#stone

Pulling the Enchanted Sword

• Model: Krea 2 Turbo

• Size: 1280 X 960 (1.23 MP)

• Used settings:

  • Prompt: A dramatic oil painting of a young Arthur pulling the glowing sword Excalibur from a rune-carved stone in a misty, ancient forest clearing. In the far background, the tall, silhouetted dark figure of the wizard Merlin stands upon a rocky ridge, watching with a knowing gaze. Chiaroscuro lighting, divine god-rays piercing through gnarled canopy branches, deep forest greens, mystical blues, and flashes of golden magical light on the blade. Rich impasto brushwork, classical fantasy art style, moody, epic storytelling atmosphere. Very tiny signature JKW
  • Using base image: No
  • Aspect Ratio: landscape

Lumen on the Moss-Bound Titan

• Model: Wan 3.0

• Size: 1000 X 563 (0.56 MP)

• Used settings:

  • Mode: Pro
  • Generated From: Text
  • Duration: 15 seconds
  • Resolution: 1280 × 720
  • Has Audio: Yes

Mystical Jungle Temple Ruin

• Model: ChatGPT 2 (Pro)

• Size: 1024 X 768 (0.79 MP)

• Used settings:

  • Prompt: Super detailed isometric view pixel art of enchanting glowing ancient ruins scene, mysterious artifacts; overgrown with vibrant and mystical lush greenery, ethereal beauty; retrofuturistic elements subtly integrated, holographic projections, vintage spacecraft peeking through trees; fantasy meets sci-fi fusion, intricate details, rich color palette of emerald greens, deep purples, and iridescent blues, soft natural lighting, a sense of wonder and discovery, by a blend of Moebius and Brian Froud influences, Artstation.
  • Using base image: No
  • Aspect Ratio: landscape

Layered Wood Sculptures in Garden

• Model: Z-Image Turbo

• Size: 624 X 624 (0.39 MP)

• Used settings:

  • Prompt: Create a translucent 3D object based on a scanned drawing, utilizing every single line of the original sketch to shape the surface and elements. In crafting the sculpture, meticulously translate every line of the drawing into 0.1 mm paper strips—using an airy material, such as translucent rice paper—while employing diverse textures and unconventional paper-art techniques. Position the paper strips so their edges trace the lines, incorporating elements folded to extreme thinness. Every pen stroke finds a visible, physical counterpart on the surface formed by the paper edges. Contours transform into narrow, raised ribs or membrane-like edges, while delicate strokes become slender micro-ribs. Parallel hatching evolves into distinct, thin sheets that preserve the original direction, curvature, length, spacing, density, and rhythm. Cross-hatching transforms into intersecting systems of sheets positioned at varying depths; dense areas are composed of fine sheets fitted tightly side-by-side. Place the sculpture in an outdoor setting bathed in soft, diffused morning light. Strive for a stunning visual presentation characterized by masterful handling of light and shadow, rich detail, and precise execution. The final result should exude a cinematic quality—free from plastic or doll-like features—incorporating mysterious, translucent hues derived from the image's color palette, complemented by surreal lighting effects, high resolution, and an ArtStation-caliber aesthetic.
  • Using base image: Yes

The Transmutation of Sorrow

• Model: Wan 3.0

• Size: 1000 X 563 (0.56 MP)

• Used settings:

  • Mode: Pro
  • Generated From: Text
  • Duration: 15 seconds
  • Resolution: 1280 × 720
  • Has Audio: Yes

Ancient Stone Serpent Eyes

• Model: Krea 2 Turbo

• Size: 1472 X 832 (1.22 MP)

• Used settings:

  • Prompt: Buried within the crumbling ruins, the stone snake eye remained open long after the civilization that created it had vanished. Twisted roots and fractured walls could not conceal its gaze, for it was said to remember every secret, every triumph, and every downfall that had unfolded before it. frontview, digital painting, elegant, extremely detailed, razor sharp quality, devasted wall background, ink TNT - anatomically correct - full view - photorealistic no text
  • Using base image: No
  • Aspect Ratio: landscape_wide

early reptile-form Bara IV

• Model: FluX (Base)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: On a quiet coastline, a towering reptile from the Permian period figure rises from the earth, its entire body sculpted from smooth gray pebbles. Each stone is meticulously arranged as it gazes across the horizon. Sunlight glimmers off the polished rocks, making it seem alive, as though it could breathe and move at any moment. Its braided mane trails with strands of linked stones, swaying gently in the sea breeze. Behind the stone pebble sculpture, the endless blue ocean stretches toward the sky, suggesting it is both born of the earth and guardian of the waves. Render in hyperrealistic surrealism, emphasizing texture, scale, and the divine fusion of a gazelles form with nature’s raw elements.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Weeping Liberty

• Model: AI Upscaler

• Size: 2176 X 1696 (3.69 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes

The Gate Without Doors

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Two colossal royal figures carved into opposing canyon cliffs dominate image: crowned king on image-right, crowned queen on image-left. Both remain human and regal. King has a massive angular crown, broad face, and heavy mantle; queen has a tall distinct crown, feminine face, and long mantle framing shoulders and chest. Robes remain broad simple masses. Below lower torso, forms widen, erode, and merge into cliff body so sculpture becomes landscape. Figures occupy opposite gorge walls and turn partly toward river passage, keeping both faces readable in three-quarter view while still opposing one another across channel. Three small river boats pass through gap between colossi. Boats are working craft with low hulls, oars or poles, rope, bundles, and few passengers. Travelers act routinely, intent on rowing and steering; no worship or theatrical awe. Scale relation must be severe: each boat minute beneath carved torsos, each person tiny against immense stone bodies. River traffic should read as normal daily movement through overwhelming inherited architecture. Support logic stays explicit. Figures are not freestanding monuments. Shoulders and upper torsos emerge from bedrock in heavy relief; backs, outer flanks, and lower robe masses remain fused to cliff. Arms stay close to torso and rock, bent or resting in shallow relief, never reaching outward. River runs between walls as broad navigable current. Boats move downstream through threshold formed by opposing carved bodies and canyon sides. Civilization is expressed through scale of cutting and shaping, then normalized by later ordinary use. Use slightly offset low-to-mid river viewpoint looking along passage so colossal faces, cliff walls, open water route, and receding depth remain visible in one frame. Keep camera near water level so boats feel vulnerable and statues loom, while boat spacing stays clear. Place one boat in near foreground entering threshold, second in center between figures, third farther beyond to reinforce scale. Preserve open sky above heads and open water below chests. Keep silhouettes clean: boats against water, heads against sky. Environment is river canyon shaped by geology and ancient carving. Cliff faces show strata, fractures, ledges, mineral streaks, and carved planes transitioning into natural broken rock. Statues are ancient and weathered but coherent: softened features, chipped edges, cracks, eroded robe folds, sparse vegetation in crevices, no catastrophic collapse. River is broad and calm enough for travel, with visible current, mild wake, broken reflections, and occasional rock shelves near banks. Only minimal ancillary remains appear at cliff bases: cut ledges, mooring scars, or fragmentary stair traces. Build exposed daylight with broad ambient fill and soft directional sun so carvings, boats, water, and canyon depth stay legible. Light separates warm sunlit stone from cooler recesses inside carved forms. Materials read distinctly: weathered rock, river water, wood hulls, cloth garments, rope, cargo bundles, sparse scrub. Render as detailed science-fantasy landscape grounded in physical place rather than mystical spectacle. Emotional force comes from ordinary human travel continuing beneath impossible old construction whose makers are gone but whose scale still governs land. --mod monumental science-fantasy landscape --mod low river-level three-quarter composition --mod readable daylight
  • Using base image: No
  • Aspect Ratio: landscape_wide

Mystical Pipes

• Model: DaVinci2

• Size: 1832 X 1032 (1.89 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes

Seductive Gaze, Grand Architecture

• Model: EssenceOfReality

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: John Willie Spectacular unique view, realistic, Award Winning, Helmut Newton settings, a beautiful woman Timeless art work, Masterpiece, Genius, Worldclass, Extra ordinary, Aesthetic, Beautiful, Stunning, Brilliant, Dynamic, Cinematic lighting, inspirational, , 8K resolution perfect background
  • Using base image: No
  • Aspect Ratio: landscape_wide

Stone People

• Model: H3 SuperFast

• Size: 1000 X 750 (0.75 MP)

• Used settings:

  • Quality: Normal
  • Face enhance: No
  • Aspect ratio:
  • Motion control: No

Early medieval Viking weather station in Haithabu, 7th Century. (Please read the Description!)

• Model: ChatGPT 2 (Pro)

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: It is early morning in the early medieval Viking settlement of Haithabu. The sun is just rising and its first rays are grazing the landscape. A few ravens are circling above the village. In the foreground you can see a wooden tripod made of natural, straight, thick branches, in the middle of which a stone is hanging down attached to a thick cord. In the background you can see typical early medieval Viking longhouses, a few chickens, a lonely black and white cat wandering around, as well as a peacefully sleeping Icelandic Sheepdog, and far, far behind you a Viking longship anchored in the bay, but there is not a soul to be seen yet. Late Summer Morning. Fantasy Illustration, Illustration, Fantasy, YDL, oil on canvas, oil paints, oil panting, painting, canvas, old masters, masterpiece
  • Using base image: No
  • Aspect Ratio: landscape_wide

Mediterranean House & Olive Trees

• Model: Krea 2 Turbo

• Size: 1280 X 960 (1.23 MP)

• Used settings:

  • Prompt: Create an ETHERIAL woman with thick unruly hair using a Spirograph model or technique Photorealistic luxury modern farmhouse exterior, sophisticated two-story residence with warm white stucco and natural stone facade, black framed floor-to-ceiling windows, natural wood front door, elegant symmetrical architecture, professionally landscaped front yard with ornamental grasses and mature olive trees, wide stone pathway leading toward the entrance, soft late afternoon sunlight, bright neutral color palette, upscale residential neighborhood, premium architectural real estate photography, luxury editorial aesthetic, realistic materials and textures, clean uncluttered composition, ultra realistic, no people, no cars, no signs, no text, no logos, vertical composition, 4:5 aspect ratio.
  • Using base image: No
  • Aspect Ratio: landscape

Overcast Castle in Forest

• Model: Krea 2 Turbo

• Size: 1280 X 960 (1.23 MP)

• Used settings:

  • Prompt: A small, abandoned castle with seven towers in medieval times located in Bohemia. Make it have natural stone walls. Make it mysterious.
  • Using base image: No
  • Aspect Ratio: landscape

No Trap Detected

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Thief is primary subject: AD&D-style rogue in fitted leather armor, soft boots, belt pouches, thrown-back cloak. He has stepped onto warded flagstone in stone dungeon corridor and is caught as trap releases. Dagger stays gripped in one hand beside torso; torch has just left other hand. Empty torch hand shoots toward adjacent wall for support. He reads as skilled intruder surprised mid-stride, not warrior or modern burglar. Triggered object is one concealed floor stone, not whole-floor collapse. Warded flagstone sits flush among surrounding paving before activation, matching neighboring stones in thickness, seam width, wear, and color. Pivot and release mechanism hide below far edge relative to approach; no hardware is visible. At trigger, near edge drops sharply into pit while far edge stays exactly at floor height as concealed pivot. Except for pivot edge, moving slab lies below original floor plane; free edge is deeper inside pit than pivot edge, never rising into corridor or touching wall. Hairline arcane marks flare briefly across descending upper face at release, not carved into stone. Thief’s step loads slab; near edge drops away beneath leading foot. Leading boot hangs unsupported inside opening just above descending stone; knee folds naturally, pelvis drops toward pit, shoulders pitch forward and down. Trailing boot alone remains on fixed paving behind trap, heel beginning to rise under transferred load. Legs stay clearly separate: unsupported lead leg descending, trailing leg carrying remaining weight. Place thief large in foreground, falling diagonally forward and down toward viewer and viewer-right. Adjacent wall occupies viewer-right side within near grasp. Use three-quarter view from slightly below eye level with slight dutch tilt, neither front-on nor pure profile. Keep pit opening, descending slab, unsupported leading foot, trailing-foot contact, reaching hand, and dagger simultaneously visible. Empty reaching hand drives toward viewer-right wall. Torch, released from that same hand a split-second earlier, tumbles into open upper-right space beyond reaching forearm and never crosses torso centerline. Dagger remains on opposite side beside torso. Keep slab edge clear of both legs and preserve separate silhouettes for both boots. Environment is stone dungeon corridor, not cave, crypt, palace hall, or exterior ruin. Mortared block walls, worn flagstones, iron sconces, and medieval-fantasy masonry establish setting. Trap zone remains uncluttered around opening, slab edge, fixed paving, and wall reach. Background corridor recedes behind thief and stays secondary. No secondary figures or clutter obscure trap geometry. Establish bright readable base exposure independent of airborne torch: broad warm sconce illumination and reflected stone fill preserve face, leather, floor, wall, pit edge, and both leg states across frame. Airborne torch adds moving warm highlight; brief arcane flare stays subordinate and never becomes main light source. Keep shadows open; no murky chamber or black silhouette. Materials separate cleanly: worn stone, leather gear, metal dagger, wood torch shaft, fire, sparks, faint dust, and short-lived magical lines. Digital illustration should evoke classic tabletop fantasy adventure art with crisp anatomy. --mod asymmetric composition --mod digital illustration --mod classic tabletop fantasy art --mod exposed torchlit interior
  • Using base image: No
  • Aspect Ratio: landscape_wide

Anime Minecraft Stone Scenery

• Model: DaVinci2

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: lavishly detailed stone scenery, drawn in anime Minecraft style
  • Using base image: No
  • Aspect Ratio: landscape_wide

Anime Lego Stone Scenery

• Model: DaVinci2

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: lavishly detailed stone scenery, drawn in anime Lego style
  • Using base image: No
  • Aspect Ratio: landscape_wide

Just Another Avalanche

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Frost giant stands on pass ground beside narrow stone causeway, not on roadway. Causeway runs behind him on right, edged by stone sidewall high enough to take impact at shield rim, shoulder, and hip. Giant is immense humanoid, blue-white skinned, pale hair blown back, no other weapon. Left foot is planted toward avalanche, right foot close to wall, knees bent, torso quarter-turned into impact. Both hands grip rear handles of a broad shield held across front of body, shield nearly chest-wide and shoulder-to-knee tall. A slab avalanche descends through pass from left background in a dense oblique front, not straight head-on. It is compact snow mass with fractured plates at base, compressed white core, and torn powder above. Leading edge has struck shield and fills much of left half of frame. Snow load hits shield from giant's left-front quarter, climbs across center, and curls over top and left edges. Avalanche is only initiating force; pass walls and broken snowfield behind it show source, downhill path, and angle of travel. Impact chain must read unambiguously. Oblique avalanche load drives shield rearward into giant's chest while its sideways component carries whole shield-and-body system toward causeway wall on giant's right. Inner shield rim crowds sternum; forearms compress; elbows fold; shoulders hunch; chin recoils. At same instant rightward translation forces right shield rim, right shoulder, and right hip into wall together. Wall does not fail, but chips and scuffs at contact points prove collision. Shield stays between avalanche and chest at all times. Support and reaction stay explicit. Left boot skids rightward across snow-dusted pass ground, plowing slush and scraping stone. Right leg braces near wall, knee bent as lateral motion is arrested. Fingers clamp shield grips; wrists strain behind handles. Snow packed at shield center is densest where impact lands, then splays toward exposed upper rim and downstream edge. Finer powder bursts past giant's left shoulder, over shield top, and along wall side, while snow crumbs and ice fragments carry rightward; a few stone chips burst outward from wall contact. Choose front-left chest-height viewpoint so avalanche front, exposed shield rim, chest compression, stance, and wall collision remain visible together. Foreground carries broken snow slabs and powder from left. Midground carries giant, shield, pass ground, and wall. Background holds narrowing pass, cold rock faces, and causeway behind giant, subdued and uncluttered. Do not separate avalanche from shield with a gap; keep hard contact while preserving upper shield rim and downstream edge beyond packed snow. Keep feet, shield handles, and wall-contact line unobscured. Lighting is bright overcast alpine daylight with broad cold fill and strong snow bounce so snow, pale stone, blue skin, shield surface, and shaded spaces behind arms and under shield stay readable. Open shadows; avoid low-key murk. Palette remains restrained: blue-white skin, dirty white snow, gray stone, dull iron or weathered wood shield, muted leather or fur at waist. Grounded fantasy illustration, crisp material edges, dense moving snow, visible bodily strain, hard physical contact, no magical glow or extra combatants. --mod asymmetric composition --mod digital illustration --mod grounded fantasy --mod chest-height view --mod bright overcast daylight
  • Using base image: No
  • Aspect Ratio: landscape_wide

Broken Heart, Desert Bloom

• Model: Z-Image Turbo

• Size: 1280 X 960 (1.23 MP)

• Used settings:

  • Prompt: A sad and broken beautiful young woman is sitting on a stone holding a broken metal heart in her hands; mixed media collage, textured, layered, assemblage, the heart with a gold and oxidized copper patina, dynamic pose capturing despair. backdrop of tumbleweeds and cacti interspersed with delicate flowers and subtle bokeh effects, the entire composition exuding an aura of grief and loss, with an intense focus on texture. vibrant colours.
  • Using base image: No
  • Aspect Ratio: landscape