#baroque

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: This stretch of the Danube has been the location of human settlement since the Palaeolithic. It was the site of the Roman city of Aquincum, situated to the north of the inscribed property which comprises parts of two originally quite separate cities: Buda on the spur on the right bank and Pest on the plain on the left bank. Pest was the first medieval urban centre, devastated in 1241-2. A few years later the castle of Buda was built on a rocky spur on the right bank by King Bela IV. Thereafter, the city reflected the history of the Hungarian monarchy. After the end of the Turkish occupation, recovery did not really begin until the 18th century. In the 19th century, the city’s role as a capital was enhanced by the foundation of the Hungarian Academy, housed from 1862 in a neo-renaissance palace, and by the construction of the imposing neo-gothic Parliament building (1884–1904). W.T. Clark’s suspension bridge, finalised in 1849, symbolised the reunification of Buda and Pest, which did not actually come about until 1873. The symbol of the development of the city as a modern metropolis was the radial Andrássy Avenue, which was included in the property in 2002. From 1872.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Inhabited since the 2nd century A.D., Quirigua had become during the reign of Cauac Sky (723–84) the capital of an autonomous and prosperous state. The ruins of Quirigua contain some outstanding 8th-century monuments and an impressive series of carved stelae and sculpted calendars that constitute an essential source for the study of Mayan civilization. Quirigua is one of the major testimonies to the Mayan civilization. For reasons which are not clear, it then entered a period of decline. It is known that, at the time of the arrival of the European conquerors, the control of the jade route had been taken over by Nito, a city closer to the Caribbean coast. Although Quirigua has retained ruins and vestiges of dwellings ranging between AD 200 and AD 900, most of the monuments that ensure Quirigua its world-wide reknown date from the 8th century, the period during which the city was entirely remodelled in accordance with its function as royal residence and administrative centre.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Modern development pressure and increased tourism in the area have required more protection for the historic area and certain initiatives, at both the community and legislative levels, have been undertaken. These include recently developed tools for promoting local awareness, the participation by the community association Salvemos Antigua (Save Antigua), as well as a public education campaign (with a newsletter, schoolchildren programs etc.) supported by the Japanese government. The revision of Antigua’s Protection Law, which requires approval of Congress, has also been promoted to adequately respond to existing factors and threats. Sustaining the Outstanding Universal Value of the property will require not only the updating and enforcement of legislative and regulatory measures, but also the definition and efficient protection of a the buffer zone and the sustained implementation of a master plan. The latter will need to include provisions for risk preparedness and disaster risk management, particularly in light of the vulnerability of the property. Comprehensive visitor management and clear conservation guidance and policies, will also be crucial for the property.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The pattern of straight lines established by the grid of north-south and east-west streets and inspired by the Italian Renaissance, is one of the best examples in Latin American town planning and all that remains of the 16th-century city. Most of the surviving civil, religious, and civic buildings date from the 17th and 18th centuries and constitute magnificent examples of colonial architecture in the Americas. These buildings reflect a regional stylistic variation known as Barroco antigueño. Distinctive characteristics of this architectural style include the use of decorative stucco for interior and exterior ornamentation, main facades with a central window niche and often a deeply-carved tympanum, massive buildings, and low bell towers designed to withstand the region’s frequent earthquakes. Among the many significant historical buildings, the Palace of the Captains General, the Casa de la Moneda, the Cathedral, the Universidad de San Carlos, Las Capuchinas, La Merced, Santa Clara, among others, are worth noting.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: This transnational serial property comprises eleven spa towns, located in seven European countries: Baden bei Wien (Austria); Spa (Belgium); Františkovy Lázně; Karlovy Vary; Mariánské Lázně (Czechia); Vichy (France); Bad Ems; Baden-Baden; Bad Kissingen (Germany); Montecatini Terme (Italy); and City of Bath (United Kingdom). All of these towns developed around natural mineral water springs. They bear witness to the international European spa culture that developed from the early 18th century to the 1930s, leading to the emergence of grand international resorts that impacted urban typology around ensembles of spa buildings such as baths, kurhaus and kursaal (buildings and rooms dedicated to therapy), pump rooms, drinking halls, colonnades and galleries designed to harness the natural mineral water resources and to allow their practical use for bathing and drinking. Related facilities include gardens, assembly rooms, casinos, theatres, hotels and villas, as well as spa-specific support infrastructure. These ensembles are all integrated into an overall urban context that includes a carefully managed recreational and therapeutic environment in a picturesque landscape.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Darmstadt Artists’ Colony on Mathildenhöhe, the highest elevation above the city of Darmstadt in west-central Germany, was established in 1897 by Ernst Ludwig, Grand Duke of Hesse, as a centre for emerging reform movements in architecture, arts and crafts. The buildings of the colony were created by its artist members as experimental early modernist living and working environments. The colony was expanded during successive international exhibitions in 1901, 1904, 1908 and 1914. Today, it offers a testimony to early modern architecture, urban planning and landscape design, all of which were influenced by the Arts and Crafts movement and the Vienna Secession. The serial property consists of two component parts including 23 elements, such as the Wedding Tower (1908), the Exhibition Hall (1908), the Plane Tree Grove (1833, 1904-14), the Russian Chapel of St. Maria Magdalena (1897-99), the Lily Basin, the Gottfried Schwab Memorial (1905), the Pergola and Garden (1914), the “Swan Temple” Garden Pavilion (1914), the Ernst Ludwig Fountain, and the 13 houses and artists’ studios that were built for the Darmstadt Artists’ Colony and for the international exhibitions.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The mining region of Erzgebirge/Krušnohoří bears exceptional testimony to technological, scientific, administrative, educational, managerial and social aspects that underpin the intangible dimension of living traditions, ideas and beliefs of the people associated with the Ore Mountains’ culture. The organization as well as its hierarchical administration and management are fundamental to understanding the mining tradition of the Ore Mountains that developed from the beginning of the 16th century. A tradition emerged whereby the mining bureaucracies of absolute rulers maintained strict control of the work force and induced a favourable climate for an early capitalistic system of financing. Such an approach influenced the economic, legal, administrative and social system of mining in all the mining regions of continental Europe. The state-controlled mining organization strongly influenced the development of early modern monetary systems, particularly witnessed by the royal mint in Jáchymov, where the heavy silver coins known as thalers, first minted from 1520, served for several centuries as a standard for the monetary systems in many European countries.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The relict structure and pattern of the Erzgebirge/Krušnohoří Mining Region remains highly legible and is characterized by specific and formative contributions made by the exploitation of different metals, at different times, in unevenly distributed locations defined by an exceptional concentration of mineral deposits. Separate mining landscapes emerged on both sides of the Ore Mountains, characterized by exchange of technical know-how, miners and metallurgists between Saxony and Bohemia. These deposits became key economic resources that were exploited during crucial periods in world history, events that were dictated by evolving empirical knowledge and exemplary practice and technologies devised or improved in the Ore Mountains; the vagaries of global markets impacted by new mineral discoveries, politics and wars, and the successive discovery of ‘new’ metals and their uses. The Ore Mountains was the most important source of silver in Europe, particularly in the century from 1460 to 1560; silver was also the trigger for new organization and technology. Tin was produced in a steady manner throughout the long history of the Ore Mountains and rare cobalt ore.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Descending a long hill dominated by a giant statue of Hercules, the monumental water displays of Wilhelmshöhe were begun by Landgrave Carl of Hesse-Kassel in 1689 around an east-west axis and were developed further into the 19th century. Reservoirs and channels behind the Hercules Monument supply water to a complex system of hydro-pneumatic devices that supply the site’s large Baroque water theatre, grotto, fountains and 350-metre long Grand Cascade. Beyond this, channels and waterways wind across the axis, feeding a series of dramatic waterfalls and wild rapids, the geyser-like Grand Fountain which leaps 50m high, the lake and secluded ponds that enliven the Romantic garden created in the 18th century by Carl’s great-grandson, Elector Wilhelm I. The great size of the park and its waterworks along with the towering Hercules statue constitute an expression of the ideals of absolutist Monarchy while the ensemble is a remarkable testimony to the aesthetics of the Baroque and Romantic periods.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The 18th century Margravial Opera House in Bayreuth is a masterwork of Baroque theatre architecture, commissioned by Margravine Wilhelmine of Brandenburg as a venue for opera seria over which the princely couple ceremonially presided. The bell-shaped auditorium of tiered loges built of wood and lined with decoratively painted canvas was designed by the then leading European theatre architect Giuseppe Galli Bibiena. The sandstone façade designed by court architect Joseph Saint Pierre provides a focal point within the urban public space that was particularly planned for the building. As an independent court opera house rather than part of a palace complex, it marks a key point in opera house design, foreshadowing the large public theatres of the 19th century. Today it survives as the only entirely preserved example of court opera house architecture where Baroque court opera culture and acoustics can be authentically experienced. The attributes carrying Outstanding Universal Value are its location in the original 18th century public urban space; the 18th century Baroque façade; the original 18th century roof structure spanning 25 metres.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A masterpiece of Baroque theatre architecture, built between 1745 and 1750, the Opera House is the only entirely preserved example of its type where an audience of 500 can experience Baroque court opera culture and acoustics authentically, as its auditorium retains its original materials, i.e. wood and canvas. Commissioned by Margravine Wilhelmine, wife of Frederick, Margrave of Brandenburg–Bayreuth, it was designed by the renowned theatre architect Giuseppe Galli Bibiena. As a court opera house in a public space, it foreshadowed the large public theatres of the 19th century. The highly decorated theatre’s tiered loge structure of wood with illusionistic painted canvas represents the ephemeral ceremonial architectural tradition that was employed in pageants and celebrations for princely self-representation.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The series of 111 out of the 937 known archaeological pile-dwelling sites in six countries around the Alpine and sub-alpine regions of Europe is composed of the remains of prehistoric settlements dating from 5,000 to 500 BC which are situated under water, on lake shores, along rivers or in wetlands. The exceptional conservation conditions for organic materials provided by the waterlogged sites, combined with extensive under-water archaeological investigations and research in many fields of natural science, such as archaeobotany and archaeozoology, over the past decades, has combined to present an outstanding detailed perception of the world of early agrarian societies in Europe. The precise information on their agriculture, animal husbandry, development of metallurgy, over a period of more than four millennia, coincides with one of the most important phases of recent human history: the dawn of modern societies.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: This serial property of 111 small individual sites encompasses the remains of prehistoric pile-dwelling (or stilt house) settlements in and around the Alps built from around 5000 to 500 B.C. on the edges of lakes, rivers or wetlands. Excavations, only conducted in some of the sites, have yielded evidence that provides insight into life in prehistoric times during the Neolithic and Bronze Age in Alpine Europe and the way communities interacted with their environment. Fifty-six of the sites are located in Switzerland. The settlements are a unique group of exceptionally well-preserved and culturally rich archaeological sites, which constitute one of the most important sources for the study of early agrarian societies in the region.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Cologne Cathedral is a High Gothic five-aisled basilica (144.5 m long), with a projecting transept (86.25 m wide) and a tower façade (157.22 m high). The nave is 43.58 m high and the side-aisles 19.80 m. The western section, nave and transept begun in 1330, changes in style, but this is not perceptible in the overall building. The 19th century work follows the medieval forms and techniques faithfully, as can be seen by comparing it with the original medieval plan on parchment.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Lübeck – the former capital and Queen City of the Hanseatic League – was founded in the 12th century and prospered until the 16th century as the major trading centre for northern Europe. It has remained a centre for maritime commerce to this day, particularly with the Nordic countries. Despite the damage it suffered during the Second World War, the basic structure of the old city, consisting mainly of 15th- and 16th-century patrician residences, public monuments (the famous Holstentor brick gate), churches and salt storehouses, remains unaltered.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Zollverein industrial complex in Land Nordrhein-Westfalen consists of the complete infrastructure of a historical coal-mining site, with some 20th-century buildings of outstanding architectural merit. It constitutes remarkable material evidence of the evolution and decline of an essential industry over the past 150 years. The Zollverein XII Coal Mine Industrial Complex has a high level of authenticity. The individual industrial components have inevitably lost their functional authenticity. However, a policy of sensitive and imaginative adaptive reuse has ensured that their forms survive intact, with significant items of the industrial plant preserved, and that their interrelationships remain visible in a clear and logical manner. In particular, the authenticity of the important group of industrial buildings designed for Zollverein XII by Fritz Schupp has been carefully conserved.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Lutherans the world over know of the castle as the very place where Martin Luther made his translation of the Bible. The veneration of Saint Elizabeth, which extends far beyond the frontiers of Germany, includes Wartburg Castle where she lived and worked. The patronage of Hermann I, Landgrave of Thuringia, occupies an extraordinary place in the creation of a national literary tradition. In poetry and in legends, Wartburg Castle, the medieval Court of the Muses, bears an undying reputation through the names of Walther von der Vogelweide and Wolfram von Eschenbach. While these authors represented the first steps in German literature, and Martin Luther's translation of the New Testament marked the creation of a unified and accessible written German language, Wartburg Castle is also associated with the beginnings of a bourgeois and democratic nation, through the content and effects of the Wartburg festival of German students' associations. From the very earliest days of its existence, this fortress of the Landgraves of Thuringia has repeatedly acted as a venue for and witness of historic events and activities worthy of renown as a monument to national and world history.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Wartburg Castle blends superbly into its forest surroundings and is in many ways 'the ideal castle'. Although it has retained some original sections from the feudal period, the form it acquired during the 19th-century reconstitution gives a good idea of what this fortress might have been at the height of its military and seigneurial power. It was during his exile at Wartburg Castle that Martin Luther translated the New Testament into German. Wartburg Castle blends superbly into its forest surroundings and is in many ways "the ideal castle". Although it contains some sections of great antiquity, it acquired the current layout over the course of 19th-century reconstructions. This renewal of interest was justified by its symbolic nature for the German people, and today the castle continues to be a symbol of the nation's past and present. Its current state is a splendid example of what this fortress might have been at the peak of its military and seigneurial power.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Located on the Danube River in Bavaria, this medieval town contains many buildings of exceptional quality that testify to its history as a trading centre and to its influence on the region from the 9th century. A notable number of historic structures span some two millennia and include ancient Roman, Romanesque and Gothic buildings. Regensburg’s 11th- to 13th-century architecture – including the market, city hall and cathedral – still defines the character of the town marked by tall buildings, dark and narrow lanes, and strong fortifications. The buildings include medieval patrician houses and towers, a large number of churches and monastic ensembles as well as the 12th-century Old Bridge. The town is also remarkable for the vestiges testifing to its rich history as one of the centres of the Holy Roman Empire that turned to Protestantism.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Muskauer Park / Park Mużakowski is an extensive landscape initially developed between 1815 and 1844 by Prince Hermann von Pückler-Muskau on the grounds of his estate, and continued by his student, Eduard Petzold. Set harmoniously in the river valley of the Lusatian Neisse, the park’s integration into the local town and surrounding agricultural landscapes heralded a new approach to landscape design and contributed to the advancement of landscape architecture as a discipline. The extensive site includes the river Neisse, other water features, human-made and natural, bridges, buildings, forested areas, and paths. It is an example of a cultural landscape in which the site’s natural attributes have been harnessed with the utmost skill. The park is of the highest aesthetic quality and its composition blends fluidly with the naturally-formed river valley. Its essence is the visual relationship between the central residence, the New Castle, and a series of topographical focal points comprising ideal vantage points laid out along riverside terraces flanking the valley, each of which forms part of a masterfully fashioned network of vistas.
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