Prompt: A rickety, wooden suspension bridge to an abandoned, broken hut that hangs very high above the ground, across a deep tropical, misty, obscured, forest valley, where the bottom cannot be seen, the guide ropes are frayed and a lot of the wooden slats are missing or rotten, a storm is brewing in the distance, acrylic art, highly detailed, blur, misty, dew, early morning, low light, dim, remote, isolated, antique, mysterious.
Prompt: In a moonlit, crooked forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate black tree frog sits looking at the eyes of a large black rat, at the edge of a moss-covered stage carved into the roots of a hollow tree. Skin is a smooth, deep glint bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. There is yellow under the legs. The toes move with quiet grace, connected by fine silver strings of a puppet, that trail up into the mist. The skin is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at body with strands of tarnished wire. The legs is coiled into elaborate natural poise, partially tied to strings, and the eye has a knowing, wise look. The head is bowed, cocked at an angle looking directly at viewer from one eye. Around the frog, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she flys, and controls the strings now.
Prompt: A postage stamp with evenly perforated edge is suspended at forty five degrees, in air in a forest as a water stream runs under the trunk of a tree that is made of twisted wires, and leaves are tiny glass orbs, branches are Celtic scrolls, tree sits in a moonlit misty forest sketched in the style of Edward Gorey and Vania Zouravliov, moss on the trunk makes water deflect in all tiny little patterns, randomly around the trunk. A moon halo, high cirrus, storm forms on the horizon. Monochrome 3d greyscale 4k. shards of glass float away into the air from all the upper branches. Reflections in glass are tiny faces with every emotion. The tree is waving,swaying, shattered, blurred, misty, dim, antique, rustic. A small figure in a heavy coat, large rain hood, stands facing away from viewer looking up, standing in awe. Created in perfect dimensions, dynamic, captivating.
Prompt: A rickety, wooden beach that hangs very high above the ocean, Infront of a deep tropical, misty, obscured, forest valley, where the cliff at bottom can be just glimpsed, the support ropes are frayed and a lot of the wooden slats are missing or rotten, a storm is brewing in the distance, waves are calm, mist spray rises to projected decking and ladder like a tree house, a door hangs by it's bottom hinge at an ugly, awkward angle where it h has been forced open, acrylic art, highly detailed, blur, misty, dew, early morning, low light, dim, remote, isolated, antique, mysterious.
Prompt: A rickety, wooden tree house that hangs very high above the ground, across a deep tropical, misty, obscured, forest valley, where the river at bottom can be just glimpsed, the support ropes are frayed and a lot of the wooden slats are missing or rotten, a storm is brewing in the distance, smoke drifts from a fire across the ridge, birds circle overhead, a door hangs by it's bottom hinge at an ugly, awkward angle where it h has been forced open, acrylic art, highly detailed, blur, misty, dew, early morning, low light, dim, remote, isolated, antique, mysterious.
Prompt: A rickety, wooden suspension bridge that hangs very high above the ground, across a deep tropical, misty, obscured, forest valley, where the bottom cannot be seen, the guide ropes are frayed and a lot of the wooden slats are missing or rotten, a storm is brewing in the distance, acrylic art, highly detailed, blur, misty, dew, early morning, low light, dim, remote, isolated, antique, mysterious.
Prompt: Waterfall running down a tree made of twisted wires swirled round the trunk. Monochrome 3d greyscale 4k. No leaves. shards of glass float away into the air from all the upper branches. Reflections in glass are tiny faces with every emotion. The tree is in a wave in the ocean.
Prompt: In a moonlit, crooked forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate black cockatoo stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Feathers are is a smooth, deep glint bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. There is yellow under the tail feathers The wings move with quiet grace, connected by fine silver strings of a puppet, that trail up into the mist. The plumage is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at body with strands of tarnished wire. The beak is coiled into elaborate natural ridges, partially tied to strings, and the eye has a knowing, wise look. The head is bowed, cocked at an angle looking directly at viewer from one eye. Around the cockatoo, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she flys, and controls the strings now.
Prompt: An intricate vintage postage stamp featuring a detailed portrait painting of a male historical figure with a small lizard clinging across his face, full body of lizard showing and holding into to the beard. In the style of Albrecht Durer, in a historical figuration, specifically a strong, regal demeanour with a distinguished look, and has vintage spectacles. The stamp is primarily blue, with detailed engravings that showcase a prominent historical figure's facial features and beautifully groomed hair. The lizard is speckled, correct anatomy. Flanking the portrait are two allegorical female figures, adding an artistic touch to the design. The background includes ornate patterns and the text “AUSTRALIA” along with the year “1809” and “1865,” indicating the birth and death years of the figure. There is also a denomination of “5 CENTS” prominently displayed, with the series marked as “1902.” The entire stamp has an evenly perforated edge, giving it an authentic vintage feel.
Prompt: We are all eternal, all this world is just an illusion. In a dynamic moonlit, crooked, ancient forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate Black gothic, and dim, marionette stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Her skin is a smooth, deep bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols and Celtic tattoos as scrolls, she holds an orb with a delicate bloom, ancient and black petals, tiny inside. Her limbs move with quiet grace, connected by fine silver strings that trail up into the mist. Her gown is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at the waist with strands of tarnished wire. Her hair is coiled into elaborate natural plaits, partially tied with faded ribbons, and her painted mask shows a evil knowing eye and a smirk carved deep into her ancient wooden lips. Around her, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she contorts, and controls the strings now.
Prompt: In a moonlit, crooked forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate Black marionette stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Her skin is a smooth, deep bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. Her limbs move with quiet grace, connected by fine silver strings that trail up into the mist. Her gown is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at the waist with strands of tarnished wire. Her hair is coiled into elaborate natural curls, partially tied with faded ribbons, and her painted mask shows a single knowing eye and a smirk carved deep into her wooden lips. Around her, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she bends, and controls the strings now.
Prompt: In a moonlit, crooked forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate Black marionette grandmother stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Her skin is a smooth, deep bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. Her limbs move with quiet grace, connected by fine silver strings that trail up into the mist. Her gown is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at the waist with strands of tarnished wire. Her hair is coiled into elaborate natural curls, partially tied with faded ribbons, and her painted mask shows a single knowing eye and a smirk carved deep into her wooden lips. Around her, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she bends, and controls the strings now. A marionette, eight legged spider with correct anatomy, sits above on dew covered cobwebs in a misty forest.
Prompt: A flimsy khaki vine with rough bamboo deck bridge 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum dramatic light. Inappropriate pit in foreground
Prompt: An intricate vintage postage stamp featuring a promient painting of a python in the style of Albrecht Durer"s in a historical figuration, specifically a side view with a distinguished look. The stamp is primarily green, with detailed engravings that showcase the figure's facial features and hair Flanking the portrait are two allegorical female figures, adding an artistic touch to the design. The background includes ornate patterns and the text “AUSTRALIA” along with the year “1809” and “1865,” indicating the birth and death years of the figure. There is also a denomination of “5 CENTS” prominently displayed, with the series marked as “1902.” The entire stamp has an evenly perforated edge, giving it an authentic vintage feel."
Prompt: Skeletal face. We are all eternal, all this pain is just an illusion. In a moonlit, crooked, ancient forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate Black gothic, and dim, marionette stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Her skin is a smooth, deep bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. Her limbs move with quiet grace, connected by fine silver strings that trail up into the mist. Her gown is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at the waist with strands of tarnished wire. Her hair is coiled into elaborate natural plaits, partially tied with faded ribbons, and her painted mask shows a evil knowing eye and a smirk carved deep into her ancient wooden lips. Around her, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she bends, and controls the strings now.
Prompt: In a moonlit, crooked, ancient forest sketched in the style of Edward Gorey and Vania Zouravliov, a delicate Black gothic, and dim, marionette stands at the edge of a moss-covered stage carved into the roots of a hollow tree. Her skin is a smooth, deep bronze with golden undertones, the sheen of polished wood layered with faint cracks and carved symbols. Her limbs move with quiet grace, connected by fine silver strings that trail up into the mist. Her gown is made of frayed velvet and torn brocade, plum, indigo, and ash, cinched at the waist with strands of tarnished wire. Her hair is coiled into elaborate natural plaits, partially tied with faded ribbons, and her painted mask shows a evil knowing eye and a smirk carved deep into her ancient wooden lips. Around her, other abandoned puppets lie collapsed in shadow, faceless and forgotten. The forest breathes with her, trees bowed inward, branches forming twisted cathedral arches. The atmosphere hums with sorrow and strength, part funeral, part ritual. The whole scene evokes the haunting beauty of a forgotten fairytale where the survivor does not break, she bends, and controls the strings now.
Prompt: An intricate vintage postage stamp featuring a promient painting of a wombat with accurate anatomy, in the style of Albrecht Durer, in a historical figuration, specifically a complete animal, with a distinguished look. The stamp is primarily orange, with detailed engravings that showcase the figure's facial features and hair. Flanking the portrait are two allegorical floral figures, wattle, eucalyptus, adding an artistic touch to the design. The background includes ornate, nature patterns and the text “AUSTRALIA” along with the year “1809” and “1865,” indicating the birth and death years of the figure. There is also a denomination of “5 CENTS” prominently displayed, with the series marked as “1902.” The entire stamp has a perforated edge, giving it an authentic vintage feel."
Prompt: An intricate vintage postage stamp featuring a promient painting of a wombat in the style of Albrecht Durer"s in a historical figuration, specifically a side view with a distinguished look. The stamp is primarily yellow, with detailed engravings that showcase the figure's facial features and hair Flanking the portrait are two allegorical female figures, adding an artistic touch to the design. The background includes ornate patterns and the text “AUSTRALIA” along with the year “1809” and “1865,” indicating the birth and death years of the figure. There is also a denomination of “5 CENTS” prominently displayed, with the series marked as “1902.” The entire stamp has a perforated edge, giving it an authentic vintage feel."
Prompt: A flimsy khaki vine with rough bamboo deck bridge 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum dramatic light. Inappropriate pit in foreground
Prompt: A postage stamp border with graphic showing a large tarantula clinging to the top of the unfinished tower 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum, cobwebs, poison, View from base looking upwards.
Prompt: Spiders climb on An Austin vertigo tower 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum, impossible pit in foreground, view from ground at base looking up
Prompt: An outback grain station silo, 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum dramatic light. Inappropriate pit in foreground,. brahma cows milling.
Prompt: Sort focus on an Australian wheat belt grain railway station silo, 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum dramatic light. Inappropriate pit in foreground,. brahma cow milling. View from base looking upwards.
Prompt: An Austin vertigo tower 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum, impossible pit in foreground, view from ground at base looking up
Prompt: An Austin Plymouth Station, 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum dramatic light. Inappropriate pit in foreground
Prompt: A flimsy khaki vine with rough bamboo deck bridge 1949, abandoned, dim, Oil painting with impasto technique in style of Odd Nerdrum dramatic light. Inappropriate pit in foreground
Prompt: We are eternal all these insects embedded in my skin are an illusion. All the lumps, have antennae, insect mouth parts , little and tiny many,.covered in spiders and hairy.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
18w
18w
