irene muehldorf

Ogura Hyakunin Isshu No. 13 - Emperor Yōzei

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 13, Emperor Yōzei, of the Ogura Hyakunin Isshu: "From Tsukuba's peak Falling waters have become Mina's still, full flow: So my love has grown to be Like the river's quiet deeps." The image focuses on a silver, glittering waterfall cascading from the green, richly wooded peak of Mount Tsukuba. At the bottom of the waterfall, a deep, dark-blue pool with a swirling pattern forms. From the pool, the gentle, blue river Mina issues forth. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

fictional future banknote designs - liverwort (hepatica nobilis)

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 wide, full-screen, full frontal image surrounded by a thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the thin, rectangular frame is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a group of sunilit, profusely blooming liverworts (hepatica nobilis). The periwinkle-purple, six-petaled flowers with their showy, white stamens and yellow eye rise above shiny, dark-green, fleshy, three-lobed leaves.The woodland plants are shown against a forest floor background in early spring. The forest floor background with its curled, brown foliage from the fall season, is intensely patterned. The image is highly ornate, the patterns repetitive. The flowers and background are rendered in painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Shades of intense green, bluish periwinkle-purple, dashes of white and yellow, and a dull light-brown.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 19 - Lady Ise

• Model: AIVision

• Size: 5460 X 3071 (16.77 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 19, Lady Ise, of the Ogura Hyakunin Isshu: "Even for a time Short as a piece of the reeds In Naniwa's marsh, We must never meet again: Is this what you are asking me?" The image shows a Japanese woman of antiquity from the back. She is dressed in highly ornamented, precious robes. Her hair is put up in an an extravagant hairdo. Her slumped shoulders and the cast of her head indicate that she is melancholy, as she wistfully gazes out over strongly repetitively patterned, sumptuous reeds lining the banks of Naniwa (Osaka) inlet. Behind the reeds, blue water twinkles in the sunlight. The sky above is bedecked with intricately patterned cirrocumulus clouds. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 3 - Kakinomoto no Hitomaro

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 3, Kakinomoto no Hitomaro, of the Ogura Hyakunin Isshu: "Oh, the foot-drawn trail Of the mountain-pheasant's tail Drooped like down-curved branch! Through this long, long-dragging night Must I lie in bed alone?" The image shows a forlorn, old man in a Japanese patterned cotton robe lying supine on a stark bed, arms crossed over his chest, staring into the sky. Outside his bedroom window, it is the break of dawn. A foggy, orange glow lies over the landscape. In the morning haze, we can make out a mountain footpath leading up to a snowy peak. Exquisitely detailed Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 10 - Semimaru

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 11, Semimaru, of the Ogura Hyakunin Isshu: "Truly, this is where Travelers who go or come Over parting ways--Friends or strangers--all must meet: The gate of "Meeting Hill." The image shows a small, weathered wooden gate overgrown by grass and weeds on either side of the gate. The gate is integrated in a wooden rail-and-post fennce in rich, dense vegetation. A gravelly path leads up to and beyond the gate. The path winds up a grassy slope and beyond to the Meeting Hill. A wan sun shines down on the scene from a cloudy sky. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

juicy fruit - mangosteens, dedicated to the DDG Team

• Model: AIVision

• Size: 5912 X 3376 (19.96 MP)

• Used settings:

  • Prompt: Create a full-screen, side-lit, sharp-focused macro watercolor painting of a light-green, textured ceramic bowl holding several mangosteen fruits. The mangosteens have a dark reddish-purple, leathery exterior with clusters of greenish-brown leaves on top. One mangosteen outside the bowl is cut open to reveal shiny white segments inside. The bowl is placed on a smooth beechwood cutting board alongside a simple golden-handled paring knife. Behind the arrangement, an apricot-and-magenta wallpapered wall is softly illuminated by sunlight, casting ornate patterns of pink, orange, apricot, and gold. The mangosteens, bowl, and cutting board with the knife are intricately and lovingly detailed with transparent watercolor, while the wall appears slightly blurred with a watercolor-and-ink effect. The artwork extends to the edges of heavy, handmade rag paper, capturing a high-quality, museum-style botanical illustration inspired by renowned contemporary and classical biological artists.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape