#baroque

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Tokusatsu (特撮, lit. 'special effects') is a Japanese term for live action film or television series that makes heavy use of practical special effects. Developed by Godzilla and Ultraman creator Eiji Tsuburaya, Tokusatsu entertainment mainly refers to science fiction, war, fantasy, or horror media featuring such technology but is sometimes dubbed a genre itself. Its contemporary use originated in the Japanese mass media around 1958 to explain special effects in an easy-to-understand manner and was popularized during the "first monster boom" (1966-1968). Prior to the monster boom, it was known in Japan as Tokushu gijutsu (特殊技術, lit. 'special technology') and Tokugi (特技, lit. 'special skill').
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The capsules were constructed of light steel welded trusses covered with steel sheeting mounted onto the reinforced concrete cores. The capsules were 2.5 metres wide and four metres long with a 1.3 metre diameter window at one end. The units originally contained a bed, storage cabinets, a bathroom, a colour television set, clock, refrigerator and air conditioner, although optional extras such as a stereo were available. Although the capsules were designed with mass production in mind, there was never a demand for them.[54] Nobuo Abe was a senior manager, managing one of the design divisions on the construction of the Nakagin Capsule Tower.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The palace was built for entrepreneur Ermengildo Castiglioni, who chose architect Giuseppe Sommaruga because of his anticonventional solutions. Castiglioni wanted the palace to reflect his wealth and grandeur; the choice of the Liberty style, a new and "trendy" style, for a building that would be located in the historic centre of Milan, was intended by Castiglioni and Sommaruga as a sort of challenge to the Milanese conservative élite. The most provocative element of the original design turned out to be a couple of nude female statues, by Ernesto Bazzaro, decorating the facade; these raised such turmoil that the local newspaper Guerin Meschino published a series of satyrical illustrations on them, and the Milanese population renamed the palace "Cà di ciapp" (in Milanese, "house of buttocks"). The statues, that were intended to represent "Peace" and "Industry", were eventually removed and are now used as decorations of another Milanese palace also by Sommaruga, the Villa Romeo Faccanoni on Via Michelangelo Buonarroti #48.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Wheat is a grass widely cultivated for its seed, a cereal grain that is a worldwide staple food.[2][3][4] The many species of wheat together make up the genus Triticum /ˈtrɪtɪkəm/;[5] the most widely grown is common wheat (T. aestivum). The archaeological record suggests that wheat was first cultivated in the regions of the Fertile Crescent around 9600 BCE. Botanically, the wheat kernel is a type of fruit called a caryopsis.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Officially the leader of Zaporozhian Host never carried the title of hetman, while all leaders of cossacks formations were unofficially referred to as one.[15] The highest body of administration in the Zaporozhian Host was the Sich Rada (council).[12] The council was the highest legislative, administrative, and judicial body of the Zaporozhian Host.[12] Decisions of the council were considered the opinion of the whole host and obligated to its execution each member of the cossack comradeship.[12] At Sich Rada were reviewed issues of internal and foreign policies, conducted elections of military starshina, division of assigned land, punishment of criminals who committed the worst crimes etc.[12]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Lavra fortification is a system of walls, towers and other constructions built for the protection of the Cave Monastery in Kyiv, the capital of Ukraine. The fortification around the monastery first arouse at the end of the 12th century, when a 2 metre wide leave, 5 metre high stone wall was erected. The total length of the walls was 1,090 m (3,580 ft), thickness - 3 m (9.8 ft), and height - 7 m (23 ft). The fort had three gates, Holy gates with the Trinity Gate Church, Economy gates with the All Saints Church, and Southern gates or Caves gates.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: In addition to mentioning the construction of the church above the passage of the Golden Gate in the chronicle, it is also mentioned in Metropolitan Ilarion's "Word of Law and Grace" of the Golden Gate. Gate Church had to serve "the heavenly protection of the city", but was also a regular church – people arrived to pray there. The bell chapel is reproduced in the form of a three-nave four-pillar single-dome temple. In the architectural decoration of the facades used ornaments from the brick, typical for the ancient buildings of that period. The floor of the church is decorated with a mosaic, the picture of which is based on the ancient floor design of Saint Sophia's Cathedral in Kyiv. Reconstruction of the monument reproduces the segments of the shaft adjoining to the gate. On the outside they have suspended slopes. At the top of the shaft there are wooden bunks. On the ends conventionally shown internal structures. From the city side on the facade there are warehouses. Inside the restored shaft segments there is an exposition of the Museum of the Golden Gate and the stairs leading to the balcony, from which a magnificent panorama of the city is visible.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Construction on the main phase of the museum began in early 2013 by a consortium headed by Arabtec, Constructora San José and Oger Abu Dhabi, under a $653 million contract. This stage included waterproofing and the two basement levels, along with four concrete pillars that will support the 7,000-tonne dome.[29] Work on the construction of the gallery spaces and initial preparation for the dome began in the fourth quarter of 2013. On 5 December 2013, the first element of the museum's canopy was lifted into place.[30] On 17 March 2014 TDIC announced the completion of the first permanent gallery structure to mark the first anniversary of the start of construction. At this time, it was claimed that a total of ten million man hours had been worked and 120,538 cubic meters of concrete used.[31] On 22 September 2014, the final super-sized element in the canopy was fitted in place, marking a significant milestone in the museum's construction phase. In October, The Tourism & Development Investment Company announced that the Louvre Abu Dhabi was more than 50 percent complete.[32]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The mosque's courtyard forms a dramatic approach that helps to frame the view of the main dome from outside.[19] The central outer gate on the northwest side of the courtyard is unusually simple, as the customary muqarnas canopy is replaced by a simple round arch.[19][20] Inside, the courtyard is surrounded by four porticos of arches and domes. The southeastern portico, immediately preceding the entrance to the prayer hall, is significantly taller than the other three porticos in order to match the great height of the mosque itself.[19] This portico is composed of three wide arches with two very small arches between them, a configuration vaguely resembling a triumphal arch and very different from the earlier monumental portico designed by Sinan for the Süleymaniye Mosque.[19] The façades above these arches are decorated with two marble circles inscribed with quotes from the Qur'an.[21] The large lower windows around the courtyard are surmounted by decorative lunettes, except for the two windows on either side of the entrance portal, which are set below muqarnas niches instead. The lunettes of the windows on the prayer hall side are filled with Iznik tiles painted with calligraphy
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Selimiye Mosque was built at the peak of Ottoman military and cultural power. Sultan Selim II, the son and successor of Suleiman the Magnificent, chose Edirne instead of Istanbul (the Ottoman capital) as the location to build his own sultanic mosque. The reasons for this decision are a matter of debate among historians.[5] Selim II appeared to have a passion for the city, having served as its governor between 1548 and 1550, and he visited it frequently after becoming sultan.[6][7] Edirne, a former Ottoman capital, was also one of the most important cities in the empire and a major stop on the imperial highway between Istanbul and the Balkan provinces.[6][7] Other motivations may have included the fact that there were no more prominent hilltop sites in Istanbul available for the construction of an imperial mosque complex – at least not without resorting to mass expropriations.[8][7] At the time of the mosque's commission, Selim II had also not commanded a victorious military campaign, which Islamic scholars of the time considered to be a requirement for building a sultanic mosque in Istanbul.[8]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Surpassing the complex opera house typology, MAD articulates an architecture inspired by nature and saturated in local identity, culture and art. As the Harbin Opera House deepens the emotional connection of the public with the environment, the architecture is consequently theatrical in both its performance of narrative spaces and its context within the landscape.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Harbin Opera House emphasizes public interaction and participation with the building. Both ticketholders and the general public alike can explore the façade’s carved paths and ascend the building as if traversing local topography. At the apex, visitors discover an open, exterior performance space that serves as an observation platform for visitors to survey the panoramic views of Harbin’s metropolitan skyline and the surrounding wetlands below. Upon descent, visitors return to the expansive public plaza, and are invited to explore the grand lobby space.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: On the exterior, the architecture references the sinuous landscape of the surrounding area. The resulting curvilinear façade composed of smooth white aluminum panels becomes the poetry of edge and surface, softness and sharpness. The journey begins upon crossing the bridge onto Harbin Cultural Island, where the undulating architectural mass wraps a large public plaza, and during winter months, melts into the snowy winter environment.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: MAD Architects unveils the completed Harbin Opera House, located in the Northern Chinese city of Harbin. In 2010, MAD won the international open competition for Harbin Cultural Island, a master plan for an opera house, a cultural center, and the surrounding wetland landscape along Harbin’s Songhua River. The sinuous opera house is the focal point of the Cultural Island, occupying a building area of approximately 850,000 square feet of the site’s 444 acres total area. It features a grand theater that can host over 1,600 patrons and a smaller theater to accommodate an intimate audience of 400.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: These stairs themselves also function as braces. They create shadows on the windows on each floor and reduce the cooling load, and most importantly, provides a safe evacuation route in an emergency. In a word, this façade has multiple functions such as structure, environment, and safety. Thanks to the complex façade, the inside becomes a well-formed and easy-to-use workplace. This workplace becomes wider and brighter by using flat beams to ensure the ceiling height and developing a new lighting equipment with upper-and-lower light distribution
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The all-brick interior of the three-tier, 2,010-seat grand hall features acoustic wall paneling and blocks that increase early sound reflection. Its anti-vibration and sound-insulating structure isolates the floor, ceiling, and walls from the structural frame, and enables a high degree of quietness that makes the hall suitable for music concerts and other events. Nine types of spherical, beaded, ceiling-mounted downlights of different color temperatures and sizes recreate the star-filled night sky of October 1609, when Himeji Castle, a UNESCO World Heritage Site, was completed.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The building comprises an exhibition space, conference rooms, and three halls with the common lobby. On the first floor, a flat plane connects the exhibition hall, studios, dressing rooms, audience corridor, hall stage and loading bay. This allows for a degree of flexibility; halls may be used for lectures, dressing rooms may function as waiting rooms for international conferences, and exhibition spaces can be repurposed for trade fairs, etc. The dressing room area, which would normally be reachable from the rear, was designed to be accessible from the lobby at the front, based on the idea that performers are also fellow citizens and should be granted dignified access to the space. This shortens the line of movement for performers and avoids intersections with loading bay traffic.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: In order to create a lush and vibrant center of interaction, the host municipality has divided the area around Himeji Station into three main areas: an entrance zone centered on the plaza before the north exit, a core zone located to the east of the entrance zone, and an event zone. Located in the event zone, Arcrea Himeji is a hub for culture, art and industry in the Harima area, developed in cooperation with the other zones and integrated with the site’s west-side park in order to enhance its attractiveness.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The building is completely devoid of added color or paint, both inside and out; “primitive” grey concrete is its only signature. Rather, it might be more correct to say that one does not “feel” its color in the traditional sense. Instead, the space allows a sensitivity for light, materials, and a grasp of more a natural essence. This pursuit of “simple beauty” is divorced from secular worldly trends. The gymnasium is designed to be an extension of the everyday; as students ascend the floors, their experience becomes gradually more extraordinary. However, the design intent is not that the everyday is “inverted” into the extraordinary, but rather into a more common, “everyday” experience. When designing this gymnasium, our thoughts were on the idea of architectural expression that can be modern, but also “universal” in the sense that it can belong to any era.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Generally speaking, gym windows are covered with blackout curtains when competitions are held. With this project, however, the aim was to create a gym allowing indirect natural light suitable for indoor exercises and blocking strong direct sunlight to afford a feel for the outside environment. To achieve this goal, four structural “tubes” were designed around the perimeter of the arena. These tubes have an important role to play in the operation of the facility, as they house air conditioning, lighting, and sound equipment. Access is possible through hatches built into the walls. The outermost tube is the most spacious, and functions as a corridor, an indoor running track, and as a passageway for indirect light to pass through to the arena.
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