#t2i

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The level of authenticity of the various buildings on the property is high from the view of form and design, materials and substance, traditions and techniques, and location and setting. Japanese conservation principles have ensured that replacement of damaged or degraded architectural elements has respected the materials and techniques used by the original builders. The archaeological site of the Nara Palace Site, protected for a long period under cultivated rice fields, has also a high level of authenticity in form, materials and substance, and location and setting. Unearthed archaeological remains have been reburied for protection. There has been some reconstruction of the gate, the study hall, and the garden at the Nara Palace Site. The continuity of traditional architecture in Japan and the substantial amount of data recovered by archaeological excavation has ensured that the reconstructed buildings have a high level of authenticity in form and design. The State Party is currently addressing how to best maintain that continuity in ongoing reconstruction work emphasizing the need for a clear rationale and justification for all interventions.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Historic Monuments of Ancient Nara bear exceptional witness to the evolution of Japanese architecture and art and vividly illustrate a critical period in the cultural and political development of Japan, when Nara functioned as its capital from 710 to 784. During this period, the framework of national government was consolidated and Nara enjoyed great prosperity, emerging as the fountainhead of Japanese culture. Located in the modern city of Nara, the property includes eight component parts composed of seventy-eight different buildings covering 617.0 ha, which is surrounded by a buffer zone (1,962.5 ha) and the “historic environment harmonization area (539.0 ha)”. The site of Heijô-kyô was carefully selected in accordance with Chinese geomantic principles. A grand city plan, based on Chinese examples such as Chang'an, was laid out, with palaces, Buddhist temples, Shinto shrines, public buildings, houses, and roads on an orthogonal grid. The palace itself, located at the northern end of the central avenue, occupied 120 ha. It comprised the official buildings where political and religious ceremonies took place, notably the Daigokuden (imperial audience hall) and Chôdô-in.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Located in a mountainous region that was cut off from the rest of the world for a long period of time, these villages with their Gassho-style houses subsisted on the cultivation of mulberry trees and the rearing of silkworms. The large houses with their steeply pitched thatched roofs are the only examples of their kind in Japan. Despite economic upheavals, the villages of Ogimachi, Ainokura and Suganuma are outstanding examples of a traditional way of life perfectly adapted to the environment and people's social and economic circumstances.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Phoenix Island Protected Area (PIPA) is a 408,250 sq.km expanse of marine and terrestrial habitats in the Southern Pacific Ocean. The property encompasses the Phoenix Island Group, one of three island groups in Kiribati, and is the largest designated Marine Protected Area in the world. PIPA conserves one of the world's largest intact oceanic coral archipelago ecosystems, together with 14 known underwater sea mounts (presumed to be extinct volcanoes) and other deep-sea habitats. The area contains approximately 800 known species of fauna, including about 200 coral species, 500 fish species, 18 marine mammals and 44 bird species. The structure and functioning of PIPA's ecosystems illustrates its pristine nature and importance as a migration route and reservoir. This is the first site in Kiribati to be inscribed on the World Heritage List.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Located 46 km northwest of Migori Town in the Lake Victoria region, Thimlich Ohinga archaeological site is a dry-stone walled settlement, based on a complex organization system of communal occupation, craft industries and livestock that reflects a cultural tradition developed by pastoral communities in the Nyanza region of the Lake Victoria basin that persisted from 16th to mid-20th centuries. Thimlich Ohinga is the largest and best preserved of these massive dry-stone walled enclosures. The Ohinga appear to have served primarily as security for communities and livestock, but they also defined social units and relationships linked to lineage based systems. The property comprises four larger Ohingni, all of which have extensions. The main Ohinga is referred to as Kochieng, while the others are Kakuku, Koketch and Koluoch. The dry stone wall enclosures are constructed in a three-phase design with separately built up outer and inner phases, held together by the middle phase. Stones were placed in an interlocking system that enhanced overall stability without use of any mortar or cement. The walls are built of neatly arranged stones of various sizes and without mortar.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Built in a period and in a region, which were at the centre of the emerging political, commercial, and cultural globalisation, Fort Jesus, with its imposing structure, and the various traces of subsequent modifications, bears significant witness to the interchange of cultural values among peoples of African, Arab, Turkish, Persian and European origin. Built and occupied first by the Portuguese, Fort Jesus, Mombasa, changed hands many times throughout its history, coming under Arab, Swahili and English control. Its important role in the control of trade also saw it host many of the peoples of the Indian Ocean basin. Fort Jesus, Mombasa, eminently exemplifies a new type of fortification that resulted from the innovations in military and weapons technology that occurred between the 15th and 16th centuries. In its layout and form, the Fort reflects the Renaissance ideal whose architectural proportions and geometric harmony are to be found in the proportions of the human body, while at the same time meeting the functional needs of a modern and well-defended fortification. The original layout of the Fort, despite several changes, has survived almost unchanged over centuries of continued
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Mausoleum of Khoja Ahmed Yaswi, a distinguished Sufi master of the 12th century, is situated in southern Kazakhstan, in the north-eastern section of the city of Turkestan (Yasi). Built between 1389 and 1405, by order of Timur (Tamerlane), the ruler of Central Asia, it replaced a smaller 12th century mausoleum. Construction of the building was halted in 1405, with the death of Timur, and was never completed. The property (0.55 ha) is limited to the mausoleum, which stands within a former citadel and the archaeological area of the medieval town of Yasi; the latter serves as the buffer zone (79.36 ha) for the property. Rectangular in plan and 38.7 meters in height, the mausoleum is one of the largest and best-preserved examples of Timurid construction. Timur, himself, is reported to have participated in its construction and skilled Persian craftsmen were employed to work on the project. Its innovative spatial arrangements, vaults, domes, and decoration were prototypes that served as models for other major buildings of the Timurid period, in particular in Samarkand. It was left unfinished, providing documented evidence of the construction methods at that time and by having a uniqu
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Encompassing 42,698 hectares of subtropical rainforests on four islands on a chain located in the southwest of Japan, the serial site forms an arc on the boundary of the East China Sea and Philippine Sea whose highest point, Mount Yuwandake on Amami-Oshima Island, rises 694 metres above sea level. Entirely uninhabited by humans, the site has high biodiversity value with a very high percentage of endemic species, many of them globally threatened. The site is home to endemic plants, mammals, birds, reptiles, amphibians, inland water fish and decapod crustaceans, including, for example, the endangered Amami Rabbit (Pentalagus furnessi) and the endangered Ryukyu Long-haired Rat (Diplothrix legata) that represent ancient lineages and have no living relatives anywhere in the world. Five mammal species, three bird species, and three amphibian species in the property have been identified globally as Evolutionarily Distinct and Globally Endangered (EDGE) species. There are also a number of different endemic species confined to each respective island that are not found elsewhere in the property.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The integrity of the serial property is based on archaeological remains that exemplify the cultural traits and site types of the ancient Jomon culture in northern Japan. The property is comprised of archaeological sites that show the initiation of sedentism and the eventual separation between the residential area and burial areas; sites that show the diversity of settlement facilities during the warm marine transgression period, as well as hub settlements that have ritual places; and sites that demonstrate the maturity of sedentism through stone circles, cemeteries, and settlements. The sites also include, to a degree, their interaction with the environment. The component parts of the serial property are of adequate size individually, and as a group they include all important archaeological remains that constitute settlements and ceremonial spaces as well as landforms or features showing their locations and environment. The serial property is protected by law and does not suffer from the negative impacts of natural disasters or large-scale developments. There are, however, several modern constructions, referred to as “non-compliant elements”.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Jomon Prehistoric Sites in Northern Japan bears exceptional testimony to a globally rare prehistoric sedentary hunter-fisher-gatherer society which nurtured a complex spiritual culture, as revealed by archaeological artefacts such as clay tablets with the impression of feet and the famous goggle-eyed dogu figurines, as well as remains including graves, ritual deposits, artificial earthen mounds, and stone circles.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Located on a plateau above the Osaka Plain, the Mozu-Furuichi Kofun Group is a serial property of 45 components which contains 49 kofun (‘old mound’), a large and distinctive type of burial mound. The selected kofun are found in two major clusters, and are the richest tangible representation of the culture of the Kofun period in Japan from the 3rd to 6th centuries, a period before Japanese society became an established centralised state under the influence of the Chinese system of law. The kofun have a range of contents, such as grave goods (weapons, armour, ornaments); and clay figures used to decorated the mounds, known as haniwa (in the form of cylinders arranged in rows, or representations of objects, houses, animals and people). Understood as tombs for kings’ clans and affiliates during this period, some of the kofun are Ryobo (imperial mausolea) and are managed by Japan’s Imperial Household Agency. The serial components have been selected from a total of 160,000 kofun from around Japan and represent the ‘middle kofun’ period (late 4th to late 5th centuries) which is considered to be the peak of the Kofun period. The attributes of the property are the 49 burial mou
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The 12 components not only include all of the elements necessary to express the Outstanding Universal Value of the property but are also of an adequate size and in a good state of conservation. Thorough and complete protection measures have been taken for each of the components in accordance with all relevant national laws and regulations – including the Law for the Protection of Cultural Properties. Within the buffer zones of the property, appropriate protection is provided not only by the Law for the Protection of Cultural Properties but also by the Landscape Act and other relevant laws and regulations. Therefore, the property does not suffer from any adverse effects of development or neglect, and it has been effectively conserved together with its surrounding landscape.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Located 60 km off the western coast of Kyushu island, the island of Okinoshima is an exceptional example of the tradition of worship of a sacred island. The archaeological sites that have been preserved on the island are virtually intact, and provide a chronological record of how the rituals performed there changed from the 4th to the 9th centuries AD. In these rituals, votive objects were deposited as offerings at different sites on the island. Many of them are of exquisite workmanship and had been brought from overseas, providing evidence of intense exchanges between the Japanese archipelago, the Korean Peninsula and the Asian continent. Integrated within the Grand Shrine of Munakata, the island of Okinoshima is considered sacred to this day. Located 60 km off the north-western coast of Kyushu Island, the Island of Okinoshima is an exceptional repository of records of early ritual sites, bearing witness to early worship practices associated with maritime safety, which emerged in the 4th century AD and continued until the end of the 9th century AD, at a time of intense exchanges between the polities in the Japanese Archipelago, in the Korean Peninsula, and on the Asian continent.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A number of existing legislative protection instruments, both national and regional, provide a high level of protection for the sites and associated buffer zones. The relationship between the different types of legislation is provided in the conservation management plans for each area. The most important of these instruments are the Law for the Protection of Cultural Properties that is applied to the non-operational sites, and the Landscape Act that applies to the privately owned and still operational sites that are protected as Structures of Landscape Importance. This applies to the four components owned and operated by Mitsubishi Heavy Industries Ltd. at Nagasaki Shipyard, and the two components owned and operated by Nippon Steel & Sumitomo Metal Corporation at Imperial Steel Works. The Law for the Protection of Cultural Properties is the primary mechanism for regulating any development and change of the existing state of a designated place and under this law permission must be granted by the national government. Similarly, under the Landscape Act permission must be sought to change any Structure of Landscape Importance and owners of such structures must conserve and manage.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The component sites of the series adequately encompass all the necessary attributes of Outstanding Universal Value. In terms of the integrity of individual sites, though the level of intactness of the components is variable, they demonstrate the necessary attributes to convey Outstanding Universal Value. The archaeological evidence appears to be extensive and merits detail recording research and vigilant protection. It contributes significantly to the integrity of the nominated property. A few of the attributes are vulnerable or highly vulnerable in terms of their state of conservation. The Hashima Coal Mine is in a state of deterioration and presents substantial conservation challenges. At the Miike Coal Mine and Miike Port some of the physical fabric is in poor condition. The physical fabric of the Repair shop at the Imperial Steel Works is in poor condition although temporary measures have been put in place. In a few sites there are vulnerabilities in terms of the impact of development, particularly in visual terms. At the Shokasonjuku Academy, the visual integrity of the setting is impacted by the subsequent development of the place as a public historic site and experience.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Some of the distinguishing features of the Chicago School are the use of steel-frame buildings with masonry cladding (usually terra cotta), allowing large plate-glass window areas and limiting the amount of exterior ornamentation. Sometimes elements of neoclassical architecture are used in Chicago School skyscrapers. Many Chicago School skyscrapers contain the three parts of a classical column. The lowest floors functions as the base, the middle stories, usually with little ornamental detail, act as the shaft of the column, and the last floor or two, often capped with a cornice and often with more ornamental detail, represent the capital. The "Chicago window" originated in this school. It is a three-part window consisting of a large fixed center panel flanked by two smaller double-hung sash windows. The arrangement of windows on the facade typically creates a grid pattern, with some projecting out from the facade forming bay windows. The Chicago window combined the functions of light-gathering and natural ventilation; a single central pane was usually fixed, while the two surrounding panes were operable. These windows were often deployed in bays, known as oriel windows.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Bowellism is a modern architectural style heavily associated with Richard Rogers. It is described as a transient architectural and flippant style that was influenced by Le Corbusier and Antoni Gaudi. The style consists of services for the building, such as ducts, sewage pipes, and lifts, being located on the exterior to maximise space in the interior.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The style originated with Michael Webb's 1957 student project for a Furniture Manufacturers Association building in High Wycombe. Webb coined the term in response to a comment on his design by Sir Nikolaus Pevsner in a 1961 lecture, in which he recalled hearing the words: "within the schools there are some disturbing trends; I saw the other day a design for a building that looked like a series of stomachs sitting on a plate. Or bowels, connected by bits of gristle". Thus this inside-out style was termed 'Bowellism' because of how it recalled the way the human body works. One of Webb's proposed structures based on bowellism was the Sin Centre for Leicester Square. The concept was a geodesic structure that supports a glass skin. Some scholars cite Reyner Banham as the first to use bowellism for the new architectural fascination with visible circulation, one that focuses on a building's skeletal services as well as its "bloodstream" or the moving cars and crowd, cascading down from the top to the main foyers - all visible through the structure's geodesic skin. Banham is also credited for introducing the term "topological" to refer to an aspect of brutalism.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: High-tech architecture was originally developed in Britain (British High Tech architecture), with many of its most famous early proponents being British. However, the movement has roots in a number of earlier styles and draws inspiration from a number of architects from earlier periods. Many of the ideals communicated through high-tech architecture were derived from the early modernists of the 1920s. The concepts of transparency, honesty in materials, and a fascination with the aesthetics of industry can all be traced to modern architects. High-tech architecture, much like modernism, shares a belief in a "spirit of the age" that should be incorporated and applied throughout each building. The influence of Le Corbusier, Walter Gropius, and Mies van de Rohe is extensive throughout many of the principles and designs of high-tech architecture.[4]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: High-tech architecture focuses on creating adaptable buildings through choice of materials, internal structural elements, and programmatic design. It seeks to avoid links to the past, and as such eschews building materials commonly used in older styles of architecture. Common elements include hanging or overhanging floors, a lack of internal load-bearing walls, and reconfigurable spaces. Some buildings incorporate prominent, bright colors in an attempt to evoke the sense of a drawing or diagram.[3] High-tech utilizes a focus on factory aesthetics and a large central space serviced by many smaller maintenance areas to evoke a feeling of openness, honesty, and transparency.
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