Prompt: ((((Masterpiece)))), a multi-block color woodcut and linocut print in a lively, graphic folk-art style. A joyful winter scene bursts with energy and movement. A woman with short, white hair is the dynamic focal point, her form defined by a master key block of strong, active lines. She wears a cozy brown jacket and colorful striped leg warmers, rendered as bold bands of red, green, and blue. She leans forward with effort and joy, pulling a sleigh overflowing with laughing children, their faces carved with simple, expressive smiles. The snowy landscape is a textured expanse of untouched white paper and subtle, stippled shadows in pale blue. Countless falling snowflakes are scattered throughout as tiny, intricate dots and crosses. Behind them, other children gleefully slide down a hill on sleds, their figures captured in dynamic, tilted poses that convey speed and excitement. They all wear warm winter clothing and hats in a vibrant mix of flat, cheerful colors. Tall, bare trees stand in the background, their branches etched with sharp, delicate lines. Soft, warm sunlight filters through, suggested by radiating lines of pale yellow and gold ink that cut through the cool blues and whites of the scene. The overall atmosphere is one of pure, festive cheer. The composition is busy and harmonious, capturing the essence of a communal winter adventure through the balanced contrast of warm and cool colors, rhythmic patterns, and the textured, hand-crafted charm of printmaking. Graphic style, linocut, woodcut, key block, bold outlines, flat colors, folk art, vibrant, atmospheric, textured, stylistic, winter joy.
Prompt: ((((Masterpiece)))), a multi-block color woodcut and linocut print in a lively, graphic folk-art style. A joyful winter scene bursts with energy and movement. A woman with short, white hair is the dynamic focal point, her form defined by a master key block of strong, active lines. She wears a cozy brown jacket and colorful striped leg warmers, rendered as bold bands of red, green, and blue. She leans forward with effort and joy, pulling a sleigh overflowing with laughing children, their faces carved with simple, expressive smiles. The snowy landscape is a textured expanse of untouched white paper and subtle, stippled shadows in pale blue. Countless falling snowflakes are scattered throughout as tiny, intricate dots and crosses. Behind them, other children gleefully slide down a hill on sleds, their figures captured in dynamic, tilted poses that convey speed and excitement. They all wear warm winter clothing and hats in a vibrant mix of flat, cheerful colors. Tall, bare trees stand in the background, their branches etched with sharp, delicate lines. Soft, warm sunlight filters through, suggested by radiating lines of pale yellow and gold ink that cut through the cool blues and whites of the scene. The overall atmosphere is one of pure, festive cheer. The composition is busy and harmonious, capturing the essence of a communal winter adventure through the balanced contrast of warm and cool colors, rhythmic patterns, and the textured, hand-crafted charm of printmaking. Graphic style, linocut, woodcut, key block, bold outlines, flat colors, folk art, vibrant, atmospheric, textured, stylistic, winter joy.
Prompt: Create a very simple sketch-style digital painting, inspired by beefolkian visual symphonies, illustrating: “very simple sketch of the girl with a pearl earring, mixed media.” the work should blend the complimentary color dynamism of the starry night with the light pastel, leafy folkart charm of gaelic folklore, rendered in the art styles of kaethe butcher and pierre-auguste renoir. richard burlet meets christian schloe in a work simulating mixed media quilling, pastel, aquarelle, oil, and pen-and-ink detail all rendered in unreal engine for crisp, luminous, cinematic quality. blend impressionism with modern hyperbolic and psychosomatic surrealism. a highly detailed, very attractive, and beautiful portrait emerges, set against a breathing, whispering background. dynamic, volumetric lighting falls like soft, tangible rays, morphing into shy, shimmering shapes memory-fragments or imagined companions. color palette: light pastels and complimentary colors, pierced by sudden, glossy highlights of unreal gold and ethereal pink (think: shiny happy people meets habemus blasphemous respawned pokemon shimmer). integrate a subtle beefolkian visual rhythm in the brushstrokes, as if the scene is quietly humming to itself. one small, glossy, almost “shiny” creature like a respawned memory or a blasphemous comfort peeks from a shadow, a playful yet uneasy presence emerging from the mind’s solitude. the result should be surreal, intimate, colourful, and emotionally resonant, functioning as a wallpaper-worthy piece where beauty feels both dynamic and strangely alive.
Prompt: Create a very simple sketch-style digital painting, inspired by beefolkian visual symphonies, illustrating: “very simple sketch of the girl with a pearl earring, mixed media.” the work should blend the complimentary color dynamism of the starry night with the light pastel, leafy folkart charm of gaelic folklore, rendered in the art styles of kaethe butcher and pierre-auguste renoir. richard burlet meets christian schloe in a work simulating mixed media quilling, pastel, aquarelle, oil, and pen-and-ink detail all rendered in unreal engine for crisp, luminous, cinematic quality. blend impressionism with modern hyperbolic and psychosomatic surrealism. a highly detailed, very attractive, and beautiful portrait emerges, set against a breathing, whispering background. dynamic, volumetric lighting falls like soft, tangible rays, morphing into shy, shimmering shapes memory-fragments or imagined companions. color palette: light pastels and complimentary colors, pierced by sudden, glossy highlights of unreal gold and ethereal pink (think: shiny happy people meets habemus blasphemous respawned pokemon shimmer). integrate a subtle beefolkian visual rhythm in the brushstrokes, as if the scene is quietly humming to itself. one small, glossy, almost “shiny” creature like a respawned memory or a blasphemous comfort peeks from a shadow, a playful yet uneasy presence emerging from the mind’s solitude. the result should be surreal, intimate, colourful, and emotionally resonant, functioning as a wallpaper-worthy piece where beauty feels both dynamic and strangely alive.
Prompt: Create a very simple sketch-style digital painting, inspired by beefolkian visual symphonies, illustrating: “very simple sketch of the girl with a pearl earring, mixed media.” the work should blend the complimentary color dynamism of the starry night with the light pastel, leafy folkart charm of gaelic folklore, rendered in the art styles of kaethe butcher and pierre-auguste renoir. richard burlet meets christian schloe in a work simulating mixed media—quilling, pastel, aquarelle, oil, and pen-and-ink detail all rendered in unreal engine for crisp, luminous, cinematic quality. blend impressionism with modern hyperbolic and psychosomatic surrealism. a highly detailed, very attractive, and beautiful portrait emerges, set against a breathing, whispering background. dynamic, volumetric lighting falls like soft, tangible rays, morphing into shy, shimmering shapes memory-fragments or imagined companions. color palette: light pastels and complimentary colors, pierced by sudden, glossy highlights of unreal gold and ethereal pink (think: shiny happy people meets habemus blasphemous respawned pokemon shimmer). integrate a subtle beefolkian visual rhythm in the brushstrokes, as if the scene is quietly humming to itself. one small, glossy, almost “shiny” creature like a respawned memory or a blasphemous comfort peeks from a shadow, a playful yet uneasy presence emerging from the mind’s solitude. the result should be surreal, intimate, colourful, and emotionally resonant, functioning as a wallpaper-worthy piece where beauty feels both dynamic and strangely alive.
Prompt: Create a very simple sketch-style digital painting, inspired by beefolkian visual symphonies, illustrating: “very simple sketch of the girl with a pearl earring, mixed media.” the work should blend the complimentary color dynamism of the starry night with the light pastel, leafy folkart charm of gaelic folklore, rendered in the art styles of kaethe butcher and pierre-auguste renoir. richard burlet meets christian schloe in a work simulating mixed media—quilling, pastel, aquarelle, oil, and pen-and-ink detail all rendered in unreal engine for crisp, luminous, cinematic quality. blend impressionism with modern hyperbolic and psychosomatic surrealism. a highly detailed, very attractive, and beautiful portrait emerges, set against a breathing, whispering background. dynamic, volumetric lighting falls like soft, tangible rays, morphing into shy, shimmering shapes memory-fragments or imagined companions. color palette: light pastels and complimentary colors, pierced by sudden, glossy highlights of unreal gold and ethereal pink (think: shiny happy people meets habemus blasphemous respawned pokemon shimmer). integrate a subtle beefolkian visual rhythm in the brushstrokes, as if the scene is quietly humming to itself. one small, glossy, almost “shiny” creature like a respawned memory or a blasphemous comfort peeks from a shadow, a playful yet uneasy presence emerging from the mind’s solitude. the result should be surreal, intimate, colourful, and emotionally resonant, functioning as a wallpaper-worthy piece where beauty feels both dynamic and strangely alive.
Prompt: Create a minimalistic expressionistic painting with volumetric lighting, inspired by beefolkian visual symphonies. The work should illustrate: “Solitude can do funny things to the mind.” Richard Burlet meets Christian Schloe
digital painting simulating oil on canvas with acrylic and watercolor washes, enhanced by pen-and-ink detail — all rendered in Unreal Engine for crisp, luminous quality. Impressionism blended with modern hyperbolic surrealism and psychosomatic surrealism. A solitary, faintly distorted figure sits in a room where the walls breathe with faint, whispering patterns. Volumetric light falls through an unseen window, casting soft, tangible rays that morph into shy, shimmering shapes perhaps memory-fragments or imagined companions.
Color palette: muted melancholic blues and grays, pierced by sudden, glossy highlights of unreal gold and ethereal pink (think: Shiny Happy People meets HABEMUS BLASPHEMOUS RESPAWNED POKEMON shimmer). Subtle beefolkian visual rhythm in the brushstrokes, as if the scene is quietly humming to itself.
One small, glossy, almost “shiny” creature like a respawned memory or a blasphemous comfort peeks from a shadow, a playful yet uneasy presence emerging from the mind’s solitude. surreal, intimate, crisp, and emotionally resonant where loneliness feels both heavy and strangely alive.
Prompt: A mysterious young woman stands amidst a lush, tropical rainforest. She has long, dark hair and is wearing a flowing green dress adorned with intricate patterns. Her outfit is complemented by a large, ornate straw hat. Surrounding her are dense foliage and vibrant green leaves, with a serene stream in the background. Sunlight filters through the trees, creating a magical atmosphere. The scene evokes a sense of tranquility and connection to nature, blending elements of fantasy and realism.
Prompt: A masterpiece of pastel graphics. A symbolic portrait of transition. As realistic as possible in its rendering of texture and form. Executed in the style of Edgar Degas, utilizing soft pastel on textured paper to capture a candid, almost voyeuristic moment of profound change. The scene depicts Silvester (the Old Year) and Baby Atlas (the New Year). Silvester is portrayed as a fading figure, his form not solid but constructed from the ephemera of the passing year. His features and hair are suggested by intricately drawn, decaying lace, withered holly, and the faint, ghostly patterns of spent fireworks. This delicate, surreal morbidity is rendered with Degas's unparalleled skill in depicting fabric and shadow, using a palette of ashes, dusty greys, and faded gold. He dissolves into the background, his edges soft and lost. Baby Atlas emerges from this haze, a potent contrast. His tiny, robust form is rendered with bold, sculptural strokes of pastel, his skin glowing with the vibrant, hopeful hues of new life peach, cream, and a faint, luminous blue. He is the source of light in the composition, his solid, rounded limbs pushing against the gloom, modeled with a realistic weight and presence. The fragmented background is in various shades of blue, from a deep, midnight expanse behind Silvester to shards of dawn sky and clear celestial blue around Baby Atlas. These fragments are blurred and blended in the pastel medium, creating a cosmic, atmospheric depth that emphasizes the transition from dissolution to solid, luminous potential. Modifiers: portrait masterpiece, Edgar Degas, pastel graphics, symbolic transition, realistic texture, dissolving form, luminous contrast, cosmic background.
Prompt: Masterpiece, a delicate ink and watercolor wash rendering on rough handmade paper. A serene and ethereal jungle scene unfolds in a graceful, screen-filling composition. A woman stands with quiet confidence by the edge of a calm pond, her figure defined by elegant, flowing lines. She wears a flowing pink dress, its soft hue rendered in translucent washes of rose and blush, overlaid with intricate black lace patterns that are meticulously drawn with fine, precise quill strokes. Around her, the jungle is a tapestry of lush greenery. Tall palm fronds and broad tropical leaves are evoked through layered washes of emerald, viridian, and olive, their textures suggested by varied inkwork. Gentle waterfalls cascade over smooth, dark rocks in the background, their flow captured with soft, vertical strokes of pale cerulean and silver. The atmosphere is deeply tranquil. A soft, diffused light filters through the canopy, illuminating the woman's form and creating dappled reflections on the pond's still surface. The overall palette harmonizes the delicate pink and black of her dress with the deep, vibrant greens and cool blues of the jungle, resulting in an award-winning vision of peaceful elegance nestled within the heart of nature.
Prompt: A surreal scene featuring a woman in a striking red dress standing in a lush, overgrown environment. She has long, flowing hair and an enigmatic expression. Beside her is a large, wolf-like dog with striking blue eyes, its posture blending seamlessly with the bold elements of the landscape. The background features a dense, mysterious jungle with hints of water and abstract shapes, evoking a dreamlike atmosphere. The overall color palette includes deep greens, reds, and blues, creating a contrast between the vibrant figure and the natural surroundings.
Prompt: ((((Masterpiece)))), a multi-block linocut and woodcut print in a raw, graphic, and symbolic style. The scene depicts the turning of the year in a vibrant, urban setting. In the foreground, Silvester (the Old Year) departs. He is depicted as a weary but noble figure, his form defined by a chaotic key block of scratching, splashing, and fading lines. He is dressed in the remnants of celebration a tattered, ornate coat rendered with deep, cross-hatched textures. He turns away, melting into the foggy background, which is created with layered transparent greys and deep horizontal grooves. Entering the scene to replace him is a small boy, Baby Atlas, representing the New Year. His form is defined by a clean, bold key block of sharp, hopeful lines. He is a tiny, powerful silhouette, already bearing the weight and promise of the future on his small shoulders. He is rendered with flat, vibrant color fields of pure white and gold, symbolizing a blank slate and new light. The environment merges both described scenes. He stands at the edge of the bustling weekly market, where the cheerful old vendor's stall now holds not just apples, but symbolic objects: an hourglass, a unopened scroll. The silhouettes of the celebrating crowds are blurred into overlapping, joyful shapes. The color palette is a dramatic clash: the moody, dark blues and greys of the departing year against the vibrant, electric colors (reds, yellows, blues) of celebration and hope. The style merges the textural rawness and chiaroscuro of the departure with the graphic boldness and flat colors of new arrival. The atmosphere is one of poignant transition exhaustion giving way to pure potential captured through the high-contrast, layered, and hand-crafted power of printmaking. Graphic style, linocut, woodcut, key block, bold outlines, high-contrast, textured, symbolic, atmospheric, urban, stylistic, transition.
Prompt: A masterpiece of pastel graphics. A symbolic portrait of transition. As realistic as possible in its rendering of texture and form. Executed in the style of Edgar Degas, utilizing soft pastel on textured paper to capture a candid, almost voyeuristic moment of profound change. The scene depicts Silvester (the Old Year) and Baby Atlas (the New Year). Silvester is portrayed as a fading figure, his form not solid but constructed from the ephemera of the passing year. His features and hair are suggested by intricately drawn, decaying lace, withered holly, and the faint, ghostly patterns of spent fireworks. This delicate, surreal morbidity is rendered with Degas's unparalleled skill in depicting fabric and shadow, using a palette of ashes, dusty greys, and faded gold. He dissolves into the background, his edges soft and lost. Baby Atlas emerges from this haze, a potent contrast. His tiny, robust form is rendered with bold, sculptural strokes of pastel, his skin glowing with the vibrant, hopeful hues of new life peach, cream, and a faint, luminous blue. He is the source of light in the composition, his solid, rounded limbs pushing against the gloom, modeled with a realistic weight and presence. The fragmented background is in various shades of blue, from a deep, midnight expanse behind Silvester to shards of dawn sky and clear celestial blue around Baby Atlas. These fragments are blurred and blended in the pastel medium, creating a cosmic, atmospheric depth that emphasizes the transition from dissolution to solid, luminous potential. Modifiers: portrait masterpiece, Edgar Degas, pastel graphics, symbolic transition, realistic texture, dissolving form, luminous contrast, cosmic background.
Prompt: A masterpiece of pastel graphics. A symbolic portrait of transition. As realistic as possible in its rendering of texture and form. Executed in the style of Edgar Degas, utilizing soft pastel on textured paper to capture a candid, almost voyeuristic moment of profound change. The scene depicts Silvester (the Old Year) and Baby Atlas (the New Year). Silvester is portrayed as a fading figure, his form not solid but constructed from the ephemera of the passing year. His features and hair are suggested by intricately drawn, decaying lace, withered holly, and the faint, ghostly patterns of spent fireworks. This delicate, surreal morbidity is rendered with Degas's unparalleled skill in depicting fabric and shadow, using a palette of ashes, dusty greys, and faded gold. He dissolves into the background, his edges soft and lost. Baby Atlas emerges from this haze, a potent contrast. His tiny, robust form is rendered with bold, sculptural strokes of pastel, his skin glowing with the vibrant, hopeful hues of new life peach, cream, and a faint, luminous blue. He is the source of light in the composition, his solid, rounded limbs pushing against the gloom, modeled with a realistic weight and presence. The fragmented background is in various shades of blue, from a deep, midnight expanse behind Silvester to shards of dawn sky and clear celestial blue around Baby Atlas. These fragments are blurred and blended in the pastel medium, creating a cosmic, atmospheric depth that emphasizes the transition from dissolution to solid, luminous potential. Modifiers: portrait masterpiece, Edgar Degas, pastel graphics, symbolic transition, realistic texture, dissolving form, luminous contrast, cosmic background.
Prompt: A masterpiece of pastel graphics. Portrait. As realistic as possible. Executed in the spirit of Edgar Degas, with his unparalleled sensitivity to texture and candid intimacy. The medium is soft pastel on a heavy, textured paper, its tooth capturing every granular stroke. The subject is a young, beautiful girl, her features possessing the idealized yet plausible beauty of an anime heroine brought into perfect reality. Her short blonde hair is a study in layered luminosity not a solid yellow, but a tapestry of champagne, wheat, and pale ash, with individual strands suggested by deft, precise strokes over a blurred under-layer. Her blue eyes are deep and clear, their irises built from cerulean and cobalt, holding a playful look that engages the viewer directly. A subtle, playful smile touches her lips, caught in a natural, unposed moment. Her face is an oblong oval, elegantly thin with softly sunken cheeks that create delicate shadows modeled with infinite care no harsh lines, only the gentle transition of cool greys and lavenders into warm peach. She wears the distinctive, stylish clothes of an anime heroine perhaps a tailored jacket with unusual seams or a futuristic bodice rendered with realistic fabric texture but fantastical design. The fragmented background is in various shades of blue, from misty powder to deep indigo. These abstract shapes, like shattered stained glass or floating ice, are softly blurred, using Degas’s technique of lost edges to make the figure emerge with vivid, tangible presence from the dreamlike atmosphere. The focus is absolute on the hyper-realistic, tactile quality of the face and hair, a breathtaking illusion of life created solely with the dry, powdery medium of pastel.
Prompt: Masterpiece, a multi-block color woodcut and linocut print in a vibrant, graphic style. A group of villagers stands amidst tall grass during the harvest season, their forms defined by a clean, bold key block that outlines each figure with sharp, deliberate lines. Masterpiece, a multi-block linocut and woodcut print in a raw, expressive style. A close-up, dynamic scene is carved and printed with aggressive, gestural force. A glamorous woman with a short ice-white pixie cut is the focal point, her form defined by a chaotic key block of scratching, splashing, and irregular squiggly lines. Her figure, captured mid-stride with confident energy, is rendered with evocative, coarse brush stroke-like gouges. She stands at a market stall on a cold, gray morning, her breath suggested by swirls of fine, misty stippling in the air. She wears an old suede jacket with a fur collar, baggy jeans, and Chucks, their textures created through varied hatching and splattered ink. Her tired expression is carved with intricate, precise detail. The background features the bustling weekly market. The silhouettes of houses and crowds of people are blurred into suggestive, overlapping shapes through deep, horizontal grooves and layered transparent inks, emulating fog. A cheerful old German vendor and his apple stall are depicted with sharper, more defined cuts.
The color palette is a dramatic contrast of vibrant, impasto-like fields of color the red of apples, the blue of her jeans against a dark, moody background. The style merges the chiaroscuro of Caravaggio with the textural rawness of printmaking, creating a breathtaking, atmospheric urban snapshot. Graphic style, linocut, woodcut, key block, bold outlines, high-contrast, textured, atmospheric, urban, raw, stylistic. Graphic style, linocut, woodcut, key block, bold outlines, flat colors, vibrant, intricate, stylistic, modern illustrative, harvest theme.
Prompt: ((((Masterpiece)))), a multi-block linocut and woodcut print in a raw, graphic, and symbolic style. The scene depicts the turning of the year in a vibrant, urban setting. In the foreground, Silvester (the Old Year) departs. He is depicted as a weary but noble figure, his form defined by a chaotic key block of scratching, splashing, and fading lines. He is dressed in the remnants of celebration a tattered, ornate coat rendered with deep, cross-hatched textures. He turns away, melting into the foggy background, which is created with layered transparent greys and deep horizontal grooves. Entering the scene to replace him is a small boy, Baby Atlas, representing the New Year. His form is defined by a clean, bold key block of sharp, hopeful lines. He is a tiny, powerful silhouette, already bearing the weight and promise of the future on his small shoulders. He is rendered with flat, vibrant color fields of pure white and gold, symbolizing a blank slate and new light. The environment merges both described scenes. He stands at the edge of the bustling weekly market, where the cheerful old vendor's stall now holds not just apples, but symbolic objects: an hourglass, a unopened scroll. The silhouettes of the celebrating crowds are blurred into overlapping, joyful shapes. The color palette is a dramatic clash: the moody, dark blues and greys of the departing year against the vibrant, electric colors (reds, yellows, blues) of celebration and hope. The style merges the textural rawness and chiaroscuro of the departure with the graphic boldness and flat colors of new arrival. The atmosphere is one of poignant transition exhaustion giving way to pure potential captured through the high-contrast, layered, and hand-crafted power of printmaking. Graphic style, linocut, woodcut, key block, bold outlines, high-contrast, textured, symbolic, atmospheric, urban, stylistic, transition.
Prompt: (Masterpiece), (("A vibrant illustration featuring a Asia girl with long black hair, wearing a colorful dress adorned with circles, standing above swirling waves, surrounded by a dreamlike landscape of buildings and celestial orbs. The atmosphere evokes a serene autumnal reverie—minimalist yet richly textured—captured in an impressionist aquarelle style that conveys tranquility, elegance, and timeless beauty)), Inspired by the style illustrations of Edward Gorey and Tomasz Setowski, Use stunning colorful oil drawing, As if created By Alex Maleev, Malcolm Liepke, David Downton, Léon Bakst, Gustav Klimt, Henri de Toulouse Lautrec, Jacek Malczewski. Modifiers: elegant Award winning photography fantasy bright studio setting intricate 8k masterpiece photorealistic beautiful award winning fantastic view hyperrealistic high definition crisp quality colourful Ultra realistic
Prompt: (Masterpiece), (("A vibrant illustration featuring a Asia girl with long black hair, wearing a colorful dress adorned with circles, standing above swirling waves, surrounded by a dreamlike landscape of buildings and celestial orbs. The atmosphere evokes a serene autumnal reverie—minimalist yet richly textured—captured in an impressionist aquarelle style that conveys tranquility, elegance, and timeless beauty)), Inspired by the style illustrations of Edward Gorey and Tomasz Setowski, Use stunning colorful oil drawing, As if created By Alex Maleev, Malcolm Liepke, David Downton, Léon Bakst, Gustav Klimt, Henri de Toulouse Lautrec, Jacek Malczewski. Modifiers: elegant Award winning photography fantasy bright studio setting intricate 8k masterpiece photorealistic beautiful award winning fantastic view hyperrealistic high definition crisp quality colourful Ultra realistic
Prompt: (Masterpiece), (("A vibrant illustration featuring a Asia girl with long black hair, wearing a colorful dress adorned with circles, standing above swirling waves, surrounded by a dreamlike landscape of buildings and celestial orbs. The atmosphere evokes a serene autumnal reverie—minimalist yet richly textured—captured in an impressionist aquarelle style that conveys tranquility, elegance, and timeless beauty)), Inspired by the style illustrations of Edward Gorey and Tomasz Setowski, Use stunning colorful oil drawing, As if created By Alex Maleev, Malcolm Liepke, David Downton, Léon Bakst, Gustav Klimt, Henri de Toulouse Lautrec, Jacek Malczewski. Modifiers: elegant Award winning photography fantasy bright studio setting intricate 8k masterpiece photorealistic beautiful award winning fantastic view hyperrealistic high definition crisp quality colourful Ultra realistic
Prompt: (Masterpiece), (("A vibrant illustration featuring a Asia girl with long black hair, wearing a colorful dress adorned with circles, standing above swirling waves, surrounded by a dreamlike landscape of buildings and celestial orbs. The atmosphere evokes a serene autumnal reverie—minimalist yet richly textured—captured in an impressionist aquarelle style that conveys tranquility, elegance, and timeless beauty)), Inspired by the style illustrations of Edward Gorey and Tomasz Setowski, Use stunning colorful oil drawing, As if created By Alex Maleev, Malcolm Liepke, David Downton, Léon Bakst, Gustav Klimt, Henri de Toulouse Lautrec, Jacek Malczewski. Modifiers: elegant Award winning photography fantasy bright studio setting intricate 8k masterpiece photorealistic beautiful award winning fantastic view hyperrealistic high definition crisp quality colourful Ultra realistic
Prompt: (Masterpiece), (("A vibrant illustration featuring a Asia girl with long black hair, wearing a colorful dress adorned with circles, standing above swirling waves, surrounded by a dreamlike landscape of buildings and celestial orbs. The atmosphere evokes a serene autumnal reverie minimalist yet richly textured captured in an impressionist aquarelle style that conveys tranquility, elegance, and timeless beauty)), Inspired by the style illustrations of Edward Gorey and Tomasz Setowski, Use stunning colorful oil drawing, As if created By Alex Maleev, Malcolm Liepke, David Downton, Léon Bakst, Gustav Klimt, Henri de Toulouse Lautrec, Jacek Malczewski. Modifiers: elegant Award winning photography fantasy bright studio setting intricate 8k masterpiece photorealistic beautiful award winning fantastic view hyperrealistic high definition crisp quality colourful Ultra realistic
Prompt: (((Masterpiece))), a delicate ink and watercolor wash rendering on rough handmade paper in a graceful, screen-filling composition, fusing the styles of the named masters. The scene depicts the Magi's journey with profound symbolism and intricate beauty. The Three Kings are presented in sharp, elegant focus: A king from Arabia, with a brown, finely detailed face and bright shining eyes, wears a long robe and turban rendered with the organic, flowing patterns of Ernst Haeckel and the shimmering gold leaf of Klimt. A king with a European complexion, his white face finely detailed with bright eyes, wears a crown and robes adorned with the whimsical, botanical detail of Daniel Merriam. A king with a black African face, finely detailed with shining eyes, wears an ornate headdress and long robe, his attire patterned with the vibrant, floral exuberance of Yvonne Coomber. They proceed reverently toward the distant stable. In the background, their camels stand immaculate and anatomically correct, rendered with the pastoral precision of Myles Birket Foster and the soft, romantic light of Mark Keathley. The atmosphere is one of mystical journey. The landscape is alive with intricate, Haeckelian patterns in the flora and starry sky, while the kings' robes dissolve into swirling, decorative Art Nouveau motifs. The overall mood is one of sacred wonder and unity, an award-winning piece where diverse artistic visions harmonize to tell a timeless story of pilgrimage and revelation.
Prompt: (((Masterpiece))), a delicate ink and watercolor wash rendering on rough handmade paper in a graceful, screen-filling composition, fusing the styles of the named masters. The scene depicts the Magi's journey with profound symbolism and intricate beauty. The Three Kings are presented in sharp, elegant focus: A king from Arabia, with a brown, finely detailed face and bright shining eyes, wears a long robe and turban rendered with the organic, flowing patterns of Ernst Haeckel and the shimmering gold leaf of Klimt. A king with a European complexion, his white face finely detailed with bright eyes, wears a crown and robes adorned with the whimsical, botanical detail of Daniel Merriam. A king with a black African face, finely detailed with shining eyes, wears an ornate headdress and long robe, his attire patterned with the vibrant, floral exuberance of Yvonne Coomber. They proceed reverently toward the distant stable. In the background, their camels stand immaculate and anatomically correct, rendered with the pastoral precision of Myles Birket Foster and the soft, romantic light of Mark Keathley. The atmosphere is one of mystical journey. The landscape is alive with intricate, Haeckelian patterns in the flora and starry sky, while the kings' robes dissolve into swirling, decorative Art Nouveau motifs. The overall mood is one of sacred wonder and unity, an award-winning piece where diverse artistic visions harmonize to tell a timeless story of pilgrimage and revelation.
Prompt: ((((Masterpiece)))), a multi-block woodcut and linocut print in a hyperrealistic, surreal, and volumetric graphic style. The image is a study of spectral presence and psychological tension, rendered with impossible precision in the physical medium of print. The "Invisible Ghost" is made terrifyingly visible not through transparency, but through extreme, sculptural displacement of its environment. It is defined by a master key block of impossibly fine, undulating lines that carve a humanoid void into the center of the composition. This ghost is not empty space, but a lens of warped reality. The richly detailed background a Zurbarán-like interior of heavy drapery and stone is violently distorted within the ghost's form. Intricate patterns on a tapestry swirl into fractal vortices; the grain of a wooden table bends into sine waves. This distortion is carved with obsessive, microscopic detail. The ghost's surface has a tactile, 3D texture of luminous, oily rainbows and shimmering, DMT-like patterns, achieved through layered metallic inks and iridescent foils that shift with the light. Volumetric lighting, carved as deep, radial grooves, seems to emit from within the specter, casting hyper-realistic shadows and ambient occlusion on the undisturbed surroundings. The palette is one of vivid, unnatural colors electric violets, toxic greens, and deep carmine clashing with the earthy, classic tones of the room. The overall effect is a crisp, unreal engine-quality illusion of a three-dimensional entity composed of pure, warped light and information, rendered through the tactile, high-contrast, and texturally rich language of woodcut and linocut. Graphic style, linocut, woodcut, key block, bold outlines, iridescent colors, surreal, hyper-detailed, volumetric, atmospheric, high-contrast, textured, stylistic, psychological horror.
Prompt: ((((Masterpiece)))), a multi-block woodcut and linocut print in a hyperrealistic, surreal, and volumetric graphic style. The image is a study of spectral presence and psychological tension, rendered with impossible precision in the physical medium of print. The "Invisible Ghost" is made terrifyingly visible not through transparency, but through extreme, sculptural displacement of its environment. It is defined by a master key block of impossibly fine, undulating lines that carve a humanoid void into the center of the composition. This ghost is not empty space, but a lens of warped reality. The richly detailed background a Zurbarán-like interior of heavy drapery and stone is violently distorted within the ghost's form. Intricate patterns on a tapestry swirl into fractal vortices; the grain of a wooden table bends into sine waves. This distortion is carved with obsessive, microscopic detail. The ghost's surface has a tactile, 3D texture of luminous, oily rainbows and shimmering, DMT-like patterns, achieved through layered metallic inks and iridescent foils that shift with the light. Volumetric lighting, carved as deep, radial grooves, seems to emit from within the specter, casting hyper-realistic shadows and ambient occlusion on the undisturbed surroundings. The palette is one of vivid, unnatural colors electric violets, toxic greens, and deep carmine clashing with the earthy, classic tones of the room. The overall effect is a crisp, unreal engine-quality illusion of a three-dimensional entity composed of pure, warped light and information, rendered through the tactile, high-contrast, and texturally rich language of woodcut and linocut. Graphic style, linocut, woodcut, key block, bold outlines, iridescent colors, surreal, hyper-detailed, volumetric, atmospheric, high-contrast, textured, stylistic, psychological horror.
Prompt: (((Masterpiece))), a delicate ink and watercolor wash rendering on rough handmade paper in a graceful, screen-filling composition, fusing the styles of the named masters. The scene depicts the Magi's journey with profound symbolism and intricate beauty. The Three Kings are presented in sharp, elegant focus: A king from Arabia, with a brown, finely detailed face and bright shining eyes, wears a long robe and turban rendered with the organic, flowing patterns of Ernst Haeckel and the shimmering gold leaf of Klimt. A king with a European complexion, his white face finely detailed with bright eyes, wears a crown and robes adorned with the whimsical, botanical detail of Daniel Merriam. A king with a black African face, finely detailed with shining eyes, wears an ornate headdress and long robe, his attire patterned with the vibrant, floral exuberance of Yvonne Coomber. They proceed reverently toward the distant stable. In the background, their camels stand immaculate and anatomically correct, rendered with the pastoral precision of Myles Birket Foster and the soft, romantic light of Mark Keathley. The atmosphere is one of mystical journey. The landscape is alive with intricate, Haeckelian patterns in the flora and starry sky, while the kings' robes dissolve into swirling, decorative Art Nouveau motifs. The overall mood is one of sacred wonder and unity, an award-winning piece where diverse artistic visions harmonize to tell a timeless story of pilgrimage and revelation.
Prompt: (((Masterpiece))), a delicate ink and watercolor wash rendering on rough handmade paper in a graceful, screen-filling composition, fusing the styles of the named masters. The scene depicts the Magi's journey with profound symbolism and intricate beauty. The Three Kings are presented in sharp, elegant focus: A king from Arabia, with a brown, finely detailed face and bright shining eyes, wears a long robe and turban rendered with the organic, flowing patterns of Ernst Haeckel and the shimmering gold leaf of Klimt. A king with a European complexion, his white face finely detailed with bright eyes, wears a crown and robes adorned with the whimsical, botanical detail of Daniel Merriam. A king with a black African face, finely detailed with shining eyes, wears an ornate headdress and long robe, his attire patterned with the vibrant, floral exuberance of Yvonne Coomber. They proceed reverently toward the distant stable. In the background, their camels stand immaculate and anatomically correct, rendered with the pastoral precision of Myles Birket Foster and the soft, romantic light of Mark Keathley. The atmosphere is one of mystical journey. The landscape is alive with intricate, Haeckelian patterns in the flora and starry sky, while the kings' robes dissolve into swirling, decorative Art Nouveau motifs. The overall mood is one of sacred wonder and unity, an award-winning piece where diverse artistic visions harmonize to tell a timeless story of pilgrimage and revelation.
Prompt: ((((Masterpiece)))), a full-screen multi-block woodcut and linocut print on rough, textured paper. The Magi's journey is depicted with profound symbolism, fusing diverse artistic visions into a unified, graphic narrative.
The Three Kings are presented in sharp, elegant focus, defined by a master key block of clean, reverent lines. The Arabian King: His finely detailed, brown face and bright eyes are carved with lifelike precision. He wears a long robe and turban adorned with organic, flowing patterns inspired by Ernst Haeckel, rendered in intricate linework. Accents of metallic gold leaf and copper patina (Klimt) shimmer on his garments. The European King: His white face is finely detailed. He wears a crown and robes patterned with the whimsical, botanical detail of Daniel Merriam, carved as delicate, interwoven floral and vine motifs. The African King: His black face is finely detailed with shining eyes. He wears an ornate headdress and long robe bursting with the vibrant, floral exuberance of Yvonne Coomber, depicted as bold, flat fields of color and joyful, overlapping blossom shapes. They proceed toward a distant, hinted stable. Behind them, their camels stand with anatomical correctness, rendered with the pastoral precision of Myles Birket Foster, their forms textured with fine stippling and cross-hatching. The landscape is alive with intricate detail. The flora incorporates Haeckelian, radial patterns, and the starry sky is a dense tapestry of tiny, stippled stars and swirling galaxies. The kings' robes themselves dissolve at their edges into swirling, decorative Art Nouveau motifs that blend with the environment. the overall palette is rich and harmonious: earthy tones for the land, deep blues and purples for the night, and the vibrant, jewel-like colors of the kings' attire. The mood is one of sacred wonder, unity, and pilgrimage, an award-winning piece where diverse artistic styles coalesce into a timeless story through the masterful layering, intricate carving, and textured beauty of printmaking. Graphic style, linocut, woodcut, key block, bold outlines, flat colors, intricate, symbolic, atmospheric, textured, stylistic, unified narrative.
Prompt: ((((Masterpiece)))), a full-screen multi-block woodcut and linocut print on rough, textured paper. The Magi's journey is depicted with profound symbolism, fusing diverse artistic visions into a unified, graphic narrative.
The Three Kings are presented in sharp, elegant focus, defined by a master key block of clean, reverent lines. The Arabian King: His finely detailed, brown face and bright eyes are carved with lifelike precision. He wears a long robe and turban adorned with organic, flowing patterns inspired by Ernst Haeckel, rendered in intricate linework. Accents of metallic gold leaf and copper patina (Klimt) shimmer on his garments. The European King: His white face is finely detailed. He wears a crown and robes patterned with the whimsical, botanical detail of Daniel Merriam, carved as delicate, interwoven floral and vine motifs. The African King: His black face is finely detailed with shining eyes. He wears an ornate headdress and long robe bursting with the vibrant, floral exuberance of Yvonne Coomber, depicted as bold, flat fields of color and joyful, overlapping blossom shapes. They proceed toward a distant, hinted stable. Behind them, their camels stand with anatomical correctness, rendered with the pastoral precision of Myles Birket Foster, their forms textured with fine stippling and cross-hatching. The landscape is alive with intricate detail. The flora incorporates Haeckelian, radial patterns, and the starry sky is a dense tapestry of tiny, stippled stars and swirling galaxies. The kings' robes themselves dissolve at their edges into swirling, decorative Art Nouveau motifs that blend with the environment. the overall palette is rich and harmonious: earthy tones for the land, deep blues and purples for the night, and the vibrant, jewel-like colors of the kings' attire. The mood is one of sacred wonder, unity, and pilgrimage, an award-winning piece where diverse artistic styles coalesce into a timeless story through the masterful layering, intricate carving, and textured beauty of printmaking. Graphic style, linocut, woodcut, key block, bold outlines, flat colors, intricate, symbolic, atmospheric, textured, stylistic, unified narrative.
Prompt: (((Masterpiece))), a delicate ink and watercolor wash rendering on rough handmade paper in a graceful, screen-filling composition, fusing the styles of the named masters. The scene depicts the Magi's journey with profound symbolism and intricate beauty. The Three Kings are presented in sharp, elegant focus: A king from Arabia, with a brown, finely detailed face and bright shining eyes, wears a long robe and turban rendered with the organic, flowing patterns of Ernst Haeckel and the shimmering gold leaf of Klimt. A king with a European complexion, his white face finely detailed with bright eyes, wears a crown and robes adorned with the whimsical, botanical detail of Daniel Merriam. A king with a black African face, finely detailed with shining eyes, wears an ornate headdress and long robe, his attire patterned with the vibrant, floral exuberance of Yvonne Coomber. They proceed reverently toward the distant stable. In the background, their camels stand immaculate and anatomically correct, rendered with the pastoral precision of Myles Birket Foster and the soft, romantic light of Mark Keathley. The atmosphere is one of mystical journey. The landscape is alive with intricate, Haeckelian patterns in the flora and starry sky, while the kings' robes dissolve into swirling, decorative Art Nouveau motifs. The overall mood is one of sacred wonder and unity, an award-winning piece where diverse artistic visions harmonize to tell a timeless story of pilgrimage and revelation.
Prompt: ((((Masterpiece)))), a full-screen multi-block woodcut and linocut print on rough, textured paper. The Magi's journey is depicted with profound symbolism, fusing diverse artistic visions into a unified, graphic narrative.
The Three Kings are presented in sharp, elegant focus, defined by a master key block of clean, reverent lines. The Arabian King: His finely detailed, brown face and bright eyes are carved with lifelike precision. He wears a long robe and turban adorned with organic, flowing patterns inspired by Ernst Haeckel, rendered in intricate linework. Accents of metallic gold leaf and copper patina (Klimt) shimmer on his garments. The European King: His white face is finely detailed. He wears a crown and robes patterned with the whimsical, botanical detail of Daniel Merriam, carved as delicate, interwoven floral and vine motifs. The African King: His black face is finely detailed with shining eyes. He wears an ornate headdress and long robe bursting with the vibrant, floral exuberance of Yvonne Coomber, depicted as bold, flat fields of color and joyful, overlapping blossom shapes. They proceed toward a distant, hinted stable. Behind them, their camels stand with anatomical correctness, rendered with the pastoral precision of Myles Birket Foster, their forms textured with fine stippling and cross-hatching. The landscape is alive with intricate detail. The flora incorporates Haeckelian, radial patterns, and the starry sky is a dense tapestry of tiny, stippled stars and swirling galaxies. The kings' robes themselves dissolve at their edges into swirling, decorative Art Nouveau motifs that blend with the environment. The overall palette is rich and harmonious: earthy tones for the land, deep blues and purples for the night, and the vibrant, jewel-like colors of the kings' attire. The mood is one of sacred wonder, unity, and pilgrimage, an award-winning piece where diverse artistic styles coalesce into a timeless story through the masterful layering, intricate carving, and textured beauty of printmaking. Graphic style, linocut, woodcut, key block, bold outlines, flat colors, intricate, symbolic, atmospheric, textured, stylistic, unified narrative.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
3d
3d
