#japanese

Ogura Hyakunin Isshu No. 13 - Emperor Yōzei

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 13, Emperor Yōzei, of the Ogura Hyakunin Isshu: "From Tsukuba's peak Falling waters have become Mina's still, full flow: So my love has grown to be Like the river's quiet deeps." The image focuses on a silver, glittering waterfall cascading from the green, richly wooded peak of Mount Tsukuba. At the bottom of the waterfall, a deep, dark-blue pool with a swirling pattern forms. From the pool, the gentle, blue river Mina issues forth. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Deepstyle Re-dream: Makin' Waves

• Model: AIVision

• Size: 2048 X 2048 (4.19 MP)

• Used settings:

  • Prompt: kanagawa child splash impasto
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Butterflies and the Japanese maiden

• Model: AIVision

• Size: 1792 X 1024 (1.84 MP)

• Used settings:

  • Prompt: Expressionist painting with brush strokes and splashes of a beautiful ethereal Japanese woman with long straight hair and a white Japanese kimono with gold designs, playing with a beautiful blue and green butterfly in a snowy setting in a Japanese home life . A deep sense of happiness. In his dignified face, you can see oil paint lines in expressionist painting, beautiful natural colors, quick brushstrokes and splashes of blue, green, gray, lavender, orange, and pink colors. ©Yashar
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ogura Hyakunin Isshu No. 18 - Fujiwara no Toshiyuki

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 18, Fujiwara no Toshiyuki, of the Ogura Hyakunin Isshu: "Must you so avoid others’ eyes that not even at night, along the road of dreams, will you draw nigh like the waves to the shore of Sumi-no-e Bay?" This poem was an entry in a poetry contest by accomplished poet and calligrapher Fujiwara no Toshiyuki. The image personifying the poem shows waves lapping the shore of Sumi-no-e Bay (Osaka Bay) at night. The stars are shining brightly; their silvery light reflects off the waves and the foam that decorates their edges on the shore. The sky is underlaid with a very delicate, barely noticeable calligraphic line pattern of two lovers engaged in a forbidden tryst lying across the entire sky, as if in a dream, almost obscured by the light of the twinkling stars. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Fashion show, woman on the catwalk

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Fashion show, woman on the catwalk. Striking dress in Japanese style. Large Japanese pattern with birds and flowers, pastel colors, line art, pencil and colored pencils
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Ogura Hyakunin Isshu No. 21 - Sosei Hōshi

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 21, Sosei Hōshi, of the Ogura Hyakunin Isshu: "It was only because you said you would come right away that I have waited these long months, till even the wan morning moon has come out." The image shows a standing Japanese woman of antiquity gazing out a a green, hilly landscape in early morning, with a pale waning moon barely visiblein the light-blue morning sky of dawn. She is a peasant, and is wearing a simple, rough, indigo-dyed cotton kosode (forerunner of the kimono). The green, hilly landscape is strongly patterned, as is the pale blue morning sky. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 19 - Lady Ise

• Model: AIVision

• Size: 5460 X 3071 (16.77 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 19, Lady Ise, of the Ogura Hyakunin Isshu: "Even for a time Short as a piece of the reeds In Naniwa's marsh, We must never meet again: Is this what you are asking me?" The image shows a Japanese woman of antiquity from the back. She is dressed in highly ornamented, precious robes. Her hair is put up in an an extravagant hairdo. Her slumped shoulders and the cast of her head indicate that she is melancholy, as she wistfully gazes out over strongly repetitively patterned, sumptuous reeds lining the banks of Naniwa (Osaka) inlet. Behind the reeds, blue water twinkles in the sunlight. The sky above is bedecked with intricately patterned cirrocumulus clouds. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

The Beauty of Tsushima

• Model: AIVision

• Size: 1792 X 1024 (1.84 MP)

• Used settings:

  • Prompt: A gorgeous Japanese J-Pop singer with a stunningly beautiful face wearing a sexy Samurai outfit and riding a horse through golden fields of very tall grass and flowers. Epic grand scenery of feudal Japan. Golden rays of sun. Lens flare. Armies of Samurai warriors battling in the background. Incredible action adventure theme
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Feline Geisha in Cherry Blossom Valley

• Model: AIVision

• Size: 2688 X 1536 (4.13 MP)

• Used settings:

  • Prompt: Create a watercolor illustration of an anthropomorphic, beautiful, adorable Siamese cat with expressive blue eyes, dressed in a Japanese-style golden robe draped over her body, standing in a Japanese landscape. The cat has a soft, delicate expression on her face. The robe with long, wide sleeves, is made of silk, adorned with intricate gold and orange embroidery and a blue collar. The background is a soft, watercolor-like depiction of cherry blossoms and rocky terrain. The overall mood of the image is elegant and graceful. The overall style of the illustration is reminiscent of traditional Japanese art. Gorgeous watercolor in shabby chic style, fantasy, vey beautiful, detailed line art, soft water colors, wet on wet, ink and pen, alcohol wash, ephemeral, correct anatomy, masterpiece, atmospheric lighting, vibrant colors, realistic with fantasy elements, illusionary and otherworldly lighting effects to enhance the unearthy ambiance, sharp focus, intricate patterns, exquisitely beautiful, extremely detailed, visually impressive, fantasy, award winning, dreamlike paste paint on wet watercolor artwork, hdr, trending on artstation.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Fish Thief on the Run

• Model: AIVision

• Size: 1792 X 1024 (1.84 MP)

• Used settings:

  • Prompt: A little cute brown tabby tomcat with a stolen big fish in this mouth running out of ancient japanese an fish shop and flees from the angry Japanese shopkeeper, funny scene, capturing the essence of Alphonse Mucha's art nouveau style, bathed in global illumination, cinematic smoothness enhancing the intricate detail, ultra-realistic, highly detailed environment.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ogura Hyakunin Isshu No. 20 - Prince Motoyoshi

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 20, Motoyoshi Shinnō, of the Ogura Hyakunin Isshu: "Miserable, now, it is all the same, Channel-markers of Naniwa - even if it costs my life, I will see you again!" The image shows a Japanese prince sitting on his haunches on the shore of Naniwa Inlet, looking at the miotsukushi, or water markers - wooden posts - placed in shallow areas as safe navigation guides. The Crown Prince is dressed in a sokutai, an enveloping formal robe of golden, heavily patterned silk. The still waters of the inlet twinkle in the sunlight. The nearly cloudless sky is a cerulean blue. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Oiran II

• Model: Artistic

• Size: 903 X 1161 (1.05 MP)

• Used settings:

  • Prompt: "Oiran offering her services, (FULL BODY PORTRAIT), ((hidden sexual connotation)), metropolis street, masterpiece illustration, by Luis Royo, Akihiko Yoshida, Yoshitaka Amano, Kimihiko Fujisaka, Yoji Shinkawa, Full Color, HDR, (masterpiece).
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 1

Twin Moon Sakura

• Model: DaVinci2

• Size: 1192 X 864 (1.03 MP)

• Used settings:

  • Prompt: portrait, geisha girl, cherry blossoms, blue moon, classic Japanese architecture, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell
  • Using base image: Yes (Effect strength - 50%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ogura Hyakunin Isshu No. 12 - The Monk Henjo

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 12, The Monk Henjo, of the Ogura Hyakunin Isshu: "Let the winds of heaven Blow through the paths among the clouds And close their gates. Then for a while I could detain These messengers in maiden form." The image shows four beautiful Gosechi dancers in their colorful, elaborate, ornamented, multi-layered silk kiminos called jūni-hitoea, holding cypress fans, wearing their hair in an elaborate hairdo, and dancing to celebrate the rice harvest. Above the dancers, ominous, dark clouds are gathering decoratively, blown together by a strong wind. The purpose of the clouds is to detain the four "heavenly madens" from returning to heaven. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Inferno

• Model: AIVision

• Size: 1792 X 1024 (1.84 MP)

• Used settings:

  • Prompt: An ominous kabuki girl is observing from her vantage point up high on a swing how a fire is burning the ancient city below. A red flaming inferno engulfs the bustling neighborhood.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Garden sunset

• Model: AIVision

• Size: 1792 X 1024 (1.84 MP)

• Used settings:

  • Prompt: sophisticated japanese garden with stone lanterns and pines by Kay Nielsen and Jordan Grimmer, perfect composition
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

creator of meanings

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: A fierce, towering monster with a muscular build, depicted in the traditional Japanese ukiyo-e style reminiscent of Utagawa Kuniyoshi. The monster has wild, exaggerated features, sharp claws, and a menacing expression with glowing eyes. It is furiously spitting out a torrent of large, bold Chinese characters, which swirl around it like a storm, creating a chaotic yet harmonious composition. The background is a dramatic scene with dark clouds and a turbulent sea, typical of Kuniyoshi's dynamic and intricate style.
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Ogura Hyakunin Isshu No. 16 - Ariwara no Yukihira

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 16, Ariwara no Yukihira, of the Ogura Hyakunin Isshu: "Though we are parted, If on Mount Inaba's peak I should hear the sound Of the pine trees growing there, I'll come back again to you." The image shows Inaba mountain, on whose slopes a verdant pine forest grows, in the distance. In the foreground, we see a small group of young Japanese Middle Counselors wearing intricately patterned silk black-and-gold robes with a high collar at the back of their necks, over loose, abstractly patterned white-and-gold pants. The noblemen are thronging around one of their members to bid him farewell and good luck for his assignment to Inaba province. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

メイジ

• Model: DaVinci2

• Size: 1896 X 1208 (2.29 MP)

• Used settings:

  • Prompt: Japanese sorceress casting a spell, green fire from her hands, facing away from viewer, shinto village with Sakura trees, ink wash painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 1

Japanese Artistry: Waves, Flowers, Geometric Shapes

• Model: AIVision

• Size: 1536 X 1536 (2.36 MP)

• Used settings:

  • Prompt: Incorporate elements from traditional Japanese fabric patterns such as intricate kimono motifs, cherry blossom prints, and wave designs. Integrate Dadaist influences by juxtaposing incongruous images like vintage photographs, newspaper clippings, and abstract shapes. Embrace chaos and randomness by including fragmented text snippets, geometric patterns, and distorted figures to create unexpected visual narratives. Focus on asymmetry to instill dynamism, using off-center placements, varying sizes of elements, and irregular shapes to break away from conventional balance. Infuse the collage with a dreamlike quality through soft blending techniques, surreal color schemes, and ethereal textures. Add touches of humor with whimsical elements like quirky characters, playful symbols, and absurd combinations to surprise and engage viewers. Experiment with scale by mixing oversized and miniature elements, diverse textures like fabric swatches and paper cutouts, and a vibrant color palette to create a visually stimulating and thought-provoking composition.
  • Upscale & Enhance: 0
  • Aspect Ratio: square