#city

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The slower-than-light interstellar spaceship, pursuing its way through the weary centuries, its crew losing touch with all reality save the interior of the vessel ... Well, you know the story, and its unhappy downhill round, its exciting struggles between the barbarian tribes which develop in its disparate compartments, and then, if the writer is so minded, the ultimate flash of hope as the good guys win out and prepare to meet their future on some noble, if erroneous basis.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Interstellar travel is the hypothetical travel of spacecraft from one star system, solitary star, or planetary system to another. Interstellar travel is expected to prove much more difficult than interplanetary spaceflight due to the vast difference in the scale of the involved distances. Whereas the distance between any two planets in the Solar System is less than 30 astronomical units (AU), stars are typically separated by hundreds of thousands of AU, causing these distances to typically be expressed instead in light-years. Because of the vastness of these distances, non-generational interstellar travel based on known physics would need to occur at a high percentage of the speed of light; even so, travel times would be long, at least decades and perhaps millennia or longer.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: High modernism (also known as high modernity) is a form of modernity, characterized by an unfaltering confidence in science and technology as means to reorder the social and natural world.[1][2] The high modernist movement was particularly prevalent during the Cold War, especially in the late 1950s and 1960s.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Technocentrism is often contrasted with ecocentrism. Ecocentrics, including deep ecologists, see themselves as being subject to nature, rather than in control of it. They lack faith in modern technology and the bureaucracy attached to it so they maintain responsibility for the environment.[7] Ecocentrics will argue that the natural world should be respected for its processes and products and that low-impact technology and self-sufficiency is more desirable than technological control of nature.[2] Fundamentally, ecocentrism maintains that concerns for the natural environment should dominate the needs of humankind, pitting it against the anthropocentric position of technocentrism, which pushes the needs of humans at the forefront even at the expense of everything else.[8] There are theorists who claim that despite their incompatibilities, technocentrism and ecocentrism can be integrated into one framework because they share several similarities. For instance, it is proposed that technocentrism can facilitate ecocentrism, particularly in the area of policy-making, through shared goals and shared recycled resources.[9] There is also the case of the so-called sustaincentric worldview, w
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Technocentrism is a value system that is centered on technology and its ability to control and protect the environment.[citation needed] Technocentrics argue that technology can address ecological problems through its problem-solving ability, efficiency, and its managerial means.[1] Specifically, these capabilities allow humans control over nature, allowing them to correct or negotiate environmental risks or problems.[1] Although technocentrics may accept that environmental problems exist, they do not see them as problems to be solved by a reduction in industry. Rather, environmental problems are seen as problems to be solved using rational, scientific and technological means. They also believe in scientific research. Indeed, technocentrics see the way forward for both developed and developing countries, and the solutions to environmental problems, as lying in scientific and technological advancement (sometimes referred to as sustainopreneurship).[2]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Ensigns kidnap a senior officer and proceed to travel to the past with the mission of convincing them to stop the show. Once there, they meet their actor doubles and realize that they are exact doppelgängers; even their imagined backstories became integral events of the Ensigns' lives. Dahl strikes a deal with the show's producer and head writer, who is Jenkins's double, to save the life of the producer’s comatose son by switching him with his crew member double. Because the producer's son appeared on the show as an extra, one of the crew members is effectively his identical twin, and will revert to the young man's personality by staying in the past. Conversely, Dahl reasons that bringing the comatose son into the future will allow them to use "the Narrative" to their advantage, letting the advanced technology and reality-altering properties of the writing revive him.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Fredric Brown reprises the popular image of Martians as little green men, who are around 75 cm tall and have small torsos, long frayed limbs, and spherical bald heads. They have six fingers on each hand and wear boots and trousers. They consider the human race inferior and are both interested and amused by human behaviour. Unlike most other fictional Martian invaders, the Martians that Brown writes of do not intend to invade Earth by violence but instead spend their wakeful hours calling everyone 'Mack' or 'Toots' (or some regional variation thereof), reveal embarrassing secrets, heckling theatre productions, lampoon political speeches, and even provide cynical colour commentary to honeymooners' frustrated attempts at consummating their marriage. The nonstop acerbic criticism stops most human activity and renders many people insane, including Luke, whose stress-induced inability to see the little green maligners divides opinion on whether he should be considered mad or blessed.
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futuristic city center

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

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  • Prompt: futuristic city center
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

futuristic city center

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

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  • Prompt: futuristic city center
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The parameters of a dynamic equation evolve as the equation is iterated, and the specific values may depend on the starting parameters. An example is the well-studied logistic map, x n + 1 = r x n ( 1 − x n ) {\displaystyle x_{n+1}=rx_{n}(1-x_{n})}, whose basins of attraction for various values of the parameter r r are shown in the figure. If r = 2.6 {\displaystyle r=2.6}, all starting x x values of x < 0 x<0 will rapidly lead to function values that go to negative infinity; starting x x values of x > 1 x>1 will also go to negative infinity. But for 0 < x < 1 0<x<1 the x x values rapidly converge to x ≈ 0.615 {\displaystyle x\approx 0.615}, i.e. at this value of r r, a single value of x x is an attractor for the function's behaviour. For other values of r r, more than one value of x x may be visited: if r r is 3.2, starting values of 0 < x < 1 0<x<1 will lead to function values that alternate between x ≈ 0.513 {\displaystyle x\approx 0.513} and x ≈ 0.799 {\displaystyle x\approx 0.799}. At some values of r r, the attractor is a single point (a "fixed point"), at other values of r r two values of x x are visited in turn (a period-doubling bifurcation), or, as a result of furt
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City and burbs on the river

• Model: Stable

• Size: 896 X 1152 (1.03 MP)

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  • Prompt: Beautiful patchwork cityscape on a river painted on black velvet
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  • Aspect Ratio: portrait

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: An attractor is called strange if it has a fractal structure.[clarification needed] This is often the case when the dynamics on it are chaotic, but strange nonchaotic attractors also exist. If a strange attractor is chaotic, exhibiting sensitive dependence on initial conditions, then any two arbitrarily close alternative initial points on the attractor, after any of various numbers of iterations, will lead to points that are arbitrarily far apart (subject to the confines of the attractor), and after any of various other numbers of iterations will lead to points that are arbitrarily close together. Thus a dynamic system with a chaotic attractor is locally unstable yet globally stable: once some sequences have entered the attractor, nearby points diverge from one another but never depart from the attractor.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Complexity. Futurists believe that a simple one-dimensional or single-discipline orientation is not satisfactory. Trans-disciplinary approaches that take complexity seriously are necessary. Systems thinking, particularly in its evolutionary dimension, is also crucial. Futurists are motivated by change. They are not content merely to describe or forecast. They desire an active role in world transformation. They are hopeful for a better future as a "strange attractor". Most believe they are pragmatists in this world, even as they imagine and work for another. Futurists have a long term perspective. Sustainable futures, understood as making decisions that do not reduce future options, that include policies on nature, gender, and other accepted paradigms. This applies to corporate futurists and other non-governmental organizations. Environmental sustainability is reconciled with the technological, spiritual, and post-structural ideals. Sustainability is not a "back to nature" ideal, but rather inclusive of technology and culture.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: We are in the midst of a historical transformation. Current times are not just part of normal history. Multiple perspectives are at the heart of futures studies, including unconventional thinking, internal critique, and cross-cultural comparison. Consideration of alternatives. Futurists do not see themselves as value-free forecasters, but instead aware of multiple possibilities. Participatory futures. Futurists generally see their role as liberating the future in each person, and creating enhanced public ownership of the future. This is true worldwide. Long-term policy transformation. While some are more policy-oriented than others, almost all believe that the work of futures studies is to shape public policy, so it consciously and explicitly takes into account the long term. Part of the process of creating alternative futures and of influencing public (corporate, or international) policy is internal transformation. At international meetings, structural and individual factors are considered equally important.
  • Using base image: Yes (Effect strength - 40%)
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Al-Andalus I

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

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  • Prompt: A city in Al-Andalus
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  • Aspect Ratio: landscape

Land_126T2D01 (mirages)

• Model: Artistic

• Size: 1190 X 881 (1.05 MP)

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  • Prompt: urban suite, street, street cafe and landscape, lake, rocks, trees, swirling clouds, style by Cornelis Springer, by Harry Clarke, Walter Crane, intricate detailed, colored, multicolor
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 1

Land_130T2D01 (mirages)

• Model: Artistic

• Size: 1155 X 908 (1.05 MP)

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  • Prompt: urban suite, street, street cafe and landscape, lake, rocks, trees, swirling clouds, style by Ivan Bilibin, by Harry Clarke, by Walter Crane, by Giovanni Battista Piranesi, by Robert Hubert, intricate detailed, colored
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape

Land_121T2D01 (mirages)

• Model: Artistic

• Size: 881 X 1190 (1.05 MP)

• Used settings:

  • Prompt: urban suite, street, street cafe and landscape, lake, rocks, trees, swirling clouds, style by Cornelis Springer, by Harry Clarke, Walter Crane, intricate detailed, colored, multicolor
  • Using base image: Yes (Effect strength - 80%)
  • Base image resolution: Default
  • Upscale & Enhance: 1

Land_98T2D01 (mirages)

• Model: Artistic

• Size: 1190 X 881 (1.05 MP)

• Used settings:

  • Prompt: urban suite, street, street cafe and landscape, lake, rocks, trees, swirling clouds, style by Ivan Bilibin, by Harry Clarke, intricate detailed, colored
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 1

Land_97T2D01 (mirages)

• Model: Artistic

• Size: 1190 X 881 (1.05 MP)

• Used settings:

  • Prompt: urban suite, street, street cafe and landscape, lake, rocks, trees, swirling clouds, style by Ivan Bilibin, by Harry Clarke, intricate detailed, colored
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 1