Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 24, Kanké (Sugawara no Michizane), of the Ogura Hyakunin Isshu: "This time around / I couldn't even bring the sacred streamers / --Offering Hill-- / but if this brocade of leaves it to the gods' liking..." The image shows autumn on Mount Tamuke, with red-leaved trees ringing the mountain. Almost transparently overlaid over the image of the mountain is a nusa, a rather large wand from the top of which many thin, white paper streamers hang down. The wand is used in Shinto religious ceremonies. The red-leaved trees shine through the nearly transparent, full top layer. The mountain and trees exhibit patterns typical of a woodblock print. Exquisite Japanese folio.
materials series - plane tree hewn from Carrara marble
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Widescreen, HD, 16:9, 3840x2160 (4K UHD), full image extending all the way to the edges, rectangular, full-screen, no background, because the motif reaches all the way to the edges: The motif shows a full frontal image of an extremely detailed close-up of a single plane tree branch with healthy foliage, carved out of carrara marble. Only the marble block is shown, extending all the way to the edges of the image. The sculptor carefully carved out each detail of of each leaf and of the twigs and branch to which the leaves are attached from a single block of marble. The marble is blue-gray with white, and is strongly patterned and veined, which the sculptor used to his advantage. The plane tree branch with leaves extending outward from the rough, unhewn part of the block is very smoothly finished, contrasting with the rough, unhewn block from which they emerge. The branch appears almost lifelike, like a Classicist sculpture. Exquisite sculpture of epic proportions, museum showpiece.
Prompt: 16:9 full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image showing an extremely detailed close-up of moneywort (lysimachia nummularia), or creeping jenny, made of actual gold coins. The plant lies completely flat on the ground, completely prostrate, sending countless, very dense shoots along the rich, dark soil, all the way into the corners of the image. The gold coins forming the leaves of moneywort are small, and are densely arranged on either side of the stems of the creeping groundcover plant. The colors of the leaves and stems of the dense groundcover correspond to the entire range of colors of gold, and details of the coins are clearly shown. Unusual and unique literal representation of a plant that emulates coins. Valuable stash in the form of a dense, creeping groundcover plant.
Prompt: 16:9 hyperrealistic bouquet of ocean treasures, featuring coral, driftwood, sand dollars, dried algae, shark egg cases, and shells, arranged in a stunning composition, reminiscent of the styles of Zdzisław Beksiński, Ashley Wood, and Simon Stalenhag, with meticulous attention to texture and detail. Intricately patterned, dark blue wallpaper background with the shadow of the front-lit bouquet projected onto the background.
Prompt: Complete width, as large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a large, dense patch of winter aconite (eranthis hyemalis) in full bloom on a leaf-littered forest floor in eraly March. The sun is shining through the bare branches, throwing light and shade patterns on the six-sepaled, bright-yellow blossoms of the aconites and the deeply notched, ribbed, leaf-like bracts enveloping each shiny, yellow blossom. The floral display and the rock are rendered in mesmerizingly repetitive, organic patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Shiny lemon-yellow for the flowers, green for the bracts, dark brown for the leaf litter underground.
Prompt: Complete width, as wide and large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a mat-like stand of spreading goldmoss stonecrop (sedum acre) in full bloom in July. The mat is densely covered with tiny, bright sulphur-yellow, five-petaled, star-like flowers sitting on short stems enveloped in tiny, red-tinged, fleshy leaves. The mat of goldmoss stonecrop under the flowering stems is made up of very dense branchlets close to the ground.These short stems are fully covered in tiny, fleshy, mid-green to yellow leaves with rounded tips, making the leaves look like tiny grains of rice. The plant mat hugs the stony underground. The stonecrop and the stony underground are rendered in a strongly repetitive, linear pattern. The entire image has mesmerizingly repetitive, organic patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Green for the low carpet of stems, redddish-green for he flower stems, sulphur yellow for the flowers, and shades of brown-gray for the stony underground. The yellow, green, and red repeat in the thin guilloche frame.
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irene muehldorf
Member since 2017
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