Prompt: Acre is a historic walled port-city with continuous settlement from the Phoenician period. The present city is characteristic of a fortified town dating from the Ottoman 18th and 19th centuries, with typical urban components such as the citadel, mosques, khans and baths. The remains of the Crusader town, dating from 1104 to 1291, lie almost intact, both above and below today's street level, providing an exceptional picture of the layout and structures of the capital of the medieval Crusader kingdom of Jerusalem.
Prompt: Tels (prehistoric settlement mounds), are characteristic of the flatter lands of the eastern Mediterranean, particularly Lebanon, Syria, Israel and eastern Turkey. Of more than 200 tels in Israel, Megiddo, Hazor and Beer Sheba are representative of those that contain substantial remains of cities with biblical connections. The three tels also present some of the best examples in the Levant of elaborate Iron Age, underground water-collecting systems, created to serve dense urban communities. Their traces of construction over the millennia reflect the existence of centralized authority, prosperous agricultural activity and the control of important trade routes. Historic settlement mounds, known as tels, are characteristic of the flatter lands of the eastern Mediterranean, particularly in Lebanon, Syria, Israel and eastern Turkey. Of more than 200 such mounds in Israel, the three sites of Megiddo, Hazor and Beer Sheba are representative of those that contain substantial remains of cities with biblical connections, and are strongly associated with events portrayed in the bible.
Prompt: The four Nabatean towns of Haluza, Mamshit, Avdat and Shivta, along with associated fortresses and agricultural landscapes in the Negev Desert, are spread along routes linking them to the Mediterranean end of the incense and spice route. Together they reflect the hugely profitable trade in frankincense and myrrh from south Arabia to the Mediterranean, which flourished from the 3rd century BC until the 2nd century AD. With the vestiges of their sophisticated irrigation systems, urban constructions, forts and caravanserai, they bear witness to the way in which the harsh desert was settled for trade and agriculture. The Incense Route was a network of trade routes extending over two thousand kilometres to facilitate the transport of frankincense and myrrh from the Yemen and Oman in the Arabian Peninsula to the Mediterranean. The four Nabatean towns of Haluza, Mamshit, Avdat and Shivta, with their associated fortresses and agricultural landscapes linking them to the Mediterranean are situated on a segment of this route, in the Negev Desert, in southern Israel. They stretch across a hundred-kilometre section of the desert, from Moa on the Jordanian border in the east to Haluza.
Prompt: Situated on the western slopes of the Mount Carmel range, the site includes the caves of Tabun, Jamal, el-Wad and Skhul. Ninety years of archaeological research have revealed a cultural sequence of unparalleled duration, providing an archive of early human life in south-west Asia. This 54 ha property contains cultural deposits representing at least 500,000 years of human evolution demonstrating the unique existence of both Neanderthals andEarly Anatomically Modern Humans within the same Middle Palaeolithic cultural framework, the Mousterian. Evidence from numerous Natufian burials and early stone architecture represents the transition from a hunter-gathering lifestyle to agriculture and animal husbandry. As a result, the caves have become a key site of the chrono-stratigraphic framework for human evolution in general, and the prehistory of the Levant in particular.
Prompt: The archaeological site contains some 3,500 underground chambers distributed among distinct complexes carved in the thick and homogenous soft chalk of Lower Judea under the former towns of Maresha and Bet Guvrin. Situated on the crossroads of trade routes to Mesopotamia and Egypt, the site bears witness to the region’s tapestry of cultures and their evolution over more than 2,000 years from the 8th century BCE—when Maresha, the older of the two towns was built—to the time of the Crusaders. These quarried caves served as cisterns, oil presses, baths, columbaria (dovecotes), stables, places of religious worship, hideaways and, on the outskirts of the towns, burial areas. Some of the larger chambers feature vaulted arches and supporting pillars. The presence in the Judean Lowlands of thick and homogeneous chalk sub-strata enabled numerous caves to be excavated and managed by Man. The property includes a very complete selection of chambers and man-made subterranean networks, of different forms and for different activities. They are situated underneath the ancient twin cities of Maresha and Bet Guvrin, and in the surrounding areas, constituting a “city under a city”.
Prompt: Consisting of a series of catacombs, the necropolis developed from the 2nd century AD as the primary Jewish burial place outside Jerusalem following the failure of the second Jewish revolt against Roman rule. Located southeast of the city of Haifa, these catacombs are a treasury of artworks and inscriptions in Greek, Aramaic, Hebrew and Palmyrene. Bet She’arim bears unique testimony to ancient Judaism under the leadership of Rabbi Judah the Patriarch, who is credited with Jewish renewal after 135 AD. Hewed into the limestone slopes of hills bordering the Vale of Jezre’el, a series of man-made catacombs was developed from the 2nd century AD as the necropolis of Bet She’arim. It became the primary Jewish burial place outside Jerusalem following the failure of the second Jewish revolt against Roman rule and the catacombs are a treasury of eclectic art works and inscriptions in Greek, Aramaic, Hebrew and Palmyrene. Bet She’arim is associated with Rabbi Judah the Patriarch, the spiritual and political leader of the Jewish people who composed the Mishna and is credited with Jewish renewal after 135 AD.
Prompt: Valcamonica, situated in the Lombardy plain, has one of the world's greatest collections of prehistoric petroglyphs – more than 140,000 symbols and figures carved in the rock over a period of 8,000 years and depicting themes connected with agriculture, navigation, war and magic. Valcamonica, situated in the mountainous area of the Lombardy region, has one of the world's greatest collections of prehistoric petroglyphs – more than 140,000 symbols and figures carved in the rock over a period of more than 8,000 years. Found on both sides of an entire valley, the petroglyphs depict themes connected to agriculture, deer hunting, duels, as well as geometric-symbolic figures.
Prompt: The refectory of the Convent of Santa Maria delle Grazie forms an integral part of this architectural complex, begun in Milan in 1463 and reworked at the end of the 15th century by Bramante. On the north wall is The Last Supper, the unrivalled masterpiece painted between 1495 and 1497 by Leonardo da Vinci, whose work was to herald a new era in the history of art. The refectory of the Convent of Santa Maria delle Grazie in Milan forms an integral part of this architectural complex, begun in 1463 and reworked at the end of the 15th century by Bramante. On the north wall is The Last Supper, the unrivalled masterpiece painted between 1495 and 1497 by Leonardo da Vinci, whose work was to herald a new era in the history of art. The complex, including the Church and Convent, was built from 1463 onwards by Guiniforte Solari, and was afterwards considerably modified at the end of 15th century by Bramante, one of the masters of the Renaissance. Bramante structurally enlarged the church and added large semi-circular apses, a wonderful drum-shaped dome surrounded by columns, and a spectacular cloister and refectory.
Prompt: Built on the site of an Etruscan settlement, Florence, the symbol of the Renaissance, rose to economic and cultural pre-eminence under the Medici in the 15th and 16th centuries. Its 600 years of extraordinary artistic activity can be seen above all in the 13th-century cathedral (Santa Maria del Fiore), the Church of Santa Croce, the Uffizi and the Pitti Palace, the work of great masters such as Giotto, Brunelleschi, Botticelli and Michelangelo. Florence was built on the site of an Etruscan settlement and the later ancient Roman colony of Florentia (founded in 59 BC). This Tuscan city became a symbol of the Renaissance during the early Medici period (between the 15th and the 16th centuries), reaching extraordinary levels of economic and cultural development. The present historic centre covers 505 ha and is bounded by the remains of the city’s 14th-century walls. These walls are represented by surviving gates, towers, and the two Medici strongholds: that of Saint John the Baptist in the north, popularly known as “da Basso”, and the Fort of San Giorgio del Belvedere located amongst the hills of the south side.
Prompt: 'San Gimignano delle belle Torri' is in Tuscany, 56 km south of Florence. It served as an important relay point for pilgrims travelling to or from Rome on the Via Francigena. The patrician families who controlled the town built around 72 tower-houses (some as high as 50 m) as symbols of their wealth and power. Although only 14 have survived, San Gimignano has retained its feudal atmosphere and appearance. The town also has several masterpieces of 14th- and 15th-century Italian art. The Historic Centre of San Gimignano sits on a height of land, dominating the surrounding landscape. During the Middle Ages, its location in Val d’Elsa, 56 km south of Florence, provided an important relay point for pilgrims travelling to or from Rome on the Via Francigena. The town became independent in 1199 and between the 11th and the 13th century the noble families and upper middle-class merchants who controlled the free town built many fortified tower houses (probably 72) as symbols of their wealth and power. The town grew around two principal squares: the triangular Piazza della Cisterna, ornamented with a lovely central well, and the Piazza Duomo.
Prompt: This is the most outstanding, intact example of a troglodyte settlement in the Mediterranean region, perfectly adapted to its terrain and ecosystem. The first inhabited zone dates from the Palaeolithic, while later settlements illustrate a number of significant stages in human history. Matera is in the southern region of Basilicata. Located in the southern Italian region of Basilicata, The Sassi and the Park of the Rupestrian Churches of Matera comprises a complex of houses, churches, monasteries and hermitages built into the natural caves of the Murgia. Covering an area of 1,016 ha this remarkable and intact troglodyte settlement contains more than a thousand dwellings and a large number of shops and workshops. The property was first occupied during the Palaeolithic period and shows evidence of continuous human occupation through several millennia until the present day, and is harmoniously integrated into the natural terrain and ecosystem.
Prompt: The site is composed of the ancient districts of the city of Matera and of the Park of the Rupestrian Churches which stretch over the Murgia, a calcareous highland plateau characterized by deep fault fissures, ravines, rocks and caves. The morphology of the territory, characterized by deep ravines (gravine) and bare highland plateaus, integrated with ancient cave churches, shepherd tracks marked by wells, and fortified farmhouses, form one of the most evocative landscapes of the Mediterranean. The site was first occupied from the Paleolithic to the Neolithic era with occupation of the natural caves intensifying from the 8th century, when the city started to overshoot the boundaries of the defensive walls dated to the Roman Age and constructed all around the part of the city called Civita, which was the first inhabited nucleus. The earliest houses in the settlement were simple caves enclosed by a wall of excavated blocks on the two grabiglioni, Sasso Caveoso and Sasso Barisano. A Romanesque cathedral was built on the Civita between the two Sassi in the 13thcentury.
Prompt: Founded in the 2nd century B.C. in northern Italy, Vicenza prospered under Venetian rule from the early 15th to the end of the 18th century. The work of Andrea Palladio (1508–80), based on a detailed study of classical Roman architecture, gives the city its unique appearance. Palladio's urban buildings, as well as his villas, scattered throughout the Veneto region, had a decisive influence on the development of architecture. His work inspired a distinct architectural style known as Palladian, which spread to England and other European countries, and also to North America. The definitive Palladian country villa synthesizes, both figuratively and materially, the functional aspects of management of the land and the aristocratic self-glorification of the owner. lts core is the house-temple, embellished with a monumental staircase and crowned by a pediment supported by columns of the loggia. Porticos extend alongside the wings starting from the main building, and often end with towers. The different components are linked by a common classical language and are ordered according to a well-defined hierarchy.
Prompt: Crespi d'Adda in Capriate San Gervasio in Lombardy is an outstanding example of the 19th- and early 20th-century 'company towns' built in Europe and North America by enlightened industrialists to meet the workers' needs. The site is still remarkably intact and is partly used for industrial purposes, although changing economic and social conditions now threaten its survival. Workers benefited from other amenities in addition to housing including public lavatories and wash-houses, a clinic, a consumer cooperative, a school, a small theatre, a sports centre, a house for the local priest and one for the doctor, a hydroelectric power station which supplied free electricity and other common services. There were also buildings with a more symbolic value such as the church, the castle (residence of the Crespi family), a new office complex, and houses for the factory managers located south of the workers’ residences.
Prompt: Ferrara, which grew up around a ford over the River Po, became an intellectual and artistic centre that attracted the greatest minds of the Italian Renaissance in the 15th and 16th centuries. Here, Piero della Francesca, Jacopo Bellini and Andrea Mantegna decorated the palaces of the House of Este. The humanist concept of the 'ideal city' came to life here in the neighbourhoods built from 1492 onwards by Biagio Rossetti according to the new principles of perspective. The completion of this project marked the birth of modern town planning and influenced its subsequent development. Ferrara, City of the Renaissance, and its Po Delta, situated within the Emilia Romagna region of Italy, is a remarkable cultural landscape. The area comprises the urban centre of Ferrara and adjoining agricultural lands within the ancient and vast Po River Delta.
Prompt: The Po Delta of the Po River valley has been settled for millennia. From the 14th to the 16th centuries, the ruling Este family carried out extensive land reclamation and building projects, which give this area a distinctive character link with Ferrara, seat of the Este family. Transformations made to the countryside surrounding Ferrara during the Renaissance included: drainage of huge swathes of swampland, establishment of castalderie (estates), creation of new waterways and streets as part of the overall urban development plan and construction of a network of noble residences known as the delizie estensi. This work led to a new fabric of agricultural production and the construction of Ducal residences as the political sign of magnificence. These were designed to mirror the image of the Court beyond the urban confines and again formed part of a process of integration and continuity between the city and the surrounding countryside. The original form of the Renaissance landscape of the Po River Delta is still recognisable in the region’s 21st-century layout.
Prompt: Naples was among the foremost cities of Magna Graecia, playing a key role in the transmission of Greek culture to Roman society. It eventually became a major cultural centre in the Roman Republic, civitas foederata. Sections of the Greek town walls excavated since World War II and the excavated remains of a Roman theatre, cemeteries and catacombs testify to this history. In the 6th century A.D., Naples was conquered by the Byzantine Empire, becoming an autonomous Duchy, later associated with the Normans, Swabians, and the Sicilian reign. Evidence of this period includes the churches of San Gennaro extra moenia, San Giorgio Maggiore, and San Giovanni Maggiore with surviving elements of 4th and 5th century architecture, the chapel of Santa Restituta in the 14th-century cathedral, and the Castel dell'Ovo, one of the most substantial survivals from the Norman period, although subsequently remodelled on several occasions. The component parts of the serial property are: the Historical Centre of Naples; the District of Villa Manzo, Santa Maria della Consolazione; Marechiaro ; the District of Casale ; the District of Santo Strato and the Villa Emma .
Prompt: Siena is the embodiment of a medieval city. Its inhabitants pursued their rivalry with Florence right into the area of urban planning. Throughout the centuries, they preserved their city's Gothic appearance, acquired between the 12th and 15th centuries. During this period the work of Duccio, the Lorenzetti brothers and Simone Martini was to influence the course of Italian and, more broadly, European art. The whole city of Siena, built around the Piazza del Campo, was devised as a work of art that blends into the surrounding landscape. Siena is an outstanding medieval city that has preserved its character and quality to a remarkable degree. The city had substantial influence on art, architecture and town planning during the Middle Ages, both in Italy and elsewhere in Europe. The city is a masterwork of dedication and inventiveness in which the buildings have been designed to fit into the overall planned urban fabric and also to form a whole with the surrounding cultural landscape.
Prompt: Ravenna was the seat of the Roman Empire in the 5th century and then of Byzantine Italy until the 8th century. It has a unique collection of early Christian mosaics and monuments. All eight buildings – the Mausoleum of Galla Placidia, the Neonian Baptistery, the Basilica of Sant'Apollinare Nuovo, the Arian Baptistery, the Archiepiscopal Chapel, the Mausoleum of Theodoric, the Church of San Vitale and the Basilica of Sant'Apollinare in Classe – were constructed in the 5th and 6th centuries. They show great artistic skill, including a wonderful blend of Graeco-Roman tradition, Christian iconography and oriental and Western styles. The serial property Early Christian Monuments of Ravenna in north-east Italy consists of eight monuments, namely the Mausoleum of Galla Placidia, the Neonian Baptistery, the Basilica of Sant'Apollinare Nuovo, the Arian Baptistery, the Archiepiscopal Chapel, the Mausoleum of Theodoric, the Church of San Vitale and the Basilica of Sant'Apollinare in Classe, built between the 5th and 6th centuries AD. These religious monuments, decorated with precious marble, stuccos and mosaics, reflect the major historical.
Prompt: The palace and the gardens of Villa d’Este in Tivoli, in the centre of Italy, were laid out by Pirro Ligorio (1500-1583) on behalf of Cardinal Ippolito II d’Este of Ferrara (1509-1572), who, after being named governor of Tivoli in 1550, desired the realization of a palace adequate to his new status. The ensemble composed of the palace and gardens forms an uneven quadrilateral and covers an area of about 4.5 ha. The Villa d’Este in Tivoli is one of the most remarkable and comprehensive illustrations of Renaissance culture at its most refined. Owing to its innovative design and the creativity and ingenuity of the architectural components in the gardens (fountains, ornamental basins, etc.), it is a true water garden and a unique example of an Italian 16th century garden. The Villa d’Este, one of the first giardini delle meraviglie, served as a model for and had a decisive influence on the development of gardens in Europe.
Prompt: The eight towns in south-eastern Sicily: Caltagirone, Militello Val di Catania, Catania, Modica, Noto, Palazzolo, Ragusa and Scicli, were all rebuilt after 1693 on or beside towns existing at the time of the earthquake which took place in that year. They represent a considerable collective undertaking, successfully carried out at a high level of architectural and artistic achievement. Keeping within the late Baroque style of the day, they also depict distinctive innovations in town planning and urban building.
Prompt: These two large Etruscan cemeteries reflect different types of burial practices from the 9th to the 1st century BC, and bear witness to the achievements of Etruscan culture. Which over nine centuries developed the earliest urban civilization in the northern Mediterranean. Some of the tombs are monumental, cut in rock and topped by impressive tumuli (burial mounds). Many feature carvings on their walls, others have wall paintings of outstanding quality. The necropolis near Cerveteri, known as Banditaccia, contains thousands of tombs organized in a city-like plan, with streets, small squares and neighbourhoods. The site contains very different types of tombs: trenches cut in rock; tumuli; and some, also carved in rock, in the shape of huts or houses with a wealth of structural details. These provide the only surviving evidence of Etruscan residential architecture. The necropolis of Tarquinia, also known as Monterozzi, contains 6,000 graves cut in the rock. It is famous for its 200 painted tombs, the earliest of which date from the 7th century BC.
Prompt: The necropolis near Cerveteri, known as the Banditaccia, contains thousands of tombs organized in a city-like plan, with streets, small squares, and neighbourhoods. The 197.57 ha site dates from the 9th century BCE and contains very different types of tombs: trenches cut in rock; tumuli which often contain more than one tomb; and some, also carved in rock, in the shape of huts or houses with a wealth of structural details. The Banditaccia necropolis, among the largest in antiquity, reproduces the ‘city of the living’. Because there is little surviving written information on the Etruscans, this site provides exceptional testimony of Etruscan domestic architecture from archaic times to the Hellenic period.
Prompt: The Val d’Orcia distinctive landscape comprises a network of farms, villages and towns reflecting the Renaissance agricultural prosperity, the mercantile wealth of Sienna, the need for defence, and a utopian aesthetic. The working landscape of fields, farms, trees, and woodlands, is interspersed with low, conical hills on the summits of which are situated towns and villages. The major hill towns of the area include Pienza (a separate World Heritage property), Montalcino, San Quirico d’Orcia, Castiglione d’Orcia, Rocca d’Orcia, Monticchello and Radicofani. Distinctive groups and avenues of cypress pine trees mark out the settlements and define routes.
Prompt: The site consists of two separate elements, containing outstanding vestiges dating back to Greek and Roman times: The Necropolis of Pantalica contains over 5,000 tombs cut into the rock near open stone quarries, most of them dating from the 13th to 7th centuries BC. Vestiges of the Byzantine era also remain in the area, notably the foundations of the Anaktoron (Prince’s Palace). The other part of the property, Ancient Syracuse, includes the nucleus of the city’s foundation as Ortygia by Greeks from Corinth in the 8th century BC. The site of the city, which Cicero described as ‘the greatest Greek city and the most beautiful of all’, retains vestiges such as the Temple of Athena (5th century BC, later transformed to serve as a cathedral), a Greek theatre, a Roman amphitheatre, a fort and more. Many remains bear witness to the troubled history of Sicily, from the Byzantines to the Bourbons, interspersed with the Arabo-Muslims, the Normans, Frederick II of the Hohenstaufen dynasty (1197–1250), the Aragons and the Kingdom of the Two Sicilies. Historic Syracuse offers a unique testimony to the development of Mediterranean civilization over three millennia.
Prompt: The Strade Nuove and the system of the Palazzi dei Rolli in Genoa’s historic centre date from the late 16th and early 17th centuries when the Republic of Genoa was at the height of its financial and seafaring power. The site represents the first example in Europe of an urban development project parcelled out by a public authority within a unitary framework and associated to a particular system of ‘public lodging’ in private residences, as decreed by the Senate in 1576. The site includes an ensemble of Renaissance and Baroque palaces along the so-called ‘new streets’ (Strade Nuove). The Palazzi dei Rolli offer an extraordinary variety of different solutions, achieving universal value in adapting to the particular characteristics of the site and to the requirements of a specific social and economic organization. They also offer an original example of a public network of private residences designated to host state visits.
Prompt: The Longobards in Italy, Places of Power, 568 - 774 A.D. comprises seven groups of important buildings (including fortresses, churches, and monasteries) throughout the Italian Peninsula. They testify to the high achievement of the Lombards, who migrated from northern Europe and developed their own specific culture in Italy where they ruled over vast territories in the 6th to 8th centuries. The Lombards synthesis of architectural styles marked the transition from Antiquity to the European Middle Ages, drawing on the heritage of Ancient Rome, Christian spirituality, Byzantine influence and Germanic northern Europe. The serial property testifies to the Lombards' major role in the spiritual and cultural development of Medieval European Christianity, notably by bolstering the monastic movement.
Prompt: Twelve villas and two gardens spread across the Tuscan landscape make up this site which bears testimony to the influence the Medici family exerted over modern European culture through its patronage of the arts. Built between the 15th and 17th centuries, they represent an innovative system of construction in harmony with nature and dedicated to leisure, the arts and knowledge. The villas embody an innovative form and function, a new type of princely residence that differed from both the farms owned by rich Florentines of the period and from the military might of baronial castles. The Medici villas form the first example of the connection between architecture, gardens, and the environment and became an enduring reference for princely residences throughout Italy and Europe. Their gardens and integration into the natural environment helped develop the appreciation of landscape characteristic Humanism and the Renaissance.
Prompt: The economic, financial and political fortunes of the Medici were behind extensive patronage that had a decisive effect on the cultural and artistic history of modern Europe. Among the resulting architectural and aesthetic forms, the Medici villas in deep harmony with their gardens and rural environment are among the most original of the Italian Renaissance. The nominated property is a selection of twelve complete villas with their gardens and two additional pleasure gardens spread across the Tuscan countryside and near to Florence. The Medici villa and its gardens embody an ideal of the princely residence in the country where it was possible to live in harmony with nature, and dedicate as much to leisure pastimes as to the arts and knowledge.
Prompt: This landscape covers five distinct wine-growing areas with outstanding landscapes and the Castle of Cavour, an emblematic name both in the development of vineyards and in Italian history. It is located in the southern part of Piedmont, between the Po River and the Ligurian Apennines, and encompasses the whole range of technical and economic processes relating to the winegrowing and winemaking that has characterized the region for centuries. Vine pollen has been found in the area dating from the 5th century BC, when Piedmont was a place of contact and trade between the Etruscans and the Celts; Etruscan and Celtic words, particularly wine-related ones, are still found in the local dialect. During the Roman Empire, Pliny the Elder mentions the Piedmont region as being one of the most favourable for growing vines in ancient Italy; Strabo mentions its barrels.
Prompt: The vineyard landscapes of Langhe-Roero and Monferrato in Piedmont consist of a selection of five distinct winegrowing areas and a castle, whose names evoke profound and ancient expertise in the relationship between man and his environment. They reflect a slowly developed association between a diverse range of soils, grape varieties that are often native, and suitable winemaking processes. They offer panoramas of carefully cultivated hillsides, following ancient land divisions punctuated with buildings that lend structure to the visual space: hilltop villages, castles, Romanesque churches, farms, ciabots, cellars and storehouses for cellaring and for the commercial distribution of the wine in the small towns and larger towns on the margins of the vineyards. The serial property is outstanding for its harmony, and the balance between the aesthetic qualities of its landscapes, the architectural and historical diversity of the built elements associated with the wine production activities and an authentic and ancient art of winemaking.
Prompt: The monuments that comprise this 6.235-ha serial property include the Royal Palace and Palatine Chapel; Zisa Palace; Palermo Cathedral; Monreale Cathedral; Cefalù Cathedral; Church of San Giovanni degli Eremiti; Church of Santa Maria dell’Ammiraglio; Church of San Cataldo; and Admiral’s Bridge. Each illustrates important aspects of the multicultural Western-Islamic-Byzantine syncretism that characterized the Norman kingdom of Sicily during the 12th century. The innovative re-elaboration of architectural forms, structures, and materials and their artistic, decorative, and iconographic treatments – most conspicuously the rich and extensive tesserae mosaics, pavements in opus sectile, marquetry, sculptural elements, paintings, and fittings – celebrate the fruitful coexistence of people of different origins.
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Neo Kotsiubiiv (Нео Коцюбіїв)
(neokotsiubiiv)
Member since 2023
Ukrainian dreamer show numerous variations of the Kotsiubiiv National Opera and Ballet Theatre. If you want to use some work in your works, you can do it. I would be glad to see the use or implementation of my robots somewhere. I wish you success in your work. P.S.: Українець - це шлях (Андрій Павленко). Борітеся — поборете (Тарас Шевченко)!
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