#ukraine

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The 'Pearl of the Adriatic', situated on the Dalmatian coast, became an important Mediterranean sea power from the 13th century onwards. Although severely damaged by an earthquake in 1667, Dubrovnik managed to preserve its beautiful Gothic, Renaissance and Baroque churches, monasteries, palaces and fountains. Damaged again in the 1990s by armed conflict, it is now the focus of a major restoration programme co-ordinated by UNESCO.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The ruins of Diocletian's Palace, built between the late 3rd and the early 4th centuries A.D., can be found throughout the city. The cathedral was built in the Middle Ages, reusing materials from the ancient mausoleum. Twelfth- and 13th-century Romanesque churches, medieval fortifications, 15th-century Gothic palaces and other palaces in Renaissance and Baroque style make up the rest of the protected area.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The San Agustín Archaeological Park is located in the Colombian Massif of the Colombian southwestern Andes, on terrains of the municipalities of San Agustín and Isnos, in the department of Huila. Three separate properties, totalling 116 ha, comprise the Archaeological Park: San Agustín (conformed by the Mesita A, Mesita B, Mesita C, La Estación, Alto de Lavapatas and Fuente de Lavapatas sites), Alto de los Ídolos and Alto de Las Piedras. The park is at the core of San Agustín archaeological zone featuring the largest complex of pre-Columbian megalithic funerary monuments and statuary, burial mounds, terraces, funerary structures, stone statuary and the Fuente de Lavapatas site, a religious monument carved in the stone bed of a stream.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The largest group of religious monuments and megalithic sculptures in South America stands in a wild, spectacular landscape. Gods and mythical animals are skilfully represented in styles ranging from abstract to realist. These works of art display the creativity and imagination of a northern Andean culture that flourished from the 1st to the 8th century.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Several monumental statues of human figures can be seen in the park, which also contains many hypogea dating from the 6th to the 10th century. These huge underground tombs (some burial chambers are up to 12 m wide) are decorated with motifs that reproduce the internal decor of homes of the period. They reveal the social complexity and cultural wealth of a pre-Hispanic society in the northern Andes. The National Archaeological Park of Tierradentro is located in the south-western of Colombia in Andean's central cordillera, in the municipality of Inzá, department of Cauca. Four areas, dispersed over a few square kilometres, make up the archaeological park: Alto de San Andrés, Alto de Segovia, Alto del Duende, El Tablón and as a site of importance but outside the park boundary the Alto del Aguacate. The park contains all known monumental shaft and chamber tombs of Tierradentro culture, the largest and most elaborate tombs of their kind.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Temple Zone of Sambor Prei Kuk, Archaeological Site of Ancient Ishanapura. The archaeological site of Sambor Prei Kuk, “the temple in the richness of the forest” in the Khmer language, has been identified as Ishanapura, the capital of the Chenla Empire that flourished in the late 6th and early 7th centuries AD. The property comprises more than a hundred temples, ten of which are octagonal, unique specimens of their genre in South-East Asia. Decorated sandstone elements in the site are characteristic of the pre-Angkor decorative idiom, known as the Sambor Prei Kuk Style. Some of these elements, including lintels, pediments and colonnades, are true masterpieces. The art and architecture developed here became models for other parts of the region and lay the ground for the unique Khmer style of the Angkor period.Sambor Prei Kuk Temple Zone is part of the remains of ancient Ishanapura "the temple in the lush forest", which was the capital of the Chenla Empire that flourished over much of Southeast Asia in the late 6th and early 7th centuries AD, and whose architectural achievements laid the foundations for those of the later Khmer Empire. The extensive Temple Zone of 840 hectares l
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Situated on the edge of a plateau that dominates the plain of Cambodia, the Temple of Preah Vihear is dedicated to Shiva. The Temple is composed of a series of sanctuaries linked by a system of pavements and staircases over an 800 metre long axis and dates back to the first half of the 11th century AD. Nevertheless, its complex history can be traced to the 9th century, when the hermitage was founded. This site is particularly well preserved, mainly due to its remote location. The site is exceptional for the quality of its architecture, which is adapted to the natural environment and the religious function of the temple, as well as for the exceptional quality of its carved stone ornamentation. The Temple of Preah Vihear, a unique architectural complex of a series of sanctuaries linked by a system of pavements and staircases on an 800 metre long axis, is an outstanding masterpiece of Khmer architecture, in terms of plan, decoration and relationship to the spectacular landscape environment.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Angkor is one of the most important archaeological sites in South-East Asia. Stretching over some 400 km2, including forested area, Angkor Archaeological Park contains the magnificent remains of the different capitals of the Khmer Empire, from the 9th to the 15th century. They include the famous Temple of Angkor Wat and, at Angkor Thom, the Bayon Temple with its countless sculptural decorations. UNESCO has set up a wide-ranging programme to safeguard this symbolic site and its surroundings. Angkor, in Cambodia’s northern province of Siem Reap, is one of the most important archaeological sites of Southeast Asia. It extends over approximately 400 square kilometres and consists of scores of temples, hydraulic structures (basins, dykes, reservoirs, canals) as well as communication routes. For several centuries Angkor, was the centre of the Khmer Kingdom. With impressive monuments, several different ancient urban plans and large water reservoirs, the site is a unique concentration of features testifying to an exceptional civilization. Temples such as Angkor Wat, the Bayon, Preah Khan and Ta Prohm, exemplars of Khmer architecture, are closely linked to their geographical context as wel
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Cidade Velha, Historic Centre of Ribeira Grande. The town of Ribeira Grande, renamed Cidade Velha in the late 18th century, was the first European colonial outpost in the tropics. Located in the south of the island of Santiago, the town features some of the original street layout impressive remains including two churches, a royal fortress and Pillory Square with its ornate 16th century marble pillar. Cidade Velha, historic centre of Ribeira Grande demonstrates Outstanding Universal Value: Ribeira Grande was the first European colonial town to be built in the tropics, and marks a decisive step in European expansion at the end of the 15th century towards Africa and the Atlantic area. Ribeira Grande was subsequently, in the 16th and 17th centuries, a key port of call for Portuguese colonisation and its administration. It was an exceptional centre in the routes for international maritime trade, included in the routes between Africa and the Cape, Brazil and the Caribbean. It provides an early image of transcontinental geopolitical visions. Its insular position, isolated but close to the coasts of Africa, made it an essential platform for the Atlantic trade of enslaved persons of modern
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Churches of Chiloé. The Churches of Chiloé represent a unique example in Latin America of an outstanding form of ecclesiastical wooden architecture. They represent a tradition initiated by the Jesuit Peripatetic Mission in the 17th and 18th centuries, continued and enriched by the Franciscans during the 19th century and still prevailing today. These churches embody the intangible richness of the Chiloé Archipelago, and bear witness to a successful fusion of indigenous and European culture, the full integration of its architecture in the landscape and environment, as well as to the spiritual values of the communities. In the Chiloé archipelago off the coast of Chile are about 70 churches built within the framework of a “Circular Mission” introduced by the Jesuits in the 17th century and continued by the Franciscans in the 18th and 19th centuries. The most exceptional illustrations of this unique form of wooden ecclesiastical architecture (the so-called Chilota School of architecture) are the churches of Achao, Quinchao, Castro, Rilán, Nercón, Aldachildo, Ichuac, Detif, Vilupulli, Chonchi, Tenaún, Colo, San Juan, Dalcahue, Chellín and Caguach. These sixteen churches are o
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Rapa Nui National Park. Rapa Nui, the indigenous name of Easter Island, bears witness to a unique cultural phenomenon. A society of Polynesian origin that settled there c. A.D. 300 established a powerful, imaginative and original tradition of monumental sculpture and architecture, free from any external influence. From the 10th to the 16th century this society built shrines and erected enormous stone figures known as moai , which created an unrivalled cultural landscape that continues to fascinate people throughout the world.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Old Bridge Area of the Old City of Mostar. The historic town of Mostar, spanning a deep valley of the Neretva River, developed in the 15th and 16th centuries as an Ottoman frontier town and during the Austro-Hungarian period in the 19th and 20th centuries. Mostar has long been known for its old Turkish houses and Old Bridge, Stari Most, after which it is named. In the 1990s conflict, however, most of the historic town and the Old Bridge, designed by the renowned architect Sinan, was destroyed. The Old Bridge was recently rebuilt and many of the edifices in the Old Town have been restored or rebuilt with the contribution of an international scientific committee established by UNESCO. The Old Bridge area, with its pre-Ottoman, eastern Ottoman, Mediterranean and western European architectural features, is an outstanding example of a multicultural urban settlement. The reconstructed Old Bridge and Old City of Mostar is a symbol of reconciliation, international co-operation and of the coexistence of diverse cultural, ethnic and religious communities.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Ruins of Loropéni. The 11,130m2 property, the first to be inscribed in the country, with its imposing stone walls is the best preserved of ten fortresses in the Lobi area and is part of a larger group of 100 stone enclosures that bear testimony to the power of the trans-Saharan gold trade. Situated near the borders of Côte d’Ivoire, Ghana and Togo, the ruins have recently been shown to be at least 1,000 years old. The settlement was occupied by the Lohron or Koulango peoples, who controlled the extraction and transformation of gold in the region when it reached its apogee from the 14th to the 17th century. Much mystery surrounds this site large parts of which have yet to be excavated. The settlement seems to have been abandoned during some periods during its long history. The property which was finally deserted in the early 19th century is expected to yield much more information. The dramatic and memorable Ruins of Loropéni consist of imposing, tall, laterite stone perimeter walls, up to six metres in height, surrounding a large abandoned settlement. As the best preserved of ten similar fortresses in the Lobi area, part of a larger group of around a hundred stone-built enclosu
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Thracian Tomb of Sveshtari. Discovered in 1982 near the village of Sveshtari, this 3rd-century BC Thracian tomb reflects the fundamental structural principles of Thracian cult buildings. The tomb has a unique architectural decor, with polychrome half-human, half-plant caryatids and painted murals. The 10 female figures carved in high relief on the walls of the central chamber and the decoration of the lunette in its vault are the only examples of this type found so far in the Thracian lands. It is a remarkable reminder of the culture of the Getes, a Thracian people who were in contact with the Hellenistic and Hyperborean worlds, according to ancient geographers. The Thracian Tomb near Sveshtari is an extremely rare and very well preserved monument of the sepulchral architecture containing remarkable elements in terms of their quality and style sculpture and painting. The Tomb is also remarkable for the fact that it represents local art, inspired by Hellenism, a rare case of an interrupted creative process which possesses specific characteristics.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Rila Monastery was founded in the 10th century by St John of Rila, a hermit canonized by the Orthodox Church. His ascetic dwelling and tomb became a holy site and were transformed into a monastic complex which played an important role in the spiritual and social life of medieval Bulgaria. Destroyed by fire at the beginning of the 19th century, the complex was rebuilt between 1834 and 1862. A characteristic example of the Bulgarian Renaissance (18th–19th centuries), the monument symbolizes the awareness of a Slavic cultural identity following centuries of occupation. In its complicated ten-century history the Rila monastery has been the hub of a strong spiritual and artistic influence over the Eastern Orthodox world during medieval times (11th-14th c.). Under Ottoman rule (1400-1878) the monastery influenced the development of the culture and the arts of all Christian nations within the Ottoman Empire. With its architecture, frescos etc. it represents a masterpiece of the creative genius of the Bulgarian people.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Ancient City of Nessebar. Situated on a rocky peninsula on the Black Sea, the more than 3,000-year-old site of Nessebar was originally a Thracian settlement (Menebria). At the beginning of the 6th century BC, the city became a Greek colony. The city’s remains, which date mostly from the Hellenistic period, include the acropolis, a temple of Apollo, an agora and a wall from the Thracian fortifications. Among other monuments, the Stara Mitropolia Basilica and the fortress date from the Middle Ages, when this was one of the most important Byzantine towns on the west coast of the Black Sea. Wooden houses built in the 19th century are typical of the Black Sea architecture of the period. The Ancient city of Nessebar is a unique example of a synthesis of the centuries-old human activities in the sphere of culture; it is a location where numerous civilizations have left tangible traces in single homogeneous whole, which harmoniously fit in with nature. The different stages of development of its residential vernacular architecture reflect the stages of development of the architectural style on the Balkans and in the entire East Mediterranean region.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Thracian Tomb of Kazanlak. Discovered in 1944, this tomb dates from the Hellenistic period, around the end of the 4th century BC. It is located near Seutopolis, the capital city of the Thracian king Seutes III, and is part of a large Thracian necropolis. The tholos has a narrow corridor and a round burial chamber, both decorated with murals representing Thracian burial rituals and culture. These paintings are Bulgaria’s best-preserved artistic masterpieces from the Hellenistic period. The Thracian tomb of Kazanlak is a unique aesthetic and artistic work, a masterpiece of the Thracian creative spirit. This monument is the only one of its kind anywhere in the world. The exceptionally well preserved frescos and the original condition of the structure reveal the remarkable evolution and high level of culture and pictorial art in Hellenistic Thrace.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Rock-Hewn Churches of Ivanovo. In the valley of the Roussenski Lom River, in north east Bulgaria, a complex of rock-hewn churches, chapels, monasteries and cells developed in the vicinity of the village of Ivanovo. This is where the first hermits had dug out their cells and churches during the 12th century. The 14th-century murals testify to the exceptional skill of the artists belonging to the Tarnovo School of painting. The frescos of the Ivanovo churches reveal an exceptional artistry and a remarkable artistic sensitivity for 14th century painting and Bulgarian medieval art; they are an important achievement in the Christian art of South-Eastern Europe. Posterior to the Khora monastery mosaics (Karia Djami) of 1303 - 10, these frescoes, by their very expressiveness surpass any other historical monuments discovered, characteristic of the Palaeologues style. Neo-classical in spirit and in elements of their subjects, the frescoes represent a departure from the canons of Byzantine iconography. They show close ties with expressive Hellenistic art and a clear preference for the nude, the landscape, an architectural background in a composition, drama, an emotional atmosphere - qualitie
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Madara Rider. The Madara Rider, representing the figure of a knight triumphing over a lion, is carved into a 100-m-high cliff near the village of Madara in north-east Bulgaria. Madara was the principal sacred place of the First Bulgarian Empire before Bulgaria’s conversion to Christianity in the 9th century. The inscriptions beside the sculpture tell of events that occurred between AD 705 and 801.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Boyana Church. Located on the outskirts of Sofia, Boyana Church consists of three buildings. The eastern church was built in the 10th century, then enlarged at the beginning of the 13th century by Sebastocrator Kaloyan, who ordered a second two storey building to be erected next to it. The frescoes in this second church, painted in 1259, make it one of the most important collections of medieval paintings. The ensemble is completed by a third church, built at the beginning of the 19th century. This site is one of the most complete and perfectly preserved monuments of east European medieval art.
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