#building

Streamline Moderne

• Model: Artistic

• Size: 672 X 864 (0.58 MP)

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  • Prompt: Streamline Moderne
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Blue cube, blizzard, high waves

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

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  • Prompt: Blue cube, blizzard, high waves
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
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5 stars on Trip Advisor

• Model: Cyberspace (v2)*

• Size: 928 X 608 (0.56 MP)

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  • Prompt: Alien-like creature with eyes and tubes
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
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Streamline Moderne

• Model: Artistic

• Size: 672 X 864 (0.58 MP)

• Used settings:

  • Prompt: Streamline Moderne
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Cute little girl

• Model: Artistic

• Size: 608 X 928 (0.56 MP)

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  • Prompt: Patchwork by Iwona Lifsches and Catherina Abel.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Etchmiadzin Cathedral is the mother church of the Armenian Apostolic Church, located in the city dually known as Etchmiadzin (Ejmiatsin) or Vagharshapat, Armenia. It is usually considered the first cathedral built in ancient Armenia, and is often considered the oldest cathedral in the world. The original church was built in the early fourth century—between 301 and 303 according to tradition—by Armenia's patron saint Gregory the Illuminator, following the adoption of Christianity as a state religion by King Tiridates III. It was built over a pagan temple, symbolizing the conversion from paganism to Christianity. The core of the current building was built in 483/4 by Vahan Mamikonian after the cathedral was severely damaged in a Persian invasion. From its foundation until the second half of the fifth century, Etchmiadzin was the seat of the Catholicos, the supreme head of the Armenian Church.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: St. Hripsime Church is a domed tetraconch enclosed in a rectangle, with two angular niches on the northern and southern side. German art historian Wilhelm Lübke wrote that the church is built on "a most complicated variation of the cruciform ground-plan." The monumental exterior of the church is "considered one of the great achievements of medieval Armenian architecture." It has been described as a "gem of Armenian architecture" and "one of the most complex compositions in Armenian architecture." Along with Saint Gayane Church, it stands as a "model of the austere beauty of early Armenian ecclesiastical architecture." The church is not the earliest example of this architectural form, however, the form is widely known in architectural history as the "Hripsime-type" since the church is the best-known example of the form. It has also been variously named "Jvari-type" or "Jvari-Hripsime-type" for Jvari in Georgia. Notable churches with similar plans include the Surb Hovhannes (Saint John) Church of Avan (6th century), Surb Gevorg (Saint George) Church of Garnahovit (6th century), Church of the Holy Cross at Soradir (6th century), Targmanchats monastery of Aygeshat (7th century).
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Armenian architecture. Medieval Armenian architecture, and Armenian churches in particular, have several distinctive features, which some believe to be the first national style of a church building. Pointed domes, reminiscent of the volcanic cone of Greater Ararat. The conical or semiconical radially segmented dome or cupola is mounted above vaulted ceilings on a cylindrical drum (usually polygonal on the outside, most often octagonal). The vertical emphasis of the whole structure, with the height often exceeding the length of a church. Reinforcement of the verticality with tall, narrow windows. Stone vaulted ceilings. Composed almost entirely of stone, usually volcanic tuff or basalt. A composite roof composed of finely-cut tuff shingles Frescoes and carvings, if present, are usually ornate and include swirling intertwining grapevines and foliage. Heavy use of tall structural arches, both for supporting the cupola as part of the drum, the vaulted ceiling, and the vertical walls. Roofs intersecting to support the dome, both in basilicas and centrally-planned churches. Sculptural decoration of external.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The temple of Hathor and Nefertari, also known as the Small Temple, was built about 100 m (330 ft) northeast of the temple of Ramesses II and was dedicated to the goddess Hathor and Ramesses II's chief consort, Nefertari. This was in fact the second time in ancient Egyptian history that a temple was dedicated to a queen. The first time, Akhenaten dedicated a temple to his great royal wife, Nefertiti.[10] The rock-cut facade is decorated with two groups of colossi that are separated by the large gateway. The statues, slightly more than 10 m (33 ft) high, are of the king and his queen. On either side of the portal are two statues of the king, wearing the white crown of Upper Egypt (south colossus) and the double crown (north colossus); these are flanked by statues of the queen. Remarkably, this is one of very few instances in Egyptian art where the statues of the king and his consort have equal size.[10] Traditionally, the statues of the queens stood next to those of the pharaoh, but were never taller than his knees. Ramesses went to Abu Simbel with his wife in the 24th year of his reign.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Peruvudaiyar temple's plan and development utilizes the axial and symmetrical geometry rules.[30] It is classified as Perunkoil (also called Madakkoil), a big temple built on a higher platform of a natural or man-made mounds.[31] The temple complex is a rectangle that is almost two stacked squares, covering 240.79 metres (790.0 ft) east to west, and 121.92 metres (400.0 ft) north to south. In this space are five main sections: the sanctum with the towering superstructure (sri vimana), the Nandi hall in front (Nandi-mandapam) and in between these the main community hall (mukhamandapam), the great gathering hall (mahamandapam) and the pavilion that connects the great hall with the sanctum (Antrala). The temple complex integrates a large pillared and covered veranda (prakara) in its spacious courtyard, with a perimeter of about 450 metres (1,480 ft) for circumambulation. Outside this pillared veranda there are two walls of enclosure, the outer one being defensive and added in 1777 by the French colonial forces with gun-holes with the temple serving as an arsenal. They made the outer wall high, isolating the temple complex area.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Peruvudaiyar temple's plan and development utilizes the axial and symmetrical geometry rules.[30] It is classified as Perunkoil (also called Madakkoil), a big temple built on a higher platform of a natural or man-made mounds.[31] The temple complex is a rectangle that is almost two stacked squares, covering 240.79 metres (790.0 ft) east to west, and 121.92 metres (400.0 ft) north to south. In this space are five main sections: the sanctum with the towering superstructure (sri vimana), the Nandi hall in front (Nandi-mandapam) and in between these the main community hall (mukhamandapam), the great gathering hall (mahamandapam) and the pavilion that connects the great hall with the sanctum (Antrala). The temple complex integrates a large pillared and covered veranda (prakara) in its spacious courtyard, with a perimeter of about 450 metres (1,480 ft) for circumambulation. Outside this pillared veranda there are two walls of enclosure, the outer one being defensive and added in 1777 by the French colonial forces with gun-holes with the temple serving as an arsenal. They made the outer wall high, isolating the temple complex area.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Architecture of Tibet. Traditional Kham architecture is seen in most dwellings in Garzê Tibetan Autonomous Prefecture. Although the region has been previously heavily logged, wood is still harvested locally from remaining stands of forest and used for housing. Throughout the region, horizontal timber beams support the roof and are in turn supported by wooden columns. In some areas such as Dêgê County, Baiyü County, and Dawu County, Sichuan, wood is also used to make log-cabin style exterior walls. Home interiors are sometimes paneled with wood and cabinetry is ornately decorated. Ganzi is known for its beautiful wooden houses built in a range of styles and lavishly decorated with wooden ornamentation. Although various materials are used in the well-built houses, it is the skillful carpentry that is most striking. Farm houses in Kham are often very spacious although the first (ground) floor is usually used to house farm implements and animals, not for human habitation. Floors, ceilings, and room dividers are made of wood. Carpentry skills are passed down from master to apprentice.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Dental trait analysis of Badarian fossils conducted in a thesis study found that they were closely related to other Afroasiatic-speaking populations inhabiting Northeast Africa and the Maghreb. Among the ancient populations, the Badarians were nearest to other ancient Egyptians (Naqada, Hierakonpolis, Abydos and Kharga in Upper Egypt; Hawara in Lower Egypt), and C-Group and Pharaonic era skeletons excavated in Lower Nubia, followed by the A-Group culture bearers of Lower Nubia, the Kerma and Kush populations in Upper Nubia, the Meroitic, X-Group and Christian period inhabitants of Lower Nubia, and the Kellis population in the Dakhla Oasis.[17]: 219–20  Among the recent groups, the Badari markers were morphologically closest to the Shawia and Kabyle Berber populations of Algeria as well as Bedouin groups in Morocco, Libya and Tunisia, followed by other Afroasiatic-speaking populations in the Horn of Africa.[17]: 222–4  The Late Roman era Badarian skeletons from Kellis were also phenotypically distinct from those belonging to other populations in Sub-Saharan Africa.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The clay tablet was thus being used by scribes to record events happening during their time. Tools that these scribes used were styluses with sharp triangular tips, making it easy to leave markings on the clay; the clay tablets themselves came in a variety of colors such as bone white, chocolate, and charcoal. Pictographs then began to appear on clay tablets around 4000 BCE, and after the later development of Sumerian cuneiform writing, a more sophisticated partial syllabic script evolved that by around 2500 BCE was capable of recording the vernacular, the everyday speech of the common people. Sumerians used what is known as pictograms. Pictograms are symbols that express a pictorial concept, a logogram, as the meaning of the word. Early writing also began in Ancient Egypt using hieroglyphs. Early hieroglyphs and some of the modern Chinese characters are other examples of pictographs. The Sumerians later shifted their writing to Cuneiform, defined as "Wedge writing" in Latin, which added phonetic symbols, syllabograms. Text on clay tablets took the forms of myths, fables, essays, hymns, proverbs, epic poetry, business records, laws, plants, and animals.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Ishtar Gate. After the glaze firing, the bricks were assembled, leaving narrow horizontal seams from one to six millimeters. The seams were then sealed with a naturally occurring black viscous substance called bitumen, like modern asphalt. The Ishtar Gate is only one small part of the design of ancient Babylon that also included the palace, temples, an inner fortress, walls, gardens, other gates, and the Processional Way. The lavish city was decorated with over 15 million baked bricks, according to estimates. The main gate led to the Southern Citadel, the gate itself seeming to be a part of Imgur-Bel and Nimitti-Bel, two of the most prominent defensive walls of Babylon. There were three primary entrances to the Ishtar Gate: the central entrance which contained the double gate structure (two sets of double doors, for a fourfold door structure), and doors flanking the main entrance to the left and right, both containing the signature double door structure. The walls were finished in glazed bricks mostly in blue, with animals and deities in low relief at intervals, these were also made up of bricks that are molded and colored differently.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Ishtar Gate. The bricks of the Ishtar gate were made from finely textured clay pressed into wooden forms. Each of the animal reliefs was also made from bricks formed by pressing clay into reusable molds. Seams between the bricks were carefully planned not to occur on the eyes of the animals or any other aesthetically unacceptable places. The bricks were sun-dried and then fired once before glazing. The clay was brownish red in this bisque-fired state. The background glazes are mainly a vivid blue, which imitates the color of the highly prized lapis lazuli. Gold and brown glazes are used for animal images. The borders and rosettes are glazed in black, white, and gold. It is believed that the glaze recipe used plant ash, sandstone conglomerates, and pebbles for silicates. This combination was repeatedly melted, cooled, and then pulverized. This mixture of silica and fluxes is called a frit. Color-producing minerals, such as cobalt, were added in the final glaze formulations. This was then painted onto the bisque-fired bricks and fired to a higher temperature in a glaze firing.
  • Using base image: Yes (Effect strength - 40%)
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Beautiful house

• Model: Artistic

• Size: 1255 X 1673 (2.10 MP)

• Used settings:

  • Prompt: Patchwork by Iwona Lifsches and Catherina Abel.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 2

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Roman architecture is known for concrete-domed buildings, the innovative use of the arch, the amphitheatre design, the basilica, the triumphal arch, and residential apartment blocks. Although at first tentatively employed in the spaces between the classical columns, the arch eventually came to be the chief structural element. Classicizing elements include the smooth lines, elegant drapery, idealized nude bodies, highly naturalistic forms and balanced proportions that the Greeks had perfected over centuries of practice. Augustus and the Julio-Claudian dynasty were particularly fond of adapting Classical elements into their art.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: According to Greek mythology, Arcadia of Peloponnesus was the domain of Pan, a virgin wilderness home to the god of the forest and his court of dryads, nymphs and other spirits of nature. It was one version of paradise, though only in the sense of being the abode of supernatural entities, not an afterlife for deceased mortals. In the 3rd century BCE the Greek poet Theocritus wrote idealised views of the lives of peasants in Arcadia for his fellow educated inhabitants of the squalid and disease-ridden city of Alexandria. Greek mythology inspired the Roman poet Virgil to write his Eclogues, a series of poems set in Arcadia.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Ancient Egyptians believed that the soul resided in the heart, and that each individual would therefore undergo a "Weighing of the Heart" in the afterlife; each human heart is weighed on a giant scale against an ostrich feather, which represents the concept of the goddess Maat. All souls that successfully balance the scales will be allowed to start a long and perilous journey to Aaru, where they will exist in peace and pleasure for eternity. Conversely, hearts that weigh heavy with evil will tip and fall into the crocodilian jaws of the goddess Ammit. Any souls that are subject to Ammit's "second death" are doomed to restlessness in the Duat. Aaru (or the Field of Reeds (sḫt-jꜣrw), is the name for heavenly paradise in Egyptian mythology. Ruled over by Osiris, an Egyptian god, the location has been described as the ka of the Nile Delta. It has been represented in hieroglyphs as three reeds:
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