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Multiple panels: Alien apocalypse, Hans Ruedi Giger's Alien body snatchers on the loose, A Rescuer in a biosafety level 4 biohazard overall suit & a gas mask, Android helping human, introspective, fluorescent glowing nixie tubes, high contrast, light & shadow, watercolor of human anatomy models in dynamic artistic poses connected to organic cables; side glance; wet on wet, with spherical goo dripping slime resembling placenta with radiating tubular networks like those in a computer chip; minimalist; expressive; figure; form; impression; translucent; additive; influence of Gottfried Helnwein and Ali Cavanaugh; seeing the soul in a finite moment of infinity. vulnerable but steadfast; organic and loose; ghostly realism, add cubistic background. The pale ultra-pale hyper-pale half body portrait, a female japanese girl wearing white, holding a test tube containing radiactive yellow glowing solution, looking down at the test tube in horror, Several military personnel scrambling for cover, People running away in panic, while others collapse on the lab floor, Full brilliantly coloured red, green, blue, brown, against a backdrop of mist and fog in a lab setting with siren and alert lights on with , giving rise to a tense horrifying atmosphere. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
A white poster with a collage of five illustrations related to a cyberpunk theme, three of which are large and two are small, all featuring the same artistic style. The main illustration at the bottom shows a woman with short brown hair and a serious expression, facing forward, wearing a dark gray futuristic full-