#baroque

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The building comprises an exhibition space, conference rooms, and three halls with the common lobby. On the first floor, a flat plane connects the exhibition hall, studios, dressing rooms, audience corridor, hall stage and loading bay. This allows for a degree of flexibility; halls may be used for lectures, dressing rooms may function as waiting rooms for international conferences, and exhibition spaces can be repurposed for trade fairs, etc. The dressing room area, which would normally be reachable from the rear, was designed to be accessible from the lobby at the front, based on the idea that performers are also fellow citizens and should be granted dignified access to the space. This shortens the line of movement for performers and avoids intersections with loading bay traffic.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Wheat is a grass widely cultivated for its seed, a cereal grain that is a worldwide staple food.[2][3][4] The many species of wheat together make up the genus Triticum /ˈtrɪtɪkəm/;[5] the most widely grown is common wheat (T. aestivum). The archaeological record suggests that wheat was first cultivated in the regions of the Fertile Crescent around 9600 BCE. Botanically, the wheat kernel is a type of fruit called a caryopsis.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The palace was built for entrepreneur Ermengildo Castiglioni, who chose architect Giuseppe Sommaruga because of his anticonventional solutions. Castiglioni wanted the palace to reflect his wealth and grandeur; the choice of the Liberty style, a new and "trendy" style, for a building that would be located in the historic centre of Milan, was intended by Castiglioni and Sommaruga as a sort of challenge to the Milanese conservative élite. The most provocative element of the original design turned out to be a couple of nude female statues, by Ernesto Bazzaro, decorating the facade; these raised such turmoil that the local newspaper Guerin Meschino published a series of satyrical illustrations on them, and the Milanese population renamed the palace "Cà di ciapp" (in Milanese, "house of buttocks"). The statues, that were intended to represent "Peace" and "Industry", were eventually removed and are now used as decorations of another Milanese palace also by Sommaruga, the Villa Romeo Faccanoni on Via Michelangelo Buonarroti #48.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The capsules were constructed of light steel welded trusses covered with steel sheeting mounted onto the reinforced concrete cores. The capsules were 2.5 metres wide and four metres long with a 1.3 metre diameter window at one end. The units originally contained a bed, storage cabinets, a bathroom, a colour television set, clock, refrigerator and air conditioner, although optional extras such as a stereo were available. Although the capsules were designed with mass production in mind, there was never a demand for them.[54] Nobuo Abe was a senior manager, managing one of the design divisions on the construction of the Nakagin Capsule Tower.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Dental trait analysis of Badarian fossils conducted in a thesis study found that they were closely related to other Afroasiatic-speaking populations inhabiting Northeast Africa and the Maghreb. Among the ancient populations, the Badarians were nearest to other ancient Egyptians (Naqada, Hierakonpolis, Abydos and Kharga in Upper Egypt; Hawara in Lower Egypt), and C-Group and Pharaonic era skeletons excavated in Lower Nubia, followed by the A-Group culture bearers of Lower Nubia, the Kerma and Kush populations in Upper Nubia, the Meroitic, X-Group and Christian period inhabitants of Lower Nubia, and the Kellis population in the Dakhla Oasis.[17]: 219–20  Among the recent groups, the Badari markers were morphologically closest to the Shawia and Kabyle Berber populations of Algeria as well as Bedouin groups in Morocco, Libya and Tunisia, followed by other Afroasiatic-speaking populations in the Horn of Africa.[17]: 222–4  The Late Roman era Badarian skeletons from Kellis were also phenotypically distinct from those belonging to other populations in Sub-Saharan Africa.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The all-brick interior of the three-tier, 2,010-seat grand hall features acoustic wall paneling and blocks that increase early sound reflection. Its anti-vibration and sound-insulating structure isolates the floor, ceiling, and walls from the structural frame, and enables a high degree of quietness that makes the hall suitable for music concerts and other events. Nine types of spherical, beaded, ceiling-mounted downlights of different color temperatures and sizes recreate the star-filled night sky of October 1609, when Himeji Castle, a UNESCO World Heritage Site, was completed.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: In order to create a lush and vibrant center of interaction, the host municipality has divided the area around Himeji Station into three main areas: an entrance zone centered on the plaza before the north exit, a core zone located to the east of the entrance zone, and an event zone. Located in the event zone, Arcrea Himeji is a hub for culture, art and industry in the Harima area, developed in cooperation with the other zones and integrated with the site’s west-side park in order to enhance its attractiveness.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The building is completely devoid of added color or paint, both inside and out; “primitive” grey concrete is its only signature. Rather, it might be more correct to say that one does not “feel” its color in the traditional sense. Instead, the space allows a sensitivity for light, materials, and a grasp of more a natural essence. This pursuit of “simple beauty” is divorced from secular worldly trends. The gymnasium is designed to be an extension of the everyday; as students ascend the floors, their experience becomes gradually more extraordinary. However, the design intent is not that the everyday is “inverted” into the extraordinary, but rather into a more common, “everyday” experience. When designing this gymnasium, our thoughts were on the idea of architectural expression that can be modern, but also “universal” in the sense that it can belong to any era.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Generally speaking, gym windows are covered with blackout curtains when competitions are held. With this project, however, the aim was to create a gym allowing indirect natural light suitable for indoor exercises and blocking strong direct sunlight to afford a feel for the outside environment. To achieve this goal, four structural “tubes” were designed around the perimeter of the arena. These tubes have an important role to play in the operation of the facility, as they house air conditioning, lighting, and sound equipment. Access is possible through hatches built into the walls. The outermost tube is the most spacious, and functions as a corridor, an indoor running track, and as a passageway for indirect light to pass through to the arena.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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Intricate Baroque Beauty in Garden

• Model: Photonic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: (absurdres, highres, ultra detailed), 1girl, solo, mature, (very long hair, blonde hair), Baroque, Necklace, long dress, long sleeve, elegant, colorful, highest detailed, upper body, outdoors, garden
  • Face enhance: No
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  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Solomiya Krushelnytska Lviv State Academic Theatre of Opera and Ballet. The Lviv Theatre of Opera and Ballet is built in the classical tradition using forms and details of Neo-Renaissance and Neo-Baroque styles. There are also elements of Art Nouveau. The stucco mouldings and oil paintings on the walls and ceilings of the multi-tiered auditorium and foyer give it a richly festive appearance. The Opera's imposing facade is opulently decorated with numerous niches, Corinthian columns, pilasters, balustrades, cornices, statues, reliefs and stucco garlands. Standing in niches on either side of the main entrance are allegorical figures representing Comedy and Tragedy sculpted by Antoni Popiel and Tadeusz Barącz; figures of muses embellish the top of the cornice. The building is crowned by large bronze statues, symbolizing Glory, Poetry and Music. The theatre, beautifully decorated inside and outside, became a centrefold of the achievements in sculpture and painting of Western Europe at the end of the 19th century. The internal decoration was prepared by some of the most renowned Polish artists of the time. Among them were Stanisław Wójcik (allegorical sculptures of Poetry, Music.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: We are in the midst of a historical transformation. Current times are not just part of normal history. Multiple perspectives are at the heart of futures studies, including unconventional thinking, internal critique, and cross-cultural comparison. Consideration of alternatives. Futurists do not see themselves as value-free forecasters, but instead aware of multiple possibilities. Participatory futures. Futurists generally see their role as liberating the future in each person, and creating enhanced public ownership of the future. This is true worldwide. Long-term policy transformation. While some are more policy-oriented than others, almost all believe that the work of futures studies is to shape public policy, so it consciously and explicitly takes into account the long term. Part of the process of creating alternative futures and of influencing public (corporate, or international) policy is internal transformation. At international meetings, structural and individual factors are considered equally important.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Technocentrism is a value system that is centered on technology and its ability to control and protect the environment.[citation needed] Technocentrics argue that technology can address ecological problems through its problem-solving ability, efficiency, and its managerial means.[1] Specifically, these capabilities allow humans control over nature, allowing them to correct or negotiate environmental risks or problems.[1] Although technocentrics may accept that environmental problems exist, they do not see them as problems to be solved by a reduction in industry. Rather, environmental problems are seen as problems to be solved using rational, scientific and technological means. They also believe in scientific research. Indeed, technocentrics see the way forward for both developed and developing countries, and the solutions to environmental problems, as lying in scientific and technological advancement (sometimes referred to as sustainopreneurship).[2]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Ensigns kidnap a senior officer and proceed to travel to the past with the mission of convincing them to stop the show. Once there, they meet their actor doubles and realize that they are exact doppelgängers; even their imagined backstories became integral events of the Ensigns' lives. Dahl strikes a deal with the show's producer and head writer, who is Jenkins's double, to save the life of the producer’s comatose son by switching him with his crew member double. Because the producer's son appeared on the show as an extra, one of the crew members is effectively his identical twin, and will revert to the young man's personality by staying in the past. Conversely, Dahl reasons that bringing the comatose son into the future will allow them to use "the Narrative" to their advantage, letting the advanced technology and reality-altering properties of the writing revive him.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The parameters of a dynamic equation evolve as the equation is iterated, and the specific values may depend on the starting parameters. An example is the well-studied logistic map, x n + 1 = r x n ( 1 − x n ) {\displaystyle x_{n+1}=rx_{n}(1-x_{n})}, whose basins of attraction for various values of the parameter r r are shown in the figure. If r = 2.6 {\displaystyle r=2.6}, all starting x x values of x < 0 x<0 will rapidly lead to function values that go to negative infinity; starting x x values of x > 1 x>1 will also go to negative infinity. But for 0 < x < 1 0<x<1 the x x values rapidly converge to x ≈ 0.615 {\displaystyle x\approx 0.615}, i.e. at this value of r r, a single value of x x is an attractor for the function's behaviour. For other values of r r, more than one value of x x may be visited: if r r is 3.2, starting values of 0 < x < 1 0<x<1 will lead to function values that alternate between x ≈ 0.513 {\displaystyle x\approx 0.513} and x ≈ 0.799 {\displaystyle x\approx 0.799}. At some values of r r, the attractor is a single point (a "fixed point"), at other values of r r two values of x x are visited in turn (a period-doubling bifurcation), or, as a result of furt
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Tokusatsu (特撮, lit. 'special effects') is a Japanese term for live action film or television series that makes heavy use of practical special effects. Developed by Godzilla and Ultraman creator Eiji Tsuburaya, Tokusatsu entertainment mainly refers to science fiction, war, fantasy, or horror media featuring such technology but is sometimes dubbed a genre itself. Its contemporary use originated in the Japanese mass media around 1958 to explain special effects in an easy-to-understand manner and was popularized during the "first monster boom" (1966-1968). Prior to the monster boom, it was known in Japan as Tokushu gijutsu (特殊技術, lit. 'special technology') and Tokugi (特技, lit. 'special skill').
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Roman architecture is known for concrete-domed buildings, the innovative use of the arch, the amphitheatre design, the basilica, the triumphal arch, and residential apartment blocks. Although at first tentatively employed in the spaces between the classical columns, the arch eventually came to be the chief structural element. Classicizing elements include the smooth lines, elegant drapery, idealized nude bodies, highly naturalistic forms and balanced proportions that the Greeks had perfected over centuries of practice. Augustus and the Julio-Claudian dynasty were particularly fond of adapting Classical elements into their art.
  • Using base image: Yes (Effect strength - 40%)
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Red-Haired Beauty in Storm

• Model: Photonic

• Size: 1144 X 896 (1.03 MP)

• Used settings:

  • Prompt: A rococo portrait of a beautiful virgin with a natural face, green eyes, long wavy bright red hair, large breasts, a very thin waist very tightly cinched in a white lace corset, dressed in a bright green lace baroque dress, against a background of many bright violet flashes of lightning on the dark stormy sky.
  • Using base image: Yes (Effect strength - 60%)
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