#building

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Mechanical accelerometers are often designed so that an electronic circuit senses a small amount of motion, then pushes on the proof mass with some type of linear motor to keep the proof mass from moving far. The motor might be an electromagnet or in very small accelerometers, electrostatic. Since the circuit's electronic behavior can be carefully designed, and the proof mass does not move far, these designs can be very stable (i.e. they do not oscillate), very linear with a controlled frequency response. (This is called servo mode design.) In mechanical accelerometers, measurement is often electrical, piezoelectric, piezoresistive or capacitive. Piezoelectric accelerometers use piezoceramic sensors (e.g. lead zirconate titanate) or single crystals (e.g. quartz, tourmaline). They are unmatched in high frequency measurements, low packaged weight, and resistance to high temperatures. Piezoresistive accelerometers resist shock (very high accelerations) better. Capacitive accelerometers typically use a silicon micro-machined sensing element. They measure low frequencies well.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Mobile Asteroid Surface Scout (MASCOT) was developed by the German Aerospace Center (DLR) in cooperation with the French space agency CNES.[56] It measures 29.5 cm × 27.5 cm × 19.5 cm (11.6 in × 10.8 in × 7.7 in) and has a mass of 9.6 kg (21 lb).[57] MASCOT carries four instruments: an infrared spectrometer (MicrOmega), a magnetometer (MASMAG), a radiometer (MARA), and a camera (MASCAM) that imaged the small-scale structure, distribution and texture of the regolith. The rover is capable of tumbling once to reposition itself for further measurements. It collected data on the surface structure and mineralogical composition, the thermal behaviour and the magnetic properties of the asteroid. It has a non-rechargeable battery that allowed for operations for approximately 16 hours. The infrared radiometer on the InSight Mars lander, launched in 2018, is based on the MASCOT radiometer. MASCOT was deployed 3 October 2018. It had a successful landing and performed its surface mission successfully. Two papers were published describing the results from MASCOT in the scientific journals Nature Astronomy and Science.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Hayabusa2 (Japanese: はやぶさ2, lit. 'Peregrine falcon 2') is an asteroid sample-return mission operated by the Japanese state space agency JAXA. It is a successor to the Hayabusa mission, which returned asteroid samples for the first time in June 2010.[10] Hayabusa2 was launched on 3 December 2014 and rendezvoused in space with near-Earth asteroid 162173 Ryugu on 27 June 2018.[11] It surveyed the asteroid for a year and a half and took samples. It left the asteroid in November 2019 and returned the samples to Earth on 5 December 2020 UTC.[8][12][13][14] Its mission has now been extended through at least 2031, when it will rendezvous with the small, rapidly-rotating asteroid 1998 KY26.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Hayabusa (Japanese: はやぶさ, "Peregrine falcon") was a robotic spacecraft developed by the Japan Aerospace Exploration Agency (JAXA) to return a sample of material from a small near-Earth asteroid named 25143 Itokawa to Earth for further analysis. Hayabusa, formerly known as MUSES-C for Mu Space Engineering Spacecraft C, was launched on 9 May 2003 and rendezvoused with Itokawa in mid-September 2005. After arriving at Itokawa, Hayabusa studied the asteroid's shape, spin, topography, color, composition, density, and history. In November 2005, it landed on the asteroid and collected samples in the form of tiny grains of asteroidal material, which were returned to Earth aboard the spacecraft on 13 June 2010.
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These Haunted Halls

• Model: Artistic

• Size: 1152 X 910 (1.05 MP)

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  • Prompt: Gothic mansion abandoned, eerie, haunted, terror, frightening, death, evil, murder, nothing good happens here.
  • Using base image: Yes (Effect strength - 70%)
  • Base image resolution: 1MP
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Architecture _ Biomorphic House - 34

• Model: Artistic

• Size: 1449 X 1449 (2.10 MP)

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  • Prompt: Biomorphic architectural symbiosis of steampunk hospital and treehouse, by Antonio Gaudi and Jacek Jerka, Gediminas Prankevicius, Stefan Morrell, super-detailed, insanely complex, high-resolution, award-winning, photorealistic acrylic art
  • Upscale & Enhance: 2
  • Aspect Ratio: square

Architecture _ Biomorphic Lighthouse - 17

• Model: Artistic

• Size: 1449 X 1449 (2.10 MP)

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  • Prompt: Biomorphic architectural symbiosis of corals and lighthouse, by by Antonio Gaudí and Jacek Jerka, Gediminas Prankevicius, Stefan Morrell, super-detailed, insanely complex, high-resolution, award-winning, photorealistic acrylic art
  • Upscale & Enhance: 2
  • Aspect Ratio: square

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Hypervelocity is very high velocity, approximately over 3,000 meters per second (6,700 mph, 11,000 km/h, 10,000 ft/s, or Mach 8.8). In particular, hypervelocity is velocity so high that the strength of materials upon impact is very small compared to inertial stresses.[1] Thus, metals and fluids behave alike under hypervelocity impact. Extreme hypervelocity results in vaporization of the impactor and target. For structural metals, hypervelocity is generally considered to be over 2,500 m/s (5,600 mph, 9,000 km/h, 8,200 ft/s, or Mach 7.3). Meteorite craters are also examples of hypervelocity impacts.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Galileo and Ulysses Dust Detectors are almost identical dust instruments on the Galileo and Ulysses missions. The instruments are large-area (0.1 m2 sensitive area) highly reliable impact ionization detectors of sub-micron and micron sized dust particles. With these instruments the interplanetary dust cloud was characterized between Venus’ and Jupiter's orbits and over the solar poles. A stream of interstellar dust passing through the planetary system was discovered. Close to and inside the Jupiter system streams nanometer sized dust particles that were emitted from volcanoes on Jupiter's moon Io and ejecta clouds around the Galilean moons were discovered and characterized.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: While the observation of objects in space, known as astronomy, predates reliable recorded history, it was the development of large and relatively efficient rockets during the mid-twentieth century that allowed physical space exploration to become a reality. The world's first large-scale experimental rocket program was Opel-RAK under the leadership of Fritz von Opel and Max Valier during the late 1920s leading to the first crewed rocket cars and rocket planes,[2][3] which paved the way for the Nazi era V2 program and US and Soviet activities from 1950 onwards. The Opel-RAK program and the spectacular public demonstrations of ground and air vehicles drew large crowds, as well as caused global public excitement as so-called "Rocket Rumble"[4] and had a large long-lasting impact on later spaceflight pioneers like Wernher von Braun. Common rationales for exploring space include advancing scientific research, national prestige, uniting different nations, ensuring the future survival of humanity, and developing military and strategic advantages against other countries.[5]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Space exploration is the use of astronomy and space technology to explore outer space. While the exploration of space is carried out mainly by astronomers with telescopes, its physical exploration is conducted both by uncrewed robotic space probes and human spaceflight. Space exploration, like its classical form astronomy, is one of the main sources for space science.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: An archivolt is an ornamental moulding or band following the curve on the underside of an arch. It is composed of bands of ornamental mouldings (or other architectural elements) surrounding an arched opening, corresponding to the architrave in the case of a rectangular opening. The word is sometimes used to refer to the under-side or inner curve of the arch itself (more properly, the intrados). Most commonly archivolts are found as a feature of the arches of church portals. The mouldings and sculptures on these archivolts are used to convey a theological story or depict religious figures and ideologies of the church in order to represent the gateway between the holy space of the church and the external world. The presence of archivolts on churches is seen throughout history, although their design, both architecturally and artistically, is heavily influenced by the period they were built in and the churches they were designed for.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The tympanum, above the double door, displays, in half-relief, two scenes from the life of Saint Jerome: on the left, the removal of the thorn from the lion's paw and, on the right, the saint's experience in the desert. In the spandrel between these scenes is the coat of arms of king Manuel I, while the archivolt and tympanum are covered in Manueline symbols and elements. The Madonna (Santa Maria de Belém) is on a pedestal on top of the archivolt, surmounted by the archangel Michael, while above the portal there is a cross of the Order of Christ. The portal is harmoniously flanked on each side by a large window with richly decorated mouldings.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Monastery of the Holy Cross (Portuguese: Mosteiro da Santa Cruz), also known as the Church of the Holy Cross, is a National Monument in Coimbra, Portugal. Because the first two kings of Portugal are buried in the church it was granted the status of National Pantheon. Founded in 1131 outside the protecting walls of Coimbra, the Monastery of the Holy Cross was the most important monastic house during the early days of the Portuguese monarchy. Saint Theotonius founded this community of Canons Regular of the Holy Cross of Coimbra and served as their first prior. The monastery and church were erected between 1132 and 1223. The monastery was granted numerous papal privileges and royal grants, which allowed the accumulation of considerable wealth, at the same time as it consolidated its position on the politico-institutional and cultural scene. Its school, with its vast library, was highly respected in medieval times and was a meeting point for the intellectual and power elites. Its scriptorium was used for the consolidation of royal power by King Afonso Henriques, thus it was not considered strange that he decided to be buried there.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: elements used on ships: the armillary sphere (a navigational instrument and the personal emblem of Manuel I and also a symbol of the cosmos), spheres, anchors, anchor chains, ropes and cables. elements from the sea, such as shells, pearls and strings of seaweed. botanical motifs such as laurel branches, oak leaves, acorns, poppy capsules, corncobs, and thistles. symbols of Christianity such as the cross of the Order of Christ (former Knights Templar), the military order that played a prominent role and helped finance the first voyages of discovery. The cross of this order decorated the sails of the Portuguese ships. elements from newly discovered lands (such as the tracery in the Royal Cloister of the Batalha Monastery, suggesting Islamic filigree work, influenced by buildings in India) columns carved like twisted strands of rope semicircular arches (instead of Gothic pointed arches) of doors and windows, sometimes consisting of three or more convex curves multiple pillars eight-sided capitals lack of symmetry conical pinnacles bevelled crenellations ornate portals with niches or canopies.
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The porter

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

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  • Prompt: A porter at The Tabernacle
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  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Fluid statics or hydrostatics is the branch of fluid mechanics that studies the condition of the equilibrium of a floating body and submerged body "fluids at hydrostatic equilibrium and the pressure in a fluid, or exerted by a fluid, on an immersed body". It encompasses the study of the conditions under which fluids are at rest in stable equilibrium as opposed to fluid dynamics, the study of fluids in motion. Hydrostatics is a subcategory of fluid statics, which is the study of all fluids, both compressible or incompressible, at rest. Hydrostatics is fundamental to hydraulics, the engineering of equipment for storing, transporting and using fluids. It is also relevant to geophysics and astrophysics (for example, in understanding plate tectonics and the anomalies of the Earth's gravitational field), to meteorology, to medicine (in the context of blood pressure), and many other fields. Hydrostatics offers physical explanations for many phenomena of everyday life, such as why atmospheric pressure changes with altitude, why wood and oil float on water, and why the surface of still water is always level and horizontal whatever the shape of its container.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A totem is a spirit being, sacred object, or symbol that serves as an emblem of a group of people, such as a family, clan, lineage, or tribe, such as in the Anishinaabe clan system. While the word totem itself is an anglicisation of the Ojibwe term (and both the word and beliefs associated with it are part of the Ojibwe language and culture), belief in tutelary spirits and deities is not limited to the Ojibwe people. Similar concepts, under differing names and with variations in beliefs and practices, may be found in a number of cultures worldwide. The term has also been adopted, and at times redefined, by anthropologists and philosophers of different cultures. Contemporary neoshamanic, New Age, and mythopoetic men's movements not otherwise involved in the practice of a traditional, tribal religion have been known to use "totem" terminology for the personal identification with a tutelary spirit or spirit guide. However, this can be seen as cultural misappropriation.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Benin art is the art from the Kingdom of Benin or Edo Empire (1440–1897), a pre-colonial African state located in what is now known as the Southern region of Nigeria. Primarily made of cast bronze and carved ivory, Benin art was produced mainly for the court of the Oba of Benin – a divine ruler for whom the craftsmen produced a range of ceremonially significant objects. The full complexity of these works can be appreciated through the awareness and consideration of two complementary cultural perceptions of the art of Benin: the Western appreciation of them primarily as works of art, and their understanding in Benin as historical documents and as mnemonic devices to reconstruct history, or as ritual objects. This original significance is of great importance in Benin.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Nanotechnology, also shortened to nanotech, is the use of matter on an atomic, molecular, and supramolecular scale for industrial purposes. The earliest, widespread description of nanotechnology referred to the particular technological goal of precisely manipulating atoms and molecules for fabrication of macroscale products, also now referred to as molecular nanotechnology. A more generalized description of nanotechnology was subsequently established by the National Nanotechnology Initiative, which defined nanotechnology as the manipulation of matter with at least one dimension sized from 1 to 100 nanometers. This definition reflects the fact that quantum mechanical effects are important at this quantum-realm scale, and so the definition shifted from a particular technological goal to a research category inclusive of all types of research and technologies that deal with the special properties of matter which occur below the given size threshold. It is therefore common to see the plural form "nanotechnologies" as well as "nanoscale technologies" to refer to the broad range of research and applications whose common trait is size.
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