adams County until the construction of the airport in 1995, and is actually located in between Commerce City and Aurora with the Southwest side connecting strip of neighborhoods (on the route of Peña Blvd) being the only connection with the rest of the city of Denver: many airport-related services, such as hotels, are located in Aurora.[7]
Prompt: Industrial architecture is the design and construction of buildings facilitating industry. The architecture revolving around the industrial world uses a variety of building designs and styles to be able to occupy labor and distribution of goods. Such buildings rose in importance with the Industrial Revolution, starting in Britain, and were some of the pioneering structures of modern architecture. Many of the architectural buildings revolving around the industry allowed for processing, manufacturing, distribution, and the storage of goods and resources. Architects also have to consider the safety measurements and workflow to ensure the smooth flow within the work environment located in the building.
Prompt: The birth of all industrial architecture stemmed from England and the continuing expansions of the architecture was a product of the Industrial Revolution. The usage and production of iron and steel became more prominent since they were used as the foundation for the industrial buildings. Steel is a durable material and was also used in other parts of the industry such as infrastructure, but it was difficult to make because it required high temperature to melt the metal.
Prompt: Britain played an important role on the uprising of the Industrial Revolution which altered the way people live and made certain jobs in society a lot easier of humans; went from doing everything by hand to using machinery. The Industrial Revolution stimulated the expansion of trade and distribution of goods amongst Europe and the Atlantic Ocean. The technological advances from Europe were later spread to the United States in the late 1700s. Samuel Slater fled to the United States and later opened a textile mill in Rhode Island; shortly after that the cotton gin was invented by Eli Whitney.
Prompt: Dutch Baroque architecture is a variety of Baroque architecture that flourished in the Dutch Republic and its colonies during the Dutch Golden Age of the 17th century. (Dutch painting during the period is covered by Dutch Golden Age painting). Like contemporary developments in England, Dutch Palladianism is marked by sobriety and restraint. The architecture of the first republic in Northern Europe was meant to reflect democratic values by quoting extensively from classical antiquity. It found its impetus in the designs of Hendrick de Keyser, who was instrumental in establishing a Venetian-influenced style into early 17th-century architecture through new buildings like the Noorderkerk ("Northern church", 1620–1623) and Westerkerk ("Western church", 1620–1631) in Amsterdam. In general, architecture in the Low Countries, both in the Counter-Reformation-influenced south and Protestant-dominated north, remained strongly invested in northern Italian Renaissance and Mannerist forms that predated the Roman High Baroque style of Borromini and Bernini. Instead, the more austere form practiced in the Dutch Republic was well suited to major building patterns: palaces for the House of Orang
Prompt: Czech Baroque architecture refers to the architectural period of the 17th and 18th century in Bohemia, Moravia and Czech Silesia, which comprised the Crown of Bohemia and today constitute the Czech Republic. The Baroque style also changed the character of the Czech countryside (churches and chapels in Czech countryside are mostly Baroque).[1] Czech Baroque architecture is considered to be a unique part of the European cultural heritage thanks to its extensiveness and extraordinariness. In the first third of the 18th century the Czech lands (especially Bohemia) were one of the leading artistic centers of the Baroque style. In Bohemia there was completed in a very original way the development of the Radical Baroque style created in Italy by Francesco Borromini and Guarino Guarini. The leading architects of the Czech High Baroque style (also called Radical Baroque of Bohemia) were Christoph Dientzenhofer, Kilian Ignaz Dientzenhofer and Jan Blažej Santini-Aichel.
Prompt: Andean Baroque (Spanish: Barroco andino or arquitectura mestiza) is an artistic movement that appeared in colonial Peru between 1680 and 1780.[1] It is located geographically between Arequipa and Lake Titicaca in what is now Peru, where rules over the highlands and spreads over the entire altiplano. From the Portuguese word barrueco meaning impure, mottled, flamboyant, daring, the most striking example of Andean Baroque art is in religious architecture, where criollo and indigenous craftsmen together gave it a unique character, as happened in the New Spanish Baroque.
Prompt: The indigenous groups that inhabit the region are the Kollas and Lupacas in present Peruvian territory and Omasuyos and Pacajes on Bolivian. All were subject to the Mita de Potosí and periodically migrated to the valleys and coastal lowlands. The Baroque of Arequipa and Potosí is a conjunction in this region with a strong Pre-Columbian flavor. The Puno Cathedral picks iconographic elements as mermaids, pumas, papayas and a monkey and even the charango. Lake Titicaca was named in honor of the puma, Titi, in Aymara, because of its shape. In the region of Lupacas rise the three groups of baroque churches: Juli, Pomata and Zepita. Juli has been the great Jesuit missionary center of the altiplano, had four churches: San Juan de Letrán, Santa Cruz de Jerusalén, Nuestra Señora de la Asunción and San Pedro Mártir. The Dominicans possessed the Pomata Sanctuary where they venerate Our Lady of the Rosary, the most famous of this region after the Basilica of Our Lady of Copacabana who was in charge of the Augustinians. The church of St. James of Pomata marks the culmination of the Mestizo style.
Prompt: This monument for Olomouc was the culmination of work of several artists and master craftsmen, but it did not bring much fortune to them. The first to die during the work was Wenzel Render, a monumental mason and privileged imperial architect. He came first with the idea to build the column, enforced his will upon the city council, designed it, built the first stage and helped to finance it.[4] His followers Franz Thoneck, Johann Wenzel Rokický and Augustin Scholtz also did not live long enough to see the column finished; it was completed by Johann Ignaz Rokický. The sculptural decoration was started by Phillip Sattler.[1]: 19–21 After his death Andreas Zahner continued[1]: 21 and made 18 sculptures and 9 reliefs in 7 years before he died as well. Goldsmith Simon Forstner, who made gilded copper sculptures of the Holy Trinity and of the Assumption of the Virgin,[1]: 35–39 was somewhat luckier and managed to finish his brilliant work. However he lost his health when working on the sculptures and using toxic mercury compounds during the gilding process.
Prompt: Edwardian architecture is a Neo-Baroque architectural style that was popular in the British Empire during the Edwardian era (1901–1910). Architecture up to the year 1914 may also be included in this style. Typical details of Edwardian Baroque architecture include extensive rustication, usually more extreme at ground level, often running into and exaggerating the voussoirs of arched openings (derived from French models); domed corner rooftop pavilions and a central taller tower-like element creating a lively rooftop silhouette; revived Italian Baroque elements such as exaggerated keystones, segmental arched pediments, columns with engaged blocks, attached block-like rustication to window surrounds; colonnades of (sometimes paired) columns in the Ionic order and domed towers modelled closely on Wren's for the Royal Naval College in Greenwich. Some Edwardian Baroque buildings include details from other sources, such as the Dutch gables of Norman Shaw's Piccadilly Hotel in London.
Prompt: Neomodern architecture continues Modern architecture as a dominant form of architecture in the 20th and 21st centuries, especially in corporate offices. It tends to be used for certain segments of buildings. Many residential houses tend to embrace postmodern, new classical and neo-eclectic styles, for instance, and major monuments today most often opt for starchitect inspired uniqueness. Neomodern architecture shares many of the basic characteristics of modernism. Both reject classical ornamentation, decorations, and deliberate ambitions to continue pre-modernist traditions. Neomodernist buildings, like modernist ones, are designed to be largely monolithic and functional. The emphasis on rationalism and calculation in creating the aesthetic experience is augmented by the focus on utility, economy, and natural selection.
Prompt: The holy wells were structures dedicated to the cult of waters. Though initially assigned to the 8th–6th centurie BC, due to their advanced building techniques, they most likely date to the earlier Bronze Age, when Sardinia had strong relationships with the Mycenaean kingdoms of Greece and Crete, around the 14–13th century BC. The architecture of the Nuragic holy wells follows the same pattern as that of the nuraghe, the main part consisting of a circular room with a tholos vault with a hole at the summit. A monumental staircase connected the entrance to this subterranean (hypogeum) room, whose main role is to collect the water of the sacred spring. The exterior walls feature stone benches where offerings and religious objects were placed by the faithful. Some sites also had sacrificial altars. Some scholars think that these could be dedicated to Sardus, one of the main Nuragic divinities.
Prompt: The typical nuraghe is situated in areas where previous prehistoric Sardinian cultures had been distributed, that is not far from alluvial plains (though few nuraghes appear in plains currently as they were destroyed by human activities such as agriculture, dams, road building etc.) and has the outer shape of a truncated conical tower, thus resembling a medieval tower, with a tholos-like vault inside. The structure's walls consist of three components: an outer layer (tilted inwards and made of many layers of stones whose size diminishes with increasing height: mostly, lower layers consist of rubble masonry, while upper layers tend to be of ashlar masonry); an inner layer, made of smaller stones (to form a corbelled dome of the bullet-shaped tholos type, and where ashlar masonry is used more frequently); and an intermediate layer of very small pieces and dirt, which makes the whole construction very sturdy: it stands only by virtue of the weight of its stones, which may each amount to several tons. Some nuraghes are about 20 meters in height, the tallest one known, Nuraghe Arrubiu, reached a height of 25–30 meters.
Prompt: The Alexandra, Birmingham, 1938
Barber Institute of Fine Arts, Birmingham, West Midlands, 1939
former Burton's, Erdington, Birmingham, West Midlands
Clifton Bingo (former Odeon Cinema Perry Barr), Birmingham, 1938
Elmdon Building, Birmingham International Airport, Birmingham
Empire Cinemas (former Oden Cinema), Sutton Coldfield, 1936
former Mothers Club, Erdington, Birmingham,
General Electric Company, Aston, Birmingham, 1920
Golden Eagle, Birmingham, 1930s (demolished)
Harborne Baths, Birmingham, 1923
Kent House (formerly Kent Street Baths), Birmingham, 1933
Medical School, University of Birmingham, 1938
Oak Cinema, Selly Oak, Birmingham, 1923 (demolished)
Odeon Cinema, Kingstanding, Birmingham, 1962
Prompt: According to Sacerdoti, another leading interpreter of Milanese art nouveau was Giovanni Battista Bossi, who has in the Casa Galimberti his most famous work.[9] The facade of this building presents a complex decoration with ceramic tiles painted with human forms and plant elements that show elaborate chromatic contrasts. Also noteworthy are the decorated balconies made of cement and the wrought iron a baldaquino balconies. [21] A few meters away is the Casa Guazzoni, also by Bossi, which despite retaining the typically floral style of the facade presents a decoration completely centered on sculpture with elaborate putti devices, female figures and plant forms also in cement and wrought iron with overlapping balconies.[22] Bossi lastly designed the Casa Alessio, more akin to the Viennese Secession style with its rigid geometries and the vertical strip in correspondence with the entrance.[23]
Prompt: The Milanese stage of the liberty style was inaugurated with the construction of the Palazzo Castiglioni, completed in 1903 according to the project of Giuseppe Sommaruga, who would become, according to Sacerdoti, the most prominent interpreter of Milanese art nouveau. The building, decorated with cement sculptures of floral theme and wrought iron compositions typical of the new style, distances itself from art nouveau by its monumental forms and the use of classical elements such as the putti, taken from the nearby noble palaces, where the neoclassical style dominates. The palace, considered by Lopez, Susani and Roiter one of the best examples of Italian art nouveau and built in one of the most elegant streets of Milan, remarked even more clearly the status of the new bourgeois class and introduced with force in the city the use of cement as a sculptural element. The "breaking signal" thrown to the old ruling class was even more intense due to the presence on both sides of the entrance of two statues representing two naked women in very daring poses, which caused a great scandal, to the point that the palace was colloquially renamed by the Milanese la ca' di ciapp
Prompt: On the fringe of the logic of creation of new residential areas dedicated to the bourgeois class, the Casa Ferrario was built from 1902 according to the project of Ernesto Pirovano in Via Spadari, one of the most central and oldest streets of Milan. The notoriety of this building, still substantially traditional in design and relatively sober in the other elements, is due to the wrought iron decorations of the overlapping balconies with spiral motifs and floral decoration with corbels shaped like griffin also made by Mazzucotelli, considered by Sacerdoti one of the greatest wrought iron artists in Italy.
Prompt: Scenes for sci-fi classics are juxtaposed with drawings of actual and proposed buildings that proved influential on the fictional representations. These include the utopian visions of Italian futurists Mario Chiattone and Antonio Sant’Elia, Bauhaus, Le Corbusier and mid-century modern Californian architecture such as that of John Lautner. Another important influence was Frank Lloyd Wright, who collaborated with set designers on The Day The Earth Stood Still and whose architecture influenced a host of sci-fi films including Blade Runner and Gattaca.
Prompt: Iceland, a Nordic island nation in the North Atlantic ocean, is home to some of the world's most unique and incredible natural landscapes. Iceland's volcanic region, known as the Land of Fire and Ice, blends seamlessly into vast glaciers and waterfalls; Iceland is also an ideal place to see the northern lights.The project is adjacent to Lake Myvatn, with a vast landscape across the swamp on one side and mountains on the other. The north is the best direction for viewing the Aurora borealis. Inspired by the unique geographical location and natural environment, the design concept of "ice and Fire" is adopted to create a two-way link between architecture and natural ecology and achieve harmonious coexistence between human and nature.
Prompt: The base and its future development intention are the two foundations of the planning and design. In order to closely link the two together, the original appearance of the base is adjusted while different functions are used to meet the needs of the project through the design method. Inspired by Iceland's volcanic landscape and unique topography, CAA designed the site's landscape fissures, which cause the overall surface of the site to rise and undulate. Thus, the logic of the formation of the terrain space is applied to the generation of the spatial form of the building, and the architectural appearance like a volcano is designed. The various functions are embedded in these waves and folds, and the new scenery and landscape is protected, hidden and exposed by using the local traditional turf house construction techniques.
Prompt: Permanent stables, community clubs and private homes, as well as 5 villas are set up, guided by a setback line 200 meters from the shoreline, with the rest of the post used for mobile guest rooms and camping. The mobile rooms scattered around the base are inspired by fragments of ice sheared by icebergs and sparkle like gems. The mobile flexibility provides easy views of the surrounding landscape, and the large glass roof also provides the best view of the Northern lights.It becomes the best station providing tourists with different sizes, flexible living and activity spaces.
Prompt: The Meta City Hall, designed by the CAA LAB led by architect Mr. Liu Haowei, was recently completed. The project is CAA LAB's first metaverse building completed in China and located in a creative utopia and a futuristic metaverse city – Meta City. It was created with the support of “Creator City”, a Metaverse product of Chinese tech giant Baidu. As the creator of Meta City Hall, CAA LAB also participated in the preliminary scheme and planning of Meta City. CAA LAB team used the usual digital and surreal design methods to express an oriental romanticism architectural language, and created this Meta City Hall called the "Tree of Life".
Prompt: CAA LAB actively responds to the needs of digital citizens for public services and social activities in the Meta City, and creates the administrative and civic center of the "City of Tomorrow" - Meta City Hall in a digital twin. The city hall building as a whole is a vigorously growing "tree of life" respecting human nature. With abundant leaves growing on the branches, it becomes a floating island that grows gradually from bottom to top. The decentralized space system also makes them independent and not interfere with each other.
Prompt: Entering the city hall, passing through the multifunctional central hall on the first floor, users can be quickly guided to the required services. The center of the building is a vertical transportation core. The suspended independent spaces are connected by air bridges on each floor. After the preliminary consultation is completed, users can reach their corresponding municipal service spaces.
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Neo Kotsiubiiv (Нео Коцюбіїв)
(neokotsiubiiv)
Member since 2023
Ukrainian dreamer show numerous variations of the Kotsiubiiv National Opera and Ballet Theatre. If you want to use some work in your works, you can do it. I would be glad to see the use or implementation of my robots somewhere. I wish you success in your work. P.S.: Українець - це шлях (Андрій Павленко). Борітеся — поборете (Тарас Шевченко)!
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