Prompt: An ethereal elven city built within the colossal branches of ancient, glowing trees. Bioluminescent flora illuminates the scene, casting soft, shifting light onto delicate elven architecture crafted from woven vines and polished moonwood. Tiny sprites with glowing wings flit between structures, leaving trails of stardust. The overall aesthetic is high fantasy concept art with a touch of Art Nouveau elegance, inspired by the detailed environments of Studio Ghibli films and the ethereal feel of Alphonse Mucha.
Prompt: Glorious white palace interior, grand throne room, futuristic architecture, holographic displays, imperial banners, stormtroopers in formation, Empress Izgaldina with white flowing hair, regal attire, elegant crown, confident posture, intricate throne design, high-tech weaponry, dramatic lighting, shadows cast on the marble floor, imposing atmosphere, digital illustration, detailed textures, vibrant color palette of whites, grays, and hints of royal purple, dynamic angles, cinematic composition, by a blend of J.J. Abrams and Ralph McQuarrie, ArtStation.
Prompt: An abstract geometric painting on a canvas, featuring an elaborate composition of circular, square, and rectangular shapes in various sizes and colors, including shades of blue, orange, yellow, red, brown, and gray, interconnected by an intricate network of curved and straight thin black lines, some forming spirals and concentric circles, all set against a clean white background with a visible kintsugi light-colored wooden border along the edges.
Prompt: strange old whimsical chopped sharp edges sharp-angled cracked medieval-gothic-style mirror hanged on the half-ruined wall of medieval tower interior; snow, autumn, sleeping princess reflecting in mirror, gothic ruins; complex composition, Detailed vector, pale colors palette, Pop surrealism, art by Ivan Bilibin, fantasy
Prompt: Create. Whimsical mixture.
Une femme agée d'environ 60 ans, souriante, cheveux courts, ondules, couleur blancs, portant une robe chic, couleur vert amande, avec de fantastiques broderies, une horloge en haut a gauche indique Minuit, Elle tient une coup de champagne dans sa main, Près d'elle, un arbre de Noel vert décoré de boules dorées et rouges..au pied de la table un chat blanc qui la regarde. Sur le bord de l'image il est ecrit "Happy New Year" en couleur doree et noir. .Ethereal fantasy, hyperdetailed mist, soft glowing light. Inspired by the romantic, luminous and the dreamy atmosphere.
Prompt: A majestic steampunk tortoise with intricate brass gears and clockwork mechanisms integrated into its shell, traversing a lush, overgrown forest floor. Sunlight filters through the dense canopy, dappling the mossy ground and illuminating dust motes in the air. The tortoise's eyes gleam with a faint, internal light. The style is a fusion of detailed steampunk aesthetics and a painterly, almost oil-on-canvas texture, reminiscent of the works of Ian McQue and the atmospheric lighting of Rembrandt.
Prompt: African American people, men, women kids, , Full color painting, a portrait of a Journey back after the hurricane, An elderly African American couple, woman and man, trying to find relatives stand looking out at a dusty, destroyed houses made of concrete, wood, and metal that are falling apart. They have come back after 11 months to see what is left of their home town. #cyclone #dilapidatedtown #girl #tricycle #woman #woodenpath A vintage painting sketch on aged antique parchment paper, rendered in 1930s poetic realism and social realism, depicting an empty town building abndoned Gustav Klimt, personage étranger, impasto, couteau à palette, dégradés de jaunes, bleus ,verts , rouges, sur fond noir, Klee, Kandinsky patchwork art by Jamie Heiden , . surreal by Magritte, ,an old street at sunset. The city buildings can be seen behind them. Life and times, The magical Make art game of fortune down an old Street 1938, The painting features delicate color block, expressive , muted colored accents, soft sepia undertones, and subtle smudging. In the softly atmospheric background, the details emerge with restrained architectural detail, suggested through tonal shading and depth perspective. The composition evokes nostalgia, dignity, and everyday humanity, influenced by the illustrative realism of Depicts the mundane lives, struggles, and experiences of common people rather than heroic or extraordinary figures, exploring daily realities. . -- ar 4:3 Modifiers: Edward Hopper Dante Gabriel Rossetti Bruegel Georges de La Tour
Prompt: A captivating full-body portrait of Miley Cyrus dressed as a Gothic Latex Femme. She exudes an air of mystery and allure, with a sleek black latex outfit that accentuates her figure. Her makeup is bold and dramatic, featuring dark eyeliner and deep red lips. Miley is elegantly posed, holding a cigarette between her fingers, with a seductive smile on her face. The background is dimly lit and atmospheric, with flickering candlelight casting shadows that enhance the gothic aesthetic. The overall vibe is one of sophistication and dark allure.
Prompt: Surrealism, A miniature Christmas tree with miniature Christmas tree decorations, a cat sleeping next to it, against a white canvas background, a woman smoking a lady's long pipe, wearing a sparkling diamond brooch on her white blouse, in the style of Pablo Picasso
Prompt: Pin up soviet retro poster stylish full body of a beautiful young female spy as a Soviet fashion icon of the 1960s Space Age. Happy new year entourage, She wears a stretch-style dress and exaggerated eyeliner, elegance posing next to a stylized Sputnik satellite, background of ornamental pattern's and lines, deep optical illusion, rich texture and color, perfect wide, long shot, dynamic like, immersing the viewer into the heart of the action, extremely detailed, extremely detailed texture, extremely deep background, extremely detailed background, filigree, impressive
Prompt: A monumental fine-art oil painting on canvas, symbolic and introspective, set in a vast, dimly lit train station that feels like a metaphysical threshold rather than a real place.
A solitary adult man, not heroic, slightly bent by an invisible lateral force, adjusts the parting of his hair with one hand while holding a worn suitcase with the other. His gesture is small, precise, almost awkward — a ritual of control before the unknown. His posture suggests balance rather than strength.
The station architecture is grand but ambiguous: iron arches, glass vaults, and shadowed corridors dissolve into mist. Time is not linear — behind and around him float exposed mechanical clock mechanisms, marine chronometers with springs, counterweights and gyroscopic systems designed to compensate roll, painted with loving mechanical precision. They do not dominate the scene; they quietly work.
Light enters laterally, cold and analytical, illuminating edges without guiding direction. It reveals surfaces but refuses to lead. Reflections multiply subtly: a small convex mirror embedded in the architecture reflects the entire scene and includes the viewer inside it.
In the background, glass buildings shimmer like fragile temples of modernity — beautiful, clean, but visibly delicate. Their transparency feels vulnerable, almost brittle. Nearby, anonymous figures linger at the margins: ordinary people, worn faces, persistent presences — not victims, not protagonists, simply there. They are partially obscured by scale and perspective, morally central yet compositionally displaced.
A neutral, grey authority figure appears indistinctly — observing, controlling, yet subtly lost. Surveillance increases, meaning decreases. The atmosphere carries restrained pressure, unspoken tension, accumulated weight rather than explosion.
Color palette: restrained and serious — warm greys, iron blues, muted ochres, dirty whites, touches of deep red as contained energy, never decorative. Brushwork is layered, material, visible, with oil texture and depth; no smooth digital finish.
The overall mood is contemplative, ethical, and adult — not nostalgic, not dramatic, not illustrative.
The painting conveys the idea of time as oscillation, maturity as precision within movement, courage as inner posture, technology as ambiguous extension of human will, and humanity as a task rather than a victory.
Style references (implicit, not explicit):
late Turner atmosphere, muted Hopper solitude, moral density of Goya’s late works, Northern Renaissance attention to symbolic detail, contemporary museum-grade realism.
Ultra-high resolution, museum quality, fine-art oil painting, timeless, serious, non-sentimental, morally charged.
Prompt: A monumental fine-art oil painting on canvas, symbolic and introspective, set in a vast, dimly lit train station that feels like a metaphysical threshold rather than a real place.
A solitary adult man, not heroic, slightly bent by an invisible lateral force, adjusts the parting of his hair with one hand while holding a worn suitcase with the other. His gesture is small, precise, almost awkward — a ritual of control before the unknown. His posture suggests balance rather than strength.
The station architecture is grand but ambiguous: iron arches, glass vaults, and shadowed corridors dissolve into mist. Time is not linear — behind and around him float exposed mechanical clock mechanisms, marine chronometers with springs, counterweights and gyroscopic systems designed to compensate roll, painted with loving mechanical precision. They do not dominate the scene; they quietly work.
Light enters laterally, cold and analytical, illuminating edges without guiding direction. It reveals surfaces but refuses to lead. Reflections multiply subtly: a small convex mirror embedded in the architecture reflects the entire scene and includes the viewer inside it.
In the background, glass buildings shimmer like fragile temples of modernity — beautiful, clean, but visibly delicate. Their transparency feels vulnerable, almost brittle. Nearby, anonymous figures linger at the margins: ordinary people, worn faces, persistent presences — not victims, not protagonists, simply there. They are partially obscured by scale and perspective, morally central yet compositionally displaced.
A neutral, grey authority figure appears indistinctly — observing, controlling, yet subtly lost. Surveillance increases, meaning decreases. The atmosphere carries restrained pressure, unspoken tension, accumulated weight rather than explosion.
Color palette: restrained and serious — warm greys, iron blues, muted ochres, dirty whites, touches of deep red as contained energy, never decorative. Brushwork is layered, material, visible, with oil texture and depth; no smooth digital finish.
The overall mood is contemplative, ethical, and adult — not nostalgic, not dramatic, not illustrative.
The painting conveys the idea of time as oscillation, maturity as precision within movement, courage as inner posture, technology as ambiguous extension of human will, and humanity as a task rather than a victory.
Style references (implicit, not explicit):
late Turner atmosphere, muted Hopper solitude, moral density of Goya’s late works, Northern Renaissance attention to symbolic detail, contemporary museum-grade realism.
Ultra-high resolution, museum quality, fine-art oil painting, timeless, serious, non-sentimental, morally charged.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A ginger-haired young woman standing alone in a small kitchen at night. Only one overhead light is on. The room feels quiet and unfinished. Her hair is painted with bold Mixing Palette Knife strokes and thick Impasto texture in copper and burnt orange tones. Her face and skin are softer, partially glazed, calm and introspective.
The background is minimal and abstract, created with transparent Glazing layers and loose colored ink wash in muted blues and warm yellows, with ink bleeding and dripping naturally. The ink does not define objects clearly, it suggests silence and time. Painterly, expressive, imperfect, emotional. Fine art style, no realism, no sharp outlines.
Prompt: Ancient rocks, old trees, a Japanese pagoda in a mountain crevice, fog, rain, wet on wet, an imitation of the art of Japanese masters of painting.
Prompt: A group of octopuses are seen wandering in a futuristic ocean at the bottom of the ocean, a mysterious house in the shape of a submarine and beautiful corals in the background. The image will be in a neon version
Prompt: A house in the shape of a spaceship, silver and beautiful, on the seashore, the house is large and luxurious and futuristic, 5 floors, with a balcony facing the sea, small boats in the sea, a sunny day with sun rays.
The camera will be from the sea towards the house.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
