#factory

future cyberpunk factory

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Insanely detailed hyperrealistic fantasical whimsical sci-fi painting of a futuristic cyberpunk factory; appearance: Futuristic cyberpunk factory with rusty metal walls, intricate circuitry, and glowing neon lights, towering high above the city. The factory’s interior features massive machinery, smoke billowing from pipes, and flickering lights. environment: The factory is located in a dark, sprawling cityscape, with towering skyscrapers, holographic advertisements, and flying vehicles, creating a chaotic yet harmonious atmosphere. Genres: Cyberpunk, Futuristic, Science Fiction. Styles: Grunge, Neo-Noir, Cybernetic. Techniques: Combination of 3D rendering and hand-painting, with heavy use of volumetric lighting and detailed textures to create a sense of depth and realism. Lights: Dimly lit, with flickering neon lights and the warm glow of machinery illuminating the interior. Colors: Dark blues, purples, and grays, with bright flashes of neon pink and green. Descriptive terms: Intricate, Gritty, Futuristic, Industrial, Glowing. By Artists: Syd Mead, Michael Chang, Beeple, H.R. Giger, Stan Lee; 8K 3D, CGSociety, trending on Artstation 8K resolution
  • Using base image: Yes (Effect strength - 90%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Cute ugly monster in an old abandoned factory

• Model: Artistic

• Size: 1088 X 544 (0.59 MP)

• Used settings:

  • Prompt: A slimy, ugly, nasty, cute monster with big eyes is sitting in an old abandoned factory.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Industrial engineering

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: industrial engineering industrial process
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Lake with Storage Unit

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Large Lake with Factory in the Background
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Material is put on a sinter machine in two layers. The bottom layer may vary in thickness from 30 to 75 millimetres (1.2 to 3.0 in). A 12 to 20 mm sinter fraction is used, also referred to as the hearth layer. The second, covering layer consists of mixed materials, making for a total bed height of 350 to 660 millimetres (14 to 26 in). The mixed materials are applied with drum feeders and roll feeders, which distributes the nodules in certain depth throughout the sinterring machine . The upper layer is smoothed using a leveler. The material, also known as a charge, enters the ignition furnace into rows of multi-slit burners. In the case of one plant, the first (ignition) zone has eleven burners. The next (soaking/annealing) zone typically offers 12 burners. Air is sucked from the bottom of the bed of mixed material throughout the sintering machine. Fire penetrates the mixed material gradually, until it reaches the hearth layer. This end point of burning is called burn through point (BTP). The hearth layer, which is nothing but sinter in smaller size, restricts sticking of hot sinter with pallets. BTP is achieved in a certain zone of sinter machine, to optimize the process, by means
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Hayabusa (Japanese: はやぶさ, "Peregrine falcon") was a robotic spacecraft developed by the Japan Aerospace Exploration Agency (JAXA) to return a sample of material from a small near-Earth asteroid named 25143 Itokawa to Earth for further analysis. Hayabusa, formerly known as MUSES-C for Mu Space Engineering Spacecraft C, was launched on 9 May 2003 and rendezvoused with Itokawa in mid-September 2005. After arriving at Itokawa, Hayabusa studied the asteroid's shape, spin, topography, color, composition, density, and history. In November 2005, it landed on the asteroid and collected samples in the form of tiny grains of asteroidal material, which were returned to Earth aboard the spacecraft on 13 June 2010.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Hot piping

• Model: PhotoReal

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: industrial factory with piping
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Fredric Brown reprises the popular image of Martians as little green men, who are around 75 cm tall and have small torsos, long frayed limbs, and spherical bald heads. They have six fingers on each hand and wear boots and trousers. They consider the human race inferior and are both interested and amused by human behaviour. Unlike most other fictional Martian invaders, the Martians that Brown writes of do not intend to invade Earth by violence but instead spend their wakeful hours calling everyone 'Mack' or 'Toots' (or some regional variation thereof), reveal embarrassing secrets, heckling theatre productions, lampoon political speeches, and even provide cynical colour commentary to honeymooners' frustrated attempts at consummating their marriage. The nonstop acerbic criticism stops most human activity and renders many people insane, including Luke, whose stress-induced inability to see the little green maligners divides opinion on whether he should be considered mad or blessed.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Tokusatsu (特撮, lit. 'special effects') is a Japanese term for live action film or television series that makes heavy use of practical special effects. Developed by Godzilla and Ultraman creator Eiji Tsuburaya, Tokusatsu entertainment mainly refers to science fiction, war, fantasy, or horror media featuring such technology but is sometimes dubbed a genre itself. Its contemporary use originated in the Japanese mass media around 1958 to explain special effects in an easy-to-understand manner and was popularized during the "first monster boom" (1966-1968). Prior to the monster boom, it was known in Japan as Tokushu gijutsu (特殊技術, lit. 'special technology') and Tokugi (特技, lit. 'special skill').
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Factory

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: welding in a dark factory
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Forgotten minecart

• Model: Stable

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Beautiful artwork of a minecart in an old factory, enlightened by moon beams
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Control Room

• Model: Cyberspace (v2)*

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Steampunk factory interior, steam, gages, valves with red knobs, oxidized pipes, whirling amber lights in the center
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Steam Room

• Model: Cyberspace (v2)*

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Steampunk elevator interior, steam, gages, valves, knobs, corroded green pipes, whirling amber lights in the center, steam spews leaks from pipes
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Steampunk View of the Sky

• Model: Stable (v2)*

• Size: 960 X 960 (0.92 MP)

• Used settings:

  • Prompt: Steampunk blast furnace :: valves :: gages :: sharp focus :: industrial :: thick clouds of steam :: no perspective ::
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Enter the Portal

• Model: Cyberspace (v2)*

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Steampunk time travel portal through a walpapered wall surrounded by copper pipes, whirling lights
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Before Teleporters - Steampunk Portals

• Model: Cyberspace (v2)*

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Steampunk time travel portal through a walpapered wall surrounded by copper pipes, whirling lights
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Steampunk Portal - Closed for the Day

• Model: Cyberspace (v2)*

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Steampunk time travel portal through a wall-papered wall surrounded by copper pipes, whirling lights
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Time to Step Through

• Model: Cyberspace (v2)*

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Steampunk time travel portal through a victorian-papered-wall surrounded by copper pipes, whirling lights
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Inner Sanctum of Time

• Model: Cyberspace (v2)*

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Steampunk time travel portal through a blue-victorian-wallpaper surrounded by copper pipes, whirling lights
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square