Prompt: Bellapart is specialized in personalized steel and glass structures, façades, domes, safe entrances, and complex building envelopes, building innovative and complex architectural solutions. With a very high knowledge of glass, lightweight structures, composites and all kinds of high-tech materials. The following are 2 examples of Bellapart's bespoke double-skin façade solutions for innovative architecture. The vertical structure is made up of reinforced steel plate supports arranged on the longitudinal facades. The peculiarity of this part of the structure lies in its tree-inspired geometry, which is interpreted as an irregular network of inclined supports that subdivide and intersect more as you go higher.
Prompt: The Willis Building (originally the Willis Faber & Dumas regional headquarters) in Ipswich, England, is one of the earliest buildings designed by Norman Foster and Wendy Cheesman after establishing Foster Associates. Constructed between 1970 and 1975 for the insurance firm now known as Willis Towers Watson, it is now seen as a landmark in the development of the 'high tech' architectural style. The building houses some 1,300 office staff in open-plan offices spread over three floors. The centre of the building is constructed from a grid of concrete pillars, 14 m apart, supporting cantilevered concrete slab floors. The curtain wall exterior is clad in panels of dark smoked glass. The use of dark glass, a curtain wall and lack of right angle corners mirrors the art deco Express Building in Manchester, cited by Norman Foster as one of his favourite buildings and a design influence. The central escalator well leads up to a rooftop staff restaurant surrounded by a rooftop garden. Originally, there was also a swimming pool for employees to enjoy during their lunch break. This has now been covered up (not filled in due to it being a listed building) and the space is used for more offices.
Prompt: a striking digital illustration that imagines a world in which technologically advanced Cats. Created by artist Sophia Chen in 2023, the artwork features a highly detailed and intricate scene that evokes a sense of wonder and intrigue. Futuristic, with sleek and polished designs that suggest a highly advanced civilization. The colors are predominantly cool blues and greens, with flashes of neon red and orange that add a sense of energy and intensity to the scene. The overall effect is a blend of scientific precision and emotional expressiveness,
Prompt: A Brand New Ancient Alien Land of Spiralling Creativity and Unnatural Concepts, a coupls is walking on a path, by Salvador Dali, Peter Gric, Ivan Shishkin and Dan Mumford, Flowing Energy, Deep Colours, Polished, Masterful Surrealism, Photorealistic, cel-shaded, digital illustration, unreal engine, 8k, high definition, crisp quality
Prompt: The building is designed as a cultural and residential complex. The original 1966 brick façade of the Kaispeicher A, formerly a warehouse, was retained at the base of the building. On top of this a footprint-matching superstructure rests on its own foundation exhibiting a glassy exterior and a wavy roof line. About one thousand glass windows are curved. The building has 26 floors with the first eight floors within the brick façade. It reaches its highest point with 108 metres (354 ft) at the western side. The footprint of the building measures 120,000 square metres (1.3 million square feet). A curved escalator from the main entrance at the east side connects the ground floor with an observation deck, the Plaza, at the 8th floor, the top of the brick section. The Plaza is accessible by the public. It offers a view of Hamburg and the Elbe. From the Plaza the foyer of the concert hall can be reached. The Elbphilharmonie has three concert venues. The Great Concert Hall can accommodate 2,100 visitors whereby the performers are in the center of the hall surrounded by the audience in the vineyard style arrangement.
Prompt: Fantastic exotic flowers, watercolor ink, intricate, magical, in the style of James Jean, Brian Froud, Yana Movchan, Zdzisław Beksinski, Hieronymus Bosch, hyperdetailed, sharp focus, intricate concept art, digital painting, ambient lighting, 16 k, trending on artstation, hyper quality
Prompt: The capital city of Gondor was Minas Tirith. It had seven walls: each wall held a gate, and each gate faced a different direction from the next, facing alternately somewhat north or south. Each level was about 100 ft (30 m) higher than the one below it, and each surrounded by a high white stone wall, with the exception of the wall of the First Circle (the lowest level), which was black, built of the same material used for Orthanc. This outer wall was also the tallest, longest and strongest of the city's seven walls; it was vulnerable only to earthquakes capable of rending the ground where it stood. The Great Gate of Minas Tirith, constructed of iron and steel and guarded by stone towers and bastions, was the main gate on the first wall level of the city.[T 6] Tolkien called it a "Byzantine City".
Prompt: These sci-fi architecture examples range from cloud-shaped structures to futuristic interiors that are inspired by conceptual imagery. Embracing futuristic design ideals, these sci-fi architecture examples are the opposite of traditional and are always pushing boundaries with their complex and sophisticated designs. These amazing structures are not only visually striking but are designed using some of the world's most sophisticated technological inventions. Standouts from the list include Yuliyan Mikov's Museum of Architecture concept. This project looks to nature for its visual inspiration and employs complex technology to create its organically shaped structural form. The end result is a dreamlike and sculptural design and is a piece many hope will be fully realized and built in the coming future.
Prompt: Scientists and engineers at Arizona State University's Center for Science and the Imagination are working on a concept with science fiction author Neal Stephenson to develop sci-fi building that is capable of launching rockets into outer space. Before becoming an author, Stephenson studied physics, familiarizing him with issues like wind pressure and the constraints of today's building materials. He claims that one day, "high-grade steel could one day be used to build a tower that is around 24 times as tall as the 830-metre Burj Khalifa," which is currently the world's tallest man-made structure. The proposed design of 'The Tall Building' is part of 'Project Hieroglyph,' which aims to bring the visions of sci-fi writers into reality. Stephenson imagines that this structure would tower over the ground at over 12 miles high and because of its height, it would become one of the most cost-effective ways to send objects into space.
Prompt: When Ziba Esmaeilian describes the themes and principles at play in the design of 'Dichotomy & Ambiguity,' it's difficult to envision an architecture that embodies any harmony at all. Interestingly, despite the contrasting forms at work within this idiosyncratic structure, the skyscraper carries itself with a beautiful balance. The chaotic "pile" system is met with the predictable monolithic style for a fascinating fusion of geometric masses. They appear to defy the logic of the planned horizontal floor planes. A glance at the cross-sections will show you that such interior spaces function regardless with an intelligent arrangement of open galleries and vertical circulation. 'Dichotomy & Ambiguity' mesmerizes from the outside with its abstract shape and the captivating striation of its cladding.
Prompt: The seemingly out-of-place 'Step Tower' looms over Ibaraki-city in Osaka, Japan while imitating a seafaring vessel. Designed by architecture firm EASTERN design office, the tower was built with a minimalist facade to look like a white ship. The residential tower is composed of layers of beautiful curves that extend into the sky. As you look up, each subsequent layer looks like it's curving further and further up. As a result, the seafaring tower looks like a gargantuan wave or spine.EASTERN's tower is 10-stories tall and has extremely well-designed rooms. The design firm decided to keep the apartments simple with rich hardwood floors and clean white furniture. The Step Tower will have larger suites on the fifth to tenth floors and single room suites on the second to fourth floors.
Prompt: The Tower of Ring is a stunning structure that is a beautiful sight to behold. Despite being dubbed a tower, it has more of a monumental status. Completely empty, it does not house any rooms or even stairs to climb up. Occupying the middle of a big square in Tianjin, China, it simply offers a serene area for revellers to lose themselves in. Designed by the EASTERN Design Office, the Tower of Ring is made out of cast-steel. Exactly 1,168 pieces make up each wave element, all of which are embedded with LEDs for a spectacular show at night. Consisting of 73 levels, the cylindrical structure spirals up into the heavens, inviting people to enjoy its height amongst the blue sky and clouds--to not would be a shame.
Prompt: The Architecture of ‘Tron’ relies on a novum created to achieve this alternative universe. There are no natural sources of light in the digital universe of ‘Tron’, and this is clearly represented in the Architecture of the spaces. The spaces in the movie are almost exclusively lit up by artificial LED Lights and even in the technology and clothes worn by humans and humanoids. It is almost like the lights in ‘Tron’ are not use for illuminating the surface but rather to simply wash the surface with light hence allowing for the object to be gently be acknowledged. With the absence of any natural light sources, artificial light is used in the form of a material or in the way colour is used in the real world. The architectural aesthetic of the film is inspired by microchips, and so is the visual aesthetic of the costumes and vehicles in the Tron world. Another inspiration that the virtual world has taken from the real world is the Architecture of totalitarian governments.
Prompt: Blobitecture. Despite its seeming organicism, blob architecture is unthinkable without this and other similar computer-aided design programs. Architects derive the forms by manipulating the algorithms of the computer modeling platform. Some other computer aided design functions involved in developing this are the nonuniform rational B-spline or NURB, freeform surfaces, and the digitizing of sculpted forms by means akin to computed tomography. Buckminster Fuller's work with geodesic domes provided both stylistic and structural precedents. Geodesic domes form the building blocks for works including The Eden Project.[6] Niemeyer's Edificio Copan built in 1957 undulates nonsymetrically invoking the irregular non-linearity often seen in blobitecture. There was a climate of experimental architecture with an air of psychedelia in the 1970s that these were a part of. The Flintstone House by William Nicholson in 1976, was built over large inflated balloons. Frederick Kiesler's unbuilt, Endless House is another instance of early blob-like architecture, although it is symmetrical in plan and designed before computers.
Prompt: Montreal Biosphere. he building originally formed an enclosed structure of steel and acrylic cells, 76 metres (249 ft) in diameter and 62 metres (203 ft) high. It is a Class 1 (icosahedral, as differentiated from Class 2 domes, which are dodecahedral, and Class 3 ones, which are tetrahedral), 32-frequency, double-layer dome, in which the inner and outer layers are connected by a latticework of struts. (There has occasionally been confusion in mistakenly referring to this as a 16-frequency dome due to the fact that there are 15 hexagonal polygons from each pentagonally polygonal vertex of this icosahedral polyhedron to the adjacent vertex. However, the standard for measuring dome frequency is the number of triangles from vertex to vertex. Since there are two triangles from one side to the opposite side of a hexagon, there are actually 30 triangles from the edge of each pentagonal vertex in this dome to the next, plus the triangle that comprises one-fifth of the pentagonal vertex at each end of the length from one vertex to the adjacent vertex: totaling 32 triangles from the center of each vertex to the center of the next vertex.).
Prompt: Cyberpunk is a futuristic, sci-fi-based society that's often dominated by – or at war with – hi-tech intelligence. Common characters involve avatars, robots, or hybrid humans. Picture this: you're at war with the elites of artificial intelligence.
Prompt: Architecture is becoming liquid, invisible and indistinguishable from images. As the city remains open to processes of growth, decline and transformation, Architects and City Planners must strive to sustain a continuous program so that intense metabolic changes can take place freely within our Cities. Perhaps these critiques on Architecture in the Imagined Cities guide the evolution of the perception of our cities. That the city itself was transforming through new media, new technology, and new patterns of consumption. As the physicality of architecture is dematerializing, Architecture is set to become a very metaphysical thing. At present, Architecture is still very tangible. But there is already an imaginable state where all the physical elements could become, somehow, simple images. There is going to be an interpenetration on the physical world that we live in. And people live with it already, with information overload as the norm and social media as the training center just for that.
Prompt: Fort Manoel is built in the shape of a square, with a pentagonal bastion on each corner, giving it the shape of a star fort. The four bastions are called St. Helen, St. Anthony, St. John and Notre Dame Bastions. St. Helen and St. Anthony Bastions are located on the seaward side, facing Valletta. They originally had echaugettes and gunpowder magazines, but the echaugettes on both bastions were dismantled in the 19th century, and the magazine on St. Anthony Bastion was demolished to make way for three QF 12-pounder gun emplacements. The magazine on St. Helen Bastion is still intact. The curtain wall linking these two bastions contains the main gate, which is protected by a lunette known as the Couvre Porte. St. John and Notre Dame Bastions are located along the landward side of the fort. Each bastion is protected by a low cavalier. The curtain wall between the two bastions is further protected by a pentagonal ravelin, which is largely rock hewn.
Prompt: Space Architecture is the theory and practice of designing and building inhabited environments in outer space (it encompasses architectural design of living and working environments in space related facilities, habitats, and vehicles). These environments include, but are not limited to: space vehicles, stations, habitats and lunar, planetary bases and infrastructures; and earth based control, experiment, launch, logistics, payload, simulation and test facilities. Earth analogs to space applications may include Antarctic, airborne, desert, high altitude, underground, undersea environments and closed ecological systems. Designing these forms of architecture presents a particular challenge to ensure and support safety, sustainability, habitability, reliability, and crew efficiency, productivity and comfort in the context of extreme environments.
Prompt: The beginning of human space flight was dominated by engineers proving out the necessary transportation and life support systems, but it did not take long for architects to envision their role in designing space stations and planetary bases. NASA relied on their crew systems division for capsule design and in the early 1970s, a few architecture students expanded the scope defending graduate theses on space station concepts. Toward the end of the decade, NASA’s interest in building a space station exposed the need for architectural-level thinking. This cracked the door for aerospace support contractors to consider hiring an architect. Later, the Space Station Freedom program further opened the door including architects within NASA, the broader contractor community, and academia working together in the emerging field called Space Architecture.
Prompt: The small party employed by M. Botta were at work on Kouyunjik, when a peasant from a distant village chanced to visit the spot. Seeing that every fragment of brick and alabaster uncovered by the workmen was carefully preserved, he asked the reason of this, to him, strange proceeding. On being informed that they were in search of sculptured stones, he advised them to try the mound on which his village was built, and in which, he declared, many such things as they wanted had been exposed on digging for the foundations of new houses. M. Botta, having been frequently deceived by similar stories, was not at first inclined to follow the peasant's advice, but subsequently sent an agent and one or two workmen to the place. After a little opposition from the inhabitants, they were permitted to sink a well in the mound; and at a small distance from the surface they came to the top of a wall which, on digging deeper, they found to be built of sculptured slabs of gypsum. M. Botta, on receiving information of this discovery, went at once to the village, which was called Khorsabad. He directed a wider trench to be formed, and to be carried in the direction of the wall.
Prompt: Fractals are geometric shapes that repeat themselves as the scale changes. The term ‘fractal’ was coined by Benoit Mandelbrot in 1975 for mathematical sets of numbers that stay ubiquitous despite the scale at which they are viewed. These are never-ending patterns that are self-similar. The property of self-similarity refers to the property where the object retains its original proportions even after it undergoes a transformation.Several architectural styles have their principles based on the inspiration of nature. Fractals provide a medium for the expression of irregular, organic curves, and natural shapes. They help reduce the complex patterns of nature to something comprehensible. Fractals are naturally present all around us, from the growth of pineapples and pinecones to the formation of ice crystals and tree branches. Hence, it only makes sense that architects looking at nature for inspiration applied fractals in their structures as well. Fractal geometry in architecture can be found in two ways- unintentional or intentional. Unintentional fractal geometry is usually found in cases of aesthetics, where the fractals create a repeating pattern that is visually appealing.
Prompt: Self-similarity is visible in the elegant facades of the gothic structures. There is a repeat of basic, regular elements throughout the elevation in varied heights and widths. There is a recurrence of arched forms and motifs throughout the structure in different hierarchical scales. Here, the shape of the main entrance is repeated in smaller dimensions in the arched windows on either side, which is further repeated in the small openings and niches. Gothic architecture is also very detail and pattern-oriented which adds to the fractal character of its structures. Geometry was used in gothic architecture as a means of conversing with the universe through mathematics. The fractal nature of the structures creates an unlimited scale, very detailed and appealing to see. The walls, ceilings, pavements, and facades all have minute patterns that repeat and are self-similar. The subtlety of these designs registers in the mind very minutely and creates beauty. Saint Peter’s Dome in Venice also has iterative domes at different scales. The structure has a central, cross-shaped aisle with symmetric clusters in between its arms. These arms further consist of smaller crosses.
Prompt: Copper. The East Tower of the Royal Observatory, Edinburgh, showing the contrast between the refurbished copper installed in 2010 and the green color of the original 1894 copper.
Prompt: Art Deco. New materials and technologies, especially reinforced concrete, were key to the development and appearance of Art Deco. The first concrete house was built in 1853 in the Paris suburbs by François Coignet. In 1877 Joseph Monier introduced the idea of strengthening the concrete with a mesh of iron rods in a grill pattern. The ISS consists of pressurised habitation modules, structural trusses, photovoltaic solar arrays, thermal radiators, docking ports, experiment bays and robotic arms. Major ISS modules have been launched by Russian Proton and Soyuz rockets and US Space Shuttles. The station is serviced by a variety of visiting spacecraft: the Russian Soyuz and Progress, the SpaceX Dragon 2, and the Northrop Grumman Space Systems Cygnus, and formerly the European Automated Transfer Vehicle (ATV), the Japanese H-II Transfer Vehicle, and SpaceX Dragon 1. The Dragon spacecraft allows the return of pressurised cargo to Earth, which is used, for example, to repatriate scientific experiments for further analysis. As of April 2022, 251 astronauts, cosmonauts, and space tourists from 20 different nations have visited the space station, many of them multiple times.
Prompt: The ISS simplifies individual experiments by allowing groups of experiments to share the same launches and crew time. Research is conducted in a wide variety of fields, including astrobiology, astronomy, physical sciences, materials science, space weather, meteorology, and human research including space medicine and the life sciences. Scientists on Earth have timely access to the data and can suggest experimental modifications to the crew. If follow-on experiments are necessary, the routinely scheduled launches of resupply craft allows new hardware to be launched with relative ease. Crews fly expeditions of several months' duration, providing approximately 160 person-hours per week of labour with a crew of six. However, a considerable amount of crew time is taken up by station maintenance. Perhaps the most notable ISS experiment is the Alpha Magnetic Spectrometer (AMS), which is intended to detect dark matter and answer other fundamental questions about our universe. According to NASA, the AMS is as important as the Hubble Space Telescope.
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Neo Kotsiubiiv (Нео Коцюбіїв)
(neokotsiubiiv)
Member since 2023
Ukrainian dreamer show numerous variations of the Kotsiubiiv National Opera and Ballet Theatre. If you want to use some work in your works, you can do it. I would be glad to see the use or implementation of my robots somewhere. I wish you success in your work. P.S.: Українець - це шлях (Андрій Павленко). Борітеся — поборете (Тарас Шевченко)!
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
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Deep Dream
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