#text2dream

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The mosque's courtyard forms a dramatic approach that helps to frame the view of the main dome from outside.[19] The central outer gate on the northwest side of the courtyard is unusually simple, as the customary muqarnas canopy is replaced by a simple round arch.[19][20] Inside, the courtyard is surrounded by four porticos of arches and domes. The southeastern portico, immediately preceding the entrance to the prayer hall, is significantly taller than the other three porticos in order to match the great height of the mosque itself.[19] This portico is composed of three wide arches with two very small arches between them, a configuration vaguely resembling a triumphal arch and very different from the earlier monumental portico designed by Sinan for the Süleymaniye Mosque.[19] The façades above these arches are decorated with two marble circles inscribed with quotes from the Qur'an.[21] The large lower windows around the courtyard are surmounted by decorative lunettes, except for the two windows on either side of the entrance portal, which are set below muqarnas niches instead. The lunettes of the windows on the prayer hall side are filled with Iznik tiles painted with calligraphy
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Selimiye Mosque was built at the peak of Ottoman military and cultural power. Sultan Selim II, the son and successor of Suleiman the Magnificent, chose Edirne instead of Istanbul (the Ottoman capital) as the location to build his own sultanic mosque. The reasons for this decision are a matter of debate among historians.[5] Selim II appeared to have a passion for the city, having served as its governor between 1548 and 1550, and he visited it frequently after becoming sultan.[6][7] Edirne, a former Ottoman capital, was also one of the most important cities in the empire and a major stop on the imperial highway between Istanbul and the Balkan provinces.[6][7] Other motivations may have included the fact that there were no more prominent hilltop sites in Istanbul available for the construction of an imperial mosque complex – at least not without resorting to mass expropriations.[8][7] At the time of the mosque's commission, Selim II had also not commanded a victorious military campaign, which Islamic scholars of the time considered to be a requirement for building a sultanic mosque in Istanbul.[8]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Denver International Airport (IATA: DEN, ICAO: KDEN, FAA LID: DEN), locally known as DIA, is an international airport in the Western United States, primarily serving metropolitan Denver, Colorado, as well as the greater Front Range Urban Corridor. At 33,531 acres (52.4 sq mi; 135.7 km2),[3][4] it is the largest airport in the Western Hemisphere by land area and the second largest on Earth, behind King Fahd International Airport.[5] Runway 16R/34L, with a length of 16,000 feet (3.03 mi; 4.88 km), is the longest public use runway in North America and the seventh longest on Earth. The airport is 25 miles (40 km) driving distance from Downtown Denver,[6] 19 miles (31 km) farther than the former Stapleton International Airport, the facility DEN replaced: the airport land was originally part of Adams County until the construction of the airport in 1995, and is actually located in between Commerce City and Aurora with the Southwest side connecting strip of neighborhoods (on the route of Peña Blvd) being the only connection with the rest of the city of Denver: many airport-related services, such as hotels, are located in Aurora.[7]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Palacio was constructed 14 miles (23 km) from the Olympic Village and 6.5 from downtown Mexico City in the Magdalena Mixhuca Sports City near the conflux of two expressways (Miguel Alemán Viaduct and Río Churubusco Interior Loop). It was built by the company ICA between October 15, 1966 and September 13, 1968, and finished construction just in time for the Olympics. The Palacio is circular in design with a square-patterned dome spanning 380 feet (120 m) and enclosing an area of 6.7 acres (27,000 m2). The dome consists of hyperbolic paraboloids of tubular aluminum covered with waterproof copper-sheathed plywood and supported by huge steel arches. The Palacio originally seated 22,370, including 7,370 in removable seats. There was parking space for 3,864 vehicles. The structure was designed by architects Félix Candela, Enrique Castañeda Tamborel and Antonio Peyri. It has three floors, which house complete facilities for athletes, judges, officials, organizers, as well as services for radio, television and the press. A mezzanine provides access to the boxes and middle and upper stands.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A hyperboloid of one sheet is a doubly ruled surface, and it may be generated by either of two families of straight lines.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Ciechanów water tower is a toroidal water tower tank on a doubly ruled hyperboloid structure, Ciechanów, Poland, 1972.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Galata Tower (Turkish: Galata Kulesi), officially the Galata Tower Museum (Turkish: Galata Kulesi Müzesi), is an old Genoese tower in the Galata part of the Beyoğlu district of Istanbul, Turkey. Built as a watchtower at the highest point of the (lost) Walls of Galata,[1] the tower is now an exhibition space and museum, and a symbol of Beyoğlu and Istanbul.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: In the Palau Güell, there is one set of interior columns along the main facade with hyperbolic capitals. The crown of the famous parabolic vault is a hyperboloid. The vault of one of the stables at the Church of Colònia Güell is a hyperboloid. There is a unique column in the Park Güell that is a hyperboloid. The famous Spanish engineer and architect Eduardo Torroja designed a thin-shell water tower in Fedala[5] and the roof of Hipódromo de la Zarzuela[6] in the form of hyperboloid of revolution. Le Corbusier and Félix Candela used hyperboloid structures (hypar).[citation needed]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Tange envisioned that the Expo should be primarily conceived as a big festival where human beings could meet. Central to the site he placed the Festival Plaza onto which were connected a number of themed displays, all of which were united under one huge roof.[69] In his Tokyo Bay Project Tange spoke about the living body having two types of information transmission systems: fluid and electronic. That project used the idea of a tree trunk and branches that would carry out those types of transmission in relation to the city. Kawazoe likened the space frame roof of the Festival Plaza to the electronic transmission system and the aerial-themed displays that plugged into it to the hormonal system.[70]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Glass and ceramics were important components of the Liberty style. Italian glass art particularly drew upon the tradition of Murano glass, from Venice. Galileo Chini was the dominant figure in glassware and ceramics. He created decorative floral designs which were produced in stained glass, majolica or ceramics. In 1897 he founded the Florentine Society of Ceramic Arts, and between 1902 and 1914 he decorated the salons of the Venice Biennale. He also became the chair of the department of decoration in the Italian Academy of Fine Arts. He was called to Bangkok in 1911–13 to decorate the throne room of the royal palace there.[10] Later works by Chini, with more geometric rather than natural designs, showed the growing influence of the more geometric style of the Vienna Secession and the work of Gustav Klimt.[10]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A well-known example of organic architecture is Fallingwater, the residence Wright designed for the Kaufmann family in rural Pennsylvania. Wright had many choices to locate a home on this large site but chose to place the home directly over the waterfall and creek creating a close, yet noisy dialog with the rushing water and the steep site. The horizontal striations of stone masonry with daring cantilevers of colored beige concrete blend with native rock outcroppings and the wooded environment. In postwar Europe, the Hungarian Imre Makovecz was one of the most prominent proponents of organic architecture.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Liberty style was the Italian variant of Art Nouveau, which flourished between about 1890 and 1914. It was also sometimes known as stile floreale ("floral style"), arte nuova ("new art"), or stile moderno ("modern style"). It took its name from Arthur Lasenby Liberty and the store he founded in 1874 in London, Liberty Department Store, which specialized in importing ornaments, textiles and art objects from Japan and the Far East. Major Italian designers using the style included Ernesto Basile, Ettore De Maria Bergler, Vittorio Ducrot, Carlo Bugatti, Raimondo D'Aronco, Eugenio Quarti, and Galileo Chini.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A blood donation occurs when a person voluntarily has blood drawn and used for transfusions and/or made into biopharmaceutical medications by a process called fractionation (separation of whole blood components). Donation may be of whole blood, or of specific components directly (apheresis). Blood banks often participate in the collection process as well as the procedures that follow it.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: It is said that the characteristic shape of the hotel building was inspired by shapes Japanese temples and pine trees.[5] Despite some metabolist-like features the object itself cannot be seen as representative of metabolist movement - as designed long after the slow breakup of the metabolists group in late 70. of XXc. The object referenced traditional Japanese architecture, which is characteristic of mature and late works of K.Kikutake (Edo-Tokyo Museum, Izumo Grand Shrine Administration Building, Toukouen Hotel).
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Hotel Sofitel Tokyo[1] (ホテルソフィテル東京) was a hotel high-rise building (106.07 m, 3 underground storeys) in Taito-ku, Tokyo (1-48, 2 Ikenohata, Taito-ku, Tokyo, Japan). It was established in 1994 as Hotel Cosima with 71 rooms on 26 cantilever floors. In 1999 it was purchased by Accor Group. After refurbishment (number of rooms increased to 83) it was reopened as 4-star hotel in September 2000, closed in December 2006 and was demolished between February 2007 and May 2008. Hotel Sofitel was a late work of Japanese architect Kiyonori Kikutake (66 years old, when the building was conceived), best known for his own pre-metabolist house (Sky House[2]), and Edo-Tokyo Museum(1993). Hotel Sofitel building resembled some metabolist ideas (as Joint Core,[3] capsules, modularity, and - theoretically - the possibility of replacement of its parts). The building shows a direct similarity to Kiyonori Kikutake's earlier theoretical project "Tree-shaped Community"[4] from 1968. However, this project consisted of a group of towers cross-shaped in the plan, it shows also a similarity to other metabolists projects (Nakagin Capsule Tower by Kisho Kurokawa, Shizuoka Press and Broadcasting
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Kyoto roofs reflecting sunlight inspired the whitish silver color of the outside.[19] Likewise, the roof-like shape that defines the building derives from the distinctive roofs of old Japanese temples.[19] The roofs of these monuments, Kikutake says, differentiate them from other structures while simultaneously cohering with the landscape.[19] The four legs were erected first, followed by the cantilevers.[17] The first elevated floor is supported on the legs' 19.7' deep bottom chords, while a second set of chords supports the other floors.[17] Each of the four composite steel with reinforced concrete legs is a 46' deep "H" shape.[17] From the plaza to the first raised floor, they are 63' tall.[17] The building is cantilevered 119' over the legs on the North and South sides.[17] Fluorine resin-coated square panels cover the building.[20]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Kikutake was selected as the architect through a closed competition conducted by the Tokyo city hall. Kikutake designed the Metabolist structure with the goal of projecting Japan as a nation and culture, with Tokyo specifically as a world city. The organization that directed the museum, Total Media, led by Ogi Shinzo, wanted to use the museum to define Japan through the everyday life of shomin (庶民), or average citizens. Emporis classifies the $300 million structure as a high-rise building.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Edo-Tokyo Museum (江戸東京博物館, Edo Tōkyō Hakubutsukan) is a historical museum located at 1-4-1 Yokoami, Sumida-Ku, Tokyo in the Ryogoku district.[2] The museum opened in March 1993 to preserve Edo's cultural heritage, and features city models of Edo and Tokyo between 1590 (just prior to the Edo period beginning) and 1964.[3] It was the first museum built dedicated to the history of Tokyo.[4] Some main features of the permanent exhibitions are the life-size replica of the Nihonbashi, which was the bridge leading into Edo; scale models of towns and buildings across the Edo Meiji, and Showa periods; and the Nakamuraza theatre.[5]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Kikutake's Expo Tower was situated on the highest hill in the grounds and acted as a landmark for visitors. It was built of a vertical ball and joint space onto which was attached a series of cabins. The design was to have been a blueprint for flexible vertical living based upon a 360m3 standard construction cabin clad with a membrane of cast aluminium and glass that could be flexibly arranged anywhere on the tower. This was demonstrated with a variety of cabins that were observation platforms and VIP rooms and one cabin at ground level that became an information booth.[73]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Kawazoe, Maki and Kurokawa had invited a selection of world architects to design displays for the Mid-Air Exhibition that was to be incorporated within the roof. The architects included Moshe Safdie, Yona Friedman, Hans Hollein and Giancarlo De Carlo.[71] Although Tange was obsessed with the theory of flexibility that the space framed provide he did concede that in reality it was not so practical for the actual fixing of the displays.[70] The roof itself was designed by Koji Kamaya and Mamoru Kawaguchi who conceived it as a huge space frame. Kawaguchi invented a welding-free ball joint to safely distribute the load and worked out a method of assembling the frame on the ground before raising it using jacks.[72]
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