#street

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Historian Carl W. Condit described the Wainwright as "a building with a strong, vigorously articulated base supporting a screen that constitutes a vivid image of powerful upward movement."[13] The base contained retail stores that required wide glazed openings; Sullivan's ornament made the supporting piers read as pillars. Above it the semi-public nature of offices up a single flight of stairs are expressed as broad windows in the curtain wall. A cornice separates the second floor from the grid of identical windows of the screen wall, where each window is "a cell in a honeycomb, nothing more".[14] The building's windows and horizontals were inset slightly behind columns and piers, as part of a "vertical aesthetic" to create what Sullivan called "a proud and soaring thing."[15] This perception has since been criticized as the skyscraper was designed to make money, not to serve as a symbol.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Aesthetically, the Wainwright Building exemplifies Sullivan's theories about the tall building, which included a tripartite (three-part) composition (base-shaft-attic) based on the structure of the classical column,[11] and his desire to emphasize the height of the building. He wrote: "[The skyscraper] must be tall, every inch of it tall. The force and power of altitude must be in it the glory and pride of exaltation must be in it. It must be every inch a proud and soaring thing, rising in sheer exultation that from bottom to top it is a unit without a single dissenting line." His 1896 article cited his Wainwright Building as an example.[12] Despite the classical column concept, the building's design was deliberately modern, featuring none of the neoclassical style that Sullivan held in contempt.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Accounts differ on the building's height at the time of its completion, with a cited height figure of 142 feet (43 m).[7] According to a contemporary article in The New York Times, the Equitable Life Building was at least 130 feet (40 m) tall.[8] Architectural historian Robert A. M. Stern wrote that was likely the actual height based on a "convincing analysis" by architectural writer Lee Edward Gray.[6] An expansion in 1885 brought the total height to 155 feet (47 m) and nine stories.[3][8] Up to five separate structures made up the building.[3] Its final height may have been 172 feet (52 m).
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Three Classical orders (Greek Doric, Roman/Composite and Corinthian) are used, one above the other, in the elegant curved facades. The frieze of the Doric entablature is decorated with alternating triglyphs and 525 pictorial emblems, including serpents, nautical symbols, devices representing the arts and sciences, and Masonic symbols. The parapet is adorned with stone acorn finials.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Circus is a historic ring of large townhouses in the city of Bath, Somerset, England, forming a circle with three entrances. Designed by architect John Wood, the Elder, it was built between 1754 and 1769, and is regarded as a pre-eminent example of Georgian architecture. The name comes from the Latin circus, meaning a ring, oval or circle. It has been designated as a Grade I listed building.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Castle Colditz (or Schloss Colditz in German) is a Renaissance castle in the town of Colditz near Leipzig, Dresden and Chemnitz in the state of Saxony in Germany. The castle is between the towns of Hartha and Grimma on a hill spur over the river Zwickauer Mulde, a tributary of the River Elbe. It had the first wildlife park in Germany when, during 1523, the castle park was converted into one of the largest menageries in Europe.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Monadnock rests on the floating foundation system invented by Root for the Montauk Building that revolutionized the way tall buildings were built on Chicago's spongy soil. A 2-foot (0.61 m) layer of concrete, reinforced with steel beams, forms a spread footing extending out 11 feet (3.4 m) under the surrounding streets, spreading the weight of the building over a large area of earth. The building was designed to settle 8 inches (200 mm), but by 1905 had settled that much and "several inches more", necessitating reconstruction of the first floor. By 1948, it had settled 20 inches (51 cm), resulting in a step down from the street to the ground floor. The entire east wall is supported on caissons sunk to the hardpan, installed when the subway Blue Line was dug under Dearborn Street in 1940.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Together, the two parts of the building have a frontage of 420 feet (130 m) on Dearborn Street with a depth of 70 feet (21 m). The original northern half presents a plain, unbroken vertical mass of purple-brown brick, which is contoured to create a gentle curve at the base of the building and an outward flare to form an austere parapet at the top. The gentle swelling at base and cornice, observed historian Donald Hoffman, "came very close to the bell-shaped column the Egyptians had derived from papyrus". The corners of the building are gracefully chamfered as they rise to the top and the oriel windows are chamfered at their base. The floor divisions are not marked on the exterior; the unbroken edifice is interrupted only by a series of oriel windows, separated by rows of single thin silled windows set into the vertical face. The entryways are small, single-height portals topped with plain stone lintels.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: With its 17 stories (16 rentable plus an attic), its 215-foot-high (66 m) load-bearing walls were the tallest of any commercial structure in the world. To support the towering structure and reinforce against wind, the masonry walls were braced with an interior frame of cast and wrought iron. Root devised for this frame the first attempt at a portal system of wind bracing in America, in which iron struts were riveted between the columns of the frame for reinforcement. The narrow lot allowed only a single, double-loaded corridor, which was appointed with a 3-foot-high (0.91 m) wainscot of white Carrara marble, red oak trim, and feather-chipped glass[d] that allowed outside light to filter from the offices on each side into the hallways. Floors were covered with hand-carved marble mosaic tiles. Skylit open staircases were made of bronze-plated cast iron on upper floors. On the ground floor, they were crafted in cast aluminum—an exotic and expensive material at the time—representing the first use of aluminum in building construction.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: In 1889, a new plan was announced for the building: a thick-walled brick tower, 16 stories high, devoid of ornamentation and suggestive of an Egyptian pylon. Brooks insisted that the building have no projections, for which reason the plan did not include oriel windows, but Aldis argued that more rentable space would be created by projecting oriel windows, which were included in the final design. The Monadnock's final height was calculated to be the highest economically viable for a load-bearing wall design, requiring walls 6 feet (1.8 m) thick at the bottom and 18 inches (46 cm) thick at the top. Greater height would have required walls of such thickness that they would have reduced the rentable space too greatly. The final height was much dithered over by the owners, but a decision was forced when the city proposed an ordinance restricting the height of buildings to 150 feet (46 m). To protect future income potential, Aldis sought a permit for a 16-story building immediately. The building commissioner, although "staggered by the sixteen story plan", granted the permit on June 3, 1889.
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Windows: Greenhouse

• Model: Artistic

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  • Prompt: Night time in Spring Hill, Brisbane, in the rain
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The earliest stage of skyscraper design encompasses buildings built between 1884 and 1945, predominantly in the American cities of New York and Chicago. Cities in the United States were traditionally made up of low-rise buildings, but significant economic growth after the American Civil War and increasingly intensive use of urban land encouraged the development of taller buildings beginning in the 1870s. Technological improvements enabled the construction of fireproofed iron-framed structures with deep foundations, equipped with new inventions such as the elevator and electric lighting. These made it both technically and commercially viable to build a new class of taller buildings, the first of which, Chicago's 138-foot (42 m) tall Home Insurance Building, opened in 1885. Their numbers grew rapidly, and by 1888 they were being labelled "skyscrapers".
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Le Lignon is an urban development in the town of Vernier, canton of Geneva, Switzerland.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Swissôtel Zürich, formerly known as the Hotel International Zürich, was a luxury hotel in the Swiss city of Zürich. The hotel was located in the Oerlikon quarter of the city, directly opposite Zürich Oerlikon railway station, and roughly halfway between the city centre and Zurich Airport.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Roche Tower (German: Roche-Turm) is a skyscraper in the Swiss city of Basel. At 178 metres, it is the second tallest building in the country.[1] The building, also known as "Building 1", was financed by pharmaceutical company Hoffmann-La Roche and designed by Herzog & de Meuron. It cost 550 million Swiss francs to build. The entire construction ensemble, including a planned 205-metre "Building 2" research facility, is expected to cost three billion francs in total.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The National Library of Israel is the library dedicated to collecting the cultural treasures of Israel and of Jewish heritage.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Herzog & de Meuron Basel Ltd., is a Swiss based architecture firm with its head office in Basel, Switzerland, founded by Jacques Herzogand Pierre de Meuron. Both attending the Swiss Federal Institute of Technology in Zurich. They are perhaps best known for their conversion of the giant Bankside Power Station in London to the new home of Tate Modern. Herzog and de Meuron have been professors at ETH Zürich from 1999 until 2018, co-founding ETH Studio Basel in 1999 with architects Roger Diener and Marcel Meili in the department of architecture. Both have been visiting professors at the Harvard University Graduate School of Design, with Jacques Herzog also a visiting tutor at Cornell University College of Architecture, Art and Planning.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Construction of the stadium proceeded in several distinct phases, the first phase involving the construction of a concrete supporting structure upon the concrete foundations laid for the construction site. This was followed by the phased installation of the curved steel frame surrounding the stadium, which is largely self-supporting. This phased installation involved the interconnection of sections of the curved steel frame that were constructed in Shanghai and transported to Beijing for assembly and welding. The entire structure of interconnected sections was welded together as the primary means of interconnection used to assemble the entire surrounding nest structure. Upon removal of the supporting columns used for the purpose of expediting the assembly of the interconnecting sections, the completed nest structure as a whole settled approximately 27 cm to attain full stability before the interior design and construction of the stadium could be installed and completed.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Centre Pompidou-Metz is a large hexagon structured round a central spire reaching 77 m (253 ft), alluding to the 1977 opening date of the original Centre Pompidou of Paris. It possesses three rectangular galleries (Gallery 1, 2, and 3) weaving through the building at different levels, jutting out through the roof with huge picture windows angled towards landmarks such as the Saint-Stephen Gothic cathedral, the Imperial railway station, the Arsenal Concert Hall built by Spanish architect Ricardo Bofill, the Arènes indoor sport arena built by French architect Paul Chemetov, and the Seille park. The great nave covers 1,200 m2 (13,000 sq ft) and provides flexibility for the exhibition of large artworks, with the ceiling rising progressively from a height of 5.7 m (19 ft) to 18 m (59 ft).
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Philips Pavilion was a World's Fair pavilion designed for Expo '58 in Brussels by the office of Le Corbusier. Commissioned by electronics manufacturer Philips, the pavilion was designed to house a multimedia spectacle that celebrated postwar technological progress. Because Le Corbusier was busy with the planning of Chandigarh, much of the project management was assigned to Iannis Xenakis, who was also an experimental composer and was influenced in the design by his composition Metastaseis. The reinforced concrete pavilion is a cluster of nine hyperbolic paraboloids in which music, Edgard Varèse's Poème électronique, was spatialized by sound projectionists using telephone dials. The speakers were set into the walls, which were coated in asbestos, creating a textured look to the walls. Varèse drew up a detailed spatialization scheme for the entire piece which made great use of the physical layout of the pavilion, especially the height of it. The asbestos hardened the walls which created a cavernous acoustic. As audiences entered and exited the building Xenakis's musique concrète composition Concret PH was heard. The building was demolished on 30 January 1959.
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