#architecture

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Selwyn College, Cambridge (formally Selwyn College in the University of Cambridge) is a constituent college of the University of Cambridge. The college was founded in 1882 by the Selwyn Memorial Committee in memory of George Augustus Selwyn (1809–1878), the first Bishop of New Zealand (1841–1868), and subsequently Bishop of Lichfield (1868–1878). Its main buildings consist of three courts built of stone and brick (Old Court, Ann's Court, and Cripps Court). There are several secondary buildings, including adjacent townhouses and lodges serving as student hostels on Grange Road, West Road and Sidgwick Avenue. The college has some 60 fellows and 110 non-academic staff.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The theatre is built of reinforced concrete and features rectangular forms, straight lines, and decoration attached to the outside on plaques of marble and stucco, which was a radical departure from the Art Nouveau style, and, at the time, shockingly plain in appearance. The building's concrete construction was not merely a stylistic choice. Subsoil conditions and the site's proximity to the Seine made concrete necessary. Henry van de Velde was the initial architect, resigning when it was clear that the contractors, the Perret brothers, had a far deeper understanding of reinforced concrete construction than he did, although the Perrets, were not licensed architects and had another designer, Roger Bouvard, sign their plans. The building includes an exterior bas relief by Antoine Bourdelle, a dome by Maurice Denis, paintings by Édouard Vuillard and Jacqueline Marval, and a stage curtain by Ker-Xavier Roussel. The building houses two smaller stages, the Comédie des Champs-Élysées theatre on the 3rd floor, and the Studio des Champs-Élysées on the 5th floor.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The cathedral exterior gives the impression of being constructed entirely of brick, but actually is composed of two cylinders of reinforced concrete covered with bricks of the classic construction size. The inner cylinder is 29.3 metres (96 ft); the outer is 38.4 metres (126 ft) The space between the cylinders is filled with passageways, staircases and technical spaces. The brick of the exterior is designed as a series of horizontal bands, broken by a small number windows. The bricks are laid in designs that give it a delicate, lace-like quality. Botta explained that he selected brick for its aesthetic qualities, and because "I try to utilise the most basic, humble materials, but with the desire to give them a certain dignity."
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: In architecture, Rationalism is an architectural current which mostly developed from Italy in the 1920s and 1930s. Vitruvius had claimed in his work De architectura that architecture is a science that can be comprehended rationally. The formulation was taken up and further developed in the architectural treatises of the Renaissance. Eighteenth-century progressive art theory opposed the Baroque use of illusionism with the classic beauty of truth and reason. Twentieth-century Rationalism derived less from a special, unified theoretical work than from a common belief that the most varied problems posed by the real world could be resolved by reason. In that respect, it represented a reaction to Historicism and a contrast to Art Nouveau and Expressionism.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The present-day Louvre Palace is a vast complex of wings and pavilions which, although superficially homogeneous in scale and architecture, is the result of many phases of building, modification, destruction and reconstruction. Its apparent stylistic consistency is largely due to conscious efforts of architects over several centuries to echo each other's work and preserve a strong sense of historical continuity, mirroring that of the French monarchy and state; American essayist Adam Gopnik has written that "The continuity the Louvre represents is the continuity of the French state."[18] For example, from the 1620s to the 1650s Jacques Lemercier thoroughly replicated the Lescot Wing's patterns for his design of the northern half of the western wing of the Cour Carrée. In the 1660s Louis Le Vau echoed Lemercier's Pavillon de l'Horloge for his redesign of the central pavillon of the Tuileries Palace further west (burnt in 1871 and demolished in 1883), and mostly continued Lescot's and Lemercier's pattern for the completion of the Cour Carrée. A separate design a few years later, that associated with Claude Perrault for the Louvre Colonnade.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The interior of the building features much art nouveau decoration, but is more subdued than the exterior. The vestibule is decorated with curved archways supported on marble columns, with short stairways leading to an apartment (now a dentist's office) on one side and to the main stairway on the other. The stairway is the central decorative of the interior; the entrance has a door decorated with wrought iron and glass, and the railing of the stairway is made up of undulating iron work in exotic vegetal forms. The ground floor also features finely-crafted stonework and sculptural detail. The walls of the stairway are decorated with art nouveau floral designs in subdued browns, golds and reds. At the top of the stairway, another smaller stairway leads to the rooftop terrace. A covered passage on the street level leads to a small interior courtyard, which is more simply decorated than the facade, but has sculpted art nouveau lintels around the windows.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Lavirotte Building, an apartment building at 29 Avenue Rapp in the 7th arrondissement of Paris, France, was designed by the architect Jules Lavirotte and built between 1899 and 1901.
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Ruins of a chapel

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• Size: 608 X 928 (0.56 MP)

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  • Prompt: Ruins of a church, by Bill Sienkiewicz, intricate, comic art style, hyperdetailed
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Radio masts and towers are typically tall structures designed to support antennas for telecommunications and broadcasting, including television. There are two main types: guyed and self-supporting structures. They are among the tallest human-made structures. Masts are often named after the broadcasting organizations that originally built them or currently use them.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: To avoid the foundations of the roof interfering with the space beneath, and to simplify the design, and minimise cost, it was decided to construct a single span roof, with cross ties for the arch at the station level. The arch was sprung directly from the station level, with no piers.[28][23] Additional advice on the design of the roof was given to Barlow by Rowland Mason Ordish.[26] The arches' ribs had a web depth of 6 ft (1.8 m), mostly open ironwork. The span width, from wall to wall was 245 ft 6 in (74.83 m), with a rib every 29 ft 4 in (8.94 m) The arch was a slightly pointed design, with a reduced radius of curvature at the springing points. The Butterley Company was contracted to construct the arches.[29] The total cost of the 24 rib roof and glazing was over £53,000, of which over half was for the main ribs. The cost of the gable end was a further £8,500. The single-span overall roof was the largest such structure in the world at the time of its completion.[21] The materials used were wrought iron framework of lattice design, with glass covering the middle half and timber (inside)/slate (outside) covering the outer quarters. The two end screens were glazed in a vertical
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The approaching line to the station crossed the Regent's Canal at a height allowing the line reasonable gradients; this resulted in the level of the line at St Pancras being 20 ft (6.1 m) above the ground level. (By contrast the lines to the adjacent King's Cross station tunnel under the Regent's Canal). Initial plans were for a two or three span roof with the void between station and ground level filled with spoil from tunnelling to join the Midland Main Line to the St. Pancras branch. Instead, due to the value of the land in such a location the lower area was used for freight, in particular beer from Burton. As a result, the undercroft was built with columns and girders, maximising space, set out to the same plans as those used for beer warehouses, and with a basic unit of length that of a beer barrel. The contract for the construction of the station substructure and connecting lines was given to Messrs. Waring, with Barlow's assistant Campion as supervisor. The lower floor for beer warehousing contained interior columns 15 ft (4.57 m) wide, and 48 ft (14.63 m) deep carrying girders supporting the main station and track.
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I want to live here...

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• Size: 896 X 704 (0.63 MP)

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  • Prompt: A beautiful yellow British villa at the edge of the rainbow, with a fantastic garden full of colourful flowers
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  • Aspect Ratio: landscape

The Pool by the Sea

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  • Prompt: Biomorphic livingroom with biomorphic furniture structure symbiosis of corals, seahorses and tree, by Jacek Jerka, Gediminas Prankevicius, Stefan Morrell, super-detailed, insanely complex, high-resolution, award-winning, photorealistic acrylic art
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The museum consists of three intersecting "volumes." The oak volume houses Nussbaum's pÉvry Cathedral (French: Cathédrale de la Résurrection d'Évry; "Évry Cathedral of the Resurrection") is a Roman Catholic church located in the new town of Évry (Essonne), France. The cathedral was designed by Swiss architect Mario Botta. It opened in 1995 and was consecrated and dedicated to Saint Corbinian in 1996. It is the only cathedral begun and completed in France in the 20th century.[1] rewar art. The second volume, which slices violently through the first, is made from concrete and contains the paintings Nussbaum made while in hiding from the Nazis. Dubbed "Nussbaum Gang," it evokes the cramped quarters in Brussels where Nussbaum painted his last canvasses. The metal volume displays the artist's newly discovered paintings.[5] The interior is labyrinthine and many paths lead to dead ends.[6] The museum's sides face three cities where Nussbaum studied art: Berlin, Rome, and Hamburg. The fourth side faces the concentration camp where he was killed. The galleries house approximately 160 of Nussbaum's paintings.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: The museum consists of three intersecting "volumes." The oak volume houses Nussbaum's prewar art. The second volume, which slices violently through the first, is made from concrete and contains the paintings Nussbaum made while in hiding from the Nazis. Dubbed "Nussbaum Gang," it evokes the cramped quarters in Brussels where Nussbaum painted his last canvasses. The metal volume displays the artist's newly discovered paintings.[5] The interior is labyrinthine and many paths lead to dead ends.[6] The museum's sides face three cities where Nussbaum studied art: Berlin, Rome, and Hamburg. The fourth side faces the concentration camp where he was killed. The galleries house approximately 160 of Nussbaum's paintings.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A cable-stayed bridge has one or more towers (or pylons), from which cables support the bridge deck. A distinctive feature are the cables or stays, which run directly from the tower to the deck, normally forming a fan-like pattern or a series of parallel lines. This is in contrast to the modern suspension bridge, where the cables supporting the deck are suspended vertically from the main cable, anchored at both ends of the bridge and running between the towers. The cable-stayed bridge is optimal for spans longer than cantilever bridges and shorter than suspension bridges. This is the range within which cantilever bridges would rapidly grow heavier, and suspension bridge cabling would be more costly.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Millau Viaduct is a multispan cable-stayed bridge completed in 2004 across the gorge valley of the Tarn near (west of) Millau in the Aveyron department in the Occitanie Region, in Southern France.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The ring-shaped building, advertised as "a perfect circle", was not originally planned as such. The inner rim and outer rim on each floor are left open as walkways. There are eight buildings, separated by nine mini-atria. The campus is one mile (1.6 km) in circumference, with a diameter of 1,512 feet (461 m). The one circular building houses most employees.[33] It is four stories above the ground and three stories underground.[34] Apple created life-size mock-ups of all parts of the building to analyze any design issues. The design hides the roads and parking spaces underground. The campus uses only glass for its walls and views of the inner courtyard as well as of the landscape facing the exterior of the building.[35][36] Around 83,000 square feet (7,700 m2) of space is for meetings and breakout spaces in the building. The inner part of the circular building contains a 30-acre (12 ha) park featuring a pond, with fruit trees and winding pathways inspired by California fruit orchards.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: It's got a gorgeous courtyard in the middle, and a lot more. It's a circle, so it's curved all the way round. This is not the cheapest way to build something. Every pane of glass in the main building will be curved. We have a shot at building the best office building in the world. I really do think that architecture students will come here to see it.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Apple Park is the corporate headquarters of Apple Inc., located in Cupertino, California, United States. It was opened to employees in April 2017, while construction was still underway, and superseded the original headquarters at 1 Infinite Loop, which opened in 1993.[7] The main building's scale and circular groundscraper design, by Norman Foster,[8] have earned the structure the media nickname "the spaceship".[9][10][11] Located on a suburban site totaling 1.46 km2 (360 acres), it houses more than 12,000 employees in one central four-story circular building of approximately 0.26 km2 (64 acres). Apple co-founder Steve Jobs wanted the campus to look less like a business park and more like a nature refuge; 80 percent of the site consists of green space planted with drought-resistant trees and plants indigenous to the Cupertino area, and the center courtyard of the main building features an artificial pond.
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