Marcus Goh

Superheroes Collage: Futuristic Visions

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: Multiple panels: Alien apocalypse, Hans Ruedi Giger's Alien body snatchers on the loose, A Rescuer in a biosafety level 4 biohazard overall suit & a gas mask, Android helping human, introspective, fluorescent glowing nixie tubes, high contrast, light & shadow, watercolor of human anatomy models in dynamic artistic poses connected to organic cables; side glance; wet on wet, with spherical goo dripping slime resembling placenta with radiating tubular networks like those in a computer chip; minimalist; expressive; figure; form; impression; translucent; additive; influence of Gottfried Helnwein and Ali Cavanaugh; seeing the soul in a finite moment of infinity. vulnerable but steadfast; organic and loose; ghostly realism, add cubistic background. The pale ultra-pale hyper-pale half body portrait, a female japanese girl wearing white, holding a test tube containing radiactive yellow glowing solution, looking down at the test tube in horror, Several military personnel scrambling for cover, People running away in panic, while others collapse on the lab floor, Full brilliantly coloured red, green, blue, brown, against a backdrop of mist and fog in a lab setting with siren and alert lights on with , giving rise to a tense horrifying atmosphere. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

The Count of Transylvania

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: Multi panels oil painting: Mixed media collage of artists Bill Sienkiewicz & Frank Frazetta: Soft Watercolor Chiaroscuro technique of light and shadow, with ink on canvas painting depicting Dracula about to sink his fangs into the neck of his beautiful mistress, with vampire bats flying around in the bedroom of his castle in Pennsylvania, full moon, dark stormy clouds with lightning, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage horror feel. Distressed paper texture, torn edges, faded ink, and eerie lighting evoke a sense of aged, forgotten terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 70s and 80s japanese war movie posters, Ash Thorp's neon-lit grit, and the haunting, surreal landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), (Japanese soldiers, zero fighter planes, kamikaze attack on US naval vessels, mushroom cloud from nuclear explosion). Blue pyramid of Green road into the framework building. paved path with black blocks of evil with eyes. People from the deep. H r. Giger machines. Angel eyes. Roads on skin tracks. Award winning photography, oil on canvas ,dynamic lighting, imperial colors ,quilling Marc Chagall Boris Vallejo Beksiński Stained Glass Horror themed By Dan Witz, Stephen Gammell, Rosina Wachtmeister ,Alfred Henry Maurer, Inspired by Hope Gangloff
  • Using base image: Yes

D R A C U L A

• Model: DaVinci2

• Size: 440 X 670 (0.29 MP)

• Used settings:

  • Prompt: Multi panels oil painting: Mixed media collage of artists Bill Sienkiewicz & Frank Frazetta: Soft Watercolor Chiaroscuro technique of light and shadow, with ink on canvas painting of iconic Dracula: depicting Dracula about to sink his fangs into the neck of his beautiful mistress, with vampire bats flying around in the bedroom of his castle in Pennsylvania, full moon, wolf howling, dark stormy clouds with lightning, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage horror feel. Distressed paper texture, torn edges, faded ink, and eerie lighting evoke a sense of aged, forgotten terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 70s and 80s japanese war movie posters, Ash Thorp's neon-lit grit, and the haunting, surreal landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), (Japanese soldiers, zero fighter planes, kamikaze attack on US naval vessels, mushroom cloud from nuclear explosion). Blue pyramid of Green road into the framework building. paved path with black blocks of evil with eyes. People from the deep. H r. Giger machines. Angel eyes. Roads on skin tracks. Award winning photography, oil on canvas ,dynamic lighting, imperial colors ,quilling Marc Chagall Boris Vallejo Beksiński Stained Glass Horror themed By Dan Witz, Stephen Gammell, Rosina Wachtmeister ,Alfred Henry Maurer, Inspired by Hope Gangloff
  • Using base image: Yes

Frankenstein's Monster

• Model: DaVinci2

• Size: 384 X 587 (0.23 MP)

• Used settings:

  • Prompt: Multi panel illustration of the novel Frankenstein: Mixed media collage of Bill Sienkiewicz: Soft Watercolor & ink on canvas painting of: a revived green, flat-headed, bolted being assembled from human parts as envisioned by Boris Karloff, created by Victor Frankenstein, while angry pleasant gathered in force carrying burning torches ready to stomp into his lab & burned his monster, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage horror feel. Distressed paper texture, torn edges, faded ink, and eerie lighting evoke a sense of aged, forgotten terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 70s and 80s japanese scifi movie posters, Ash Thorp's neon-lit grit, and the haunting, surreal landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence). Award winning photography, oil on canvas ,dynamic lighting, imperial colors ,quilling Marc Chagall Boris Vallejo Beksiński Stained Glass Horror themed By Dan Witz, Stephen Gammell, Rosina Wachtmeister ,Alfred Henry Maurer, Inspired by Hope Gangloff
  • Using base image: Yes

Victor Frankenstein in his Laboratory

• Model: DaVinci2

• Size: 888 X 1344 (1.19 MP)

• Used settings:

  • Prompt: Multi panel illustration of Mary Shelley's novel Frankenstein: Mixed media collage of Bill Sienkiewicz: Soft Watercolor & ink on canvas painting of: Dr Victor Frankenstein in white lab coat with his hunch back assistant working in his dungeon style lab, in great excitement after channeling a bolt of lightning into & reviving a green, flat-headed, bolted being assembled from human parts (as envisioned by Boris Karloff), while angry pleasant gather with torches and farm tools ready to take down this monster, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage horror feel. Distressed paper texture, torn edges, faded ink, and eerie lighting evoke a sense of aged, forgotten terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 70s and 80s japanese scifi movie posters, Ash Thorp's neon-lit grit, and the haunting, surreal landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence). Award winning photography, oil on canvas ,dynamic lighting, imperial colors ,quilling Marc Chagall Boris Vallejo Beksiński Stained Glass Horror themed By Dan Witz, Stephen Gammell, Rosina Wachtmeister ,Alfred Henry Maurer, Inspired by Hope Gangloff
  • Using base image: Yes

The Bride of Frankenstein

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: Multi panel illustration of Mary Shelley's novel Frankenstein: Mixed media collage of Bill Sienkiewicz: Soft Watercolor & ink on canvas painting of: Dr Victor Frankenstein in white lab coat with his hunch back assistant, in great excitement after channeling a bolt of lightning into & reviving a green, flat-headed, bolted being assembled from human parts (as envisioned by Boris Karloff), expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage horror feel. Distressed paper texture, torn edges, faded ink, and eerie lighting evoke a sense of aged, forgotten terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 70s and 80s japanese scifi movie posters, Ash Thorp's neon-lit grit, and the haunting, surreal landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), (Japanese soldiers, zero fighter planes, kamikaze attack on US naval vessels, mushroom cloud from nuclear explosion). Blue pyramid of Green road into the framework building. paved path with black blocks of evil with eyes. People from the deep. H r. Giger machines. Angel eyes. Roads on skin tracks. Award winning photography, oil on canvas ,dynamic lighting, imperial colors ,quilling Marc Chagall Boris Vallejo Beksiński Stained Glass Horror themed By Dan Witz, Stephen Gammell, Rosina Wachtmeister ,Alfred Henry Maurer, Inspired by Hope Gangloff
  • Using base image: Yes

Frankenstein's Monster: A Dark Transformation (Synopsis)

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: Multi panel illustration of Mary Shelley's novel Frankenstein: Mixed media collage of Bill Sienkiewicz: Soft Watercolor & ink on canvas painting of: Dr Victor Frankenstein in white lab coat with his hunch back assistant, in great excitement after channeling a bolt of lightning into & reviving a green, flat-headed, bolted being assembled from human parts (as envisioned by Boris Karloff), expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage horror feel. Distressed paper texture, torn edges, faded ink, and eerie lighting evoke a sense of aged, forgotten terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 70s and 80s japanese scifi movie posters, Ash Thorp's neon-lit grit, and the haunting, surreal landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), (Japanese soldiers, zero fighter planes, kamikaze attack on US naval vessels, mushroom cloud from nuclear explosion). Blue pyramid of Green road into the framework building. paved path with black blocks of evil with eyes. People from the deep. H r. Giger machines. Angel eyes. Roads on skin tracks. Award winning photography, oil on canvas ,dynamic lighting, imperial colors ,quilling Marc Chagall Boris Vallejo Beksiński Stained Glass Horror themed By Dan Witz, Stephen Gammell, Rosina Wachtmeister ,Alfred Henry Maurer, Inspired by Hope Gangloff
  • Using base image: Yes

Banished from the Garden of Eden

• Model: ImagineArt

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: the emergence of time - hope - melting clocks on sandy beach, elephant with legs of giraffe, Sun & Moon, solar eclipse, garden of Eden with tree of knowledge, Adam & Eve, the serpent
  • Using base image: No
  • Aspect Ratio: landscape_wide

Clockwork and Crystals in a Surreal Realm (Prompt from Peter the Mongoose)

• Model: ImagineArt

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: the emergence of time - hope - twin women
  • Using base image: No
  • Aspect Ratio: landscape_wide

Containment Failure Imminent

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: War poster: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of: Minority Report: a high tech cute Japanese precognition psychic wired up in a high tech machine in a high security lab setting, forming dreamy visions of terrorist activities happening in Japan, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage horror feel. Distressed paper texture, torn edges, faded ink, and eerie lighting evoke a sense of aged, forgotten terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 70s and 80s japanese war movie posters, Ash Thorp's neon-lit grit, and the haunting, surreal landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), (Japanese soldiers, zero fighter planes, kamikaze attack on US naval vessels, mushroom cloud from nuclear explosion). Blue pyramid of Green road into the framework building. paved path with black blocks of evil with eyes. People from the deep. H r. Giger machines. Angel eyes. Roads on skin tracks. Award winning photography, oil on canvas ,dynamic lighting, imperial colors ,quilling Marc Chagall Boris Vallejo Beksiński Stained Glass Horror themed By Dan Witz, Stephen Gammell, Rosina Wachtmeister ,Alfred Henry Maurer, Inspired by Hope Gangloff
  • Using base image: Yes

Security Breach Detected

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: War poster: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of: Minority Report: a high tech cute Japanese precognition psychic wired up in a high tech machine in a high security lab setting, forming dreamy visions of terrorist activities happening in Japan, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage horror feel. Distressed paper texture, torn edges, faded ink, and eerie lighting evoke a sense of aged, forgotten terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 70s and 80s japanese war movie posters, Ash Thorp's neon-lit grit, and the haunting, surreal landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), (Japanese soldiers, zero fighter planes, kamikaze attack on US naval vessels, mushroom cloud from nuclear explosion). Blue pyramid of Green road into the framework building. paved path with black blocks of evil with eyes. People from the deep. H r. Giger machines. Angel eyes. Roads on skin tracks. Award winning photography, oil on canvas ,dynamic lighting, imperial colors ,quilling Marc Chagall Boris Vallejo Beksiński Stained Glass Horror themed By Dan Witz, Stephen Gammell, Rosina Wachtmeister ,Alfred Henry Maurer, Inspired by Hope Gangloff
  • Using base image: Yes

PANDEMIC: SU984 Air Borne Respiratory Hemorrhaging Virus

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: Multiple panels: Zombie apocalypse, Zombies on the loose everywhere, A Rescuer in a biosafety level 4 biohazard overall suit & a gas mask, The pale ultra-pale hyper-pale half body portrait, a female japanese doctor holding an X-ray film, looking at it in horror, Ambulances and police cars Several military personnel scrambling for cover, People running away in panic, while others collapse on the lab floor, Full brilliantly coloured red, green, blue, brown, against a backdrop of mist and fog in a lab setting with siren and alert lights on with , giving rise to a tense horrifying atmosphere. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

The Queen's Gambit

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: Full brilliantly coloured red, green, blue, brown. The pale ultra-pale hyper-pale half body portrait, of a beautiful chess grandmaster playing international chess, featuring the Queen's Gambit opening, wearing traditional wear, in dynamic pose, a print of mathematical equations, astrological signs, glossy spheres of symbols, against a backdrop of drippy fungi mycelium slime mold, splash paint over robes, hieroglyphics symbols, alien calligraphy with Gestural Flourishes, ripples, Skips, Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Haruki Murakami's 1Q84

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: In the world of Fragile Vision, every painting begins not with colour, but with a breath, a quiet fragment of poetry. From that breath, pigment drifts outward, carrying emotions too delicate for speech. Full brilliantly coloured red, green, blue, brown. Artist Jean-Baptiste Monge style. The pale ultra-pale hyper-pale half body portrait, cute Kyoto girl wearing a circular rimmed yellow sunglasses, traditional short mini skirt, in dynamic pose, a print of mathematical equations, astrological signs, glossy spheres of symbols, against a backdrop of drippy fungi mycelium slime mold, splash paint over robes, hieroglyphics symbols, alien calligraphy with Gestural Flourishes, ripples, Skips, Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Memento mori: "Remember you must die,"

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: In the world of Fragile Vision, every painting begins not with colour, but with a breath, a quiet fragment of poetry. From that breath, pigment drifts outward, carrying emotions too delicate for speech. Full brilliantly coloured red, green, blue, brown. Artist Jean-Baptiste Monge style. The pale ultra-pale hyper-pale half body portrait, cute Kyoto girl wearing a circular rimmed yellow sunglasses, traditional short mini skirt, in dynamic pose, a print of mathematical equations, astrological signs, glossy spheres of symbols, against a backdrop of drippy fungi mycelium slime mold, splash paint over robes, hieroglyphics symbols, alien calligraphy with Gestural Flourishes, ripples, Skips, Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Four Tomorrows: Tales of Near Future

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: In the world of Fragile Vision, every painting begins not with colour, but with a breath, a quiet fragment of poetry. From that breath, pigment drifts outward, carrying emotions too delicate for speech. Full brilliantly coloured red, green, blue, brown. Artist Jean-Baptiste Monge style. The pale ultra-pale hyper-pale half body portrait, cute Kyoto girl wearing a circular rimmed yellow sunglasses, traditional short mini skirt, in dynamic pose, a print of mathematical equations, astrological signs, glossy spheres of symbols, against a backdrop of drippy fungi mycelium slime mold, splash paint over robes, hieroglyphics symbols, alien calligraphy with Gestural Flourishes, ripples, Skips, Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Lovecraftian Lore: The Evil Eye of Shoggoths (Synopsis & Poem)

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: In the world of Fragile Vision, every painting begins not with colour, but with a breath, a quiet fragment of poetry. From that breath, pigment drifts outward, carrying emotions too delicate for speech. Full brilliantly coloured red, green, blue, brown. Artist Jean-Baptiste Monge style. The pale ultra-pale hyper-pale half body portrait, cute Kyoto girl wearing a circular rimmed yellow sunglasses, traditional short mini skirt, in dynamic pose, a print of mathematical equations, astrological signs, glossy spheres of symbols, against a backdrop of drippy fungi mycelium slime mold, splash paint over robes, hieroglyphics symbols, alien calligraphy with Gestural Flourishes, ripples, Skips, Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Dystopian Cityscape in Sector #194

• Model: DaVinci2

• Size: 1088 X 1096 (1.19 MP)

• Used settings:

  • Prompt: minimalist graphic dystopian movie poster: chiaroscuro-lit, high contrast of light and shadow of Illustrated comic art panels of George Orwell's "1984": Mixed media collage of survelliance state: different panels illustrating the below: A bleak, authoritarian megacity under permanent twilight, dominated by towering concrete structures and decaying architecture. Gigantic government buildings loom over narrow streets, their facades scarred by neglect and propaganda. Massive telescreens are embedded into walls, street corners, and apartment blocks, broadcasting the ever-watchful face of Big Brother alongside stark slogans such as WAR IS PEACE, FREEDOM IS SLAVERY, and IGNORANCE IS STRENGTH. The cityscape is color-drained—muted greys, dirty browns, sickly greens—with harsh fluorescent lighting replacing natural sunlight. Surveillance drones and hidden cameras reinforce a constant sense of paranoia. Citizens move with downcast eyes and rigid posture, dressed in uniform, utilitarian clothing devoid of individuality. Expressions are subdued, fearful, and emotionally restrained. Posters peel from walls yet remain omnipresent, while loudspeakers issue monotonous announcements. The atmosphere is oppressive, claustrophobic, and psychologically suffocating—an environment where truth is mutable, history is rewritten, and silence is the only form of safety. The world feels cold, joyless, and eternal, as though resistance itself has been engineered out of existence, drawn in the style of solid colors, one line drawing, art deco and marimekko, final features, illustrative stylization, graphic emphasis, high accent textures, colored line patterns.
  • Using base image: Yes

19 People of the Inner Circle, in Control of the Authoritarian State

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: minimalist graphic dystopian movie poster: chiaroscuro-lit, high contrast of light and shadow of Illustrated comic art panels of George Orwell's "1984": Mixed media collage of survelliance state: different panels illustrating the below: People living in a bleak, authoritarian megacity under permanent twilight, dominated by towering concrete structures and decaying architecture. Gigantic government buildings loom over narrow streets, their facades scarred by neglect and propaganda. Massive telescreens are embedded into walls, street corners, and apartment blocks, broadcasting the ever-watchful face of Big Brother alongside stark slogans such as WAR IS PEACE, FREEDOM IS SLAVERY, and IGNORANCE IS STRENGTH. The cityscape is color-drained—muted greys, dirty browns, sickly greens—with harsh fluorescent lighting replacing natural sunlight. Surveillance drones and hidden cameras reinforce a constant sense of paranoia. Citizens move with downcast eyes and rigid posture, dressed in uniform, utilitarian clothing devoid of individuality. Expressions are subdued, fearful, and emotionally restrained. Posters peel from walls yet remain omnipresent, while loudspeakers issue monotonous announcements. The atmosphere is oppressive, claustrophobic, and psychologically suffocating—an environment where truth is mutable, history is rewritten, and silence is the only form of safety. The world feels cold, joyless, and eternal, as though resistance itself has been engineered out of existence, drawn in the style of solid colors, one line drawing, art deco and marimekko, final features, illustrative stylization, graphic emphasis, high accent textures, colored line patterns.
  • Using base image: Yes

Ending of Case File: The Harajuku Incident (Synopsis)

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of japanese Geisha as androids and human detective: different panels illustrating the below: a killer kyoto geisha with a ripped open face revealing a cybernetic circuitry beneath, a male CIA agent operating in secrecy to uncover the androids among humans a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes