Marcus Goh

Clockwork and Crystals in a Surreal Realm (Prompt from Peter the Mongoose)

• Model: ImagineArt

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: the emergence of time - hope - twin women
  • Using base image: No
  • Aspect Ratio: landscape_wide

Containment Failure Imminent

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: War poster: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of: Minority Report: a high tech cute Japanese precognition psychic wired up in a high tech machine in a high security lab setting, forming dreamy visions of terrorist activities happening in Japan, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage horror feel. Distressed paper texture, torn edges, faded ink, and eerie lighting evoke a sense of aged, forgotten terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 70s and 80s japanese war movie posters, Ash Thorp's neon-lit grit, and the haunting, surreal landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), (Japanese soldiers, zero fighter planes, kamikaze attack on US naval vessels, mushroom cloud from nuclear explosion). Blue pyramid of Green road into the framework building. paved path with black blocks of evil with eyes. People from the deep. H r. Giger machines. Angel eyes. Roads on skin tracks. Award winning photography, oil on canvas ,dynamic lighting, imperial colors ,quilling Marc Chagall Boris Vallejo Beksiński Stained Glass Horror themed By Dan Witz, Stephen Gammell, Rosina Wachtmeister ,Alfred Henry Maurer, Inspired by Hope Gangloff
  • Using base image: Yes

Security Breach Detected

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: War poster: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of: Minority Report: a high tech cute Japanese precognition psychic wired up in a high tech machine in a high security lab setting, forming dreamy visions of terrorist activities happening in Japan, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage horror feel. Distressed paper texture, torn edges, faded ink, and eerie lighting evoke a sense of aged, forgotten terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 70s and 80s japanese war movie posters, Ash Thorp's neon-lit grit, and the haunting, surreal landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), (Japanese soldiers, zero fighter planes, kamikaze attack on US naval vessels, mushroom cloud from nuclear explosion). Blue pyramid of Green road into the framework building. paved path with black blocks of evil with eyes. People from the deep. H r. Giger machines. Angel eyes. Roads on skin tracks. Award winning photography, oil on canvas ,dynamic lighting, imperial colors ,quilling Marc Chagall Boris Vallejo Beksiński Stained Glass Horror themed By Dan Witz, Stephen Gammell, Rosina Wachtmeister ,Alfred Henry Maurer, Inspired by Hope Gangloff
  • Using base image: Yes

PANDEMIC: SU984 Air Borne Respiratory Hemorrhaging Virus

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: Multiple panels: Zombie apocalypse, Zombies on the loose everywhere, A Rescuer in a biosafety level 4 biohazard overall suit & a gas mask, The pale ultra-pale hyper-pale half body portrait, a female japanese doctor holding an X-ray film, looking at it in horror, Ambulances and police cars Several military personnel scrambling for cover, People running away in panic, while others collapse on the lab floor, Full brilliantly coloured red, green, blue, brown, against a backdrop of mist and fog in a lab setting with siren and alert lights on with , giving rise to a tense horrifying atmosphere. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

The Queen's Gambit

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: Full brilliantly coloured red, green, blue, brown. The pale ultra-pale hyper-pale half body portrait, of a beautiful chess grandmaster playing international chess, featuring the Queen's Gambit opening, wearing traditional wear, in dynamic pose, a print of mathematical equations, astrological signs, glossy spheres of symbols, against a backdrop of drippy fungi mycelium slime mold, splash paint over robes, hieroglyphics symbols, alien calligraphy with Gestural Flourishes, ripples, Skips, Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Haruki Murakami's 1Q84

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: In the world of Fragile Vision, every painting begins not with colour, but with a breath, a quiet fragment of poetry. From that breath, pigment drifts outward, carrying emotions too delicate for speech. Full brilliantly coloured red, green, blue, brown. Artist Jean-Baptiste Monge style. The pale ultra-pale hyper-pale half body portrait, cute Kyoto girl wearing a circular rimmed yellow sunglasses, traditional short mini skirt, in dynamic pose, a print of mathematical equations, astrological signs, glossy spheres of symbols, against a backdrop of drippy fungi mycelium slime mold, splash paint over robes, hieroglyphics symbols, alien calligraphy with Gestural Flourishes, ripples, Skips, Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Memento mori: "Remember you must die,"

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: In the world of Fragile Vision, every painting begins not with colour, but with a breath, a quiet fragment of poetry. From that breath, pigment drifts outward, carrying emotions too delicate for speech. Full brilliantly coloured red, green, blue, brown. Artist Jean-Baptiste Monge style. The pale ultra-pale hyper-pale half body portrait, cute Kyoto girl wearing a circular rimmed yellow sunglasses, traditional short mini skirt, in dynamic pose, a print of mathematical equations, astrological signs, glossy spheres of symbols, against a backdrop of drippy fungi mycelium slime mold, splash paint over robes, hieroglyphics symbols, alien calligraphy with Gestural Flourishes, ripples, Skips, Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Four Tomorrows: Tales of Near Future

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: In the world of Fragile Vision, every painting begins not with colour, but with a breath, a quiet fragment of poetry. From that breath, pigment drifts outward, carrying emotions too delicate for speech. Full brilliantly coloured red, green, blue, brown. Artist Jean-Baptiste Monge style. The pale ultra-pale hyper-pale half body portrait, cute Kyoto girl wearing a circular rimmed yellow sunglasses, traditional short mini skirt, in dynamic pose, a print of mathematical equations, astrological signs, glossy spheres of symbols, against a backdrop of drippy fungi mycelium slime mold, splash paint over robes, hieroglyphics symbols, alien calligraphy with Gestural Flourishes, ripples, Skips, Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Lovecraftian Lore: The Evil Eye of Shoggoths (Synopsis & Poem)

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: In the world of Fragile Vision, every painting begins not with colour, but with a breath, a quiet fragment of poetry. From that breath, pigment drifts outward, carrying emotions too delicate for speech. Full brilliantly coloured red, green, blue, brown. Artist Jean-Baptiste Monge style. The pale ultra-pale hyper-pale half body portrait, cute Kyoto girl wearing a circular rimmed yellow sunglasses, traditional short mini skirt, in dynamic pose, a print of mathematical equations, astrological signs, glossy spheres of symbols, against a backdrop of drippy fungi mycelium slime mold, splash paint over robes, hieroglyphics symbols, alien calligraphy with Gestural Flourishes, ripples, Skips, Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Dystopian Cityscape in Sector #194

• Model: DaVinci2

• Size: 1088 X 1096 (1.19 MP)

• Used settings:

  • Prompt: minimalist graphic dystopian movie poster: chiaroscuro-lit, high contrast of light and shadow of Illustrated comic art panels of George Orwell's "1984": Mixed media collage of survelliance state: different panels illustrating the below: A bleak, authoritarian megacity under permanent twilight, dominated by towering concrete structures and decaying architecture. Gigantic government buildings loom over narrow streets, their facades scarred by neglect and propaganda. Massive telescreens are embedded into walls, street corners, and apartment blocks, broadcasting the ever-watchful face of Big Brother alongside stark slogans such as WAR IS PEACE, FREEDOM IS SLAVERY, and IGNORANCE IS STRENGTH. The cityscape is color-drained—muted greys, dirty browns, sickly greens—with harsh fluorescent lighting replacing natural sunlight. Surveillance drones and hidden cameras reinforce a constant sense of paranoia. Citizens move with downcast eyes and rigid posture, dressed in uniform, utilitarian clothing devoid of individuality. Expressions are subdued, fearful, and emotionally restrained. Posters peel from walls yet remain omnipresent, while loudspeakers issue monotonous announcements. The atmosphere is oppressive, claustrophobic, and psychologically suffocating—an environment where truth is mutable, history is rewritten, and silence is the only form of safety. The world feels cold, joyless, and eternal, as though resistance itself has been engineered out of existence, drawn in the style of solid colors, one line drawing, art deco and marimekko, final features, illustrative stylization, graphic emphasis, high accent textures, colored line patterns.
  • Using base image: Yes

19 People of the Inner Circle, in Control of the Authoritarian State

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: minimalist graphic dystopian movie poster: chiaroscuro-lit, high contrast of light and shadow of Illustrated comic art panels of George Orwell's "1984": Mixed media collage of survelliance state: different panels illustrating the below: People living in a bleak, authoritarian megacity under permanent twilight, dominated by towering concrete structures and decaying architecture. Gigantic government buildings loom over narrow streets, their facades scarred by neglect and propaganda. Massive telescreens are embedded into walls, street corners, and apartment blocks, broadcasting the ever-watchful face of Big Brother alongside stark slogans such as WAR IS PEACE, FREEDOM IS SLAVERY, and IGNORANCE IS STRENGTH. The cityscape is color-drained—muted greys, dirty browns, sickly greens—with harsh fluorescent lighting replacing natural sunlight. Surveillance drones and hidden cameras reinforce a constant sense of paranoia. Citizens move with downcast eyes and rigid posture, dressed in uniform, utilitarian clothing devoid of individuality. Expressions are subdued, fearful, and emotionally restrained. Posters peel from walls yet remain omnipresent, while loudspeakers issue monotonous announcements. The atmosphere is oppressive, claustrophobic, and psychologically suffocating—an environment where truth is mutable, history is rewritten, and silence is the only form of safety. The world feels cold, joyless, and eternal, as though resistance itself has been engineered out of existence, drawn in the style of solid colors, one line drawing, art deco and marimekko, final features, illustrative stylization, graphic emphasis, high accent textures, colored line patterns.
  • Using base image: Yes

Ending of Case File: The Harajuku Incident (Synopsis)

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of japanese Geisha as androids and human detective: different panels illustrating the below: a killer kyoto geisha with a ripped open face revealing a cybernetic circuitry beneath, a male CIA agent operating in secrecy to uncover the androids among humans a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Reopened Case File: The Harajuku Incident (Synopsis)

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of japanese Geisha as androids and human detective: different panels illustrating the below: a killer kyoto geisha with a ripped open face revealing a cybernetic circuitry beneath, a male CIA agent operating in secrecy to uncover the androids among humans a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Case File: The Harajuku Incident (Synopsis)

• Model: DaVinci2

• Size: 944 X 1256 (1.19 MP)

• Used settings:

  • Prompt: In the world of dystopia futuristic Vision set in the neon districts of Tokyo Japan: Full neon brilliancy of red, green, blue, black. Illustrated painted art panels of "Sin City": Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor, pen & ink on canvas oil painting of different panels illustrating the below: a killer geisha with a ripped open face revealing a cybernetic circuitry beneath holding a samurai sword, a male America detective in trench coat & hat, operating in secrecy to uncover the androids among humans a neon light district in Tokyo Japan, controlled by the Yakuza gangs with promo tattoos, futuristic motorbike & fast car chase through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Outbreak: Lock Down of Shinjuku (Synopsis)

• Model: DaVinci2

• Size: 944 X 1256 (1.19 MP)

• Used settings:

  • Prompt: In the world of Fragile dystopia futuristic Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Illustrated comic art panels of "Dark City": Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of japanese android geishas involved in military operations: different panels illustrating the below: a killer geisha with a ripped open face revealing a cybernetic circuitry beneath, military helicopter, car chase, CIA agents operating in secrecy to uncover the androids among humans a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant futuristic fashion wears, futuristic vehicles that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Neon Dreams: The Last Samurai in Neo Tokyo (Synopsis）

• Model: DaVinci2

• Size: 944 X 1256 (1.19 MP)

• Used settings:

  • Prompt: In the world of dystopia futuristic Vision set in the neon districts of Tokyo Japan: Full neon brilliancy of red, green, blue, black. Illustrated painted art panels of "Cyber City": Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor, pen & ink on canvas oil painting of android featured as geisha involved in espionage operations: different panels illustrating the below: a killer geisha with a ripped open face revealing a cybernetic circuitry beneath, a male America detective in trench coat & hat, operating in secrecy to uncover the androids among humans a neon light district in Tokyo Japan, controlled by the Yakuza gangs with promo tattoos, futuristic helicopter & fast car chase through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Mobile Armour Suit Prototype #001 (Synopsis)

• Model: DaVinci2

• Size: 944 X 1256 (1.19 MP)

• Used settings:

  • Prompt: In the world of dystopia futuristic Vision set in the neon districts of Tokyo Japan: Full neon brilliancy of red, green, blue, black. Illustrated painted art panels of "Cyber City": Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor, pen & ink on canvas oil painting of android featured as geisha involved in espionage operations: different panels illustrating the below: a killer geisha with a ripped open face revealing a cybernetic circuitry beneath, a male America detective in trench coat & hat, operating in secrecy to uncover the androids among humans a neon light district in Tokyo Japan, controlled by the Yakuza gangs with promo tattoos, futuristic helicopter & fast car chase through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Do Androids Dream of Electric Sheep?

• Model: Z-Image Turbo

• Size: 2219 X 1664 (3.69 MP)

• Used settings:

  • Prompt: Illustrated comic art panels of "Do Androids Dream of Electric Sheep?" by Philip K. Dick: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of androids and human detective: different panels illustrating the below: an Android Sheep a killer female android with a ripped open face revealing a cybernetic circuitry beneath, a human detective operating in secrecy to uncover the androids among humans a neon light district of smugglers, underworld society futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting, imperial colors ,quilling Marc Chagall Boris Vallejo Beksiński Stained Glass Horror themed By Dan Witz, Stephen Gammell, Rosina Wachtmeister ,Alfred Henry Maurer, Inspired by Hope Gangloff
  • Using base image: No
  • Aspect Ratio: landscape

Blade Runner 2038

• Model: DaVinci2

• Size: 1416 X 1896 (2.68 MP)

• Used settings:

  • Prompt: Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of androids and human detective: different panels illustrating the below: a killer female android with a ripped open face revealing a cybernetic circuitry beneath, a human detective operating in secrecy to uncover the androids among humans a neon light district inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting, imperial colors ,quilling Marc Chagall Boris Vallejo Beksiński Stained Glass Horror themed By Dan Witz, Stephen Gammell, Rosina Wachtmeister ,Alfred Henry Maurer, Inspired by Hope Gangloff
  • Using base image: Yes

Graceful Woman in Floral Elegance

• Model: DaVinci2

• Size: 1416 X 1896 (2.68 MP)

• Used settings:

  • Prompt: In the world of Fragile Art Deco Vision, every painting begins not with colour, but with a breath, a quiet fragment of poetry. From that breath, pigment drifts outward, carrying emotions too delicate for speech. Full brilliantly coloured red, green, blue, brown. Artist Takashi Murakami fuse with Jean-Baptiste Monge style. The pale ultra-pale hyper-pale full body portrait, stunning Kyoto maiden in traditional wear, in a dynamic pose, against a backdrop of complex, maximalist, elaborate, psychedelic interior patterns as backdrop & borders inspired by art nouveau style art deco, Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes