#kotsiubiiv

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Shanghai Tower was designed by the American architectural firm Gensler, with Shanghainese architect Jun Xia leading the design team. The tower takes the form of nine cylindrical buildings stacked atop each other that total 128 floors, all enclosed by the inner layer of the glass facade. Between that and the outer layer, which twists as it rises, nine indoor zones provide public space for visitors. Each of these nine areas has its own atrium, featuring gardens, cafés, restaurants and retail space, and providing panoramic views of the city. Both layers of the façade are transparent, and retail and event spaces are provided at the tower's base. The transparent façade is a unique design feature, because most buildings have only a single façade using highly reflective glass to reduce heat absorption, but the Shanghai Tower's double layer of glass eliminates the need for either layer to be opaqued. The tower can accommodate as many as 16,000 people daily. The Shanghai Tower joins the Jin Mao Tower and SWFC to form the world's first adjacent grouping of three supertall buildings. Its 258-room hotel, the J Hotel Shanghai Tower, located between the 84th and 110th floors.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: There have been many criticisms of the innovative design of the park since its original completion. To some, the park has little concern with the human scale of park functions and the vast open space seem to challenge the expectation that visitors may have of an urban park. Bernard Tschumi designed the Parc de la Villette with the intention of creating a space that exists in a vacuum, something without historical precedent. The park strives to strip down the signage and conventional representations that have infiltrated architectural design and allow for the existence of a “non-place.” This non-place, envisioned by Tschumi, is the most appropriate example of space and provides a truly honest relationship between the subject and the object.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The deconstructivist reading of Complexity and Contradiction is quite different. The basic building was the subject of problematics and intricacies in deconstructivism, with no detachment for ornament. Rather than separating ornament and function, like postmodernists such as Venturi, the functional aspects of buildings were called into question. Geometry was to deconstructivists what ornament was to postmodernists, the subject of complication, and this complication of geometry was in turn, applied to the functional, structural, and spatial aspects of deconstructivist buildings. One example of deconstructivist complexity is Frank Gehry's Vitra Design Museum in Weil-am-Rhein, which takes the typical unadorned white cube of modernist art galleries and deconstructs it, using geometries reminiscent of cubism and abstract expressionism. This subverts the functional aspects of modernist simplicity while taking modernism, particularly the international style, of which its white stucco skin is reminiscent, as a starting point. Another example of the deconstructivist reading of Complexity and Contradiction is Peter Eisenman's Wexner Center for the Arts.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The structure is made mostly of concrete and is comparatively small, enclosed by thick walls, with the upturned roof supported on columns embedded within the walls, like a sail billowing in the windy currents on the hill top. In the interior, the spaces left between the walls and roof are filled with clerestory windows, as well as the asymmetric light from the wall openings, serve to further reinforce the sacred nature of the space and reinforce the relationship of the building with its surroundings. The lighting in the interior is soft and indirect, from the clerestory windows and reflecting off the whitewashed walls of the chapels with projecting towers. The structure is built mostly of concrete and stone, which was a remnant of the original chapel built on the hilltop site destroyed during World War II. Some have described Ronchamp as the first Post-Modern building, and others as the first building of the movement Expressionist architecture after World War II. It was constructed in the early 1950s.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Vitra Design Museum is a privately owned museum for design in Weil am Rhein, Germany. These works, originally the private collection of Rolf Fehlbaum, are now permanently on display at the newly completed Schaudepot building on the Vitra premises. In addition, the museum puts on temporary exhibitions in the main building, often with loans from other collections. In turn, parts of the collection are lent to other institutions around the world. In addition, the museum produces workshops, publications and museum products, as well as maintaining an archive, a restoration and conservation laboratory, and a research library. It also organises guided tours of the Vitra premises, a major attraction to those interested in modern architecture. The museum produced the travelling exhibition 'Rudolf Steiner - Alchemy of the Everyday', a major retrospective exhibition drawn from its own collection and borrowed exhibits, coinciding with the one hundred and fiftieth anniversary of the birth of its subject.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A second library, at five stories and 206,000 square feet (19,100 m2), was built at the site of the old Carnegie library and opened on March 26, 1960. The new building designed by architects Bindon and Wright, with Decker, Christenson, and Kitchin as associates, featured an international-style architecture and an expanded interior, with features such as drive-thru service to offset the lack of available parking. George Tsutakawa's "Fountain of Wisdom" on the Fifth Avenue side (relocated to Fourth Avenue in the current library) was the first of that artist's many sculptural fountains. A remodeling finished in 1972 gave the public access to the fourth story, dedicated to the arts and sound recordings. By the late 1990s, the library became too cramped again and two-thirds of its materials were held in storage areas inaccessible to patrons. Renewed consciousness of regional earthquake dangers drew concern from public officials about the seismic risks inherent to the building's design.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Seattle Central Library is the flagship library of the Seattle Public Library system. The 11-story (185 feet or 56.9 meters high) glass and steel building in downtown Seattle, Washington was opened to the public on May 23, 2004. Rem Koolhaas and Joshua Prince-Ramus of OMA/LMN were the principal architects, and Magnusson Klemencic Associates was the structural engineer with Arup. Arup also provided mechanical, electrical, and plumbing engineering, as well as fire/life safety, security, IT and communications, and audio visual consulting. Hoffman Construction Company of Portland, Oregon, was the general contractor. The 362,987 square feet (33,722.6 m2) public library has the capacity to hold about one and a half million books and other materials. It offers underground public parking for 143 vehicles and over 400 computers accessible to the public. Over two million people visited the library during its first year. It is the third Seattle Central Library building to be located on the same site at 1000 Fourth Avenue, the block bounded by Fourth and Fifth Avenues and Madison and Spring Streets.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Deconstructivism is a movement of postmodern architecture which appeared in the 1980s. It gives the impression of the fragmentation of the constructed building, commonly characterised by an absence of obvious harmony, continuity, or symmetry. Its name is a portmanteau of Constructivism and "Deconstruction", a form of semiotic analysis developed by the French philosopher Jacques Derrida. Architects whose work is often described as deconstructivist (though in many cases the architects themselves reject the label) include Zaha Hadid, Peter Eisenman, Frank Gehry, Rem Koolhaas, Daniel Libeskind, Bernard Tschumi, and Coop Himmelb(l)au.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Venice is built on alluvial mud, and all buildings in the city were (and mostly still are) supported by large numbers of timber piles driven into the mud. Above that the normal building material is brick, although the grander facades were usually faced with Istrian stone, a fine limestone that is not strictly a marble, although it is often so called. This came by sea from quarries in Istria in the Terraferma, now in Croatia. Other stones with different colours were often used for contrast, especially a red stone from Verona. Marmorino stucco, made from grinding limestone, brick and terracotta fragments, was the typical finish for interior walls, and sometimes exteriors. Flat ceilings supported with timber beams were preferred to vaults, which might crack as the building settled on the pile foundations.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Doge's Palace (Italian: Palazzo Ducale; Venetian: Pałaso Dogal) is a palace built in Venetian Gothic style, and one of the main landmarks of the city of Venice in northern Italy. The palace was the residence of the Doge of Venice, the supreme authority of the former Republic of Venice. It was built in 1340 and extended and modified in the following centuries. It became a museum in 1923 and is one of the 11 museums run by the Fondazione Musei Civici di Venezia.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Over the centuries, the Doge's Palace has been restructured and restored countless times. Due to fires, structural failures, and infiltrations, and new organizational requirements and modifications or complete overhaulings of the ornamental trappings there was hardly a moment in which some kind of works have not been underway at the building. From the Middle Ages, the activities of maintenance and conservation were in the hands of a "technical office", which was in charge of all such operations and oversaw the workers and their sites: the Opera, or fabbriceria or procuratoria. After the mid-19th century, the palace seemed to be in such a state of decay that its very survival was in question; thus, in 1876 a major restoration plan was launched. The work involved the two facades and the capitals belonging to the ground-floor arcade and the upper loggia: 42 of these, which appeared to be in an especially dilapidated state, were removed and replaced by copies. The originals, some of which were masterpieces of Venetian sculpture of the 14th and 15th centuries, were placed, together with other sculptures from the facades, in an area specifically set aside for this purpose.
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  • Prompt: The Wedgwood Institute is a large red-brick building that stands in Queen Street, in the town of Burslem, Stoke-on-Trent, Staffordshire, England. It is sometimes called the Wedgwood Memorial Institute, but it is not to be confused with the former Wedgwood Memorial College in Barlaston. It achieved listed building status (Grade II*) in 1972. The style of architecture chosen was Venetian Gothic, which had been popularised by John Ruskin. The basic design is by an architect called Nichols, but the elaborate decorations which form an integral part of the facade were designed by Robert Edgar and John Lockwood Kipling. Kipling, the father of the famous writer Rudyard Kipling, emigrated to India in 1865 while the building was still under construction, and the façade was not completed until 1871.
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  • Prompt: Venetian Gothic is the particular form of Italian Gothic architecture typical of Venice, originating in local building requirements, with some influence from Byzantine architecture, and some from Islamic architecture, reflecting Venice's trading network. Very unusually for medieval architecture, the style is both at its most characteristic in secular buildings, and the great majority of survivals are secular. The best-known examples are the Doge's Palace and the Ca' d'Oro. Both feature loggias of closely spaced small columns, with heavy tracery with quatrefoil openings above, decoration along the roofline, and some coloured patterning to plain wall surfaces. Together with the ogee arch, capped with a relief ornament, and ropework reliefs, these are the most iconic characteristics of the style. Ecclesiastical Gothic architecture tended to be less distinctively Venetian, and closer to that in the rest of Italy.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Anderson's design was influenced by a number of other Gothic and Gothic Revival architectural works, in particular the rectangular Gothic Doge's Palace in Venice and the works of George Gilbert Scott, and similarities have also been drawn between the Portrait Gallery and Anderson's Mount Stuart House on the Isle of Bute, which he designed for the 3rd Marquess of Bute in the late 1870s. Around the exterior are sculpted figures of noted Scots set in niches, designed by William Birnie Rhind. These were added in the 1890s to compensate for the lack of contemporary portraits of medieval Scots in the gallery's collection at the time, as was the large processional frieze inside the main entrance hall, painted by William Hole. This mural, added in 1898, depicts an array of notable Scots from history, ranging from Saint Ninian to Robert Burns. Figures were added to the frieze over the years after the gallery opened, and Hole added further large mural narrative scenes on the 1st floor later.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Scottish National Portrait Gallery building is a large edifice at the east end of Queen Street, built in red sandstone from Corsehill in Dumfriesshire. It was designed by Robert Rowand Anderson in the Gothic Revival style with a combination of Arts and Crafts and 13th-century Gothic influences, and is a Category A listed building. Built between 1885 and 1890, the building is noted for its ornate Spanish Gothic style, an unusual addition to Edinburgh's mostly Georgian Neoclassical New Town. The windows are in carved pointed arches and the main entrance on the Queen Street front, surrounded a large gabled arch, leads to the main entrance hall, arcaded with pointed arches, which originally served both the Portrait Gallery to its east, and the National Museum of Antiquities of Scotland to its west. A distinctive feature of the gallery is its four octagonal corner towers topped with crocketed Gothic pinnacles; originally, Anderson had intended to flank the facade with a pair of large Franco-Scottish tourelles, but these were replaced at the request of the benefactor by the pointed turrets seen today.
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  • Prompt: Templeton On The Green, converted from the Templeton Carpet Factory, is a distinctive building near the People's Palace, in Glasgow, Scotland, opened in 1892. In 1984 it was converted into the Templeton Business Centre, then in 2005 a major regeneration project made it into a mixed use 'lifestyle village' incorporating apartments, office space, and the WEST brewery, bar and restaurant.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The oldest part of the palace is the wing overlooking the lagoon, the corners of which are decorated with 14th-century sculptures, thought to be by Filippo Calendario and various Lombard artists such as Matteo Raverti and Antonio Bregno. The ground floor arcade and the loggia above are decorated with 14th- and 15th-century capitals, some of which were replaced with copies during the 19th century. In 1438–1442, Giovanni Bon and Bartolomeo Bon built and adorned the Porta della Carta, which served as the ceremonial entrance to the building. The name of the gateway probably derives either from the fact that this was the area where public scribes set up their desks, or from the nearby location of the cartabum, the archives of state documents. Flanked by Gothic pinnacles, with two figures of the Cardinal Virtues per side, the gateway is crowned by a bust of Mark the Evangelist over which rises a statue of Justice with her traditional symbols of sword and scales. In the space above the cornice, there is a sculptural portrait of the Doge Francesco Foscari kneeling before the Lion of Saint Mark.
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  • Prompt: In 810, Doge Agnello Participazio moved the seat of government from the island of Malamocco to the area of the present-day Rialto, when it was decided a palatium duci (Latin for "ducal palace") should be built. However, no trace remains of that 9th-century building as the palace was partially destroyed in the 10th century by a fire. The following reconstruction works were undertaken at the behest of Doge Sebastiano Ziani (1172–1178). A great reformer, he would drastically change the entire layout of the St. Mark's Square. The new palace was built out of fortresses, one façade to the Piazzetta, the other overlooking the St. Mark's Basin. Although only few traces remain of that palace, some Byzantine-Venetian architecture characteristics can still be seen at the ground floor, with the wall base in Istrian stone and some herring-bone pattern brick paving. Political changes in the mid-13th century led to the need to re-think the palace's structure due to the considerable increase in the number of the Great Council's members. The new Gothic palace's constructions started around 1340, focusing mostly on the side of the building facing the lagoon.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Bradford City Hall is a 19th-century town hall in Centenary Square, Bradford, West Yorkshire, England. It is a Grade I listed building which has a distinctive clock tower.
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  • Prompt: But the potential of Ellis's design was not lost on all of his contemporaries. John Wellborn Root studied in Liverpool as a teenaged boy, being sent there by his father to be safe from the American Civil War following the Atlanta Campaign (1864). In all likelihood, he studied the then brand new Oriel Chambers and put the lessons learnt to good use when he developed into an important architect of the Chicago School of Architecture, exporting Ellis' ideas across the Atlantic.[5] Long rows of bay windows (of which oriels are a special type) characterise some of Burnham and Root's 1880s American skyscrapers. More importantly, Oriel Chambers, and Ellis's building at 16 Cook Street, Liverpool, are amongst the precursors of modernist architecture for another reason. In addition to the extensive use of glass on their facades, both boast metal framed glass curtain walls towards the courtyards which makes them two of the world's first buildings to include this feature. Both buildings rely on H-section iron columns at the perimeter, which support the floors and cladding. Ellis's method for cladding was not adopted by Burnham and Root though: their Monadnock Building of 1891.
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