#ukraine

Winter Night with Armadillo and Friend

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

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  • Prompt: A striking and surreal painting inspired by the styles of Ofra Amit, Sendak, Leonora Carrington, and Voynich. Steampunk sketch, micropen on Strathmore tan paper. Enchanting winter night, surreal dark fantasy, intricate Christmas silhouettes, inspired by Ofra Amit, Sendak, Leonora Carrington, and Voynich, detailed patterns, silhouetted armadillo, large barren tree, starry sky, glowing moon, cozy illuminated houses, serene ambiance, Sam Deacon Art, Jean-Baptiste Monge, vibrant colors, magical lighting, whimsical touch, high resolution, digital painting. By Sam Deacon Art, Jean-Baptiste Monge, dark fantasy.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Tolkien describes Barad-dûr as a "vast fortress, armoury, prison, furnace of great power". The fortress was constructed with many towers and was hidden in clouds, "rising black, blacker and darker than the vast shades amid which it stood, the cruel pinnacles and iron crown of the topmost tower of Barad-dûr." It could not be clearly seen because Sauron created shadows about himself that crept out from the tower. Frodo sees the immense tower from Amon Hen, the Hill of Seeing, as wall upon wall, battlement upon battlement, black, immeasurably strong, mountain of iron, gate of steel, tower of adamant... Barad-dûr, Fortress of Sauron. There was a look-out post, the "Window of the Eye", at the top of Barad-dûr. This window was visible from Mount Doom where Frodo and Sam had a terrible glimpse of the Eye of Sauron. Barad-dûr's west gate is described as "huge" and the west bridge as "a vast bridge of iron."
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: A generation ship, or generation starship, is a hypothetical type of interstellar ark starship that travels at sub-light speed. Since such a ship might require hundreds to thousands of years to reach nearby stars, the original occupants of a generation ship would grow old and die, leaving their descendants to continue traveling.
  • Using base image: Yes (Effect strength - 40%)
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Ukrainian sunflowers field

• Model: Artistic

• Size: 1752 X 1199 (2.10 MP)

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  • Prompt: Sunflowers landscape, Ukraine, beautiful, Hovik Zohrabian, Earnst Haeckel, Jacek Yerka, Thomas Kinkade, digital painting, award winning, a masterpiece, crisp quality, HQ, ultra detailed, 8k, intricate, fantastic view, acrylic art
  • Using base image: Yes (Effect strength - 70%)
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  • Upscale & Enhance: 2

Long Life To Ukraine ! God Bless Ukraine !

• Model: Artistic

• Size: 1643 X 1278 (2.10 MP)

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  • Prompt: A Ukrainian beauty with traditional costumes, an orthodox cross and several sunflowers - Dream and inspirational mood
  • Upscale & Enhance: 2
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: A well-known example of organic architecture is Fallingwater, the residence Wright designed for the Kaufmann family in rural Pennsylvania. Wright had many choices to locate a home on this large site but chose to place the home directly over the waterfall and creek creating a close, yet noisy dialog with the rushing water and the steep site. The horizontal striations of stone masonry with daring cantilevers of colored beige concrete blend with native rock outcroppings and the wooded environment. In postwar Europe, the Hungarian Imre Makovecz was one of the most prominent proponents of organic architecture.
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Ukraine, Kotsiubiiv

• Model: MirageMaker

• Size: 1024 X 1024 (1.05 MP)

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  • Prompt: Ukrainian cyberpunk. Blue and yellow colors.
  • Upscale & Enhance: 0
  • Aspect Ratio: square

1096 Days Already

• Model: DaVinci2

• Size: 896 X 1144 (1.03 MP)

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  • Prompt: Vintage propaganda poster: Ukrainian soldier with a yellow stripe on his arm and a machine gun in his hands. A dirty red flag with the symbol "Z" lies on the ground. A soldier steps by his boot on the flag, his gaze full of confidence, purpose and determination
  • Using base image: Yes (Effect strength - 30%)
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Kamianets-Podilskyi

• Model: Artistic

• Size: 1775 X 1183 (2.10 MP)

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  • Prompt: Kamianets-Podilskyï, illustration style Hugo Pratt
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The movement could also engage with cutting-edge research into green technologies that complement the green-tower-in-the-sky aesthetic. For example, at first glance, renderings of SOM’s Urban Sequoia project appear to be textbook examples of the Solarpunk aesthetic. However, Yasemin Kologlu, architect and sustainable design leader at SOM, has spent years leading research the research that is represented in the renderings. Leveraging existing technologies and emerging solutions, the utopian visions of Urban Sequoia envision an architecture that employs bio materials (made of cyano-bacteria, hydrogel, sand, warm water), nature-based micro algae systems for carbon sequestration and technologies that can transform their buildings into sources of biofuel. (If you’d like to hear more about the project, check out Yasemin’s Future Fest talk, now available as a free recording.) When backed by research, the Solarpunk aesthetic can be an effective tool for raising money and attracting clients to put the nascent technologies into action.
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Cosmic Ukrainian Helicopter Blueprint: Future Tech & Beyond

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

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  • Prompt: A helicopter developed by the secret Ukrainian laboratory. Alien technologies adopted for Earth. Super unexpected aerodynamic shapes Helicopter acting on the battlefield. Ukrainian military symbols and Ukrainian rotorcraft livery.
  • Upscale & Enhance: 5
  • Aspect Ratio: square

Ukrainian superhero - grandma

• Model: Runway

• Size: 720 X 720 (0.52 MP)

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  • Aspect ratio: square

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: A Neo-futuristic architecture with ornament that is geometric or stylized from representational forms such as florals is a design concept that combines the futuristic aesthetic with elements of traditional ornamentation. The buildings in this type of architecture would be characterized by intricate geometric patterns or stylized forms of natural elements such as florals. In this type of architecture, we might see designs that incorporate traditional ornamentation with a modern twist. The buildings may consist of stylized forms of natural elements such as florals, leaves, or fauna, creating a sense of connection to nature while maintaining a futuristic aesthetic. Moreover, the ornamentation may also incorporate geometric patterns, giving the structure a sense of order and symmetry. The designs could feature intricate patterns or simple shapes, creating a sense of depth and texture. Additionally, the design of the buildings could feature a sleek and futuristic aesthetic with clean lines, modern materials, and minimalistic forms. The materials used in the design could be both organic and technological, with natural materials such as wood or stone combined with high-tech materials.
  • Using base image: Yes (Effect strength - 40%)
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Show me a future of Ukraine after winning

• Model: Stable

• Size: 960 X 640 (0.61 MP)

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  • Prompt: Show me a future of Ukraine after winning war against ruzzia
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: As a science fiction literary subgenre and art movement, solarpunk works address how the future might look if humanity succeeded in solving major contemporary challenges with an emphasis on sustainability, human impact on the environment, and addressing climate change and pollution. Especially as a subgenre, it is aligned with cyberpunk derivatives, and may borrow elements from utopian and fantasy genres.[5] Solarpunk can risk being greenwashed through aesthetics that give the appearance of sustainability without addressing the root causes of actual environmental issues.[7]
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Kharkiv's Gosprom

• Model: Artistic

• Size: 1265 X 829 (1.05 MP)

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  • Prompt: Patchwork by Iwona Lifsches and Catherina Abel.
  • Using base image: Yes (Effect strength - 60%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Sydney Opera House. Inaugurated in 1973, the Sydney Opera House is a great architectural work of the 20th century that brings together multiple strands of creativity and innovation in both architectural form and structural design. A great urban sculpture set in a remarkable waterscape, at the tip of a peninsula projecting into Sydney Harbour, the building has had an enduring influence on architecture. The Sydney Opera House comprises three groups of interlocking vaulted ‘shells’ which roof two main performance halls and a restaurant. These shell-structures are set upon a vast platform and are surrounded by terrace areas that function as pedestrian concourses. In 1957, when the project of the Sydney Opera House was awarded by an international jury to Danish architect Jørn Utzon, it marked a radically new approach to construction.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: MINERVA-II-1 is a container that deployed two rovers, Rover-1A (HIBOU) and Rover-1B (OWL), on 21 September 2018. It was developed by JAXA and the University of Aizu. The rovers are identical having a cylindrical shape, 18 cm (7.1 in) diameter and 7 cm (2.8 in) tall, and a mass of 1.1 kg (2.4 lb) each.[40][51] They move by hopping in the low gravitational field, using a torque generated by rotating masses within the rovers. Their scientific payload is a stereo camera, wide-angle camera, and thermometers. Solar cells and double-layer capacitors provide the electrical power. The MINERVA-II-1 rovers were successfully deployed 21 September 2018. Both rovers performed successfully on the asteroid surface, sending images and video from the surface. Rover-1A operated for 113 asteroid days (36 Earth days) returning 609 images from the surface, and Rover-1B operated for 10 asteroid days (3 Earth days) returning 39 images from the surface.nThe MINERVA-II-2 container held the ROVER-2 (sometimes referred to as MINERVA-II-2), developed by a consortium of universities led by Tohoku University in Japan. This was an octagonal prism shape, 15 cm (5.9 in) diameter and 16 cm
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Glass and ceramics were important components of the Liberty style. Italian glass art particularly drew upon the tradition of Murano glass, from Venice. Galileo Chini was the dominant figure in glassware and ceramics. He created decorative floral designs which were produced in stained glass, majolica or ceramics. In 1897 he founded the Florentine Society of Ceramic Arts, and between 1902 and 1914 he decorated the salons of the Venice Biennale. He also became the chair of the department of decoration in the Italian Academy of Fine Arts. He was called to Bangkok in 1911–13 to decorate the throne room of the royal palace there.[10] Later works by Chini, with more geometric rather than natural designs, showed the growing influence of the more geometric style of the Vienna Secession and the work of Gustav Klimt.[10]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Both these techniques printed a single colour, which was most often the cobalt blue that had been heavily used for painting pottery for centuries. Its success was because the colour was attractive, and cobalt kept its colour in firing even at very high porcelain temperatures. Initially cobalt blue, black and brown were probably the only colour options for underglaze transfer printing. Transfer printing could be supplemented with colour added by hand, or gilding, and this technique was used from early on. The use of multiple transfers, each with a different colour, was introduced quite early when different areas were printed in each colour, for example, a plate with the centre in one colour, and the border in another. It was more difficult to build up a full polychrome image, but this was perfected by Messrs F&R Pratt of Fenton in the 1840s
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