Cat

Not My Sister!

• Model: DaVinci2

• Size: 750 X 1333 (1.00 MP)

• Used settings:

  • Prompt: A marionette, eight legged spider with correct anatomy, sits above on dew covered cobwebs in a misty forest. In a moonlit, crooked forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate Black marionette grandmother stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Her skin is a smooth, deep bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. Her limbs move with quiet grace, connected by fine silver strings that trail up into the mist. Her gown is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at the waist with strands of tarnished wire. Her hair is coiled into elaborate natural curls, partially tied with faded ribbons, and her painted mask shows a single knowing eye and a smirk carved deep into her wooden lips. Around her, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she bends, and controls the strings now.
  • Upscale & Enhance: 1
  • Aspect Ratio: portrait_tall

Perhaps It is your Wife?

• Model: DaVinci2

• Size: 1061 X 1886 (2.00 MP)

• Used settings:

  • Prompt: In a moonlit, crooked forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate Black marionette stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Her skin is a smooth, deep bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. Her limbs move with quiet grace, connected by fine silver strings that trail up into the mist. Her gown is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at the waist with strands of tarnished wire. Her hair is coiled into elaborate natural curls, partially tied with faded ribbons, and her painted mask shows a single knowing eye and a smirk carved deep into her wooden lips. Around her, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she bends, and controls the strings now.
  • Upscale & Enhance: 1
  • Aspect Ratio: portrait_tall

Is this Your Nonna?

• Model: DaVinci2

• Size: 1061 X 1886 (2.00 MP)

• Used settings:

  • Prompt: In a moonlit, crooked forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate Black marionette grandmother stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Her skin is a smooth, deep bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. Her limbs move with quiet grace, connected by fine silver strings that trail up into the mist. Her gown is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at the waist with strands of tarnished wire. Her hair is coiled into elaborate natural curls, partially tied with faded ribbons, and her painted mask shows a single knowing eye and a smirk carved deep into her wooden lips. Around her, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she bends, and controls the strings now. A marionette, eight legged spider with correct anatomy, sits above on dew covered cobwebs in a misty forest.
  • Upscale & Enhance: 1
  • Aspect Ratio: portrait_tall

Puppetry (@ La Diosa Obscura)

• Model: DaVinci2

• Size: 720 X 1280 (0.92 MP)

• Used settings:

  • Prompt: In a moonlit, crooked forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate Black marionette stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Her skin is a smooth, deep bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. Her limbs move with quiet grace, connected by fine silver strings that trail up into the mist. Her gown is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at the waist with strands of tarnished wire. Her hair is coiled into elaborate natural curls, partially tied with faded ribbons, and her painted mask shows a single knowing eye and a smirk carved deep into her wooden lips. Around her, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she bends, and controls the strings now.
  • Upscale & Enhance: 0
  • Aspect Ratio: portrait_tall

Still Crossing That Bridge

• Model: DaVinci2

• Size: 979 X 1022 (1.00 MP)

• Used settings:

  • Prompt: A flimsy khaki vine with rough bamboo deck bridge 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum dramatic light. Inappropriate pit in foreground
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

Serpentine Elegance (@Boggart)

• Model: DaVinci2

• Size: 864 X 1152 (1.00 MP)

• Used settings:

  • Prompt: An intricate vintage postage stamp featuring a promient painting of a python in the style of Albrecht Durer"s in a historical figuration, specifically a side view with a distinguished look. The stamp is primarily green, with detailed engravings that showcase the figure's facial features and hair Flanking the portrait are two allegorical female figures, adding an artistic touch to the design. The background includes ornate patterns and the text “AUSTRALIA” along with the year “1809” and “1865,” indicating the birth and death years of the figure. There is also a denomination of “5 CENTS” prominently displayed, with the series marked as “1902.” The entire stamp has an evenly perforated edge, giving it an authentic vintage feel."
  • Upscale & Enhance: 0
  • Aspect Ratio: portrait

Before She Passed

• Model: DreamForge

• Size: 1633 X 1225 (2.00 MP)

• Used settings:

  • Prompt: We are all eternal, all this pain is just an illusion. In a moonlit, crooked, ancient forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate Black gothic, and dim, marionette stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Her skin is a smooth, deep bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. Her limbs move with quiet grace, connected by fine silver strings that trail up into the mist. Her gown is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at the waist with strands of tarnished wire. Her hair is coiled into elaborate natural plaits, partially tied with faded ribbons, and her painted mask shows a evil knowing eye and a smirk carved deep into her ancient wooden lips. Around her, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she bends, and controls the strings now.
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape

Moonlit Skeleton

• Model: MirageMaker

• Size: 1168 X 880 (1.03 MP)

• Used settings:

  • Prompt: Skeletal face. We are all eternal, all this pain is just an illusion. In a moonlit, crooked, ancient forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate Black gothic, and dim, marionette stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Her skin is a smooth, deep bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. Her limbs move with quiet grace, connected by fine silver strings that trail up into the mist. Her gown is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at the waist with strands of tarnished wire. Her hair is coiled into elaborate natural plaits, partially tied with faded ribbons, and her painted mask shows a evil knowing eye and a smirk carved deep into her ancient wooden lips. Around her, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she bends, and controls the strings now.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Marionette @ La Diosa Obscura

• Model: Artistic 2

• Size: 1633 X 1225 (2.00 MP)

• Used settings:

  • Prompt: In a moonlit, crooked, ancient forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate Black gothic, and dim, marionette stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Her skin is a smooth, deep bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. Her limbs move with quiet grace, connected by fine silver strings that trail up into the mist. Her gown is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at the waist with strands of tarnished wire. Her hair is coiled into elaborate natural plaits, partially tied with faded ribbons, and her painted mask shows a evil knowing eye and a smirk carved deep into her ancient wooden lips. Around her, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she bends, and controls the strings now.
  • Upscale & Enhance: 2
  • Aspect Ratio: landscape

Wombat Illustrator 2

• Model: Artistic 2

• Size: 1225 X 1633 (2.00 MP)

• Used settings:

  • Prompt: An intricate vintage postage stamp featuring a promient painting of a wombat with accurate anatomy, in the style of Albrecht Durer, in a historical figuration, specifically a complete animal, with a distinguished look. The stamp is primarily orange, with detailed engravings that showcase the figure's facial features and hair. Flanking the portrait are two allegorical floral figures, wattle, eucalyptus, adding an artistic touch to the design. The background includes ornate, nature patterns and the text “AUSTRALIA” along with the year “1809” and “1865,” indicating the birth and death years of the figure. There is also a denomination of “5 CENTS” prominently displayed, with the series marked as “1902.” The entire stamp has a perforated edge, giving it an authentic vintage feel."
  • Upscale & Enhance: 1
  • Aspect Ratio: portrait

Rodent Illustrator 1

• Model: Artistic 2

• Size: 1728 X 2304 (3.98 MP)

• Used settings:

  • Prompt: An intricate vintage postage stamp featuring a promient painting of a wombat in the style of Albrecht Durer"s in a historical figuration, specifically a side view with a distinguished look. The stamp is primarily yellow, with detailed engravings that showcase the figure's facial features and hair Flanking the portrait are two allegorical female figures, adding an artistic touch to the design. The background includes ornate patterns and the text “AUSTRALIA” along with the year “1809” and “1865,” indicating the birth and death years of the figure. There is also a denomination of “5 CENTS” prominently displayed, with the series marked as “1902.” The entire stamp has a perforated edge, giving it an authentic vintage feel."
  • Upscale & Enhance: 0
  • Aspect Ratio: portrait

Queen Of Sixth Digit

• Model: DreamForge

• Size: 1460 X 1287 (1.88 MP)

• Used settings:

  • Prompt: Egyptian looking model
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape

Engulfed In Glass

• Model: DreamForge

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Use the visual prompt so it becomes the skin of a man
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Bridge of Dread

• Model: DaVinci2

• Size: 4048 X 2272 (9.20 MP)

• Used settings:

  • Prompt: A flimsy khaki vine with rough bamboo deck bridge 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum dramatic light. Inappropriate pit in foreground
  • Using base image: Yes (Effect strength - 90%)
  • Base image resolution: Default
  • Upscale & Enhance: 1

And The Clouds Light Up

• Model: DaVinci2

• Size: 759 X 1346 (1.02 MP)

• Used settings:

  • Prompt: A postage stamp border with graphic showing a large tarantula clinging to the top of the unfinished tower 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum, cobwebs, poison, View from base looking upwards.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape_wide

Dramatic Landscape Onset

• Model: DreamForge

• Size: 2304 X 1728 (3.98 MP)

• Used settings:

  • Prompt: I forgot what my idea was
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Giant Spider Overlooks Abandoned Tower

• Model: DaVinci2

• Size: 1352 X 760 (1.03 MP)

• Used settings:

  • Prompt: A postage stamp showing a large tarantula on top of the unfinished tower 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum, cobwebs, poison, View from base looking upwards.
  • Using base image: Yes (Effect strength - 90%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

The Fire Lookout Tower

• Model: DaVinci2

• Size: 1352 X 760 (1.03 MP)

• Used settings:

  • Prompt: Spiders climb on An Austin vertigo tower 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum, impossible pit in foreground, view from ground at base looking up
  • Using base image: Yes (Effect strength - 90%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Except They're Not Cows

• Model: DaVinci2

• Size: 1159 X 1080 (1.25 MP)

• Used settings:

  • Prompt: An outback grain station silo, 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum dramatic light. Inappropriate pit in foreground,. brahma cows milling.
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

C. S. Lewis

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: He thought he saw a mth flutter round a lamp. He looked again and found it was a penny postage stamp.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape