#house

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Chinese architecture. Chinese architecture is characterized by bilateral symmetry, use of enclosed open spaces, feng shui (e.g. directional hierarchies), a horizontal emphasis, and an allusion to various cosmological, mythological or in general symbolic elements. Chinese architecture traditionally classifies structures according to type, ranging from pagodas to palaces. Due to the frequent use of wood, a relatively perishable material, as well as few monumental structures built of more durable materials, much historical knowledge of Chinese architecture derives from surviving miniature models in ceramic and published diagrams and specifications. Some specimens show the influence of styles from beyond China, such as the influences on mosque structures originating in the Middle East. Although unifying aspects exist, Chinese architecture varies widely based on status or affiliation, such as whether the structures were constructed for emperors, commoners, or for religious purposes. Other variations in Chinese architecture are shown in vernacular styles associated with different geographic regions and different ethnic heritages.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Inca architecture is the most significant pre-Columbian architecture in South America. The Incas inherited an architectural legacy from Tiwanaku, founded in the 2nd century B.C.E. in present-day Bolivia. A core characteristic of the architectural style was to use the topography and existing materials of the land as part of the design.[1] The capital of the Inca empire, Cuzco, still contains many fine examples of Inca architecture, although many walls of Inca masonry have been incorporated into Spanish Colonial structures. The famous royal estate of Machu Picchu (Machu Pikchu) is a surviving example of Inca architecture. Other significant sites include Sacsayhuamán and Ollantaytambo. The Incas also developed an extensive road system spanning most of the western length of the continent and placed their distinctive architecture along the way, thereby visually asserting their imperial rule along the frontier.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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House

• Model: Fusion*

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: A lonely house in the middle of an icy mountain range in the dark
  • Face enhance: No
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  • Aspect Ratio: landscape

Donut House

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: house made of donuts like in hansel and gretel
  • Face enhance: No
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  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Indo-Islamic architecture is the architecture of the Indian subcontinent produced by and for Islamic patrons and purposes. Tomb of Shah Rukn-e-Alam in Multan, Pakistan. The Buland Darwaza gateway to Fatehpur Sikri. The Qutb Minar. Tomb of Sikander Lodi in the Lodi Gardens, Delhi. The Gol Gumbaz mausoleum. Mahmud Gawan Madrasa. "Double" tomb of Taj ud-Din Firuz Shah in Gulbarga. A row of Bahminid tombs at Ashtur, Bidar. The sultanate commissioned mosques such as the Jami Masjid of Ahmedabad, Jama Masjid at Champaner, Jami Masjid at Khambhat, Qutbuddin Mosque, Rani Rupamati Mosque, Sarkhej Roza, Sidi Bashir Mosque, Kevada Mosque, Sidi Sayyed Mosque, Nagina Mosque and Pattharwali Masjid, as well as structures such as Teen Darwaza, Bhadra Fort and the Dada Harir Stepwell in Ahmedabad. Indo-Islamic architecture style of Gujarat presages many of the architectural elements later found in Mughal architecture, including ornate mihrabs and minarets, jali (perforated screens carved in stone), and chattris (pavilions topped with cupolas).
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Patriarchal Cathedral Basilica of Saint Mark is the cathedral church of the Catholic Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello. It is dedicated to and holds the relics of Saint Mark the Evangelist, the patron saint of the city. As built, the Contarini church was a severe brick structure. Adornment inside was limited to the columns of the arcades, the balusters and parapets of the galleries, and the lattice altar screens. The wall surfaces were decorated with moulded arches that alternated with engaged brickwork columns as well as niches and a few cornices. With the exception of the outside of the apse and the western façade that faced Saint Mark's Square, the stark brick exterior was enlivened only by receding concentric arches in contrasting brick around the windows. The western façade, comparable to middle-Byzantine churches erected in the tenth and eleventh centuries, was characterized by a series of arches set between protruding pillars.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Synagogue architecture often follows styles in vogue at the place and time of construction. There is no set blueprint for synagogues and the architectural shapes and interior designs of synagogues vary greatly. According to tradition, the Shekhinah or divine presence can be found wherever there is a minyan, a quorum, of ten. In the second half of the 16th century masonry synagogues whose interiors present an original structural solution, found in no other kind of building, were constructed in the Polish–Lithuanian Commonwealth. These were synagogue halls whose bimah was surrounded by four pillars. Placed upon a podium, connected above by arcading, in one powerful pier, the pillars constituted the bimah-support (or bimah-tower) supporting the vault, consisting of four barrels with lunettes intersecting at the corners. The bases of the vault-rips rested on the podium or were transmitted through a balustrade, solid or pierced. A small cupola covered the field above the bimah. These cupolas were occasionally significantly lowered in comparison with the remaining fields of vaulting. Thus a kind of inner chapel, built inside the bimah-tower, was created.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Fantasy houses

• Model: Stable

• Size: 576 X 896 (0.52 MP)

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  • Prompt: Fantasy houses, Catherine Abel style, fantasy oil on canvas beautiful high detail ultra detailed crisp quality colourful disney Jacek Yerka Guido Borelli da Caluso Alex Alemany
  • Using base image: Yes (Effect strength - 80%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Inca architecture is the most significant pre-Columbian architecture in South America. The Incas inherited an architectural legacy from Tiwanaku, founded in the 2nd century B.C.E. in present-day Bolivia. Inca buildings were made out of fieldstones or semi-worked stone blocks and dirt set in mortar; adobe walls were also quite common, usually laid over stone foundations. The material used in the Inca buildings depended on the region, for instance, in the coast they used large rectangular adobe blocks while in the Andes they used local stones. The most common shape in Inca architecture was the rectangular building without any internal walls and roofed with wooden beams and thatch. There were several variations of this basic design, including gabled roofs, rooms with one or two of the long sides opened and rooms that shared a long wall. Rectangular buildings were used for quite different functions in almost all Inca buildings, from humble houses to palaces and temples. Even so, there are some examples of curved walls on Inca buildings, mostly in regions outside the central area of Peru.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Furnishing Panel of Labradorite

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

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  • Prompt: Old illustrated card with Decadent Black Labradorite Art Deco style Manor House surrounded with tropical lush plants near water feature , 20's rich upstart style surroundings, art deco, florals, colorful
  • Face enhance: Yes
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  • Aspect Ratio: landscape

An affair in Havana

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Now I'm a guide for the CIA in Havana, tropical sunny
  • Face enhance: No
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  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Merovingian art and architecture. Plans often continued the Roman basilica tradition, but also took influences from as far away as Syria and Armenia. In the East, most structures were in timber, but stone was more common for significant buildings in the West and in the southern areas that later fell under Merovingian rule. Most major churches have been rebuilt, usually more than once, but many Merovingian plans have been reconstructed from archaeology. A feature of the basilica of Saint-Martin that became a hallmark of Frankish church architecture was the sarcophagus or reliquary of the saint raised to be visible and sited axially behind the altar, sometimes in the apse. There are no Roman precedents for this Frankish innovation.[2] The Saint Peter's church in Vienne is the only surviving one. A number of other buildings, now lost, including the Merovingian foundations of Saint-Denis, St. Gereon in Cologne, and the Abbey of Saint-Germain-des-Prés in Paris, are described as similarly ornate.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Khmer architecture. Angkor Wat. Sambor Prei Kuk. Pre Rup. Banteay Srei. Bayon. Bakong. Lolei. Preah Ko. Bakheng. Koh Ker. Pre Rup. Phimeanakas. East Mebon. Banteay Srei. Khleang. Ta Keo. Baphuon. Angkor Wat. Banteay Samre. Thommanon. Phimai. Bayon.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Khmer architecture. Angkorian builders used brick, sandstone, laterite and wood as their materials. The ruins that remain are of brick, sandstone and laterite, the wood elements having been lost to decay and other destructive processes. The earliest Angkorian temples were made mainly of brick. Good examples are the temple towers of Preah Ko, Lolei and Bakong at Hariharalaya, and Chóp Mạt in Tay Ninh. Decorations were usually carved into a stucco applied to the brick, rather than into the brick itself. This was because bricks were a softer material, and did not lend themselves to sculpting, as opposed to stones of different kinds such as the Sandstones or the Granites. However, the tenets of the Sacred Architecture as enunciated in the Vedas and the Shastras, require no adhesives to be used while building blocks are assembled one over the other to create the Temples, as such bricks have been used only in relatively smaller temples such as Lolei and The Preah Ko. Besides, strength of bricks is much lesser as compared to the stones (mentioned here-in) and the former degrade with age.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Architecture of Thailand. Mural Painting of Wat Pho. Paifang at Wat Pho. Thai-chinese temple, rebuilt in King Rama III period, located at Wat Ratchaorotsaram, Bangkok. Wehart Chamrun Residential Hall, built in King Rama V period, located at Bang Pa-In Royal Palace. A stone Chinese temple style incense burner between two stone elephants, located at Wat Suthat. Keng Chin located at Wat Suthat. The mondop is a building form in traditional Thai religious architecture featuring a square or cruciform building with a usually pointed roof. In the narrow sense, it refers to an enclosed square building with a roughly pyramidal, multi-tiered roof culminating in a tall pointed spire, with a roof structure very similar to the smaller busabok. In the wider sense, the term may refer to religious buildings following a wide range of architectural styles, including historical structures more closely reflecting the Indic mandapa, from which they are likely derived. Mondop may be used for various functions, including as scripture halls (ho trai) and for housing religious artefacts. Prominent examples include the library (Phra Mondop) at Wat Phra Kaew in Bangkok.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Nordic Classicism. A style of architecture that briefly blossomed in the Nordic countries (Sweden, Denmark, Norway and Finland) between 1910 and 1930. Denmark: Kay Fisker, Hack Kampmann, Kaj Gottlob, Ivar Bentsen, Povl Baumann, Poul Holsøe, Edvard Thomsen, Thomas Havning, Holger Jacobsen, Kaare Klint, Arne Jacobsen, Carl Petersen, Aage Rafn, Steen Eiler Rasmussen, Sven Risom, and Frits Schlegel. Finland: Gunnar Taucher, Uno Ullberg, Martti Välikangas, J.S. Sirén, Alvar Aalto, Pauli E. Blomstedt, Elsi Borg, Erik Bryggman, Hilding Ekelund, Heikki Siikonen, and Oiva Kallio. Norway: Lars Backer, Lorentz Ree, Sverre Pedersen, Nicolai Beer, Finn Berner, Harald Hals, Herman Munthe-Kaas, Gudolf Blakstad, Finn Bryn, Jens Dunker and Johan Ellefsen. Sweden: Ragnar Östberg, Gunnar Asplund, Carl Westman, Sigurd Lewerentz, Carl Bergsten, Sigfrid Ericson, Torben Grut, Ragnar Hjorth, Cyrillus Johansson, Erik Lallerstedt, Gunnar Leche, Sven Markelius, Gunnar Morssing, George Nilsson, Ture Ryberg, Albin Stark, Eskil Sundahl, Lars Israel Wahlman, Sven Wallander, Hakon Ahlberg and Ivar Tengbom.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Korean architecture. In Korean architecture, buildings are structured vertically and horizontally. A construction usually rises from a stone subfoundation to a curved roof covered with tiles, held by a console structure and supported on posts; walls are made of earth (adobe) or are sometimes totally composed of movable wooden doors. Architecture is built according to the kan unit, the distance between two posts (about 3.7 meters), and is designed so that there is always a transitional space between the "inside" and the "outside.". The construction of Buddhist temples was undertaken after Buddhism was introduced in Korean Goguryeo in 372 by way of northern China. A series of excavations in 1936-1938 unearthed the sites of several major temples near Pyongyang, including those in Cheongam-ri, Wono-ri and Sango-ri. The excavations disclosed that the temples were built in a Goguryeo style known as "three Halls-one Pagoda," with each hall in the east, west and north, and an entrance gate in the south. In most cases, the central pagodas had an octagonal plan. Palace buildings appear to have been arranged in this way as well. The earliest stone pagoda of the Mireuksa Temple in Iksan.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Surreal asian house

• Model: Artistic

• Size: 1152 X 896 (1.03 MP)

• Used settings:

  • Prompt: asian house, stars, moon, sky
  • Face enhance: No
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  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Hanging Gardens of Babylon. They were described as a remarkable feat of engineering with an ascending series of tiered gardens containing a wide variety of trees, shrubs, and vines, resembling a large green mountain constructed of mud bricks. It was said to have been built in the ancient city of Babylon, near present-day Hillah, Babil province, in Iraq. The Hanging Gardens' name is derived from the Greek word κρεμαστός (kremastós, lit. 'overhanging'), which has a broader meaning than the modern English word "hanging" and refers to trees being planted on a raised structure such as a terrace. In this palace he erected very high walls, supported by stone pillars; and by planting what was called a pensile paradise, and replenishing it with all sorts of trees, he rendered the prospect an exact resemblance of a mountainous country. This he did to gratify his queen, because she had been brought up in Media, and was fond of a mountainous situation.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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A lonely house

• Model: PhotoReal

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: A lonely house in the mountains.
  • Face enhance: No
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  • Aspect Ratio: landscape