Prompt: Science fiction aliens are both metaphors and real possibilities. One can probe the nature of humanity with aliens that by contrast illustrate and comment upon human nature. Still, as evidenced by widespread belief in alien visitors (see UFOs) and efforts to detect extraterrestrial radio signals, humans also crave companionship in a vast, cold universe and aliens may represent hopeful, compensatory images of the strange friends we have been unable to find. Thus, aliens will likely remain a central theme in science fiction until we actually encounter them.[2]
Prompt: Potential donors are evaluated for anything that might make their blood unsafe to use. The screening includes testing for diseases that can be transmitted by a blood transfusion, including HIV and viral hepatitis. The donor must also answer questions about medical history and take a short physical examination to make sure the donation is not hazardous to their health. How often a donor can donate varies from days to months based on what component they donate and the laws of the country where the donation takes place. For example, in the United States, donors must wait 56 days (eight weeks) between whole-blood donations but only seven days between platelet apheresis donations[1] and twice per seven-day period in plasmapheresis.
Prompt: Blood donations are divided into groups based on who will receive the collected blood.[2] An 'allogeneic' (also called 'homologous') donation is when a donor gives blood for storage at a blood bank for transfusion to an unknown recipient. A 'directed' donation is when a person, often a family member, donates blood for transfusion to a specific individual.[3] Directed donations are relatively rare when an established supply exists.[4] A 'replacement donor' donation is a hybrid of the two and is common in developing countries.[5] In this case, a friend or family member of the recipient donates blood to replace the stored blood used in a transfusion, ensuring a consistent supply. When a person has blood stored that will be transfused back to the donor at a later date, usually after surgery, that is called an 'autologous donation'.[6] Blood that is used to make medications can be made from allogeneic donations or from donations exclusively used for manufacturing.
Prompt: The donor is also examined and asked specific questions about their medical history to make sure that donating blood is not hazardous to their health. The donor's hematocrit or hemoglobin level is tested to make sure that the loss of blood will not make them anemic, and this check is the most common reason that a donor is ineligible.[30] Accepted hemoglobin levels for blood donations, by the American Red Cross, is 12.5g/dL (for females) and 13.0g/dL (for males) to 20.0g/dL, anyone with a higher or lower hemoglobin level cannot donate.[31] Pulse, blood pressure, and body temperature are also evaluated. Elderly donors are sometimes also deferred on age alone because of health concerns.[32] In addition to age, weight and height are important factors when considering the eligibility for donors. For example, the American Red Cross requires a donor to be 110 pounds (50 kg) or more for whole blood and platelet donation and at least 130 pounds (59 kg) (males) and at least 150 pounds (68 kg) (females) for power red donations (double red erythrocytapheresis).[33] The safety of donating blood during pregnancy has not been studied thoroughly, and pregnant women are usually deferred until six w
Prompt: Many common everyday services for terrestrial use such as weather forecasting, remote sensing, satellite navigation systems, satellite television, and some long-distance communications systems critically rely on space infrastructure. Of the sciences, astronomy and Earth science benefit from space technology.[1] New technologies originating with or accelerated by space-related endeavors are often subsequently exploited in other economic activities.
Prompt: As could be expected of a regime born directly of secular opposition to a religious fanatic's violent attempt to set up a theocracy, the regime depicted in the book has a clearly secularist inclination. All organized religious groups are defined as "sects", including what were considered "Churches" at the time of writing (and still are at present). Such religious themes as "the conspicuous depiction of a person suffering in great pain" (i.e. a crucifix) or the "wild aggressive behavior of ancient barbaric tribes" (i.e. the ancient Hebrews as depicted in the Hebrew Bible/Old Testament) is greatly frowned upon. While religious education is not outright forbidden, all youths typically undergo a minimum of two years at a "development center" (a kind of boarding school) where education is completely secular. An option for parents refusing to let their children have such an experience is to go to Coventry where they could do as they wish, and some "sects" have done exactly that, to their last member.
Prompt: Free love is a social movement that accepts all forms of love. The movement's initial goal was to separate the state from sexual and romantic matters such as marriage, birth control, and adultery. It stated that such issues were the concern of the people involved and no one else.[1] The movement began around the 19th century, and was advanced by hippies during the Sixties.
Prompt: Much of the free love tradition reflects a liberal philosophy that seeks freedom from state regulation and church interference in personal relationships. According to this concept, the free unions of adults (or persons at or above the age of consent) are legitimate relations which should be respected by all third parties whether they are emotional or sexual relations. In addition, some free love writing has argued that both men and women have the right to sexual pleasure without social or legal restraints. In the Victorian era, this was a radical notion. Later, a new theme developed, linking free love with radical social change, and depicting it as a harbinger of a new anti-authoritarian, anti-repressive sensibility.[2]
Prompt: Galaxy's circulation had held relatively steady in the mid-1960s, ranging between 73,000 and 78,000, but the UPD acquisition coincided with a precipitous drop—from 75,300 for the year ended October 1968, circulation fell to 51,479 just one year later. Difficulties with distribution also cut into income, and Arnold Abramson, UPD's owner, decided to cut costs and maximize profits. Galaxy went bimonthly in August 1970, ending a two-year spell of monthly scheduling (though a couple of months had been missed). The page count, which had been cut from 196 to 160 when UPD bought it, was increased again, and the price was raised from 60 cents to 75 cents. A British edition began in May 1972, published by Tandem Books, which was owned by UPD. The net effect of all these changes was a substantial increase in profitability. Circulation in 1972 also rose by about 6,000 issues, though it is possible that this was solely due to the new British edition.[32]
Prompt: UPD began to have financial difficulties in the early 1970s, and when Judy-Lynn del Rey (formerly Judy-Lynn Benjamin) left in May 1973 to work at Ballantine Books, Jakobsson's workload increased greatly. He resigned less than a year later, citing overwork and other issues, and was replaced by James Baen, who took over with the June 1974 issue after Pohl declined the post.[33] Baen also took over the editorship of If, but rising paper costs forced the closure of If at the end of 1974, and the title was merged with Galaxy.[34] The magazine had returned to a monthly schedule in September 1973, but it was only patchily adhered to, with at least a couple of issues missed every year except 1974. Baen was successful at increasing circulation again, bringing it from 47,789 when he took over to 81,035 when he left. The magazine was profitable for UPD, but the financial pressure on the parent company took its toll and Baen left in late 1977 to work for Ace Books—the October issue was his last.[8][35]
Prompt: Baen was replaced by John J. Pierce, but the situation only worsened. Pierce resigned within a year: the company was in increasing debt, and his office assistant recalls that the office appeared inefficiently run, though he commented that Pierce "clearly loved what he did and knew what he was talking about". Pierce's replacement was Hank Stine, who took over in late 1978, though because of Galaxy's irregular schedule Pierce's last issue was March–April 1979. Stine managed to produce only two more issues, June–July 1979 and September–October 1979, before UPD's financial problems spelled the end. Rights to the title were transferred to a new company, Galaxy Magazine, Inc., owned by Vincent McCaffrey, proprietor of Avenue Victor Hugo, a second-hand book store in Boston; UPD retained a ten percent interest in order to receive income from future sales to pay off their debts. Stine had compiled two more issues, but neither ever appeared; McCaffrey, who had also launched a separate magazine, Galileo, had cash-flow problems that prevented him from distributing the magazine as he had planned. One more issue did finally appear from McCaffrey, in July 1980, in a large format; it was edi
Prompt: Prelude to Foundation opens on the planet Trantor, the empire's capital planet, the day after Hari Seldon has given a speech at a mathematics conference. Several parties become aware of the content of his speech (that using mathematical formulas, it may be possible to predict the future course of human history). Seldon is hounded by the Emperor and various employed thugs who are working surreptitiously, which forces him into exile. Over the course of the book, Seldon and Dors Venabili, a female companion and professor of history, are taken from location to location by Chetter Hummin who, under the guise of a reporter, introduces them to various Trantorian walks of life in his attempts to keep Seldon hidden from the Emperor. Throughout their adventures all over Trantor, Seldon continuously denies that psychohistory is a realistic science. Even if feasible, it may take several decades to develop. Hummin, however, is convinced that Seldon knows something, so he continuously presses him to work out a starting point to develop psychohistory. Eventually, after much traveling and introductions to various, diverse cultures on Trantor, Seldon realizes that using the entire known galaxy as a
Prompt: Among the suitors are five nobles: Prince Ishitsukuri (石作皇子), Prince Kuramochi (車持皇子), the Minister of the Right Abe no Mimuraji (右大臣阿倍御主人), the Grand Counselor Ōtomo no Miyuki (大納言大伴御行), and the Middle Counselor Isonokami no Marotari (中納言石上麻呂). They eventually persuade the old man to have Kaguya-hime choose from among them. Uninterested, Kaguya-hime devises five impossible tasks, agreeing to marry the noble who can bring her the item specified for him: the stone begging bowl of the Buddha, a jeweled branch from the mythical island of Hōrai, a robe of Chinese fire-rat skins, a colored jewel from a dragon's neck, and a cowry shell born from a swallow.
Prompt: New Atlantis is an incomplete utopian novel by Sir Francis Bacon, published posthumously in 1626. It appeared unheralded and tucked into the back of a longer work of natural history, Sylva Sylvarum (forest of materials). In New Atlantis, Bacon portrayed a vision of the future of human discovery and knowledge, expressing his aspirations and ideals for humankind. The novel depicts the creation of a utopian land where "generosity and enlightenment, dignity and splendour, piety and public spirit" are the commonly held qualities of the inhabitants of the mythical Bensalem. The plan and organisation of his ideal college, Salomon's House (or Solomon's House), envisioned the modern research university in both applied and pure sciences.
Prompt: The novel depicts a mythical island, Bensalem, which is discovered by the crew of a European ship after they are lost in the Pacific Ocean somewhere west of Peru. The minimal plot serves the gradual unfolding of the island, its customs, but most importantly, its state-sponsored scientific institution, Salomon's House, "which house or college ... is the very eye of this kingdom." Many aspects of the society and history of the island are described, such as the Christian religion – which is reported to have been born there as a copy of the Bible and a letter from the Apostle Saint Bartholomew arrived there miraculously, a few years after the Ascension of Jesus; a cultural feast in honour of the family institution, called "the Feast of the Family"; a college of sages, the Salomon's House, "the very eye of the kingdom", to which order "God of heaven and earth had vouchsafed the grace to know the works of Creation, and the secrets of them", as well as "to discern between divine miracles, works of nature, works of art, and impostures and illusions of all sorts"; and a series of instruments, process and methods of scientific research that were employed in the island by the Salomon's Hous
Prompt: For the several employments and offices of our fellows, we have twelve that sail into foreign countries under the names of other nations (for our own we conceal), who bring us the books and abstracts, and patterns of experiments of all other parts. These we call merchants of light. “We have three that collect the experiments which are in all books. These we call depredators. “We have three that collect the experiments of all mechanical arts, and also of liberal sciences, and also of practices which are not brought into arts. These we call mystery–men. “We have three that try new experiments, such as themselves think good. These we call pioneers or miners. “We have three that draw the experiments of the former four into titles and tables, to give the better light for the drawing of observations and axioms out of them. These we call compilers. “We have three that bend themselves, looking into the experiments of their fellows, and cast about how to draw out of them things of use and practice for man's life and knowledge, as well for works as for plain demonstration of causes, means of natural divinations, and the easy and clear discovery of the virtues and parts of bodies.
Prompt: People have observed the sky throughout history, and have sometimes seen unusual sights, such as comets, bright meteors, one or more of the five planets that can be readily seen with the naked eye, planetary conjunctions, and atmospheric optical phenomena such as parhelia and lenticular clouds. One particularly famous example is Halley's Comet: this was recorded first by Chinese astronomers in 240 BC and possibly as early as 467 BC. As it reaches the inner solar system every 76 years, it was often identified as a unique isolated event in ancient historical documents whose authors were unaware that it was a repeating phenomenon. Such accounts in history often were treated as supernatural portents, angels, or other religious omens.[1] While UFO enthusiasts have sometimes commented on the narrative similarities between certain religious symbols in medieval paintings and UFO reports,[2] the canonical and symbolic character of such images is documented by art historians placing more conventional religious interpretations on such images.[3]
Prompt: In the Pacific and European theatres during World War II, round, glowing fireballs known as "foo fighters" were reported by Allied and Axis pilots. Some proposed Allied explanations at the time included St. Elmo's fire, the planet Venus, hallucinations from oxygen deprivation, or German secret weapons.[11] In 1946, more than 2,000 reports were collected, primarily by the Swedish military, of unidentified aerial objects over the Scandinavian nations, along with isolated reports from France, Portugal, Spain, Italy, and Greece. The objects were referred to as "Russian hail" (and later as "ghost rockets") because it was thought the mysterious objects were possibly Russian tests of captured German V1 or V2 rockets. Most were identified as natural phenomena as meteors.[12]
Prompt: The USAF's Project Blue Book files indicate that approximately 1% of all unknown reports[18] came from amateur and professional astronomers or other telescope users (such as missile trackers or surveyors). In 1952, astronomer J. Allen Hynek, then a consultant to Blue Book, conducted a small survey of 45 fellow professional astronomers. Five reported UFO sightings (about 11%). In the 1970s, astrophysicist Peter A. Sturrock conducted two large surveys of the AIAA and American Astronomical Society (AAS). About 5% of the members polled indicated that they had had UFO sightings.
Prompt: As an acronym, "UFO" was coined by Captain Edward J. Ruppelt, who headed Project Blue Book, then the USAF's official investigation of UFOs. He wrote, "Obviously the term 'flying saucer' is misleading when applied to objects of every conceivable shape and performance. For this reason the military prefers the more general, if less colorful, name: unidentified flying objects. UFO (pronounced yoo-foe) for short." Other phrases that were used officially and that predate the UFO acronym include "flying flapjack", "flying disc", "unexplained flying discs", and "unidentifiable object".
Prompt: The building is located on the edge of the old town, close to other famed residential landmarks such as the Casa della Vittoria and the Villino Raby. It is spread over three floors above ground, plus the attic floor. A privileged location is characterized by angular momentum along the axis of the corso Francia and via Principi d'Acaja where will find the main entrance and driveway access to the inner garden. Although the structure is characterized by a rather traditional urban setting typical of a bourgeois villa, the building is an excellent and balanced example of combined use of materials. The decoration is very rich, abundant and references Art Nouveau with frequently phytomorphic shapes. The latter constitutes the elements between the two wings of the building and is embellished with a pronounced oriel window with polychrome glazing which exhibits a mixture of wrought iron. The motifs of twisting lines are also evident in an elegant glass aedicule overlooking the garden terrace, which seems to reference the Parisian sinuosity of Hector Guimard's architecture. The work of Fenoglio, however, seems refreshingly unaffected by the schools of French and Belgian Art Nouveau.
Prompt: Liberty style, like other versions of Art Nouveau, had the ambition of turning ordinary objects, such as chairs and windows, into works of art. Unlike the French and Belgian Art Nouveau, based primarily on nature, Liberty style was more strongly influenced by the Baroque style, with very lavish ornament and color, both on the interior and exterior.[2] The Italian poet and critic Gabriele d'Annunzio wrote in 1889, as the style was just beginning, "the genial sensual debauche of the Baroque sensibility is one of the determining variants of the Italian Art Nouveau."[3]
Prompt: In the Palau Güell, there is one set of interior columns along the main facade with hyperbolic capitals. The crown of the famous parabolic vault is a hyperboloid. The vault of one of the stables at the Church of Colònia Güell is a hyperboloid. There is a unique column in the Park Güell that is a hyperboloid. The famous Spanish engineer and architect Eduardo Torroja designed a thin-shell water tower in Fedala[5] and the roof of Hipódromo de la Zarzuela[6] in the form of hyperboloid of revolution. Le Corbusier and Félix Candela used hyperboloid structures (hypar).[citation needed]
Prompt: The Galata Tower (Turkish: Galata Kulesi), officially the Galata Tower Museum (Turkish: Galata Kulesi Müzesi), is an old Genoese tower in the Galata part of the Beyoğlu district of Istanbul, Turkey. Built as a watchtower at the highest point of the (lost) Walls of Galata,[1] the tower is now an exhibition space and museum, and a symbol of Beyoğlu and Istanbul.
Prompt: The Palacio was constructed 14 miles (23 km) from the Olympic Village and 6.5 from downtown Mexico City in the Magdalena Mixhuca Sports City near the conflux of two expressways (Miguel Alemán Viaduct and Río Churubusco Interior Loop). It was built by the company ICA between October 15, 1966 and September 13, 1968, and finished construction just in time for the Olympics. The Palacio is circular in design with a square-patterned dome spanning 380 feet (120 m) and enclosing an area of 6.7 acres (27,000 m2). The dome consists of hyperbolic paraboloids of tubular aluminum covered with waterproof copper-sheathed plywood and supported by huge steel arches. The Palacio originally seated 22,370, including 7,370 in removable seats. There was parking space for 3,864 vehicles. The structure was designed by architects Félix Candela, Enrique Castañeda Tamborel and Antonio Peyri. It has three floors, which house complete facilities for athletes, judges, officials, organizers, as well as services for radio, television and the press. A mezzanine provides access to the boxes and middle and upper stands.
Prompt: Denver International Airport (IATA: DEN, ICAO: KDEN, FAA LID: DEN), locally known as DIA, is an international airport in the Western United States, primarily serving metropolitan Denver, Colorado, as well as the greater Front Range Urban Corridor. At 33,531 acres (52.4 sq mi; 135.7 km2),[3][4] it is the largest airport in the Western Hemisphere by land area and the second largest on Earth, behind King Fahd International Airport.[5] Runway 16R/34L, with a length of 16,000 feet (3.03 mi; 4.88 km), is the longest public use runway in North America and the seventh longest on Earth. The airport is 25 miles (40 km) driving distance from Downtown Denver,[6] 19 miles (31 km) farther than the former Stapleton International Airport, the facility DEN replaced: the airport land was originally part of Adams County until the construction of the airport in 1995, and is actually located in between Commerce City and Aurora with the Southwest side connecting strip of neighborhoods (on the route of Peña Blvd) being the only connection with the rest of the city of Denver: many airport-related services, such as hotels, are located in Aurora.[7]
Prompt: Industrial architecture is the design and construction of buildings facilitating industry. The architecture revolving around the industrial world uses a variety of building designs and styles to be able to occupy labor and distribution of goods. Such buildings rose in importance with the Industrial Revolution, starting in Britain, and were some of the pioneering structures of modern architecture. Many of the architectural buildings revolving around the industry allowed for processing, manufacturing, distribution, and the storage of goods and resources. Architects also have to consider the safety measurements and workflow to ensure the smooth flow within the work environment located in the building.
Prompt: The birth of all industrial architecture stemmed from England and the continuing expansions of the architecture was a product of the Industrial Revolution. The usage and production of iron and steel became more prominent since they were used as the foundation for the industrial buildings. Steel is a durable material and was also used in other parts of the industry such as infrastructure, but it was difficult to make because it required high temperature to melt the metal.
Prompt: Britain played an important role on the uprising of the Industrial Revolution which altered the way people live and made certain jobs in society a lot easier of humans; went from doing everything by hand to using machinery. The Industrial Revolution stimulated the expansion of trade and distribution of goods amongst Europe and the Atlantic Ocean. The technological advances from Europe were later spread to the United States in the late 1700s. Samuel Slater fled to the United States and later opened a textile mill in Rhode Island; shortly after that the cotton gin was invented by Eli Whitney.
Prompt: Dutch Baroque architecture is a variety of Baroque architecture that flourished in the Dutch Republic and its colonies during the Dutch Golden Age of the 17th century. (Dutch painting during the period is covered by Dutch Golden Age painting). Like contemporary developments in England, Dutch Palladianism is marked by sobriety and restraint. The architecture of the first republic in Northern Europe was meant to reflect democratic values by quoting extensively from classical antiquity. It found its impetus in the designs of Hendrick de Keyser, who was instrumental in establishing a Venetian-influenced style into early 17th-century architecture through new buildings like the Noorderkerk ("Northern church", 1620–1623) and Westerkerk ("Western church", 1620–1631) in Amsterdam. In general, architecture in the Low Countries, both in the Counter-Reformation-influenced south and Protestant-dominated north, remained strongly invested in northern Italian Renaissance and Mannerist forms that predated the Roman High Baroque style of Borromini and Bernini. Instead, the more austere form practiced in the Dutch Republic was well suited to major building patterns: palaces for the House of Orang
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Neo Kotsiubiiv (Нео Коцюбіїв)
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Member since 2023
Ukrainian dreamer show numerous variations of the Kotsiubiiv National Opera and Ballet Theatre. If you want to use some work in your works, you can do it. I would be glad to see the use or implementation of my robots somewhere. I wish you success in your work. P.S.: Українець - це шлях (Андрій Павленко). Борітеся — поборете (Тарас Шевченко)!
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.