#architecture

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The slower-than-light interstellar spaceship, pursuing its way through the weary centuries, its crew losing touch with all reality save the interior of the vessel ... Well, you know the story, and its unhappy downhill round, its exciting struggles between the barbarian tribes which develop in its disparate compartments, and then, if the writer is so minded, the ultimate flash of hope as the good guys win out and prepare to meet their future on some noble, if erroneous basis.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Cosmic pluralism, the assumption that there are many inhabited worlds beyond the human sphere predates modernity and the development of the heliocentric model and is common in mythologies worldwide. The 2nd century writer of satires, Lucian, in his True History claims to have visited the moon when his ship was sent up by a fountain, which was peopled and at war with the people of the Sun over colonisation of the Morning Star.[3] Other worlds are depicted in such early works as the 10th-century Japanese narrative, The Tale of the Bamboo Cutter, and the medieval Arabic The Adventures of Bulukiya (from the One Thousand and One Nights).[4] Dante in his Divine Comedy sets the third part, Paradise amongst the planets where he meets the saints.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Philip K. Dick. 1981. "I will define science fiction, first, by saying what SF is not. It cannot be defined as “a story (or novel or play) set in the future,” since there exists such a thing as space adventure, which is set in the future but is not SF: it is just that: adventures, fights and wars in the future in space involving super-advanced technology. Why, then, is it not science fiction? It would seem to be, and Doris Lessing (e.g.) supposes that it is. However, space adventure lacks the distinct new idea that is the essential ingredient. Also, there can be science fiction set in the present: the alternate world story or novel. So if we separate SF from the future and also from ultra-advanced technology, what then do we have that can be called SF? We have a fictitious world; that is the first step: it is a society that does not in fact exist, but is predicated on our known society; that is, our known society acts as a jumping-off point for it; the society advances out of our own in some way, perhaps orthogonally, as with the alternate world story or novel. It is our world dislocated by some kind of mental effort on the part of the author, our world transformed into that wh
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Edo-Tokyo Museum (江戸東京博物館, Edo Tōkyō Hakubutsukan) is a historical museum located at 1-4-1 Yokoami, Sumida-Ku, Tokyo in the Ryogoku district.[2] The museum opened in March 1993 to preserve Edo's cultural heritage, and features city models of Edo and Tokyo between 1590 (just prior to the Edo period beginning) and 1964.[3] It was the first museum built dedicated to the history of Tokyo.[4] Some main features of the permanent exhibitions are the life-size replica of the Nihonbashi, which was the bridge leading into Edo; scale models of towns and buildings across the Edo Meiji, and Showa periods; and the Nakamuraza theatre.[5]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The current castle dates to 1180 and was built by Philip of Alsace (1143–1191) on the site of the older fortification.[1] It may have been inspired by crusader castles witnessed by Philip during the Second Crusade. As well a protective citadel, the Gravensteen was intended to intimidate the burghers of Ghent who often challenged the counts' authority. It incorporates a large central donjon, a residence and various smaller buildings. These are surrounded by a fortified, oval-shaped enceinte lined with 24 small échauguettes. It also has a sizeable moat, fed with water from the Lys. Futurist architecture characterized by long dynamic lines, suggesting speed, motion, urgency and lyricism: it was a part of Futurism, an artistic movement founded by the poet Filippo Tommaso Marinetti, who produced its first manifesto, the Manifesto of ...
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Whilst discussing the organic nature of Kikutake's theoretical Marine City project, Kawazoe used the Japanese word shinchintaisha as being symbolic of the essential exchange of materials and energy between organisms and the exterior world (literally metabolism in a biological sense.) The Japanese meaning of the word has a feeling of replacement of the old with the new and the group further interpreted this to be equivalent to the continuous renewal and organic growth of the city.[15] As the conference was to be a world conference, Kawazoe felt that they should use a more universal word and Kikutake looked up the definition of shinchintaisha in his Japanese-English dictionary. The translation he found was the word Metabolism.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Egg decoration in Ukraine is widespread and practiced by many; in the premodern era, pysankarstvo was practiced universally outside of big cities (which often had non-Ukrainian populations). Several traditional forms of decoration are common (krashanky, lystovky, pysanky) while others (driapanky, maliovanky, nakleyanky) are practiced less often. Newer forms of egg decoration, like biserky (beadwork eggs), travlenky (etched eggs), and rizblenky (cutwork eggs) are more recent additions, but gaining in popularity, although they are generally practiced by professional artisans rather than the general public. In recent years, shrink wrap decals with traditional designs have become a favorite mode of decoration for many.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: These ceramic eggs were common in Kyivan Rus' and had a characteristic style. They were slightly smaller than life size (2.5 by 4 cm, or 1 by 1.6 inches) and were created from reddish pink clays by the spiral method. The majolica glazed eggs had a brown, green or yellow background and showed interwoven yellow and green stripes. The eggs were made in large cities like Kyiv and Chernihiv, which had workshops that produced clay tile and bricks; these tiles (and pysanky) were not only used locally but were exported to Poland and to several Scandinavian and Baltic countries.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Artisan textile arts play an important role in Ukrainian culture, especially in Ukrainian wedding traditions. Ukrainian embroidery, weaving and lace-making are used in traditional folk dress and in traditional celebrations. Ukrainian embroidery varies depending on the region of origin and the designs have a long history of motifs, compositions, choice of colours and types of stitches. Use of colour is very important and has roots in Ukrainian folklore. Embroidery motifs found in different parts of Ukraine are preserved in the Rushnyk Museum in Pereiaslav.
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Future osdnfondsknofdno425423

• Model: Artistic

• Size: 1120 X 512 (0.57 MP)

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  • Prompt: People who are living in the future and in there fantastic detailed homes.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Jugendstil or Art Nouveau, mostly in connection with Italy also Stile liberty, is an art historical epoch at the turn of the 19th and 20th centuries. Currents that can be assigned to Art Nouveau are the reform style (after the reform movement), the Secession style (after the Vienna Secession), Modernisme in Catalonia, in Switzerland Style Sapin and in the USA Tiffany Style. In addition to the expression Art nouveau, which is dominant in French, English and Italian, Modern Style is also used in English and Stile Floreale in Italian. In terms of time, Art Nouveau belongs to the fin de siècle.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: In 1928 Behrens won an international competition for the construction of the New Synagogue, in Zilina, Slovakia, which was restored in 2012–17 as a cultural centre.[5] The same year he designed a renovation of the Feller-Stern department store in central Zagreb, Croatia, transforming it from Art Nouveau to a complex almost De Stijl Modernist composition. His 1931 hillside villa for the Clara Gans, daughter of Frankfurt industrialist Adolf Gans, was a similarly complex interplay of rectangular volumes, clad in stone, a fine example of New Objectivity.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: The most prominent graphic artist was Otto Eckmann, who produced numerous illustrations for the movement's journal Jugend, in a sinuous, floral style that was similar to the French style. He also created a type style based upon Japanese calligraphy. Joseph Sattler was another graphic artist who contributed to the style through another artistic journal called Pan. Sattler designed a type face often used in Jugendstil. Another important German graphic artist was Josef Rudolf Witzel (1867–1925), who produced many early covers for Jugend, with curving, floral forms which helped shape the style. The magazine Simplicissimus, published in Munich, was also noted for its Jugendstil graphics, as well as for the modern writers it presented, including Thomas Mann and Rainer Maria Rilke. Important illustrators for the magazine included Thomas Theodor Heine.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A typical türbe is located in the grounds of a mosque or complex, often endowed by the deceased. However, some are more closely integrated into surrounding buildings. Many are relatively small buildings, often domed and hexagonal or octagonal in shape, containing a single chamber. More minor türbes are usually kept closed although the interior can be sometimes be glimpsed through metal grilles over the windows or door. The exterior is typically masonry, perhaps with tiled decoration over the doorway, but the interior often contains large areas of painted tilework, which may be of the highest quality. Inside, the body or bodies repose in plain sarcophagi, perhaps with a simple inscription, which are, or were originally, covered by rich cloth drapes. Usually these sarcophagi are symbolic, and the actual body lies below the floor. At the head of the tomb a wooden pole was sometimes surmounted by a white cloth Ottoman turban (for men) or by a turban carved in stone.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Romanian Revival architecture is a revival of the Brâncovenesc [brɨŋkovenesk], a style in medieval Romanian art and architecture, more specifically in Wallachia during the reign of Constantin Brâncoveanu (1688–1714). This is because it was seen as the style specific to Romania, which is true. Brâncovenesc buildings are characterised by the use of porticos (mainly the entrances of churches), trilobate or kokoshnik arches, columns (usually Corinthian), sometimes with twisted flutings, and metallic or ceramic tile roof. The main ornaments used for decoration are the interlace and the complex vegetal spiral (aka rinceau). Some of the features of Brâncovenesc architecture derive from Byzantine and Ottoman architecture, and a some can also be found in medieval Russian architecture. Brâncovenesc churches usually have façades decorated with reliefs, most churches being white, while some have elaborate paintings on the façades (like the Stavropoleos Monastery from Bucharest). The walls of their interiors are filled with Byzantine style frescos. Above their main door there is a pisanie, which is an inscribed stone plaque.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Romanian Revival architecture is an architectural style that has appeared in late 19th century in Romanian Art Nouveau, initially being the result of the attempts of finding a specific Romanian architectural style. The attempts are mainly due to the architects Ion Mincu (1852–1912), and Ion N. Socolescu (1856–1924). The peak of the style was the interwar period. The style was a national reaction after the domination of French-inspired Classicist Eclecticism. Apart from foreign influences, the contribution of Romanian architects, who reinvented the tradition, creating, at the same time, an original style, is manifesting more and more strongly. Ion Mincu and his successors, Grigore Cerchez [ro], Cristofi Cerchez, Petre Antonescu, or Nicolae Ghica-Budești declared themselves for a modern architecture, with Romanian specific, based on theses such as those formulated by Alexandru Odobescu around 1870.
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Architecture Facade

• Model: PhotoReal

• Size: 903 X 1161 (1.05 MP)

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  • Prompt: I want an image based on classical facade provided and give me a futuristic interpretation of it. white with vegetation and classical architecture proportions and beauty. populate it with greenery flowers, people using the ground floor cafe and a flower shop
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Addleshaw Tower is the first free-standing bell tower to be built by an English cathedral since the 15th century. It has a square plan and is 85 feet (26 m) high. The tower is built on a reinforced concrete frame. The base is faced in local pink sandstone, and contains an entrance on the southwest side, with windows on the other three sides. One window on each side contains Dalle de verre stained glass, and these are flanked by smaller pairs of windows. The entrance is deeply recessed and contains two pairs of timber doors. The upper parts of the tower are faced in Bethesda slates on a timber frame. Above the base are two stages with internally inclined walls, the upper stage being taller than the lower stage. Around the top of the lower stage is a ring of small, square windows. At the top of the upper stage is a ring of small louvred bell openings. On the summit of the tower is a pyramidal roof, which is also covered in slates. The base contains a meeting room, a small kitchen, and toilets. A spiral staircase leads up to the ringing chamber, where the bell ropes are arranged in a circle. On the walls of the chamber are tablets commemorating peals previously rung by the guild.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Song bells are a musical instrument in the keyboard percussion family. They are a mallet percussion instrument that is essentially a cross between the vibraphone, glockenspiel, and celesta. They have bars made of aluminum.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Bonshō
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