#japanese

Futuristic Robot Adventure in Japan

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Create a vintage Japanese art featuring the following elements: a large, central humanoid robot character with a cartoonish appearance, a black helmet, a round face, a prominent nose, and a broad smile. The robot has cylindrical limbs with segmented joints, and its body is adorned with various buttons and dials. In its right hand, the robot holds a red flower behind its head, while its left hand is extended out as if offering assistance or interacting with something. Two children interact with the robot: a young girl wearing a short-sleeved black dress is to the robot's right, reaching up towards the robot with an outstretched arm. To the robot's left, a young boy in mid-action is shown in knee-length shorts and a white short-sleeved shirt, jumping energetically. He appears to be playing or engaging with the robot. In the background, an urban scene unfolds: Japanese timber framing architecture with sliding doors and a tiled roof is observable. Hanging lanterns add to the traditional ambiance and float in the sky above a network of wooden scaffolding.
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Ogura Hyakunin Isshu No. 14 - Minamoto no Toru

• Model: AIVision

• Size: 5460 X 3071 (16.77 MP)

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  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 14, Minamoto no Toru, of the Ogura Hyakunin Isshu: "Like Michinoku prints Of the tangled leaves of ferns, It is because of you That I have become confused; But my love for you remains." The image shows a large cloth blanket thrown over a wooden bench. The blanket has an intricately tangled, confusing, mottled pattern of ferns. The dark cloth has a print of metallic gray fern fronds with bluish and reddish tints. Next to the cloth, on the bench, sits an elegant Japanese statesman from a long bygone era. He is dressed in courtly robes tied with an ornameted sash. The nobleman is despondent, and is sitting with his elbows on his knees and his head cupped in his hands. Behind the close-up of the bench with the statesman and the patterned cloth are dark, abstracted trees in a Japanese esthetic. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 24 - Kanké

• Model: AIVision

• Size: 5460 X 3071 (16.77 MP)

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  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 24, Kanké (Sugawara no Michizane), of the Ogura Hyakunin Isshu: "This time around / I couldn't even bring the sacred streamers / --Offering Hill-- / but if this brocade of leaves it to the gods' liking..." The image shows autumn on Mount Tamuke, with red-leaved trees ringing the mountain. Almost transparently overlaid over the image of the mountain is a nusa, a rather large wand from the top of which many thin, white paper streamers hang down. The wand is used in Shinto religious ceremonies. The red-leaved trees shine through the nearly transparent, full top layer. The mountain and trees exhibit patterns typical of a woodblock print. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 10 - Semimaru

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 11, Semimaru, of the Ogura Hyakunin Isshu: "Truly, this is where Travelers who go or come Over parting ways--Friends or strangers--all must meet: The gate of "Meeting Hill." The image shows a small, weathered wooden gate overgrown by grass and weeds on either side of the gate. The gate is integrated in a wooden rail-and-post fennce in rich, dense vegetation. A gravelly path leads up to and beyond the gate. The path winds up a grassy slope and beyond to the Meeting Hill. A wan sun shines down on the scene from a cloudy sky. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Caregiver (Jung's archtype)

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

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  • Prompt: A middle-aged gnome embodying Jung’s Caregiver archetype, gently cradling a small, injured bird in his hands. His weathered yet tender face is framed by a pointed hat adorned with symbols of nurture, such as embroidered leaves and blooming flowers representing growth and healing. His eyes radiate deep empathy and a quiet strength born from years of selfless service. The background, painted in the style of Louis Jover, features layered newspaper collage on Japanese Washi paper, with torn text fragments softly referencing themes of caregiving, sacrifice, and protection. Delicate ink strokes trace the gnome’s flowing robes, which ripple like water, while faint images of open hands and lanterns, symbols of guidance and care. are subtly woven into the texture of the composition.
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Ogura Hyakunin Isshu No. 13 - Emperor Yōzei

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 13, Emperor Yōzei, of the Ogura Hyakunin Isshu: "From Tsukuba's peak Falling waters have become Mina's still, full flow: So my love has grown to be Like the river's quiet deeps." The image focuses on a silver, glittering waterfall cascading from the green, richly wooded peak of Mount Tsukuba. At the bottom of the waterfall, a deep, dark-blue pool with a swirling pattern forms. From the pool, the gentle, blue river Mina issues forth. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 2 - Empress Jito

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 2 of the Ogura Hyakunin Isshu: The spring has passed, And the summer come again; For the silk-white robes, So they say, are spread to dry On the "Mount of Heaven's Perfume." The image shows an intricately geometrically patterned woven silk robe spread on a dewy flower meadow under a rising summer sun. Exquisitely detailed Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 31 - Sakanoue no Korenori

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: 16:9 format of a painstakingly detailed, multilayer, delicate lithograph and watercolor wash rendering on rough handmade paper of poem number 31, Sakanoue no Korenori, of the Ogura Hyakunin Isshu: "At the break of day, / Just as though the morning moon / Lightened the dim scene, / Yoshino's village lay / In a haze of falling snow.on." The image shows a hazy moon shining on Yohino valley in a dim, slow, struggling winter dawn. Snow is slowly drifting through the sky, settling on the houses in Yoshino valley in the hazy light of a nearly transparent moon. It is still and cold, with the main colors being shades of gray, blue and white. Yellow light shines from the windows of the houses in the valley below. Highly detailed, intricate, mulitlayer lithograph and woodcut execution. Old masters' technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Mei Mei’s Ramen Slurp

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: A whimsical vintage Japanese woodcut cartoon-style illustration of a panda sitting contently while eating noodles. The panda has the characteristic black and white fur, with large black patches around its eyes and ears. It is depicted holding a pair of chopsticks in its right paw, lifting a tangle of noodles from a bowl. The panda is plump and has a round face, exuding a sense of joy and satisfaction. In the foreground, there is a deep red bowl filled with noodles, with some scattered around on the sandy ground. To the left, a red spice container is partially visible, labeled with an artistic design. Surrounding the panda are green leaves and a single red flower, adding a touch of nature to the composition. Behind the panda, there is an orange circular background that contrasts against the black backdrop, enhancing the overall charm of the scene. The art style is detailed with bold lines and vibrant colors, creating an inviting and playful atmosphere.
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Ogura Hyakunin Isshu No. 20 - Prince Motoyoshi

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 20, Motoyoshi Shinnō, of the Ogura Hyakunin Isshu: "Miserable, now, it is all the same, Channel-markers of Naniwa - even if it costs my life, I will see you again!" The image shows a Japanese prince sitting on his haunches on the shore of Naniwa Inlet, looking at the miotsukushi, or water markers - wooden posts - placed in shallow areas as safe navigation guides. The Crown Prince is dressed in a sokutai, an enveloping formal robe of golden, heavily patterned silk. The still waters of the inlet twinkle in the sunlight. The nearly cloudless sky is a cerulean blue. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 3 - Kakinomoto no Hitomaro

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 3, Kakinomoto no Hitomaro, of the Ogura Hyakunin Isshu: "Oh, the foot-drawn trail Of the mountain-pheasant's tail Drooped like down-curved branch! Through this long, long-dragging night Must I lie in bed alone?" The image shows a forlorn, old man in a Japanese patterned cotton robe lying supine on a stark bed, arms crossed over his chest, staring into the sky. Outside his bedroom window, it is the break of dawn. A foggy, orange glow lies over the landscape. In the morning haze, we can make out a mountain footpath leading up to a snowy peak. Exquisitely detailed Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 27 - Chūnagon Kanésuké

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 27, Chūnagon Kanésuké, of the Ogura Hyakunin Isshu: "Like Izumi River / that wells up and flows, / dividing the Moors of Urns / when did I see her, I wonder, / fthat I should yearn for her so?" The image shows lively river flowing wiht currents and eddies, which flow together to show a lovely Japanese woman of antiquity, if you look closely. The patterns in the image are highly complex, with a woodcut esthetic. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 34 - Fujiwara no Okikaze

• Model: AIVision

• Size: 5376 X 3024 (16.26 MP)

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  • Prompt: 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 34, Fujiwara no Okikaze, of the Ogura Hyakunin Isshu: "IWho is still alive / When I have grown so old / That I can call my friends? / Even Takasago's pines / No longer offer comfort." The image focueses on a single, ancient secred, venerable pine tree, with a split trunk and twisted limbs. The iconic pine tree stands before Takasago Shrine. The shrine can be made out behind the branches of the pine tree. The single, old pine tree symbolizes the loneliness of age. Combination lithograph and woodcut, executed in a styles reminiscent of Kawase Hasui. Deft execution, introspective, peaceful, melancholy nature motif rendered in dark colors. Old masters' technique. Exquisite Japanese folio.
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 37 - Fun’ya no Asayasu

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 37, Fun’ya no Asayasu, of the Ogura Hyakunin Isshu: "In the autumn fields / When the heedless wind blows by / Over the pure-white dew, / How the myriad unstrung gems / Are scattered everywhere around." This poem uses fairly common imagery: Glistening, refractive, rainbow-color-reflecting, opalescent, sparkling, jewel-like dewdrops densely covering the crumpled leaves of fall shine like pearls and gemstones. The image focuses on the sunshine on fallen leaves on the forest floor and their sparkly dewdrops. Some leaves are being whirled about by the wind, spraying their gemstone-like dewdrops through the air to create a glittering spectacle with a bokeh esthetic. The gust of wind is made visible by almost comic-like parallel lines and curls. Combination watercolor and woodcut, executed in a style reminiscent of Kawase Hasui. Deft execution, whimsical, peaceful, nature motif. Old masters' technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Glow In The Dark Bonsai

• Model: Artistic

• Size: 903 X 1161 (1.05 MP)

• Used settings:

  • Prompt: Fantasy glowing bioluminescent bonsai tree in a porcelain tea cup
  • Using base image: Yes (Effect strength - 10%)
  • Base image resolution: Default
  • Upscale & Enhance: 1

Ogura Hyakunin Isshu No. 29 - Ōshikōchi no Mitsune

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 29, Ōshikōchi no Mitsune, of the Ogura Hyakunin Isshu: "Must it be by chance, / if I am to pluck one, that I pluck it? - / white chrysanthemums / on which the first frost / lies bewilderingly." The image shows a close-up of a single, magnificent white chrysanthemum with dozens of petals. The first frost, a hoarforst, lies on the petals. Each petal is covered with dozens of tiny, crystalline frost grains. The golden sun is shining on the petals, causing each and every hoarfrost crystal to reflect rainbow colors, so that the entire chrysanthemum blossom shines and shimmers with rainbow light reflections. Breathtaking nature spectacle executed in the most painstaking linocut and watercolor wash technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Deepstyle Re-dream: Makin' Waves

• Model: AIVision

• Size: 2048 X 2048 (4.19 MP)

• Used settings:

  • Prompt: kanagawa child splash impasto
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Butterflies and the Japanese maiden

• Model: AIVision

• Size: 1792 X 1024 (1.84 MP)

• Used settings:

  • Prompt: Expressionist painting with brush strokes and splashes of a beautiful ethereal Japanese woman with long straight hair and a white Japanese kimono with gold designs, playing with a beautiful blue and green butterfly in a snowy setting in a Japanese home life . A deep sense of happiness. In his dignified face, you can see oil paint lines in expressionist painting, beautiful natural colors, quick brushstrokes and splashes of blue, green, gray, lavender, orange, and pink colors. ©Yashar
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Fashion show, woman on the catwalk

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Fashion show, woman on the catwalk. Striking dress in Japanese style. Large Japanese pattern with birds and flowers, pastel colors, line art, pencil and colored pencils
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Ogura Hyakunin Isshu No. 23 - Ōe no Chisato

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 23, Ōe no Chisato, of the Ogura Hyakunin Isshu: "When I look at the moon / I am overcome by the sadness / of a thousand, thousand things - / even though it is not Fall / for me alone." The image shows a waning, yellow moon, which has just risen over the horizon, in a starry, dark sky. Naked, black tree branches reach into the sky, creting intricate patterns. The large sickle of the moon peeks forth from a clearing between the branches. The meadow on the ground is even darker than the sky. A melancholy mood permeates the picture. The sky and the meadow have typical patterns of a woodblock print. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide