Prompt: Full-screen, top-lit, macro-view watercolor of a large, bright, handmade ceramic bowl with a colorful, folkloristic flower pattern, overflowing with ripe plums that have a protective, silvery blush. The bright bowl and plums lie on small, fringed, hand-woven linen table-runner on top of a wooden surface. The rich, ornate still life exhibit is well-lit from the top and stands out against a dull, dark-purple and dark-green, shadowy background rendered in blurry, spotty wet-on-wet speedpainted watercolor. The bowl, plums and runner are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the sketch outlines coming through,. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
eat your veggies - who's in charge of making minestrone?
Model:
AIVision
Size:
5912 X 3376
(19.96 MP)
Used settings:
Prompt: Completely full-screen, front-lit, macro-view watercolor of most ingredients for a minestrone heaped on a chopping board: one red onion, two carrots, one celery stick, a large, ripe, deep-red tomato, a handful of string beans, a head of pink garlic, a can of white beans, and a small glass bowl of alphabet noodles in front of the chopping board, with some spilled noodles. Behind the chopping board, we see a cheese grater and a large hunk of Parmesan cheese. Behind the culinary still life stands a high, reflective, stainless steel soup pot. The wall behind the culinary arrangement features a delicately intertwined red-and-green rope pattern. The wall is rendered in blurry, wet-on-wet speedpainted watercolor. The remainder of the culinary image is deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the aquarelle painted all the way to the edges of the heavy, handmade rag paper. Some details are lovingly traced with pen-and-ink in the colors of the objects. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full-screen, front-lit, close-up, macro-view watercolor of a large, shallow, hammered copper basin, overflowing with ripe guavas. The image extends all the way to the edges of thepaper. The oval guavas have smooth, green skin with red-yellow highlights. Some halved guavas lie outside of the basin, allowing us to see their delicate, powder-pink fruit pulp. The copper basin and the guavas lie on a pink, woven damast tablecloth with an intricate pattern. The wall behind the basin is made of striped, silk wallpaper in shades of magenta and pink, with delicate green bands. The rich, ornate still life exhibit is well-lit from the front and stands out against the background, casting shadows. The background is rendered in blurry, spotty wet-on-wet speedpainted watercolor. The basin, guavas and tablecloth are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the sketch outlines coming through. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full-screen, strongly front-lit, macro-view watercolor of a large, rough canvas bag filled with dozens of ripe, red, shiny apples, spilling lazily out of the bag onto the formica tabletop. Behind the tabletop, we see a kitchen wall with an intricate, small, tile pattern in bright colors. The rich, ornate culinary tableau is strongly lit from the front and casts shadows on the many shiny, glassy tiles of the kitchen wall. The wall is rendered in blurry, spotty wet-on-wet speedpainted watercolor. The apples, the bag and the formica tabletop are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with sketch outline tracings coming through. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full-screen, strongly front-lit, macro-view watercolor of a dozen ears of glass gem corn lying on a dark lapislazuli stone kitchen counter, with the husks and corn silk on two ears of corn pulled back to show the rainbow-colored corn kernels. Light-blue, light-green, pink, yellow, orange, magenta, red, dark-green and dark-blue kernels alternate in a bright display. The kernels are shiny and are reminiscent of bright pieces of glass. The heriloom flint corn (maize) is being prepared for cooking. The rich, ornate culinary tableau is strongly lit from the front and casts shadows on a smooth, dark green wall with a dark-gray, simple sponge wall design pattern. The wall is rendered in blurry, spotty wet-on-wet speedpainted watercolor. The corn and the kitchen counter are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with sketch outline tracings coming through. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full screen, top-lit, sharp-focus, macro-view large watercolor of a perfect, blue-red blown glass bowl heaped with steamed, golden-beige chickpeas on a carved, dark, wooden tablet next to several ripe, red roma tomatoes, a glass with flat-leaf parsley stems, a whole red onion and a mother-of-pearl handled kitchen knife. The chickpeas are destined to become a luscious, mouth-watering Mediterranean salad. The culinary still life stands out dramatically against the dark burgundy wall. The culinary arrangement is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details partly are emphasized with a touch of pen-and-ink. The dark burgundy wall is full of flecks and splotches and is rendered in lsoppy, wet watercolor speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: brush oil on canvas iridescent paint on black background, minimalist female model, zen lines abstract brushstroke art, dramatic sorrowful pose, abstract depiction includes full abstract head & entire upper body including arms and hips, all depicted in abstract on the screen, iridescent and black colors only iridescent colors have sheen
Prompt: A whimsical and surreal illustration of a sad jester holding a bouquet of heart-shaped balloons in various colours. The jester is dressed in a yellow and black checkered costume with a ruffled collar, and red clown shoes with exaggerated rounded tips.
He stands next to a bench and a vintage bicycle surrounded by colourful flowers.
The background features an ornate iron fence, a river with a boat passing under an arched bridge, and charming, old-fashioned buildings bathed in warm, golden light.
Blending vibrant watercolours with alcohol ink. High-resolution octane render.
Prompt: But listen, in far-away lands that surround lake Chad
A graceful giraffe softly walks.
A slender and delicate beauty he rightfully owns,
And magical ornaments run through the flanks of his hide,
That only the moon can compare to, when coolly it dawns
And bounces and swings on the surface of lakes open wide.
His colors resemble the sails of a distant frigate,
And smoothly he runs, like a cheerful bird in its flight.
At sunset he stands by a grotto’s marmoreal gate
And marvelous visions replenish the world in his sight.
Prompt: "Create an evocative illustration of an ivory tower nestled among the ancient, mist-covered mountains of old China, reminiscent of the landscapes that inspired the Tang Dynasty poet Li Bai.
The tower, crafted from ivory with delicate carvings and ornate details, should rise gracefully against the backdrop of lush, towering peaks shrouded in mist and clouds. The scene should capture the serene and mystical atmosphere of the time, with winding rivers and cascading waterfalls flowing through the rugged terrain.
Include elements of traditional Chinese architecture and natural beauty: pagodas perched on mountain ledges, ancient pine trees bending with the wind, and delicate cherry blossoms in full bloom. The sky should be painted with the soft hues of dawn or dusk, adding to the poetic and timeless feel of the landscape.
Ensure the composition conveys a sense of tranquility, inspiration, and the ethereal beauty that Li Bai would have found in his surrounding
Color Palette: Use soft, muted colors for the mist and sky, with rich greens for the mountains and trees. The ivory tower should stand out with its pale, elegant tone.
Textures: Incorporate traditional Chinese painting styles, such as ink wash techniques, to give the illustration an authentic feel.
Atmosphere: Emphasize the mystical and serene atmosphere with light and shadow, showing the interplay of mist and sunlight.
Details: Pay attention to the architectural details of the tower and surrounding elements to reflect the historical and cultural context of old China.
Prompt: The City Carcosa, on a world near the star Aldebaran in the Hyades star cluster.
Physics versus surreality.
Fractal math masterpiece.
Eldritch, Non-euclidean geometry. Gothic. Nightmare. (polished, organic, crisp quality, extremely detailed). (entirely (Centred image). Full length portrait).
Alcohol ink effect. Crimson, Ochre, Gloss black, Brass and sepia colour palette.
Prompt: (((The Black Cathedral. A towering tribute to Evil))).
in the depths of hell a shining monument.
(polished, organic, crisp quality, extremely detailed). (entirely (Centred image). Full length portrait). Alcohol ink effect.
Prompt: (((Victorian girl))). filtered through the lens of German Expressionism.
Corsetry. Tentacles in place of arms. A Picture of non-euclidean Lovecraftian desolation. (((entirely Centred Image))). .
A classical Masterpiece. Ferocious, frenzied, (foreboding) tones permeate the picture.
The composition gives off a (((macabre))) Lovecraftian tone, but is pleasing to the eye. The picture has a symmetry and balance of elements rendering it compelling to view.
Brass, Crimson, Ochre and sepia Colour palette.
Prompt: (((Victorian gothic woman))). (((filtered through the lens of German Expressionism))).
Corsetry. Tentacles in place of arms and legs. She is stood (((infront))) of a (((spiral vortex of Lovecraftian terror))).
A Picture of non-euclidean desolation. (((entirely Centred Image))). .
A classical Masterpiece. Ferocious, frenzied, (foreboding) tones permeate the picture.
The composition gives off a (((macabre))) Lovecraftian tone, but is pleasing to the eye. The picture has a symmetry and balance of elements rendering it compelling to view.
Crimson, Brass, Ochre and sepia Colour palette.
Prompt: (((Dyson sphere of regret calibration))). (((filtered through the lens of German Expressionism))). An H.G. Wells world constructed by Fritz Lang. A (((spiral vortex of Lovecraftian ennui))). A Picture of non-euclidean desolation. (((entirely Centred Image))). . A classical Masterpiece. (Foreboding) tones permeate the picture. A manic wasteland. The composition gives off a (((macabre))) Lovecraftian tone, but is pleasing to the eye. The picture has a symmetry and balance of elements rendering it compelling to view. Crimson, Brass, Ochre and sepia Colour palette.
Prompt: (((The spite faerie))). (((filtered through the lens of German Expressionism))). A Vortex background of fiery Sigil Gnosis. (((entirely Centred Image))). (Foreboding) tones permeate the picture and The composition gives off a (((macabre))) Lovecraftian tone, but is pleasing to the eye. The picture has a symmetry and balance of elements rendering it compelling to view. Crimson, Brass, Ochre and sepia Colour palette.
Prompt: A Freudian Lighouse.
Distant ocean.
Nihilistic Distillation.Cataclysm at the end of time.
Molecular Vortex. Gothic, satanic, scientific. (((Entirely centred, full length portrait))).
Desolate, barren, devoid of life.
Prompt: The mystical thing in the mystical area.
Crazy monoliths that are scary sometimes, but other times quite beautiful.
Who knows or cares?
highly detailed Maximalist composition, Brass, (((Crimson))) and sepia colour palette.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
